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Alchemy and Exemplary Poetry in Middle English Literature (The New Middle Ages)

by Curtis Runstedler

This book explores the different functions and metaphorical concepts of alchemy in fourteenth- and fifteenth-century Middle English poetry and bridges them together with the exempla tradition in late medieval English literature. Such poetic narratives function as exemplary models which directly address the ambiguity of medieval English alchemical practice. This book examines the foundation of this relationship between alchemical narrative and exemplum in the poetry of Gower and Chaucer in the fourteenth century before exploring its diffusion in lesser-known anonymous poems and recipes in the fifteenth century, namely alchemical dialogues between Morienus and Merlin, Albertus Magnus and the Queen of Elves, and an alchemical version of John Lydgate’s poem The Churl and the Bird. It investigates how this exemplarity can be read as inherent to understanding poetic narratives containing alchemy, as well as enabling the reader to reassess the understanding and expectations of science and narrative within medieval English poetry.

Alden Nowlan Selected Poems: Selected Poems (A List)

by Alden Nowlan

The best of beloved poet Alden Nowlan's explicitly honest, direct, and insightful poetry. Now featuring an introduction by Susan Musgrave. Alden Nowlan, one of Canada's finest and most influential poets, died in 1983. He leaves a rich legacy of poetry that is accessible yet profound, and that speaks to people's lives with wry observation and keen insight. Alden Nowlan Selected Poems is for Nowlan fans and new readers alike. The poems included in this volume reflect the recurring themes that illuminate Nowlan's work, and it is truly the best of his poetry. Above all, this volume is a tribute to a poet who deserves to be treasured for all time.

Alexander Pope (Routledge Revivals)

by G.S. Fraser

First published in 1978, Alexander Pope is an introduction to Pope’s life and work, which sets the poet solidly in his age and relates the liveliness and variety of his poetry to the strange combination of chronic invalidism and a sociable disposition which marked his life. G. S. Fraser argues that Pope is a more varied figure than his reputation as a great satirist indicates and that he is in some ways more a survivor from the Restoration than a precursor of middle-class morality. Special attention is paid to the poems in the first Collected Works of 1717, which displays both Pope’s gaiety and his sense of colour and beauty. The dignity of his translation of Homer and the thoughtfulness and piety of An Essay on Man are also emphasised. His satirical genius, which found its greatest expression during the later years of declining health, is not ignored but set in perspective. Many readers of this persuasively argued study will be surprised to discover in it a gayer, more warm-hearted and more likeable Pope than they had, perhaps, imagined. Students of English literature will find this book immensely refreshing.

Alexander Pope: Everyman's Poetry

by Alexander Pope Douglas Brooks-Davies

Chief satirist of the Augustan age, as seen in The rape of the Lock, Pope spoke out against society and his profession, in poetry of bitter invective and biting humour.

Alexander Pope’s Catholic Vision: "Slave to no sect"

by G. Douglas Atkins

A fresh look at the greatest poet of early eighteenth-century England, this highly readable book focuses on Pope's religious thinking and major poems. G. Douglas Atkins extends the argument that the Roman Catholic poet was no Deist, 'closet' or otherwise.

Alexander Vvedensky: An Invitation For Me To Think (NYRB Poets)

by Matvei Yankelevich Eugene Ostashevsky Alexander Vvedensky

"Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated.... According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' ... It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." -- Pussy Riot [Nadezhda Tolokonnikova's closing statement at their trial in August 2012] "I raise[d] my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky--with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")--responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime--he made a living as a writer for children before dying under arrest in 1942--and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.

Alfred Lord Tennyson

by Harold Blooom

Essays by T. S. Eliot, G. M. Young, Cleanth Brooks, Marshall McLuhan, Robert Langbaum, Christopher Ricks, John Rosenberg, John Hollander, Harold Bloom, A. Dwight Culler, and Robert Bernard Martin.

Alfred Tennyson

by Andrew Lang

INTRODUCTION. IN writing this brief sketch of the Life of Tennyson, and this attempt to appreciate his work, I have rested almost entirely on the Bio- graphy by Lord Tennyson with his kind per- mission and on the text of the Poems. <P> <P> As to the Life, doubtless current anecdotes, not given in the Biography, are known to me, and to most people. But as they must also be familiar to the author of the Biography, I have not thought it desirable to include what he rejected. The works of the localisers I liave not read Tennyson disliked these researches, as a rule, and they appear to be unessential, and often hazardous. The professed commentators I have not consulted. It appeared better to give ones own impressions of the Poems, unaffected by the impressions of others, except in one or two cases where matters of fact rather than of taste seemed to be in question. Thus on two or three points I have ventured to differ from a distinguished living critic, and have given the reasons for my dissent. . .

Alias Anna: A True Story of Outwitting the Nazis

by Greg Dawson Susan Hood

The moving true story of how young Ukrainian Jewish piano prodigies Zhanna (alias “Anna”) and her sister Frina outplayed their pursuers while hiding in plain sight during the Holocaust. A middle grade nonfiction novel-in-verse by award-winning author Susan Hood with Greg Dawson (Zhanna’s son).She wouldn’t be Zhanna. She’d use an alias. A for Anna. A for alive.When the Germans invade Ukraine, Zhanna, a young Jewish girl, must leave behind her friends, her freedom, and her promising musical future at the world’s top conservatory. With no time to say goodbye, Zhanna, her sister Frina, and their entire family are removed from their home by the Nazis and forced on a long, cold, death march. When a guard turns a blind eye, Zhanna flees with nothing more than her musical talent, her beloved sheet music, and her father’s final plea: “I don’t care what you do. Just live.” This incredible true story in-verse about sisterhood, survival, and music is perfect for fans of Lifeboat 12, Inside Out and Back Again, and Alan Gratz.Includes extensive back matter with original letters and photographs, additional information, and materials for further reading.

Alice Walker: Her Blue Body Everything We Know: Earthling Poems 1965-1990

by Alice Walker

The collected poems of the Pulitzer Prize winning author of THE COLOR PURPLE.'I am the womanoffering two flowerswhose roots are twin.Justice and HopeHope and JusticeLet us begin'Alice Walker has been writing poetry since the summer of 1965, when she travelled to East Africa and began the collection ONCE while sitting beneath a tree facing Mount Kenya.Encompassing the collections ONCE, REVOLUTIONARY PETUNIAS & OTHER POEMS, GOOD NIGHT WILLIE LEE I'LL SEE YOU IN THE MORNING, and HORSES MAKE A LANDSCAPE LOOK MORE BEAUTIFUL as well as other poems, this is a wonderful, surprising, entertaining collection that offers a historical perspective on the evolution of both the poetry itself and the political and spiritual inspiration behind it.

Alien vs. Predator

by Michael Robbins

The debut collection of a poet whose savage, hilarious work has already received extraordinary notice. Since his poems first began to appear in the pages of The New Yorker and Poetry, there has been a lot of excited talk about the fresh and inventive work of Michael Robbins. Equal parts hip- hop, John Berryman, and capitalism seeking death and not finding it, Robbins's poems are strange, wonderful, wild, and completely unlike anything else being written today. As allusive as the Cantos, as aggressive as a circular saw, this debut collection will offend none but the virtuous, and is certain to receive an enormous amount of attention. .

Alien, Correspondent

by Antony Di Nardo

These astute, generous poems give us contemporary Beirut in all its ravaged and incongruent beauty. This arresting first collection is, in part, a delicately balanced look at Beirut from the perspective of a Westerner who lives and works in that remarkable city. Whether writing about the Middle East or about domestic life, Di Nardo refuses to romanticize; he doesn’t moralize about the causes of perennial conflicts. He is that rare thing: a clear-eyed witness. Here and there Starbucks coffee cups collide with service taxis and re-assign the chaos, litter the brittle landscape of the coast, while the world command picks through the sands of lawlessness for just a grain of what remains of itself, the little air of familiarity defunct, despised and fed to those on foot like scraps to gutter cats in the shade of too many parked cars that took the place of date palms standing on the sidewalks. Yet no one would ever leave their shift at the wheel, or turn home in the grim belief life’s purpose is that unreal. (from “Oh the streets of West Beirut”) “Time and space are lenses Di Nardo overlays to bring Beirut into historic and personal focus… Evidence of violence abounds here, as does love, and Di Nardo epitomizes, like Cavafy, the empathy required to be its perfect correspondent.” –John Barton

Alight

by Fady Joudah

The poems in Alight alternate between the estranging familial and strangely familiar, between burning and illumination. As father, husband, and physician, Fady Joudah gives children and vulnerable others voice in this hauntingly lyrical collection, where, with quiet ferociousness, one's self can be reclaimed from suffering's grip over mind and spirit.Fady Joudah is a Palestinian-American poet, translator, and physician of internal medicine. He received his medical training from the Medical College of Georgia and University of Texas, and served with Doctors Without Borders in 2002 and 2005. His first book, The Earth in the Attic, won the 2007 Yale Series of Younger Poets competition, judged by Louise Glück. In 2010 he received a PEN translation award for his translations of Palestinian poet Mahmoud Darwish.

Alive

by Elizabeth Willis

American poet Elizabeth Willis has written an electrifying body of work spanning more than twenty years. With a wild and inquisitive lyricism, Willis--"one of the most outstanding poets of her generation" (Susan Howe)--draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury.

Alive Together: New and Selected Poems

by Lisel Mueller

In a collection that represents over thirty-five years of her writing life, this distinguished poet explores a wide range of subjects, which include her cultural and family history and reflect her fascination with music and the discoveries offered by language. In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and mortality - "the hard, dry smack of death against the glass." To this community Mueller presents moments after moment where the personal and public realms intersect, where lives ranging from her own to those of Mary Shelley and Anton Webern illuminate the ways in which history shapes our lives. In "Brendel Playing Schubert," Mueller's breathtaking linguistic virtuosity reminds us how music can transport us out of ourselves and into "the nowhere where the enchanted live"; in "Midwinter Notes," the crepuscular world, stripped of its veil, shines forth as a signal from some realm where the sense of things may be revealed. In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own.<P><P> Pulitzer Prize Winner

Alive Together: New and Selected Poems

by Lisel Mueller

In a collection that represents over thirty-five years of her writing life, this distinguished poet explores a wide range of subjects, which include her cultural and family history and reflect her fascination with music and the discoveries offered by language. In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and morality—“the hard, dry smack of death against the glass.” In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own. “Speaking of marvels,” says the poem’s speaker, “I am alive.” Thus we, too—alive together—are marvels, and so are our children: who—but for endless ifs— might have missed out on being alive together with marvels and follies and longings and lies and wishes and error and humor and mercy and journeys and voices and faces and colors and summers and mornings and knowledge and tears and chance. Imaginative, poignant, and wise—Alive Together is a marvelous book, an act of faith and courage in the face of life’s enduring mystery.

All Aboard the Bedtime Bus

by Karl Newson

Follow along with the animals on the bedtime bus as they brush teeth, take a bath, put on pajamas, and read a bedtime story in this rhyming bedtime book.Children can join the bus driver and all his sleepy passengers as they go on a magical bus trip to bedtime. Watch them travel from stop to stop on the bedtime bus as they brush their teeth at Snoozyville, put on their pajamas at Slumber Town, and read bedtime stories at Sleepy Land. And when the bedtime bus reaches its destination and the engine stops and the lights turn off, the adorable animal friends snuggle up to sleep.

All Along You Were Blooming: Thoughts for Boundless Living

by Morgan Harper Nichols

A celebration of hope. An encounter with grace. A restoration of the heart. A healing of wounds. An anthem of freedom. All Along You Were Blooming is the ultimate love letter from the pen of popular Instagram poet Morgan Harper Nichols to your mind, to your heart, to your soul, and to your body.Morgan Harper Nichols delivers a striking collection of illustrated poetry and prose, inviting you to "stumble into the sunlight" and delight in the wild and boundless grace you've been given. There is a purpose in every season, and no matter how you want to race through this day or run away from this place, rest assured that you are invited to live fully—right here, right now. Light will always find you, and even when the sun sets and you sit awaiting the dawn, know you are still blooming in the way you were meant to. And in each small moment, whether in the light or the dark, you can make room for becoming, for breathing, for stumbling, and for simply being—for there is Grace, today and every day.

All Are Welcome

by Alexandra Penfold

Illustrations and simple, rhyming text introduce a school where diversity is celebrated and songs, stories, and talents are shared. <p> <b>New York Times Bestseller</b>

All Day I Dream About Sirens

by Domenica Martinello

From Homer to Starbucks, a look at sirens and mermaids and feminism and consumerism. <P><P> What started as a small sequence of poems about the Starbucks logo grew to monstrous proportions after the poet fell under a siren spell herself. All Day I Dream About Sirens is both an ancient reverie and a screen-induced stupor as these poems reckon with the enduring cultural fascination with siren and mermaid narratives as they span geographies, economies, and generations, chronicling and reconfiguring the male-centered epic and women's bodies and subjectivities.

All Dogs Are Good: Poems & Memories

by Courtney Peppernell

Written for anyone who has known the touch of a cold nose on their hand, the bark of a best friend, or the joy of a walk accompanied by a wagging tail, All Dogs Are Good pays tribute to the special bond we share with our canine companions.Filled with heartfelt poems and prose on the love, dedication, and laughter our dogs bring, as well as the unique lessons they teach us along the way, bestselling author Courtney Peppernell&’s vignettes of life with our dogs are a touching reminder of the gifts they give us during their journey on earth. Celebrating dogs everywhere, All Dogs Are Good is a collection dog lovers will hold in their hearts forever.

All He Knew

by Helen Frost

A 2021 Scott O'Dell Award WinnerA Society of Midland Authors Winner in Children's FictionA Bank Street Best Book of the Year 2021A novel in verse about a young deaf boy during World War II, the sister who loves him, and the conscientious objector who helps him. Inspired by true events.Henry has been deaf from an early age—he is intelligent and aware of langauge, but by age six, he has decided it's not safe to speak to strangers. When the time comes for him to start school, he is labeled "unteachable." Because his family has very little money, his parents and older sister, Molly, feel powerless to help him. Henry is sent to Riverview, a bleak institution where he is misunderstood, underestimated, and harshly treated.Victor, a conscientious objector to World War II, is part of a Civilian Public Service program offered as an alternative to the draft. In 1942, he arrives at Riverview to serve as an attendant and quickly sees that Henry is far from unteachable—he is brave, clever, and sometimes mischievous. In Victor's care, Henry begins to see how things can change for the better. Heartbreaking and ultimately hopeful, Helen Frost's All He Knew is inspired by true events and provides sharp insight into a little-known element of history.

All I Feel Is Rivers: Dervish Essays

by Robert Vivian

All I Feel is Rivers is a collection of a new hybrid writing that, though spiritually akin to prose poems, retains an essayistic form. After several life-changing trips to Turkey, Robert Vivian took up a deep study of Rumi, the thirteenth-century Sufi mystic, poet, and founder of the religious order that performs the now-famous dervish dance. Vivian&’s fascination seeped into his writing, and his newly conceived dervish essays reflect the dynamic movement and ancient symbolism of the ritual dance with wild lyricism, sometimes breathless cadences, and mesmerizing unspooling. Utterly fearless in their passionate avowals of life&’s many manifestations, these essays showcase the surprising connectivity between the sacred and profane, uncovered by associative drifting. Vivian&’s essays take on grief and loss, the natural world and climate, spirituality and ecstasy, all while pushing the boundaries of what prose can do.

All Is Flesh

by Hugh Hazelton Yannick Renaud

All Is Flesh collects in one volume Hugh Hazelton's English translations of Yannick Renaud's brilliant first two books of poems, Taxidermy and The Disappearance of Ideas, first published by Éditions Les Herbes rouges in Montreal.Taxidermy is a discourse on time consisting of prose poems stretched to the very limits of detachment. A completely objectified couple, alternately speaking as simply "he" or "she," strive to attain perfect control over their physical movements. Slowing them down, even stopping them, is equivalent in their minds to seizing and savouring the essence of the present and, by extension, to stopping time in their lives-an enactment of the romantic aesthetics of Keats's "Ode on a Grecian Urn." Their attempts at "holding the pose," as much for themselves as for each other, generate a tension in their voices-at once demanding, yearning and confessional-between the need for both static form and fluid movement in the choreography of their lives, which seeks to "occupy space unequivocally."The Disappearance of Ideas is a meditation on time that interrogates death and mourning, reminding us that "death remains the privilege of the living" and that "cathedrals tell us nothing more than the time on their stones." Unsentimental and intellectualized, the poems generate their radiant intensity by drawing our attention to the part of mourning that remains unresolved and inaccessible in our memories, reminding us of "what we don't know of stories." But this absence, what remains unknown of the past to us, also haunts our futures, where "actions taken only hinder what should have been," and "there is no second chance." As Baudrillard has said: "Things live only on the basis of their disappearance, and, if one wishes to interpret them with entire lucidity, one must do so as a function of their disappearance."

All Its Charms (American Poets Continuum #171)

by Keetje Kuipers

A luminous new collection from Keetje Kuipers, All Its Charms is a fearless and transformative reckoning of identity. By turns tender and raw, these poems chronicle Kuipers’ decision to become a single mother by choice, her marriage to the woman she first fell in love with more than a decade before giving birth to her daughter, and her family’s struggle to bring another child into their lives. All Its Charms is about much more than the reinvention of the American family—it’s about transformation, desire, and who we can become when we move past who we thought we would be.

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