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The Maidens: The instant Sunday Times bestseller from the author of The Silent Patient
by Alex MichaelidesWe all keep secrets. Even from ourselves.'A thrilling, heart-in-throat ride' STEPHEN FRY'An absolute jaw-dropper' LUCY FOLEY'Elegant, sinister, stylish' CHRIS WHITAKER'Grips from start to finish' HARRIET TYCE* * * * *YOU ARE INVITED TO JOIN THE MAIDENS.The Maidens are Cambridge University's most exclusive society, whose members are selected by the charismatic professor of Greek tragedy, Edward Fosca.A SECRETIVE SET OF THE BRIGHTEST, MOST CAPTIVATING STUDENTS.When one of the Maidens is murdered, grieving young therapist Mariana Andros is drawn back to the idyllic campus where she was once herself a student.THE GROUP FROM WHICH EACH VICTIM WILL BE CHOSEN.Because beneath the university's ancient traditions and beauty is a web of secrets, jealousy and lies. And when the killer threatens the person she loves most, Mariana will give anything to stop them - even her own life... From the #1 global bestselling author of The Silent Patient comes a spellbinding tale of psychological suspense, weaving together Greek mythology, murder, and obsession...* * * * *'There's definitely a flavour of The Secret History to Alex Michaelides's second novel ... The Maidens is a compelling read, and delivers its Hellenic thrills in style.' SUNDAY TELEGRAPH'A book which screams 'make me into a TV series' ... his writing, especially his characterisation, possesses a unique sparkle and more promise than most other writers.' DAILY MAIL'Nothing short of genius.' WOMAN & HOME'How do you go about following one of the biggest thrillers of the past decade? You write something even better.' CHRIS WHITAKER, bestselling author of WE BEGIN AT THE END'Grips from intriguing start to horrifying finish ... A brilliant achievement.'HARRIET TYCE'A page-turner of the first order'DAVID BALDACCI'The greatest campus novel since The Secret History by Donna Tartt ... with a climatic twist that you will NEVER see coming.'TONY PARSONS'A stunning psychological thriller ... Michaelides is on a roll.'PUBLISHERS WEEKLY
Main Maseeha Nahin: मैं मसीहा नहीं
by Sonu Sood Meena K. Iyerकभी-कभार ब्रह्मांड का कोई छोटा सा संकेत इंसान को उसके जीवन का उद्देश्य ढूँढ़ने में मदद कर देता है। अगर अभिनेता सोनू सूद एक मशहूर हस्ती के रूप में अपने शानो-शौकत से भरे जीवन को तवज्जो देते रहते और सिर्फ रिमोट कंट्रोल से अपनी उदारता दर्शाते, तो वह कभी भी भारत के प्रवासी मजदूरों के दर्द से रूबरू नहीं होते या कभी यह नहीं समझ पाते कि भोजन का महज़ एक पैकेट कभी भी किसी मजदूर को घर भेजे जाने के इंतज़ाम का विकल्प नहीं हो सकता। कोविड-19 महामारी के समय राष्ट्रव्यापी लॉकडॉन के दौरान जब गरीब मजदूरों के झुंड का झुंड अपने सुदूर गाँवों की तरफ रवाना हुआ, तो उनके माता-पिता का सिखाया हुआ सेवा का संस्कार सोनू सूद के अंदर जाग उठा और वे तुरंत हरकत में आ गए। उन्होंने सामने आकर मोर्चा संभाला और दुखी-पीड़ित लोगों के पास पहुँचे। उन्होंने समर्पित लोगों की टीम बनाई और देश और विदेश से भी लोगों को उनके घर लौटाने का इंतज़ाम किया। ऐसा करके उन्होंने हज़ारों असहाय और ज़रूरतमंद श्रमिकों की मदद की। इस तरह एक मानवतावादी मिशन के तौर पर उनका घर “भेजो अभियान” शुरू हुआ। इसके लिए उन्होंने चार्टर्ड फ्लाइट, बसों और ट्रेनों को सेनिटाइज़ करवाया और उसका ख़र्च वहन किया। दुनिया भर के लोगों से आ रही दुख भरी फोन कॉल्स को सुनने और जवाब देने का उन्होंने इंतज़ाम करवाया। जल्द ही वह अभियान नौकरी दिलवाने, चिकित्सा सुविधा मुहैया करवाने और श्रमिकों को शैक्षणिक सहायता मुहैया करवाने में तब्दील हो गया। फिल्मी पर्दे का वह खलनायक वास्तविक जीवन में लोगों के सामने एक कद्दावर नायक की तरह प्रकट हुआ। अपने संस्मरण मैं मसीहा नहीं (आई एम नो मसीहा का हिंदी अनुवाद) में सोनू सूद मोगा से मुंबई तक की अपनी असाधारण यात्रा अनुभवों को वरिष्ठ पत्रकार और लेखिका मीना के. अय्यर के शानदार लेखकीय कौशल के साथ प्रस्तुत कर रहे हैं। यह ईमानदार, प्रेरक और दिल को छूने वाली कहानी सोनू सूद की है और उन लोगों की है जिनके जीवन को वह लगातार परिवर्तित करने के अभियान में जुटे हुए हैं।
The Mainstream Companion to Scottish Literature
by Trevor RoyleThe Mainstream Companion to Scottish Literature is the most comprehensive reference guide to Scotland's literature, covering a period from the earliest times to the early 1990s. It includes over 600 essays on the lives and works of the principal poets, novelists, dramatists critics and men and women of letters who have written in English, Scots or Gaelic. Thus, as well as such major writers as Robert Henryson, William Dunbar, Gavin Douglas, Allan Ramsay, Robert Fergusson, Robert Burns, Walter Scott, Robert Louis Stevenson and Hugh MacDiarmid, the Companion also lists many minor writers whose work might otherwise have been overlooked in any survey of Scottish literature.Also included here are entries on the lives of other more peripheral writers such as historians, philosophers, diarists and divines whose work has made a contribution to Scottish letters.Other essays range over such general subjects as the principal work of major writers, literary movements, historical events, the world of printing and publishing, folklore, journalism, drama and Gaelic. A feature of the book is the inclusion of the bibliography of each writer and reference to the major critical works. This comprehensive guide is an essential tool for the serious student of Scottish literature as well as being an ideal guide and companion for the general reader.
The Major Victorian Poets: Reconsiderations (Routledge Revivals)
by Isobel ArmstrongFirst published in 1969, this edition collection brings together a series of essays offering a re-evaluation of Victorian poetry in the light of early 20th Century criticism. The essays in this collection concentrate upon the poets whose reputations suffered from the great redirection of energy in English criticism initiated in this century by Eliot, Richards and Leavis. What theses poets wrote about, the values they expressed, the form of the poems, the language they used, all these were examined and found wanting in some radical way. One of the results of this criticism was the renewal of interest in metaphysical and eighteenth-century poetry and corresponding ebb of enthusiasm for Romantic poetry and for Victorian poetry in particular. Most of the essays in this book take as their starting point questions raised by the debate on Victorian poetry, both earlier in this century and in the more recent past. There are essays on the poetry of Tennyson, Browning and Arnold, on that of Clough, who until recently has been neglected, and Hopkins, because of, rather than in spite of, the fact that he is usually considered to be a modern poet. The volume is especially valuable in that it will give a clearer understanding of the nature of Victorian poetry, concentrating as it does on those areas of a poet’s work where critical discussion seems most necessary.
Major Works
by John Clare Tom Paulin David Powell Eric RobinsonThis authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters. John Clare (1793-1864) is now recognized as one of the greatest English Romantic poets, after years of indifference and neglect. Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of his contemporaries Byron, Keats, and Shelley, and this fine selection illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry, and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are here presented with the minimum of editorial interference, and with a new Introduction by the poet and scholar Tom Paulin.
Make Believe: Poems for Hoping Again
by Victoria HutchinsAn exquisite poetry collection from the creator of The Daily Victorian that celebrates the hidden versions of ourselves, and unveils the healing power of nostalgia, imagination, and hope&“This is for anyone who doesn&’t see deep feeling as a bad thing but would appreciate a warm and talented companion while they do it.&”—Mari Andrew, New York Times bestselling author of Am I There Yet?Maybe you're not old enough yet to believe in fairy tales again. But you can take a walk with optimism. You can hear her out when she tells you the universe is conspiring in your favor, and can keep your eyes peeled for signs that she&’s right.Victoria Hutchins&’s debut Make Believe is a reclamation of wonder and an invitation to return to childlike joy, wielding nostalgia and memory as lenses to imagine a fuller life. These poems pave a path of reconnection to our bodies, our past, our desires, and our wonder—beckoning readers to discover a world worth holding on to. Make Believe is for anyone who wants to take back the narrative of their life, whose body often feels like an enemy to their soul, or who might be struggling to stick around. This book will inspire readers to go out looking, heart in hand, for joy, purpose, and healing.With Hutchins&’s trademark sensory and evocative language throughout, Make Believe contains both viral spoken-word pieces and never-before-shared writing. Ultimately pointing readers toward transformation, Hutchins invites you to imagine: What would happen if you allowed yourself to believe again—in dreams and miracles, but mostly in yourself?
Make It the Same: Poetry in the Age of Global Media (Literature Now)
by Jacob EdmondThe world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.
Make Me Rain: Poems & Prose
by Nikki GiovanniOne of America’s most celebrated poets challenges us with this powerful and deeply personal collection of verse that speaks to the injustices of society while illuminating the depths of her own heart.For more than thirty years, Nikki Giovanni’s poetry has inspired, enlightened, and dazzled readers. As sharp and outspoken as ever, this artist long hailed as a healer and a sage returns with this profound book of poetry in which she continues to call attention to injustice and give readers an unfiltered look into the most private parts of herself.In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as “I Come from Athletes” and “Rainy Days”—calling out segregation and Donald Trump; as well as “Unloved (for Aunt Cleota)” and “”When I Could No Longer”—her personal elegy for the relatives who saved her from an abusive home life. Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul.
Make Your Own Magic: A Beginner's Guide to Self-Empowering Witchcraft
by Amanda LovelaceFrom the bestselling author of the princess saves herself in this one comes an accessible guide to welcoming magic into your life, perfect for beginner witches and the magic-curious alike. As witchcraft grows ever more popular, there are countless introductions and paths into magical practice to choose from—so many that you might not know where to begin. When you&’re just getting started, it&’s easy to be intimidated or discouraged or to feel that there&’s no place for you in the craft. With make your own magic, amanda lovelace aims to change that. This inviting beginner&’s guide shows that magic doesn&’t have to be fancy, time-consuming, or one-size-fits-all. It introduces the tenets of witchcraft so that you can develop your own practice and relationship with magic in whatever way works for you. With simple explanations, twenty all-new inspiring poems, words of encouragement, magical journaling prompts, and more, this book sweeps away the gatekeeping and offers you the tools needed to begin building a strong, long-lasting practice focused on self-love.
Makhdoom Muhiuddin
by Nishat ZaidiWorks on Ghazals and poems by Mumbai based poet Makhdoom Mohiuddin.
Making Certain It Goes On: The Collected Poems of Richard Hugo
by Richard Hugo William KittredgeThe definitive collection of a major American poet's work. Richard Hugo was, in James Wright's words, "a great poet, true to our difficult life." Making Certain It Goes On brings together, as Hugo wished, the poems published in book form during his lifetime, together with the new poems he wrote in his last years.
Making Nothing Happen: Five Poets Explore Faith and Spirituality
by Gavin D'Costa Eleanor Nesbitt Mark Pryce Ruth SheltonMaking Nothing Happen is a conversation between five poet-theologians who are broadly within the Christian tradition - Nicola Slee, Ruth Shelton, Mark Pryce, Eleanor Nesbitt and Gavin D'Costa. Together they form The Diviners - a group which has been meeting together for a number of years for poetry, and theological and literary reflection. Each poet offers an illuminating reflection on how they understand the relation between poetry and faith, rooting their reflections in their own writing, and illustrating discussion with a selection of their own poems. The poets open up issues for deeper exploration and reflection, including: the nature of creativity and the distinction between divine and human creation; the creative process as exploration, epiphany and revelation; the forging of identity through writing; ways in which the arts reflect, challenge and dialogue with faith, and faith can inform and challenge the arts; power and voice in poetry and faith; and ways in which race, gender and culture interact with and shape poetic and theological discourse. This book will be of interest to poets and theologians, to all who read poetry and are interested in the connections between literature and faith, to those seeking inspiration for preaching, liturgy and pastoral care, and to those committed to the practice and nurturing of a contemplative attitude to life in which profound attention and respect are offered to words and to the creative Word at work.
The Making of a Poem: A Norton Anthology of Poetic Forms
by Mark Strand Eavan BolandThis anthology illuminates the history, practice, and wonder of our most elusive art. Intended for all those who love poetry, the anthology draws the reader into the excitement and entertainment of various poetic forms
The Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels
by Adam NicolsonBrimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them beforeJune 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding.In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood.The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it.The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
The Making of Sir Philip Sidney
by Edward DerryDoes a poet make himself, or do his culture and his fiction make him? Sir Philip Sidney is one of the most popular and enduring of Elizabethan authors, and one of those most preoccupied with the relationship between self, society, and art. Edward Berry's The Making of Sir Philip Sidney explores how Sidney 'made' or created himself as a poet by 'making' representations of himself in the roles of some of his most literary creations: Philisides, Astrophil, and the intrusive persona of the Defence of Poetry. Focusing on the significance of these and other self-representations throughout Sidney's career, Berry combines biography, social history, and literary criticism to achieve a carefully balanced portrayal of the poet's life and work. This is a book that makes a significant contribution to our understanding of Sidney, and is likely to appeal to both students and scholars of Sidney, as well as to those wishing to understand the cultural events that shaped this central figure of the English Renaissance.
Making the House Fall Down
by Beatrice Hawley"Hawley's spare, emblematic poetry is like the stones she so often writes about: monumental, enduring, clean and insistently its own shape. Stripped to the bone her poems catalogue the minutiae of moments that, except in poetry, have no form." --Jane Barnes, Dark Horse
Making Your Own Days: The Pleasures of Reading and Writing Poetry
by Kenneth KochFrom one of the most esteemed American poets of the twenty-first century comes a celebration of poetry and an invitation for anyone to experience its beauty and wonder. Full of fresh and exciting insights, Making Your Own Days illuminates the somewhat mysterious subject of poetry for those who read it and for those who write it--as well as for those who would like to read and write it better. By treating poetry not as a special use of language but as a distinct language--unlike the one used in prose and conversation--Koch clarifies the nature of poetic inspiration, how poems are written and revised, and what happens to the heart and mind while reading a poem. Koch also provides a rich anthology of more than ninety works from poets past and present. Lyric poems, excerpts from long poems and poetic plays, poems in English, and poems in translation from Homer and Sappho to Lorca, Snyder, and Ashbery; each selection is accompanied by an explanatory note designed to complement and clarify the text and to put pleasure back into the experience of poetry.
Mala of the Heart
by Ravi Nathwani Kate VogtThis collection of timeless poetry celebrates the eternal spiritual truth within each heart. Since ancient times, this hidden essence has been symbolized by the number 108. There are 108 earthly desires, 108 human feelings, 108 delusions, 108 beads in the traditional meditation mala, and 108 sacred poems in this anthology. Filled with crystalline wisdom from the great poets, sages, saints, and mystics, this selection of poems is a collective expression of universal heart-filled wisdom. The poems span a wide range of cultures and civilizations -- from India to Europe, Japan, and the Middle East -- and each one offers a unique perspective about the path to awakening. Some of the poems express belief in a higher being. Some convey instantaneous awakening. Others lead the reader down a disciplined path of contemplation. Ordered according to a broad interpretation of the heart-centered chakra model, these remarkable poems guide the reader toward realization and offer timeless jewels of insight to spark awakening and enrich spiritual practice.
Malanga Chasing Vallejo
by Gerard MalangaIn the forceful, staggering poetry of César Vallejo, poet and photographer Gerard Malanga discovered a kindred spirit. Driven by a deep sense of spiritual kinship and with the encouragement of Vallejo's widow, Malanga's translations reveal a profound perspective on Vallejo's work that brings into focus the brutal desperation behind his genius. Malanga Chasing Vallejo gathers 82 of Vallejo's poems in a bilingual edition that is marked by the spiritual connection between poet and translator. A work of the heart, these poems are presented from the position of a fellow member of the underclass, providing a street-level entry point for readers who can relate to the hunger feeding every verse and the ache of loneliness that no amount of modern technology can obscure. In addition to the poems, Malanga's heartfelt introduction describes the process of his 45-year commitment to this project. The book also includes a poem about Vallejo by Malanga, rare photos of Vallejo, and transcriptions of several never-before-published letters to Malanga from Vallejo's widow, Georgette de Vallejo, which guided his translation efforts.
Malanga Chasing Vallejo: César Vallejo
by César Vallejo Gerard MalangaIn the forceful, staggering poetry of César Vallejo, poet and photographer Gerard Malanga discovered a kindred spirit. Driven by a deep sense of spiritual kinship and with the encouragement of Vallejo's widow, Malanga's translations reveal a profound perspective on Vallejo's work that brings into focus the brutal desperation behind his genius. Malanga Chasing Vallejo gathers 82 of Vallejo's poems in a bilingual edition that is marked by the spiritual connection between poet and translator. A work of the heart, these poems are presented from the position of a fellow member of the underclass, providing a street-level entry point for readers who can relate to the hunger feeding every verse and the ache of loneliness that no amount of modern technology can obscure. In addition to the poems, Malanga's heartfelt introduction describes the process of his 45-year commitment to this project. The book also includes a poem about Vallejo by Malanga, rare photos of Vallejo, and transcriptions of several never-before-published letters to Malanga from Vallejo's widow, Georgette de Vallejo, which guided his translation efforts.
Maldoror
by Isidore De Lautréamont Alexis LykiardA curious piece of fiction from a little known pseudonymous author with a fluid, non-temporal examination of the baseness of humanity.
Maldoror and Poems
by Comte LautreamontInsolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery and brutality. One of the earliest and most astonishing examples of surrealist writing, it follows the experiences of Maldoror, a master of disguises pursued by the police as the incarnation of evil, as he makes his way through a nightmarish realm of angels and gravediggers, hermaphrodites and prostitutes, lunatics and strange children. Delirious, erotic, blasphemous and grandiose by turns, this hallucinatory novel captured the imagination of artists and writers as diverse as Modigliani, Verlaine, André Gide and André Breton; it was hailed by the twentieth-century Surrealist movement as a formative and revelatory masterpiece.
Maldoror and the Complete Works of the Comte de Lautréamont
by Comte De LautréamontAndré Breton described Maldoror as "the expression of a revelation so complete it seems to exceed human potential." Little is known about its pseudonymous author, aside from his real name (Isidore Ducasse), birth in Uruguay (1846) and early death in Paris (1870). Lautréamont bewildered his contemporaries, but the Surrealists modeled their efforts after his black humor and poetic leaps of logic, exemplified by the oft-quoted line, "As beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella." Maldoror 's shocked first publisher refused to bind the sheets of the original edition―and perhaps no better invitation exists to this book, which warns the reader, "Only the few may relish this bitter fruit without danger." This is the only complete annotated collection of Lautréamont's writings available in English, in Alexis Lykiard's superior translation. For this latest edition, Lykiard updates his introduction to include recent scholarship.
Maldoror (Les Chants de Maldoror)
by Guy Wernham Conte De LautreamontThis macabre but beautiful work, Les Chants de Maldoror, has achieved a considerable reputation as one of the earliest and most extraordinary examples of Surrealist writing. Maldoror is a long narrative prose poem which celebrates the principle of Evil in an elaborate style and with a passion akin to religions fanaticism. The French poet-critic Georges Hugnet has written of Lautréamont: "He terrifies, stupefies, strikes dumb. He could look squarely at that which others had merely given a passing glance." When first published in 1868-69, Maldoror went almost unnoticed. But in the 1890s the book was rediscovered and hailed as a work of genius by such eminent writers as Huysmans, Léon Block, Maeterlinck, and Rémy de Gourmont. Later still, Lautréamont was to be canonized as one of their principal "ancestors" by the Paris surrealists. This edition, translated by Guy Wernham, includes also a long introduction to a never-written, or now lost, volume of poetry. Thus, except for a few letters, it gives all the surviving literary work of Lautréamont.
Male Degula (The Hill Temple)
by H. V. Rangachar P. T. NarasimhacharPoetry about the religious places of worship situated on the hills and their sanctum.