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Little Wet-Paint Girl (Mingling Voices)
by Ouanessa YounsiBorn to a French-Canadian mother and Algerian father, Ouanessa Younsi is a bold and unique voice in modern Francophone poetry. In this intensely personal recitation on identity and ethnicity, Younsi takes the reader on a surreal odyssey through a liminal world of belonging and unbelonging, absence and presence, mind and body. Her visionary work, first published in French and translated here by Rebecca Thompson, is unsettling, riveting and guaranteed to leave readers contemplating the existential mysteries of “self.”
The Little Yellow House
by Heather Simeney MacleodWhat have you forgotten and what have you lost? The Little Yellow House investigates recollection - searching for people and the objects that bind them to memory - to uncover the story or the small moment between people and things. Heather Simeney MacLeod explores masterpieces, biblical stories, scientific theories, notions of reincarnation, and engages them with the plain, the lucid, and yet vibrant characters that resound with significance and vigor. Her verse reveals the secrets we have always known but somehow misplaced, whispering, "And we waste, we squander / we misplace, we misremember, and we forget." Poised between incident and memory, MacLeod's poetry considers the stillness between reflection and forgetting. A spirited and remarkable collection, The Little Yellow House joins together everyday and extraordinary occasions to suggest that we remember and misremember more than we suppose.
Little You / Anetséleh: Little You - South Slavey edition
by Richard Van CampRichard Van Camp, internationally renowned storyteller and bestselling author of the hugely successful Welcome Song for Baby: A Lullaby for Newborns, has partnered with award-winning illustrator Julie Flett to create a tender board book for babies and toddlers that celebrates the potential of every child. With its delightful contemporary illustrations, Little You is perfect to be shared, read or sung to all the little people in your life—and the new little ones on the way!
Little You / Nën Nechíle: Little You - Chipewyan edition
by Richard Van CampRichard Van Camp, internationally renowned storyteller and bestselling author of the hugely successful Welcome Song for Baby: A Lullaby for Newborns, has partnered with award-winning illustrator Julie Flett to create a tender board book for babies and toddlers that celebrates the potential of every child. With its delightful contemporary illustrations, Little You is perfect to be shared, read or sung to all the little people in your life—and the new little ones on the way!
Littlest Blessings
by Lynn C. JohnstonAn uplifting anthology of short stories and poems celebrating the joy and wonderment children bring and the enduring lessons they teach.
The Littlest Family's Big Day
by Emily Winfield MartinFrom the New York Times bestselling author of The Wonderful Things You Will Be, meet Emily Winfield Martin's little forest family and the adventures they have on one very big day.Who is only under 5 inches tall and has just moved to the woods? The cutest and littlest bear family you have ever seen--and their adopted teeny tiny fox tot! What happens when they venture out to explore their new world...? With an easy-to-read story and the careful brushstrokes of Emily Winfield Martin's illustrations, The Littlest Family's Big Day captures the mystery and magic of the woods. Inspired by classic children&’s books such as The Littlest Fur Family and Dream Animals, this is a radiant treasure to be cherished for generations.
Liturgia Infernal
by Roberto Carlos Pavón Carreón SatanaLa Biblia, que es la palabra de Dios, es el libro de mayor distribución en el mundo. El diablo, que es el dios simio, ha decidido finalmente tentar su suerte en el mundo de la literatura y, aunque en un retraso de unos pocos miles de años en comparación con las religiones del libro, publicó un libro de oraciones que sin duda pretende asentarse como el hit literaro del siglo XXI. La liturgia del infierno de Satanás es una parodia real invertida de liturgias tradicionales, oraciones, invocaciones, salmos, himnos, letanías, lamentaciones y lecturas que evocan al príncipe de la oscuridad y los demonios que le asisten en las ceremonias infernales. El maligno hace gala de una vena literaria de notable calidad: un lenguaje crudo con rasgos alucinantes, métrica estricta y solemne que es adecuada para el uso litúrgico para la que está destinado el libro, una vena lírica fría y oscura que atrae a las almas a los remolinos demoníacos. El enfoque de los últimos tiempos es ahora una percepción generalizada en el mundo contemporáneo: "El que tiene oído tiene la intención", advirtió San Juan. Y entonces, si el diablo ha escrito un libro, ¿no es este el signo más claro de la inminente apocalipsis?
Live at the Bitter End
by Ed PavlicRecasting the “trial of the century,” Ed Pavli ’s vertiginous new collection puts a century of segregation on trial for its soulSet in the vernacular origins of modernity, Live at the Bitter End puts the racialized logic of 20th century aesthetics on trial. Mixing anonymous voices with the testimonies of figures such as Paul Cézanne, Charles Mingus, Emma Bardac, Erik Satie, Alberto Giacometti, Billie Holiday, Pierre Bonnard, Samuel Beckett, Miles Davis, and others, Ed Pavli weaves a playfully raucous and intimately violent work of satirical force. Adhering to the structure of a murder trial, Live at the Bitter End bears lyrical witness to racial separation, masquerade, mongrelization, and communion to show how those connections (in love, lust, trust and betrayal) sound deep in the textures of who we are.
Live from the Homesick Jamboree (Wesleyan Poetry Series)
by Adrian BlevinsLive from the Homesick Jamboree is a brave, brash, funny, and tragic hue and cry on growing up female during the 1970s, "when everything was always so awash" that the speaker finds herself adrift among adults who act like children. The book moves from adolescence through a dry-eyed, poignant exploration of two marriages, motherhood, and the larger world, with the headlong perceptiveness and brio characteristic of Adrian Blevins's work. This poetry is plainspoken and streetwise, brutal and beautiful, provocative and self-incriminating, with much musicality and a corrosive bravura, brilliantly complicated by bursts of vernacular language and flashes of compassion. Whether listening to Emmylou Harris while thinking she should be memorizing Tolstoy, reflecting on her "full-to-bursting motherliness," aging body, the tensions and lurchings of a relationship, or "the cockamamie lovingness" of it all, the language flies fast and furious. As the poet Tony Hoagland wrote of Blevins's previous book, The Brass Girl Brouhaha, "this is the dirty, trash-talking, highly edified real thang."
Live or Die: Poems
by Anne SextonWinner of the Pulitzer Prize: A gripping poetry collection mapping the thorny journey from madness to hope With her emotionally raw and deeply resonant third collection, Live or Die, Anne Sexton confirmed her place among the most celebrated poets of the twentieth century. Sexton described the volume, which depicts a fictionalized version of her struggle with mental illness, as "a fever chart for a bad case of melancholy." From the halls of a psychiatric hospital--"the scene of the disordered scenes" in "Flee on Your Donkey"--to a child's playroom--"a graveyard full of dolls" in "Those Times . . ."--these gripping poems offer profound insight on the agony of depression and the staggering acts of courage and faith required to emerge from its depths. Along with other confessional poets like Sylvia Plath and Robert Lowell, Sexton was known for grappling with intimate subjects traditionally considered taboo for poetry such as motherhood, menstruation, and drug dependence. Live or Die features these topics in candid and unflinching detail, as Sexton represents the full experience of being alive--and a woman--as few poets have before. Through bold images and startlingly precise language, Sexton explores the broad spectrum of human emotion ranging from desperate despair to unfettered hope.
Lives: Poems About Famous Americans
by Lee Bennett Hopkins Leslie StaubPoetry that makes us appreciate the magnitude of lives filled with courage, enthusiasm, inspiration. Lives: Poems About Famous Americans is the ideal introduction to sixteen American personalities who have changed the course of history. Favorite anthologist Lee Bennett Hopkins has brought together the work of a number of accomplished writers and poets, among them Jane Yolen, Nikki Grimes, and X. J. Kennedy, to portray such figures as Sacagawea, Babe Ruth, John Fitzgerald Kennedy, and Martin Luther King, Jr. Leslie Staubs portraits contain a poetry of their own, capturing a bit of history in the glint of smile or the reach of a hand. Lives is a book for all readers to savor. Notable Children's Trade Books in the Field of Social Studies 2000, National Council for SS & Child. Book Council
The Lives and Times of Archy and Mehitabel
by Don MarquisOf all the literary genres, humor has the shortest shelf life--except for Archy and Mehitabel, that is. First published in 1916, it is a classic of American literature. Archy is a cockroach, inside whom resides the soul of a free-verse poet; he communicates with Don Marquis by leaping upon the keys of the columnist's typewriter. In poems of varying length, Archy pithily describes his wee world, the main fixture of which is Mehitabel, a devil-may-care alley cat.
Lives of the Animals
by Robert WrigleyLives of the Animals takes us to that place where the boundaries between predator and prey, the observer and the observed, merge, reverse, become re-imagined. We find ourselves inside a story of death and life, witness to acts of survival so primal they seem less instinctive than passionate. And it is passion that most informs these poems: the bond between lovers, between parent and child, between humans and other animals, both wild and domestic, that populate our shared world of hunger and need. .
Lives of the Animals
by Robert WrigleyLives of the Animals takes us to that place where the boundaries between predator and prey, the observer and the observed, merge, reverse, become re-imagined. We find ourselves inside a story of death and life, witness to acts of survival so primal they seem less instinctive than passionate. And it is passion that most informs these poems: the bond between lovers, between parent and child, between humans and other animals, both wild and domestic, that populate our shared world of hunger and need.
Lives of the Great Romantics, Part II, Volume 1
by John Mullan Ralph Pite Fiona Robertson Jenny WallaceIn this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
Lives of the Great Romantics, Part II, Volume 2: Keats, Coleridge And Scott By Their Contemporaries (Lives Of The Great Romantics Ser.)
by John Mullan Ralph Pite Fiona Robertson Jenny WallaceIn this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
Living as an Author in the Romantic Period (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by Matthew SangsterThis book explores how authors profited from their writings in the late eighteenth and early nineteenth centuries, contending that the most tangible benefits were social, rather than financial or aesthetic. It examines authors’ interactions with publishers; the challenges of literary sociability; the vexed construction of enduring careers; the factors that prevented most aspiring writers (particularly the less privileged) from accruing significant rewards; the rhetorical professionalisation of periodicals; and the manners in which emerging paradigms and technologies catalysed a belated transformation in how literary writing was consumed and perceived.
The Living Image: Shakespearean Essays
by T. R. HennFirst published in 1972. The imagery of field sports - of hawking, hunting, shooting and fishing - and the associated imagery of warfare are a striking feature in Shakespeare's plays. The Living Image examines the nature of this imagery, considering it first in the light of the practices and techniques of Elizabethan field sports and weaponry and then its broader metaphoric significance in relation to the themes of the plays. The contemporary associations of the imagery - the inferences of female sexuality and waywardness from hawking imagery, for example, and the ideals of nobility and courage attached to images of hunting and war are all discussed.
Living in the Past
by Philip SchultzSet in Rochester, New York, in the fifties, this extraordinary book-length sequence traces the year in a boy's life leading up to his bar mitzvah and passage into manhood. There is a lively mixture of ethnic groups here-many of them displaced by the war in Europe-with new hopes and dreams. It is a uniquely American place, where "no matter how far down you started from, you began again from the beginning." As the alternately elegiac and humorous poems conclude, the boy has become a man with a family of his own, but memories of his childhood linger. The cycles of life go on, and Schultz continues to render them with wit, grace, and above all a sense of wonder. I know what Mrs. Einhorn said Mrs. Edels told Mr. Kook about us: God save us from having one shirt, one eye, one child. I know in order to survive. Grandma throws her shawl of exuberant birds over her bony shoulders and ladles up yet another chicken thigh out of the steaming broth of the infinite night sky. -from "Grandma climbs"
Living Lessons
by Lynn C. JohnstonLiving Lessons is an inspirational collection of short stories and poems illustrating the enduring legacy of life's most important lessons in courage, tolerance, optimism, love and support as it is passed to us by the amazing people who touch our lives. These pieces, written by some of today's most prolific writers, will warm your heart, uplift your spirit and leave you with a greater appreciation of what can be learn from others. Contributors include Poet Laureates Elaine Morgan and Michael S. Glaser, Pushcart Prize winner Paul Hostovsky, New York Post and Huffington Post columnist Tina Traster, several Chicken Soup for the Soul(r) contributors and dozens of noted writer
The Living Milton: Essays by Various Hands (Routledge Revivals)
by Sir Frank KermodeVarious aspects of Milton are explored in this collection of essays by scholars whose reputations were, at the time of publication in 1960, perhaps largely based on their writings on more modern subjects. This had the advantage of demonstrating that Milton as a poet is "alive" and that other attempts to represent him as irrelevant to the interests of the modern reader had failed. The essays offer to admirers of Milton and of modern poetry cogent and mature arguments for restoring a great poet to his proper authority in our literary life.
Living Nations, Living Words: An Anthology Of First Peoples Poetry
by Joy HarjoA powerful, moving anthology that celebrates the breadth of Native poets writing today. Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.
Living On Fire: A Collection of Poems
by Virginia Hamilton AdairReturning to the range, structure, and lyric quality of the national bestseller Ants on the Melon, Virginia Hamilton Adair's new collection of poetry, Living on Fire, establishes more firmly than ever this writer's literary eminence. In clear, memorable poems--about love in its many variations, about music, about the American desert, about mortality, and about her own blindness--the poet speaks to her readers with a directness distinctly American, and with feeling enhanced and deepened by technical rigor. Of young love she writes, "Their arms bound them together like timbers/for a raft and they rocked a little, as if on water. " Of her blindness: "Blind to abundance when I was not blind,/I breathe one rose and hold it in my mind. " Of the Mojave she recalls "long purple robes trailing down the arroyos. /As the sky dims into dusk. " All the poems in Living on Fire create their own small worlds. During a long-ago trip down the Mississippi, the author recalls, "Sometimes our waterways became narrow and dim, dark mirrors/under live-oak branches hung with Spanish moss and snakes. " A new love affair brings "this nighttime madness/in the backseat of a roadster. " Later, she remarks with almost as much wonder as sadness, "Sightless,/I have become a stranger to my own person. " Together, these poems articulate a sensibility at once distinctive and universal. Virginia Hamilton Adair has taken the specificities of her own sometimes joyous, sometimes tragic life and transformed them into powerful celebrations and elegies whose beauty and profundity will affect everyone who reads them. Even in the midst of despair, this is a poet whose work, in its sustained passion, indeed lives on fire.
Living on the Surface: New and Selected Poems
by Miller WilliamsFederico Garc a Lorca did not know Miller Williams, of course, but he was describing him when he told us that a poet is "professor of the five senses." The poems in this collection cover thirty years of loving contact with the endlessly varied surfaces of the world. They are poems in which the common furniture of our lives is always present, in which the universal resides in the local, in which elegance is born of clarity.We have enough to fret about.Almost all of us concur,we'll live with the holidays we haveand the grace of God as if it were.("He Speaks to His Arguing Friends and to Himself")The poems are moments from human lives turned into art, but never removed from where they were found.Grass grows out of every sidewalk crack.Briars have taken the garden.The arteries of the old dog harden almost audibly.The basement door is broken and the mice are back.("A Summer Afternoon An Old Man Gives Some Thought to the Central Questions")As John Ciardi wrote of Williams and his work, "Taken beginning to end, as both the word and the fact go, these are remarkable poems for -- among other things -- the deceptively plain straightforwardness of them. Miller Williams writes about ordinary people in the extraordinary moments of their lives. Even more remarkable, doing this, is how perilously close he plays to plain talk without ever falling into it; how close he comes to naked sentiment without yielding to it; how close he moves to being very sure without ever losing the grace of uncertainty. Add to this something altogether apart, that what a good reader can expect to sense, coming to these poems, is a terrible honesty, and we have among us a voice that makes a difference."
Living Prayers, Poems and Poetry
by True E. ReadywriterThe author mingles poems, prayers and devotional thoughts.