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Autobiography of Red: A Novel in Verse

by Anne Carson

Poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present.

The Autobiography of Red

by Anne Carson

A NEW YORK TIMES NOTABLE BOOK OF THE YEARNational book Critics Circle Award Finalist "Anne Carson is, for me, the most exciting poet writing in English today."--Michael Ondaatje"This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present.Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is."A profound love story . . . sensuous and funny, poignant, musical and tender."--The New York Times Book Review"A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday." --The Village Voice

The Autobiography of William Carlos Williams

by William Carlos Williams

This autobiographical account of the life of William Carlos Williams recounts the challenges of being a busy physician in the town of Rutherford, New Jersey as well as pursuing a literary career. One of the finest chapters in this autobiography tells how each of his two roles stimulated and supported the other.

El Autobús/Bus

by Chris Demarest Carlos Calvo

Bus rolls. Busy street. First stop, people meet. El autobús avanza. La calle está llena. En la primera parada, la gente espera. The big, colorful, noisy city comes to life in this deceptively simple rhyming book. Little listeners will be mesmerized by the rhythmic, rhyming ride—perfect reading for kids on a roll!

Autodidactic

by Don Kerr

Shortlisted for the 1998 Saskatchewan Book Award for Poetry Don Kerr's fifth poetry collection is a verbal joyride, an exuberant celebration of a book: a celebration of mountains and plains, of growing up and of being young, of being alive in the present moment and absorbing the feel of the road through the palms of your hands on the wheel. Autodidactic represents an erotics of the everyday, a tribute to place (and movement) and to family (and friends). This is not to say that Kerr sentimentalizes the ordinary, but rather that by examining it in the bright prairie sunlight, he is able to reveal its true extraordinariness. The deep-felt humour that is in many of the poems here does not arise from gilding events with comedy, but from the poet's seeing and drawing out of events what is truly and inherently comic within them. In this book Kerr is able to demonstrate the many shades of his voice and the many facets of his craft.

Autor und Subjekt im Gedicht: Positionen, Perspektiven und Praktiken heute (Lyrikforschung. Neue Arbeiten zur Theorie und Geschichte der Lyrik #1)

by Friederike Reents Peter Geist Henrieke Stahl

Das seit jeher spannungsreiche Verhältnis zwischen Autor und Subjekt bildet in der Gegenwartslyrik ein Experimentierfeld, das eine Herausforderung für die Lyriktheorie darstellt. Die Beiträge diskutieren zentrale Positionen zu den Konzepten ‚abstrakter Autor‘ und ‚lyrisches Subjekt‘ unter Berücksichtigung ihrer unterschiedlichen Genese sowie Terminologie in den verschiedenen Philologien. Aus der Gedichtanalyse werden Perspektiven oder Alternativen zu diesen Konzepten entwickelt, um ein Instrumentarium zur Beschreibung der neuen Autor-Subjekt-Relationen in der Lyrik zu gewinnen. Der Band mit germanistischen, slavistischen, anglistischen und komparatistischen Beiträgen ist Ergebnis des DFG-Projekts zur „Typologie des Subjekts in der russischen Dichtung der 1990-2010er Jahre“ und der DFG-Kollegforschungsgruppe „Russischsprachige Lyrik in Transition – Poetische Formen des Umgangs mit Grenzen der Gattung, Sprache, Kultur und Gesellschaft zwischen Europa, Asien und Amerika“.

Autowar

by Assiyah Jamilla Touré

A visceral, vital, unblinking debut collection of poems exploring kinesthetic memory and longing, inherited violence, and the body as a geographical site. We're often told that we are given only what we can bear. For some of us our first lessons are in how much pain we're made to think we deserve—and the resulting scars are always meant to be kept secret. Assiyah Jamilla Touré's debut collection is a record of those scars—not those inflicted on us by the thousands of little wars we live in everyday, but those that come afterwards, those we inflict upon ourselves to mark the path. Each and every poem in Autowar was written on a cell phone, transcribing an urgent revisiting of old sites of pain, and also a revisiting of one young person’s power and ability—to hurt themself, or others. These poems are powerful evocations of how even our scars have worlds and lives. here in the dark, me-spacei am insatiable for my fleshi just can't get enoughof tiny after-woundsthat's me giving, still too softfor my own teeth

Autumn

by Steven Schnur

One brief acrostic poem for each letter of the alphabet from acorn to zero follows the fall season from end of summer to chilly conclusion.

Autumn and Other Landscapes

by Hiren Bhattacharyya Pradip Acharya

Life, works and poems of Hiren Bhattacharyya.

Available Surfaces: Essays on Poesis

by Hummer T. R.

"T. R. Hummer grew up in the Deep South and planned to become a musician before he met poetry. This musical influence is visible in his work: he often discusses poetry together with music (and sometimes the other way around), and his career has included both writing and performance. The present volume, Available Surfaces, focuses on the art of making both poetry and music and on the concept of "making" as well. Hummer draws on childhood experiences ("A Length of Hemp Rope"), adult experiences ("Hotel California"), experiences as a poet ("Available Surfaces"), and experiences as an explorer of unworldly spaces ("The Hive," "Brain Wave and the End of Science Fiction"). Hummer has published ten volumes of poetry with presses including Louisiana State University Press and the University of Illinois Press. His work has appeared in two anthology volumes published by Simon & Schuster and Cengage and in two Pushcart Prize anthologies. He has edited the Kenyon Review, the Georgia Review, and the Cimarron Review, among other journals. "--

Avant Desire: A Nicole Brossard Reader

by Nicole Brossard

In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian. <P><P> Avant Desire moves through Brossard’s body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers. <P><P> Through their selections, the editors trace Brossard’s fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking. <P><P> Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard’s thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.

Avant-Garde Pieties: Aesthetics, Race, and the Renewal of Innovative Poetics (Routledge Interdisciplinary Perspectives on Literature)

by Joel Bettridge

Avant-Garde Pieties tells a new story about innovative poetry; it argues that the avant-garde-now more than a century old-persists in its ability to nurture interesting, provocative, meaningful, and moving poems, despite its profound cultural failings and its self-devouring theoretical compulsions. It can do so because a humanistic strain of its radical poetics compels adherents to argue over the meaning of their shared political and aesthetic beliefs. In ways that can be productively thought of as religious in structure, this process fosters a perpetual state of crisis and renewal, always returning innovative poetry to its founding modernist commitments as a way to debate what the avant-garde is-what it should and does look like, and what it should and does value. Consequently, Avant-Garde Pieties makes way for a radical poetics defined not by formal gestures, but by its debate with itself about itself. It is a debate that honors the tradition's intellectual founding as well as its cultural present, which includes aesthetic multiformity, racialized and gendered modes of authorship, experiences of the sacred, political activism, and generosity in critical disagreement.

Avant-Garde Post–: Radical Poetics after the Soviet Union

by Marijeta Bozovic

The remarkable story of seven contemporary Russian-language poets whose experimental work anchors a thriving dissident artistic movement opposed to both Putin’s regime and Western liberalism.What does leftist art look like in the wake of state socialism? In recent years, Russian-language avant-garde poetry has been seeking the answers to this question. Marijeta Bozovic follows a constellation of poets at the center of a contemporary literary movement that is bringing radical art out of the Soviet shadow: Kirill Medvedev, Pavel Arseniev, Aleksandr Skidan, Dmitry Golynko, Roman Osminkin, Keti Chukhrov, and Galina Rymbu. While their formal experiments range widely, all share a commitment to explicitly political poetry. Each one, in turn, has become a hub in a growing new-left network across the former Second World.Joined together by their work with the Saint Petersburg–based journal [Translit], this circle has staunchly resisted the Putin regime and its mobilization of Soviet nostalgia. At the same time, the poets of Avant-Garde Post– reject Western discourse about the false promises of leftist utopianism and the superiority of the liberal world. In opposing both narratives, they draw on the legacies of historical Russian and Soviet avant-gardes as well as on an international canon of Marxist art and theory. They are also intimately connected with other artists, intellectuals, and activists around the world, collectively restoring leftist political poetry to global prominence.The avant-garde, Bozovic shows, is not a relic of the Soviet past. It is a recurrent pulse in Russophone—as well as global—literature and art. Charged by that pulse, today’s new left is reimagining class-based critique. Theirs is an ongoing, defiant effort to imagine a socialist future that is at once global and egalitarian.

Avant-Gardes in Crisis: Art and Politics in the Long 1970s

by Jean-Thomas Tremblay; Andrew Strombeck

Avant-Gardes in Crisis claims that the avant-gardes of the late twentieth and early twenty-first centuries are in crisis, in that artmaking both responds to political, economic, and social crises and reveals a crisis of confidence regarding resistance's very possibility. Specifically, this collection casts contemporary avant-gardes as a reaction to a crisis in the reproduction of life that accelerated in the 1970s—a crisis that encompasses living-wage rarity, deadly epidemics, and other aspects of an uneven management of vitality indexed by race, citizenship, gender, sexual orientation, class, and disability. The contributors collectively argue that a minoritarian concept of the avant-garde, one attuned to uneven patterns of resource depletion and infrastructural failure (broadly conceived), clarifies the interplay between art and politics as it has played out, for instance, in discussions of art's autonomy or institutionality. Writ large, this book seeks to restore the historical and political context for the debates on the avant-garde that have raged since the 1970s.

Avidly Reads Poetry

by Jacquelyn Ardam

“Poetry has leapt out of its world and into the world”Poetry is everywhere. From Amanda Gorman performing “The Hill We Climb” before the nation at Joe Biden’s Presidential inauguration, to poems regularly going viral on Instagram and Twitter, more Americans are reading and interacting with poetry than ever before. Avidly Reads Poetry is an ode to poetry and the worlds that come into play around the different ways it is written and shared.Mixing literary and cultural criticism with the author’s personal and often intimate relationship with poetry, Avidly Reads Poetry breathes life into poems of every genre—from alphabet poems and Shakespeare’s sonnets to Claudia Rankine’s Citizen and Rupi Kaur’s Instapoetry—and asks: How do poems come to us? How do they make us feel and think and act when they do? Who and what is poetry for? Who does poetry include and exclude, and what can we learn from it?Each section links a reason why we might read poetry with a type of poem to help us think about how poems are embedded in our lives, in our loves, our educations, our politics, and our social media, sometimes in spite of, and sometimes very much because of, the nation we live in.Part of the Avidly Reads series, this slim book gives us a new way of looking at American culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Poetry shatters the wall between poetry and “the rest of us.”

Awakened Cosmos: The Mind of Classical Chinese Poetry

by David Hinton

A deep and radically original exploration of Taoist and Ch'an (Zen) Buddhist wisdom through the lens of the life and work of Tu Fu, widely considered China's greatest classical poet.What is consciousness but the Cosmos awakened to itself? This question is fundamental to the Taoist and Ch'an (Zen) Buddhist worldview that shapes classical Chinese poetry. A uniquely conceived biography, Awakened Cosmos illuminates that worldview through the life and work of Tu Fu (712-770 C.E.), China's greatest classical poet. Tu Fu's writing traces his life from periods of relative normalcy to years spent as an impoverished refugee amid the devastation of civil war. Exploring key poems to guide the reader through Tu Fu's dramatic life, Awakened Cosmos reveals Taoist/Ch'an insight deeply lived across the full range of human experience.Each chapter presents a poem in three stages: first, the original Chinese; then, an English translation in Hinton's masterful style; and finally, a lyrical essay that discusses the untranslatable philosophical dimensions of the poem. The result is nothing short of remarkable: a biography of the Cosmos awakened to itself in the form of a magisterial poet alive in T'ang Dynasty China.Thirty years ago, David Hinton published America's first full-length translation of Tu Fu's work. Awakened Cosmos is published simultaneously with a newly translated and substantially expanded version of that landmark translation: The Selected Poems of Tu Fu: Expanded and Newly Translated (New Directions).

awâsis – kinky and dishevelled

by Louise Bernice Halfe

A gender-fluid trickster character leaps from Cree stories to inhabit this racous and rebellious new work by award-winning poet Louise Bernice Halfe. There are no pronouns in Cree for gender; awâsis (which means illuminated child) reveals herself through shape-shifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Introduction from Elder Maria Campbell, awâsis – kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter. If you’ve read Halfe’s previous books, prepared to be surprised by this one. Raging in the dark, uncovering the painful facts wrought on her and her people’s lives by colonialism, racism, religion, and residential schools, she has walked us through raw realities with unabashed courage and intense, precise lyricism. But for her fifth book, another choice presented itself. Would she carve her way with determined ferocity into the still-powerful destructive forces of colonialism, despite Canada’s official, hollow promises to make things better? After a soul-searching Truth and Reconciliation process, the drinking water still hasn’t improved, and Louise began to wonder whether inspiration had deserted her. Then awâsis showed up—a trickster, teacher, healer, wheeler-dealer, shapeshifter, woman, man, nuisance, inspiration. A Holy Fool with their fly open, speaking Cree, awâsis came to Louise out of the ancient stories of her people, her Elders, from community input (through tears and laughter), from her own full heart and her three-dimensional dreams. Following awâsis’s lead, Louise has flipped her blanket over, revealing a joking, mischievous, unapologetic alter ego—right on time. “Louise Halfe knows, without question, how to make miyo-iskotêw, a beautiful fire with her kindling of words and moss gathered from a sacred place known only to her, to the Old Ones. These poems, sharp and crackling, are among one of the most beautiful fires I’ve ever sat beside.” —Gregory Scofield, author of Witness, I Am “Louise makes awâsis out of irreverent sacred text. The darkness enlightens. She uses humor as a scalpel and sometimes as a butcher knife, to cut away, or hack off, our hurts, our pain, our grief and our traumas. In the end we laugh and laugh and laugh.” —Harold R. Johnson, author of Peace and Good Order: The Case for Indigenous Justice in Canada “This is all about Indigenizing and reconciliation among ourselves. It’s the kind of funny, shake up, poking, smacking and farting we all need while laughing our guts out. It’s beautiful, gentle and loving.” —Maria Campbell, author of Halfbreed (from the Introduction) “There really isn’t any template for telling stories as experienced from within Indigenous minds. In her book awâsis – kinky and dishevelled, Cree poet Louise Bernice Halfe – Skydancer presents a whole new way to experience story poems. It’s kinda like she writes in English but thinks in Cree. Lovely, revealing, funny, stunning. A whole new way to write!” —Buffy Sainte-Marie

Away from Home

by Carrie Hooper

Away from Home In this collection of fifty-six poems, the author, who is blind, shares thoughts on some of her many travels. Part One, A Week at Sea, contains poems about a cruise she took with eight members of her family. Part Two, Other Adventures, includes poems inspired by places she and a friend visited in western New York, a trip to Florida, an unforgettable day in Des Moines, Iowa, and much more.

Awayward (A. Poulin, Jr. New Poets of America)

by Jennifer Kronovet

In her foreword to Awayward, National Book Award–winning poet Jean Valentine writes, &“Jennifer Kronovet&’s poems in Awayward are so surprising and compelling and beautiful, so intelligent and felt. Kronovet uses simple words and works at a mysterious depth, one we can enter with gladness.&”Written while Kronovet was living in Beijing, Awayward illuminates the sense of disconnect that travelers experience when their major touchstones of language and geography are altered. These poems wander the world, drifting in and out of conversations that are alternately comical and grave.Jennifer Kronovet is founding co-editor of CIRCUMFERENCE, a journal of poetry in translation.

Awe-some Days: Poems about the Jewish Holidays

by Marilyn Singer

Discover and celebrate all of the Jewish holidays with this warm and engaging poetry collection by the acclaimed author of Mirror Mirror.In this cheerful, enjoyable poetry collection, a family decides to celebrate every Jewish holiday for a full year, &“the ones we know well, the ones we do not.&” Starting with new-year apples dipped in honey on Rosh Hashanah all the way to flowers and chocolates on Tu B&’Av (often called &“Jewish Valentine&’s Day&”), readers can explore the joy and meaning of the various holidays along with this lively family of five. A brief explanation of the holiday accompanies each poem. By an award-winning and beloved children&’s poet, this is a wonderful introduction to Jewish celebrations, observances, and days of remembrance.

Awesome Nightfall

by William R Lafleur Saigyo

Awesome Nightfall: The Life, Times, and Poetry of Saigyo captures the power of Saigyo's poetry and this previously overlooked poet's keen insight into the social and political world of medieval Japan. It also offers a fascinating look into the world of Japanese Buddhism prior to the wholesale influence of Zen.

Awful Parenthesis: Suspension and the Sublime in Romantic and Victorian Poetry

by Anne C. McCarthy

Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

The Awful Rowing Toward God

by Anne Sexton

Sexton's eighth collection of poetry is entitled The Awful Rowing Toward God. The title came from her meeting with a Roman Catholic priest who, although unwilling to administer last rites, told her "God is in your typewriter." This gave the poet the desire and willpower to continue living and writing. The Awful Rowing Toward God and The Death Notebooks are among her final works and both centre on the theme of dying.

Axe Handles

by Gary Snyder

"One principle motif of Axe Handles, Gary Snyder's sixth collection of poems, is the axiom of Lu Ji, "In making the handle of an axe by cutting wood with an axe the model is indeed near at hand." This collection is an exploration of discovery, of insight and of vision. These poems discover the roots of community in the family and the roots of culture and government in the community."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Axion Esti

by Odysseus Elytis Edmund Keeley George Savidis Samuel Hazo

The Axion Estiis probably the most widely read volume of verse to have appeared in Greece since World War II and remains a classic today. Those who follow the music of Greek composer Mikis Theodorakis have been especially drawn to Odysseus Elytis's work, his prose is widely considered a mirror to the revolutionary music of Theodorakis. The "autobiographical" elements are constantly colored by allusion to the history of Greece, thus, the poems express a contemporary consciousness fully resonant with those echoes of the past that have served most to shape the modern Greek experience.

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