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Mount Clutter (Grove Press Poetry Series)
by Sarah Lindsay“The closest thing to a sincerely new brand of poetry to come along in quite some time” from the National Book Award finalist (Pedestal Magazine).The poems in Sarah Lindsay’s debut, Primate Behavior, have been hailed as “dark-edged . . . with a buoying sense of respect—for the different, the unexpected and the challenging” (Publishers Weekly). Her new collection, Mount Clutter, is the product of an immensely original and exhilarating poetic sensibility, ranging wide across a highly distinctive imaginary landscape. In a voice that is distinctly her own, Lindsay probes the uncharted territories of history’s curious little corners, reanimating obscure accounts of strange discoveries and bizarre scientific findings. A stunning sequence on the discovery of the Bufo Islands imagines what it means to encounter something as yet unnamed, unknown to human history, but bursting with possibilities. Lindsay similarly breathes new life into literary classics and ancient Greek myths, taking, for example, the well-known motif of Orpheus’s descent into the underworld and transforming it into a hauntingly resonant portrait of the vicissitudes of loss. Lindsay’s poems exude an extraordinary ability of fusing the outlandish and the little-known historical minutiae with the unmistakably familiar markers of the human experience.“[A] vision that beckons the reader after it into unexpected recognitions.”—W. S. Merwin, Pulitzer Prize- and National Book Award-winning poet“Lindsay is blessed with the sort of X-ray vision a philosopher would kill for . . . Her poems open doors to other worlds and other ways of seeing.”—The New York Times Book Review“Erudite and whimsical.”—Greensboro News & Record
Mount Lebanon
by Karl Kirchwey"Kirchwey shares the classicist's vision of poetry as a living tradition that extends from antiquity to the present . . . and his poems in this issue are about violent love and transcendent longing, the great romantic themes." -Langdon Hammer, The American Scholar "One of the very best poets of his generation." -John Hollander "The poems shimmer with intelligence, wit, and delicacy; and yet at times they resonate with the deepest and most stirring of feelings." -Anthony Hecht Mount Lebanon is a singular work from a mature talent. Loosely structured around an extinct Shaker community in New York state and the surrounding landscape, the book expands to include Kirchwey's stories of aging, parenthood, romantic love, and even the domestic pleasures and dramas hidden within a garden. Each poem is beautifully crafted; taken together, they make up a powerful volume. This is a witty, stylish, and moving collection from a major American poet.
Mountain Home: The Wilderness Poetry of Ancient China
by David HintonThe earliest and most extensive literary engagement with wilderness in human history, Mountain Home is vital poetry that feels utterly contemporary. China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.
The Mountain Poems of Meng Hao-Jan
by Meng Hao-Jan David HintonThe first full flowering of Chinese poetry occurred in the illustrious T'ang Dynasty, and at the beginning of this renaissance stands Meng Hao-jan (689-740 c.e.), esteemed elder to a long line of China's greatest poets. Deeply influenced by Ch'an (Zen) Buddhism, Meng was the first to make poetry from the Ch'an insight that deep understanding lies beyond words. The result was a strikingly distilled language that opened new inner depths, non-verbal insights, and outright enigma. This made Meng Hao-jan China's first master of the short imagistic landscape poem that came to typify ancient Chinese poetry. And as a lifelong intimacy with mountains dominates Meng's work, such innovative poetics made him a preeminent figure in the wilderness (literally rivers-and-mountains) tradition, and that tradition is the very heart of Chinese poetry.This is the first English translation devoted to the work of Meng Hao-jan. Meng's poetic descendents revered the wisdom he cultivated as a mountain recluse, and now we too can witness the sagacity they considered almost indistinguishable from that of rivers and mountains themselves.
The Mountain Poems of Stonehouse
by Red Pine"The Mountain Poems of Stonehouse [is] a tough-spirited book of enlightened free verse. "#151;Kyoto Journal The Zen master and mountain hermit Stonehouse#151;considered one of the greatest Chinese Buddhist poets#151;used poetry as his medium of instruction. Near the end of his life, monks asked him to record what he found of interest on his mountain; Stonehouse delivered to them hundreds of poems and an admonition: "Do not to try singing these poems. Only if you sit on them will they do you any good. " Newly revised, with the Chinese originals and Red Pine's abundant commentary and notes, The Mountain Poems of Stonehouse is an essential volume for Zen students, readers of Asian literature, and all who love the outdoors. After eating I dust off a boulder and sleep and after sleeping I go for a walk on a cloudy late summer day an oriole sings from a sapling briefly enjoying the season joyfully singing out its heart true happiness is right here why chase an empty name Stonehouse was born in 1272 in Changshu, China, and took his name from a cave at the edge of town. He became a highly respected dharma master in the Zen Buddhist tradition. Red Pine is one of the world's leading translators of Chinese poetry. "Every time I translate a book of poems," he writes, "I learn a new way of dancing. And the music has to be Chinese. " He lives near Seattle, Washington.
Mountains and Rivers Without End
by Gary SnyderIn this work of poetry, Snyder has presented a perception of the world that has taken four decades of experience to put into words, with a powerful description of Man's relationship with the planet.
Mountains and Rivers Without End: Poem
by Gary SnyderIn simple, striking verse, legendary poet Gary Snyder weaves an epic discourse on the topics of geology, prehistory, and mythology. First published in 1996, this landmark work encompasses Asian artistic traditions, as well as Native American storytelling and Zen Buddhist philosophy, and celebrates the disparate elements of the Earth — sky, rock, water — while exploring the human connection to nature with stunning wisdom. Winner of the Bollingen Poetry Prize, the Robert Kirsch Lifetime Achievement Award, and the Orion Society's John Hay Award, among others, Gary Snyder finds his quiet brilliance celebrated in this new edition of one of his most treasured works.
Mourning Songs: Poems Of Sorrow And Beauty
by Grace SchulmanA beautiful, compact gift edition of some of the world’s greatest poems about loss and death, to ease the heart of the bereaved Who has not suffered grief? In Mourning Songs, the brilliant poet and editor Grace Schulman has gathered together the most moving poems about sorrow by the likes of Elizabeth Bishop, William Carlos Williams, Gwendolyn Brooks, Neruda, Catullus, Dylan Thomas, W. H. Auden, Shakespeare, Emily Dickinson, W. S. Merwin, Lorca, Denise Levertov, Keats, Hart Crane, Michael Palmer, Robert Frost, Hopkins, Hardy, Bei Dao, and Czeslaw Milosz—to name only some of the masters in this slim volume. “The poems in this collection,” as Schulman notes in her introduction, “sing of grief as they praise life.” She notes: “As any bereaved survivor knows, there is no consolation. ‘Time doesn’t heal grief; it emphasizes it,’ wrote Marianne Moore. The loss of a loved one never leaves us. We don’t want it to. In grief, one remembers the beloved. But running beside it, parallel to it, is the joy of existence, the love that causes pain of loss, the loss that enlarges us with the wonder of existence.”
The Mouse In My House (We Both Read)
by Jeffrey Ebbeler Paul OrshoskiA boy does everything he can to catch a mouse in this zany and funny tale. The smart little mouse seems to be having the time of his life evading capture until suddenly he is scooped into a jar and carried off far from home. However, the mouse gets the last laugh as he finds his way back home and takes over the house with a lot of his furry little friends.
The Mouse of Amherst
by Elizabeth SpiresWhen a mouse named Emmaline takes up residence behind the wainscoting of Emily Dickinson's bedroom, she wonders what it is that keeps Emily scribbling at her writing table throughout the day and into the night. Emmaline sneaks a look, and finds that it's poetry! Inspired, Emmaline writes her own first poem and secretly deposits it on Emily's desk. Emily answers with another poem, and a lively exchange begins. In this charming and fanciful introduction to Emily Dickinson, Elizabeth Spires demonstrates the power of poetry to express our deepest feelings. Included are eight of Dickinson's most loved poems, with seven corresponding poems by Emmaline that are sure to bring out the poet in any child.
A Mouth Holds Many Things: A De-Canon Hybrid Literary Anthology
by Dao Strom & Jyothi NatarajanA ground breaking anthology that collects hybrid-literary works from 36 women and nonbinary BIPOC writer-artists, A Mouth Holds Many Things is the first book of its kind.
Mouthful Of Forevers
by Clementine Von RadicsTitled after the poem that burned up on Tumblr and has inspired wedding vows, paintings, songs, YouTube videos, and even tattoos among its fans,Mouthful of Forevers brings the first substantial collection of this gifted young poet's work to the public. <P><P> Clementine von Radics writes of love, loss, and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.
Mouths Open to Name Her: Poems (Barataria Poetry)
by Katie Bickham Ava Leavell HaymonMouths Open to Name Her, Katie Bickham’s dazzling new collection, resounds with the intensity of new motherhood and confronts the relationship between mothers and their children, as she explores what it means to carry a child, even one conceived by rape or “a child born from no place, from the flame of her forgetting, / bracket of blank pages. The boy, too, was destined to forget— / a bird from no tree branch, fish from no river, sword from no forge.” Moving from the mid-1800s to 2017, these finely wrought poems grapple with how war, violence, and enslavement can disrupt our innocence. Bickham emphasizes the power of creation in spite of this: “Just picture them all,” she writes, “350,000 babies, together at once, / a city’s worth of them in a row or a circle or wrapped / in an acres-wide blanket, an army of innocence yawning / their first breaths over the globe, and the promise / that it will all happen again, just like this, just as imperfectly, / no matter what, / tomorrow.” Mouths Open to Name Her calls forth a global sisterhood that extends from Charleston, South Carolina, and Shreveport, Louisiana, to Nice, France; Buenos Aires, Argentina; and the Serengeti District, Tanzania.
Moving Day
by Ralph FletcherTwelve-year-old Fletch has a hard time adjusting after his father announces that their family will be moving from Massachusetts to Ohio.
Moving to Delilah
by Catherine OwenFrom award-winning poet Catherine Owen, a collection of poems about one woman's journey from BC to a new life in Alberta, where she buys an old house and creates a new meaning of home.In search of stability and rootedness, in 2018 Catherine Owen moved from coastal Vancouver to prairie Edmonton. There, she purchased a house built more than one hundred years earlier: a home named Delilah.Beginning from a space of grief that led to Owen's relocation, the poems in this collection inhabit the home, its present and its past. These poems share the stories of decades of renovations, the full lives of Delilah's previous inhabitants, and Owen's triumphs and failures in the ever-evolving garden. The poems ultimately whirl out in the concentric distances of the local neighbourhood and beyond -- though one house can make a home, home encompasses so much more than one house.In this exceptional and lyrical collection, Catherine Owen interrogates her need for economic itinerancy, traces the passage of time and the later phases of grief, and deepens her understanding of rootedness, both in place and in poetic forms.
Moving Words About a Flower
by K. C. HayesWords tumble, leap, and fly in this clever shape poem about a resilient dandelion.The inspiring story of a dandelion that survives against all odds, ingeniously told through shape poems (also called "concrete poems") full of visual surprises. When it rains, letters fall from the sky; and when seeds scatter, words FLY!Each playful page will have readers looking twice. The back of the book includes more information about the life cycle of the humble, incredible dandelion.
movingparts (Hugh MacLennan Poetry Series)
by Edward Carsonthe body / knows what / it truly / wants yet / the mind / wavers allIn Edward Carson’s provocative new work, the poetic moving parts of movingparts confront and breathe new life into what’s true and what’s not in Aesop’s fable "The Fox and the Crow," as well as the shifting, often fragmentary ground between what’s said and what’s not about identity and intimacy in Sappho’s lyrics.Reflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. A flair for syntactical compression is found throughout, balanced by a capricious yet transforming diction, what John Ashbery described as seeking to stretch “the bond between language and communication.” Calling witness to the narratives of history while pivoting their reach forward to the present, the rhythms, allusions, and resulting outcomes of Carson’s use of language expand both narrative and discovery. movingparts is brought full circle when an unexpected historical connection between Sappho and Aesop is revealed, hinting that what is true or false in the past or present of our lives can arrive at an intimacy with and illumination of more than we imagine.
Mowing
by Marlene CookshawAn award-winning poet’s day-book of poems, where both bounty and loss are tenderly assigned value. Marlene Cookshaw, in her first collection of poetry in more than a decade, invites her readers to partake in a long-anticipated harvest that comes in many forms. Whether she’s haying June-high grasses, relishing a neighbour’s gift of new potatoes with her husband, logging fragments of poetry she’s read in a notebook, or honouring the deaths of her parents, Cookshaw works an open field. Through this pastorale wander dogs, horses, chickens, and donkeys in counterpoint to farm labourers and long-time residents who share in her abiding connection to the land they mutually watch over and tend. The power grid may fail while every monthly expense is brought to account, but observation as careful and particular as Cookshaw’s more than weighs the seasons that it seeks to bring into balance. Each day I plan how the next will differ, will more resemble what I want a life to be. “These poems can confront quotidian life in plainspoken language because, like an extraordinary pencil drawing, there is so much subtle cross-hatching and shading. Cookshaw observes her mother’s death, for example, both directly and aslant, half turning away, as if unsure which is the more truthful. Mowing requires that you sit and visit for a good long while.” —Ross Leckie
Moy Sand and Gravel
by Paul MuldoonPaul Muldoon's ninth collection of poems, his first since 1998, finds him working a rich vein that extends from the rivery, apple-heavy County Armagh of the 1950s, in which he was brought up, to suburban New Jersey, on the banks of a canal dug by Irish navvies, where he now lives. Grounded, glistening, as gritty as they are graceful, these poems seem capable of taking in almost anything, and anybody, be it a Tuareg glimpsed on the Irish border, Bessie Smith, Marilyn Monroe, Queen Elizabeth I, a hunted hare, William Tell, William Butler Yeats, Sitting Bull, Ted Hughes, an otter, a fox, Mr. and Mrs. Stanley Joscelyne, an unearthed pit pony, a loaf of bread, an outhouse, a killdeer, Oscar Wilde, or a flock of redknots. At the heart of the book is an elegy for a miscarried child, and that elegiac tone predominates, particularly in the elegant remaking of Yeats's "A Prayer for My Daughter" with which the book concludes, where a welter of traffic signs and slogans, along with the spirits of admen, hardware storekeepers, flimflammers, fixers, and other forebears, are borne along by a hurricane-swollen canal, and private grief coincides with some of the gravest matter of our age.<P><P> Pulitzer Prize for Poetry 2003.
Mozart's Journey to Prague and Selected Poems
by Eduard MörikeThe novella 'Mozart's Journey to Prague' (1855) is an imaginary recreation of the journey Mozart made from Vienna in 1787 to conduct the first performance of Don Giovanni. Set in the rococo world of the Bohemian nobility, it is a charming and playful evocation of Mozart's inner life and creative processes. Morike is one of Germany's greatest lyric poets after Goethe. His poetry combines classicism, romanticism, with elements of the traditional folk or faery tale. This edition contains all the poems for which he is most admired - including the comic idyll, 'The Auld Weathercock'.
Mr. Boddington's Studio: 'Twas the Night Before Christmas
by Clement Clarke MooreMr. Boddington's Studio delivers a stylish and modern illustrated reimagining of the most iconic Christmas picture book story using the words of the Clement Clarke Moore's poem "A Visit from St. Nicholas."A perennial bestseller and timeless gift in the holiday season, multiple adaptations exist of this classic holiday tale, almost exclusively illustrated in bold classic colors. Mr. Boddington's Studio provides a fresh take by using the same poem and updating the style with a sophisticated and modern color palette. Children and parents alike will delight in revisiting this classic holiday tale with the iconic and fresh Mr. Boddington's style.
Mr. Brown Can Moo! Can You?
by Dr SeussMr. Brown is an expert at imitating all sorts of noises. Dr. Seuss's book of wonderful noises.
Mr. Memory & Other Poems
by Phillis LevinAn intimate, richly textured new collection from Phillis Levin, a poet whose work "shimmers with gracefulness" (David Baker)Phillis Levin's fifth collection of poems encompasses a wide array of styles and voices while staying true to a visionary impulse sparked as much by the smallest detail as the most sublime landscape. From expansive meditation to haiku, in ode and epistle, dream sequence and elegy, Levin's new poems explore motifs deeply social and historical, personal and metaphysical. Their various strategies deploy the sonic powers of lyric, the montage techniques of cinema, and the atavistic energies of the oral tradition. Throughout this volume, the singularity of person, place, and thing--and the plurality of our experience--assert their uncanny presence: an ash on a crackling log, a character from Alfred Hitchcock's The 39 Steps, a burgundy scarf, an x-ray of Bruegel's "Massacre of the Innocents," and a demitasse cup from Dresden are all woven into a collection by turns rhapsodic and ironic, caustic and incantatory. The pre-Socratic mathematician Zeno facing the riddle of an ordinary day; a cloudbank of silence; a pair of second-hand shoes bought for Anne Frank; two crows at play above the peak of a mountain; a dot flickering on the horizon: intimate and philosophical, these poems unveil the metamorphic properties of mind and nature.
Mr. West (Wesleyan Poetry Series)
by Sarah BlakeMr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities--to their portrayal in the media--and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.