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Audacity
by Melanie CrowderThe inspiring story of Clara Lemlich, whose fight for equal rights led to the largest strike by women in American history A gorgeously told novel in verse written with intimacy and power, Audacity is inspired by the real-life story of Clara Lemlich, a spirited young woman who emigrated from Russia to New York at the turn of the twentieth century and fought tenaciously for equal rights. Bucking the norms of both her traditional Jewish family and societal conventions, Clara refuses to accept substandard working conditions in the factories on Manhattan's Lower East Side. For years, Clara devotes herself to the labor fight, speaking up for those who suffer in silence. In time, Clara convinces the women in the factories to strike, organize, and unionize, culminating in the famous Uprising of the 20,000.Powerful, breathtaking, and inspiring, Audacity is the story of a remarkable young woman, whose passion and selfless devotion to her cause changed the world. Praise for AUDACITY: * "Crowder breathes life into a world long past....Compelling, powerful and unforgettable." --Kirkus Reviews, starred review * "This book stands alone....an impactful addition to any historical fiction collection."--School Library Journal, starred review* "With a thorough historical note, glossary of terms, and bibliography, this will make an excellent complement to units on women's rights and the labor movement, but it will also satisfy readers in search of a well-told tale of a fierce heroine."--BCCB, starred review* "This is an excellent title that can open discussions in U.S. history and economics courses about women's rights, labor unions, and the immigrant experience."--School Library Connection, starred review "Based on the true story of Clara Lemlich, Audacity throbs with the emotions of this exceptional young woman who fought for equal rights and improved labor standards in factories. Melanie Crowder's verses spit out Clara's rage, cradle her longing and soar like the birds that are her constant companions."--Bookpage "Crowder's (Parched) use of free verse in this fictionalization of Russian-Jewish immigrant Clara Lemlich's life brings a spare poignancy to a familiar history."--Publishers Weekly "Audacity is an evocative reimagining of a fascinating historical figure who should be remembered for her determination in the face of great odds and powerful opposition--and for her role in changing America. Melanie Crowder's powerful verse reveals a long-past world, but the combination of hope and outrage that Clara Lemlich brought to her struggle should be both recognizable and inspirational to teen readers longing to right the injustices of our day."--Margaret Peterson Haddix, critically acclaimed, bestselling author of UprisingFrom the Hardcover edition.
Auden and Christianity
by Arthur KirschOne of the twentieth century's most important poets, W. H. Auden stands as an eloquent example of an individual within whom thought and faith not only coexist but indeed nourish each other. This book is the first to explore in detail how Auden's religious faith helped him to come to terms with himself as an artist and as a man, despite his early disinterest in religion and his homosexuality. Auden and Christianity shows also how Auden's Anglican faith informs, and is often the explicit subject of, his poetry and prose. Arthur Kirsch, a leading Auden scholar, discusses the poet's boyhood religious experience and the works he wrote before emigrating to the United States as well as his formal return to the Anglican Communion at the beginning of World War II. Kirsch then focuses on Auden's criticism and on neglected and underestimated works of the poet's later years. Through insightful readings of Auden's writings and biography, Kirsch documents that Auden's faith and his religious doubt were the matrix of his work and life.
Auden and the Muse of History
by Susannah Young-ah GottliebConcentrating on W. H. Auden's work from the late 1930s, when he seeks to understand the poet's responsibility in the face of a triumphant fascism, to the late 1950s, when he discerns an irreconcilable "divorce" between poetry and history in light of industrialized murder, this startling new study reveals the intensity of the poet's struggles with the meanings of history. Through meticulous readings, significant archival findings, and critical reflection, Susannah Young-ah Gottlieb presents a new image and understanding of Auden's achievement and reveals how his version of modernism illuminates urgent contemporary issues and theoretical paradigms: from the meaning of marriage equality to the persistence of fascism; from critical theory to psychoanalysis; from precarity to postcolonial studies. "The muse does not like being forced to choose between Agit-prop and Mallarmé," Auden writes with characteristic lucidity, and this study elucidates the probity, humor, and technical skill with which his responses to historical reality in the mid-twentieth century illuminate our world today.
Audition
by Kehoe Stasia WardWhen high school junior Sara wins a coveted scholarship to study ballet, she must sacrifice everything for her new life as a professional dancer-in-training. Living in a strange city with a host family, she's deeply lonely-until she falls into the arms of Remington, a choreographer in his early twenties. At first, she loves being Rem's muse, but as she discovers a surprising passion for writing, she begins to question whether she's chosen the right path. Is Rem using her, or is it the other way around? And is dancing still her dream, or does she need something more? This debut novel in verse is as intense and romantic as it is eloquent. .
Audubon's Sparrow
by Juditha DowdThe life of Lucy Bakewell Audubon, wife of the painter John James Audubon, comes to life through a series of poems, letters, and journal entries. The story begins when Lucy meets Audubon, the debonair French painter and dancing-master, and follows her until the publication of Audubon's iconic Birds of America. In their gentle simplicity, the poems portray Lucy as a devoted wife, a talented teacher, and a resilient woman who managed to survive the stresses of marriage to a brilliant but impractical husband.
Auguries
by Clea RobertsWhether speaking of erotic love, domestic life, spiritual wilderness, or family entanglements, the poems of Auguries, the much-anticipated second collection from Yukon poet Clea Roberts, are saturated with their northern landscape. Roberts is well versed in the distances and dynamics between tedium and ecstasy, light and dark, isolation and solitude, freeze and thaw, flow and stillness. Her poems are spare and clean, each like a single larch in an immense white plain; their exactness startling and arresting. As the Gerald Lampert Award jury citation for her celebrated first book noted, “Her images . . . are not only crisp and precise, but manage to speak about the physical conditions of this place and its emotional landscape in one and the same lyrical breath . . .” Written during a period in which Roberts both became a parent and lost a parent, the poems in Auguries lend themselves to prayer, surrender, celebration, reconciliation, meditation, and auspice. Tell me how to breathe between the painful and the beautiful, my lips, my eyelids slow with cold. (from “Cold Snap”) “Clea Roberts writes poems of clear, quiet beauty. They contain the silence of perception: alive to the world with open eye and open heart.” — Anne Michaels
Auguries of Innocence: Poems
by Patti SmithAuguries of Innocence is the first book of poetry from Patti Smith in more than a decade. It marks a major accomplishment from a poet and performer who has inscribed her vision of our world in powerful anthems, ballads, and lyrics. In this intimate and searing collection of poems, Smith joins in that great tradition of troubadours, journeymen, wordsmiths, and artists who respond to the world around them in fresh and original language. Her influences are eclectic and striking: Blake, Rimbaud, Picasso, Arbus, and Johnny Appleseed. Smith is an American original; her poems are oracles for our times.
Augurios de inocencia
by Patti SmithLa esencia de Patti Smith, su ADN. «Una joya escondida. Entre las mejores de ellas.»Library Journal «Rompimos el corazón de nuestra madre y nos convertimos en lo que somos.» La artista que ha inscrito su visión de nuestro mundo en poderosos himnos, baladas y letras desvela en esta deliciosa colección de poemas su universo más íntimo: el vínculo con la naturaleza y el paisaje, su mapa interior, las contradicciones del individuo, su meditación sobre la muerte y con la fe. Un monólogo interior fresco y original impregnado de influencias eclécticas como las de Rimbaud, Picasso, Arbus, o William Blake, cuya poesía la acompañó desde que, a la edad de ocho años, su madre le regaló un ejemplar de Canciones de inocencia y de experiencia. La gran creadora que confesó «Si tuviera que quedarme con una sola cosa sería la literatura» deslumbra con su poesía. La crítica ha dicho...«Un libro duro, magnético y bello. Un poemario revelación, como una visión o un manifiesto de esperanza, que lucha contra el horror, contempla la barbarie para luego acusar a sus culpables y exonera a los niños, los de ahora y los que llevamos dentro, que quizá hemos traicionado.»Ester Andorrà, El Nacional «En su primer poemario en varios años, Augurios de inocencia, presenta obras ligeras e inquietantes por su indagación espiritual, la imaginería original y las asociaciones insólitas. [...] Romántica y renegada, Smith pasa de la ira a la empatía y nos recuerda que puede haber sanación en la protesta, consuelo en el lenguaje, catarsis en la expresión. Como siempre, nos lleva a las profundidades más dolorosas y luego nos acerca bailando hacia la luz.»Donna Seaman, Booklist «Treinta años después de Horses la luz de Smith sigue brillando con fuerza.»San Francisco Chronicle «Una joya escondida. Entrelas mejores de ellas.»Library Journal
Augury: Poems
by Eric PankeyFrom award-winning poet and author of Crow-Work, a collection exploring the presence of the divine in the seemingly ordinary. The ancient Romans practiced augury, reading omens in bird&’s flight patterns. In the poems of Augury, revelation is found in nature&’s smallest details: a lizard&’s quick movements, a tree scarred by lighting, the white curve of a snail&’s shell. Here the sensory world and the imagined one collide in unexpected and wonderful ways, as Pankey scrutinizes the physical for meaning, and that meaning for truth. With uncommon grace, each of Pankey&’s precise lyrics advances our shared ontological questions and expresses our deepest contradictions. In a world of mystery, should we focus on finding meaning or creating it? How can the known—and the unknown— be captured in language?Augury is a masterful and magical collection from a poet of stirring intelligence, &“a book of stones unstitched from the wolf&’s belly.&”Praise for Augury &“A darkly luminous book by a poet at the height of his considerable poetic power.&” —Kathy Fagan, author of Moving & St. Rage &“This is a book I will keep close at hand, alongside the best work of Montale, Dickinson, Celan, and Stevens. This is a book one will turn to again and again.&” —Rebecca Dunham, author of Cold Pastoral &“Each ethereal image he weaves into his work is delicately curated, whittled down through his attention to sound. . . . Pankey&’s poems destabilize as they straddle time and place, and he looks askance at the narrow way in which language is often viewed.&” —Publishers Weekly
Augusta Savage: The Shape of a Sculptor's Life
by Marilyn NelsonA Claudia Lewis Award Winner for Poetry by the Bank Street College of Education A Black Caucus ALA Children & Young Adult Award Winner A CCBC Children&’s Choice • A CBC Teacher Favorite This powerful biography in poems tells the life of Augusta Savage, the trailblazing artist and pillar of the Harlem Renaissance. Augusta Savage was arguably the most influential American artist of the 1930s. A gifted sculptor, Savage was commissioned to create a portrait bust of W.E.B. Du Bois for the New York Public Library. She flourished during the Harlem Renaissance, and became a teacher to an entire generation of African American artists, including Jacob Lawrence, and would go on to be nationally recognized as one of the featured artists at the 1939 World&’s Fair. She was the first-ever recorded Black gallerist. After being denied an artists&’ fellowship abroad on the basis of race, Augusta Savage worked to advance equal rights in the arts. And yet popular history has forgotten her name. Deftly written and brimming with photographs of Savage&’s stunning sculpture, this is an important portrait of an exceptional artist who, despite the limitations she faced, was compelled to forge a life through art and creativity. Features an afterword by the curator of the Art & Artifacts Division of the Schomburg Center for Research in Black Culture. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Horn Book • Kirkus Reviews • School Library Journal • Bank Street College ★ "A stunning portrait of artistic genius and Black history in America." —Booklist, starred review ★ "A wonderful addition to young people&’s literature on African American artists." —Horn Book, starred review ★ "In a rich biography in verse, Nelson (A is for Oboe) gives voice to the Black sculptor Augusta Savage (1892-1962), a key Harlem Renaissance figure." —Publishers Weekly, starred review ★ "Nelson&’s arresting poetry, which is accompanied by photographs of Savage&’s work, dazzles as it experiments with form. … A lyrical biography from a master of the craft." —Kirkus Reviews, starred review ★ "A master poet breathes life and color into this portrait of a historically significant sculptor and her remarkable story." —School Library Journal, starred review
Aunque vuelvas a tener miedo
by Manu ErenaEl nuevo libro del fenómeno de la poesía en España: Manu Erena, el autor de Consecuencias de decir te quiero y Nos quedarán más atardeceres. Este libro está dedicado a aquellas personas que temen, aman y luchan día a día. A aquellos que siguen adelante a pesar del dolor. «Después de perderlo todoy de obligarnos a curarnuestras heridas más profundas,sanaremos cuando seamos capacesde hablar sobre todo lo que nos duele.Yo fui mi propio miedo hasta que me di cuentade que no quería un final así para mi historia,hasta que pude cambiarlo contigo.Porque, aunque vuelvas a tener miedo,el amor también es capaz de salvarnos,y decir adiós es otra forma de querer.» Tras el éxito arrollador de Consecuencias de decir te quiero y Nos quedarán más atardeceres y haber sido el autor de poesía más vendido antes de cumplir los dieciséis años, Manu Erena se consolida como la voz poética de toda una generación. Con la belleza y la sensibilidad que ha conquistado a sus miles de lectores, en este libro nos habla de todo lo que solemos callar, de los temores -esos que llegan en la adolescencia y no nos abandonan nunca- y de lo importante que es contar en la vida con personas que nos ayudan a plantar cara al miedo y son refugio para seguir adelante. La crítica ha dicho:«Sincera, sutil y desgarradora. La poesía de Manu Erena te hará sentir desde la primera página».Inma Rubiales «La pureza de las palabras de Manu Erena enamorarán tus recuerdos».Defreds «Manu Erena es la sorpresa editorial del año.»Zenda «Manu Erena, el poeta de 16 años que pulveriza las listas de ventas.»The Objective «Los versos de Manu Erena se han ganado el corazón de los lectores.»Woman
Aurora Americana: Poems (Princeton Series Of Contemporary Poets Ser. #174)
by Myronn HardyFrom an award-winning poet, an exciting new collection that explores exile and return, from North Africa to North AmericaIn Aurora Americana, Myronn Hardy, an American poet who moved back to the United States after living for years in Morocco, reflects on exile and return as he describes the experience of leaving North Africa and rediscovering a North America both recognizable and unrecognizable. What does it mean to feel exiled both away from and at “home”? What does it mean to miss something?In forms such as the sonnet, ghazal, and triolet, Aurora Americana takes up the distant and recent past of the United States, from Thomas Jefferson to the deadly “Unite the Right” march in Charlottesville, Virginia. But the book also meditates on smaller, momentary encounters across racial and national barriers, from evocations of Francophone Africa to a screening of Black Panther in Portugal for a mostly white audience. Allusions to Fannie Lou Hamer, Frantz Fanon, Prince, John Coltrane, Alessandro de’ Medici, Ahmed Zaki, Modesto Brocos y Gómez, Nasser Zefzafi, and others anchor the collection. With poems set at or near dawn, Aurora Americana explores an ominous yet hopeful new morning in America, one in which potential cataclysm exists alongside possibility and change.
A aurora de nossos solstícios
by Carla M. C. Renard Aurélien Di SanzoA aurora de nossos solstícios é uma coletânea de poemas que convida o leitor a se refugiar fora do domínio do tempo. Apresentados mais em prosa do que em verso, os poemas o mergulham em uma evasão ora física, ora abstrata, espiritual, por vezes misteriosa e encantadora. Cada poema foi escrito com acompanhamento musical, fonte inexaurível de inspiração poética.
Aurora Leigh
by Elizabeth BrowningA novel in blank verse by Elizabeth Barrett Browning, published in 1857. The first-person narrative, which comprises some 11,000 lines, tells of the heroine's childhood and youth in Italy and England, her self-education in her father's hidden library, and her successful pursuit of a literary career. Initially resisting a marriage proposal by the philanthropist Romney Leigh, Aurora later surrenders her independence and weds her faithful suitor, whose own idealism has also since been tempered by experience. Aurora's career, Romney's social theories, and a melodramatic subplot concerning forced prostitution elicit the author's vivid observations on the importance of poetry, the individual's responsibility to society, and the victimization of women.
Aurora Leigh
by Elizabeth Barrett BrowningAurora Leigh is an aspiring poet of independent spirit, rebelling against the stifling constraints of Victorian middle-class society and struggling for self expression. This story exposes the hypocrisy and repressive social attitudes of Victorian England.
Aurora Leigh
by Elizabeth Barrett Browning Kerry McsweeneyWidely regarded as Elizabeth Barrett Browning's (1806-1861) major work, Aurora Leigh is important both for its address to contemporary social issues, the "woman question" in particular, and for its experimentation with poetic form. The text of this edition is based upon meticulous examination of the extant manuscripts, corrected proofs, and revisions to the poem. It is accompanied by a full textual history of the poem's composition and publication; comprehensive annotation of literary allusions and contemporary references; and an essay on the significance of the verse-novel as an early example of politically self-conscious women's writing.
Aurora Leigh and Other Poems
by Elizabeth BrowningAurora Leigh (1856), Elizabeth Barrett Browning's epic novel in blank verse, tells the story of the making of a woman poet, exploring 'the woman question', art and its relation to politics and social oppression. The texts in this selection are based in the main on the earliest printed versions of the poems. What Edgar Allan Poe called 'her wild and magnificent genius' is abundantly in evidence. In addition to Aurora Leigh, this volume contains poetry from the several volumes of Elizabeth Barrett Browning's published poetry from 1826 to 1862, including Casa Guidi Windows (1851), Songs for the Ragged Schools of London (1854) and the British Library manuscript text of the 'Sonnets from the Portuguese' (1846) which records her courtship with Robert Browning.
The Aurorean, Volume XV, Issue 1, Spring/Summer 2010
by Cynthia Brackett-VincentThe poems play off the invisible web that connects all to the universe. There is a strong but quiet woven whisper between nature, humanity, the cosmos and time in this meditative and thoughtful book.
Austerity Measures: The New Greek Poetry
by Karen Van DyckA remarkable collection of poetic voices from contemporary Greece, Austerity Measures is a one-of-a-kind window into the creative energy that has arisen from the country's decade of crisis and a glimpse into what it is like to be Greek today.The 2008 debt crisis shook Greece to the core and went on to shake the world. More recently, Greece has become one of the main channels into Europe for refugees from poverty and war. Greece stands at the center of today’s most intractable conflicts, and this situation has led to a truly extraordinary efflorescence of innovative and powerfully moving Greek poetry. Karen Van Dyck’s wide-ranging bilingual anthology—which covers the whole contemporary Greek poetry scene, from literary poets to poets of the spoken word to poets online, and more—offers an unequaled sampling of some of the richest and most exciting poetry of our time.
Authority in Crisis in French Literature, 1850–1880
by Seth WhiddenBy the 1850s, the expansion of printing and distribution technologies provided writers with more readers and literary outlets than ever before, while the ever-changing political contexts occasioned by the revolutions of 1830 and 1848 brought about differing degrees of political, social, and literary censure and pressure. Seth Whidden examines crises of literary authority in nineteenth-century French literature, both in response to the attempts of the Second Empire (1852-1870) to restore the unquestioned imperial authority that had been established by Napoleon I and in the aftermath of the bloody Paris Commune of 1871. In each of his chapters, Whidden offers a representative case study highlighting one of several phenomena-literary collaboration, parody, destabilized poetic form, the substitution of one poetic or narrative voice with that of the man-that enabled challenges to the traditional status of the writer and, by extension, the political authority that it reflected. Whidden focuses on the play Le Supplice d’une femme (1865); the Cercle Zutiste, a group of writers, musicians, and artists who met regularly in the fall of 1871, only months after the fall of the Second Empire; Arthur Rimbaud’s Commune-era poems; and Jules Verne’s 1851 ’Un voyage en ballon,’ later reprinted as ’Un drame dans les airs’ in 1874. Whidden concludes with a futuristic look at authority and auctority as it pertains to midcentury writers taking stock of the weakened authority still possible in a post-Second Empire France and envisioning what kind of auctority is still to come.
The Authority of Roses
by Ross LeckieNo postmodern gimmickry, no tricks except all the old ones that every good poet must learn: these lucid, evocative poems put the reader so clearly in the picture that you taste the blackberries of your childhood, shiver at the chill of rainwater down your neck in a western forest, or rake the dust from your hair as you trudge home from the Trojan War. Ross Leckie can capture the fleeting moments when we fully enter the world and believe we belong. At this low point in our country's cultural history, when more and more writers have become topical "content providers" for the ever-gaping maw of the society of the spectacle, those few artists like Ross Leckie who carefully craft their work within the poetic tradition, and who show respect for all the needs -- aural, esthetic, and intellectual -- of the most discerning readers, are more than ever to be valued.
Authors and Art Movements of the Twentieth Century: Painterly Poetics (Routledge Studies in Twentieth-Century Literature)
by Declan LloydThis book explores the great influence of twentieth-century artists and art movements on many major writers of the twentieth century. It focuses in particular on four seminal writers who were strongly influenced by very different movements: they are Gertrude Stein and Cubism, William S. Burroughs and Dada, J. G. Ballard and Surrealism, and Douglas Coupland and Pop Art. For these authors the presence and influence of these art movements is not limited to a small cluster of texts, but can be felt much more expansively across their work, infiltrating all manner of multifarious and complex dimensions. These authors are all keen to explore new methods of shifting the signature styles and forms of visual art into the literary world. Alongside these more overt methods of artistic transposition, the authors also often demonstrate a deep philosophical affinity with their chosen movements. This book uproots and examines these kinds of artistic engagements, and also explores the authors’ own personal connections with the world of art. For these are all authors not only interested in visual art, but also intimately connected to the art world. Indeed, some went on to become renowned artists in their own right, while others were closely associated with major historical art figures. Above all however, they are unified by a kindred interest in exploring how the methods and philosophies of art can be transposed into, and even challenge the constraints of traditional forms of literature.
Authors, Audiences, and Old English Verse
by Thomas A. BredehoftAuthors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.Offering a new vision of much of Old English literary history, Thomas A. Bredehoft traces a tradition of 'literate-formulaic' composition in the period and contends that many phrases conventionally considered oral formulas are in fact borrowings or quotations. His identification of previously unrecognized Old English poems and his innovative arguments about the dates, places of composition, influences, and even possible authors for a variety of tenth- and eleventh-century poems illustrate that the failure of scholars to recognize the late Old English verse tradition has seriously hampered our literary understanding of the period. Provocative and bold, Authors, Audiences and Old English Verse has the potential to transform modern understandings of the classical Old English poetic tradition.
The Autobiographical Myth of Robert Lowell
by Philip CooperLowell's continuing productivity and his ever-increasing stature as a poet demand a new evaluation of his work, and Cooper has provided it in this penetrating study. Though Cooper's primary purpose is to demonstrate the principle of the interrelation of the poems, a secondary and equally important purpose is to analyze the significance of Lowell's most recent work.Originally published in 1970.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Autobiography of Death
by Kim HyesoonKim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.