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The New Nudity
by Hadara Bar-NadavHadara Bar-Nadav’s radiant new collection of poetry The New Nudity shocks everyday objects to life. In these chiseled, electrically-charged poems, a ladder, wineglass, and spine ignite into being. With a nod to Francis Ponge, Gertrude Stein, and Pablo Neruda, Bar-Nadav’s poems have a heartbeat all their own, small miracles that haunt and heave.
The New Oxford Book of Childrens Verse (Oxford Books of Verse)
by Neil PhilipThe world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky.
A New Path to the Waterfall
by Raymond CarverRaymond Carver finished A New Path To The Waterfall shortly before his death in August 1988. These fifty poems--as hard and clear and emotionally pure as his short stories--chart a human journey: false starts and redemptions, the discovery of happiness, memory, and leave-taking, and the full apprehension of mortality. An avowal of love, this collection is also a haunting record of Carver's approach to death.
New Poems: 1980-88
by John HainesFrom the back cover: "If one views Haines' poetic development as a journey from the specific geography of the Alaskan wilderness to the uncharted places of the spirit, then that journey is now complete." -Dana Cioia from the Introduction. "This is a magnificent book, bearing out what many of us have believed for years: that John Haines is a great poet. Thoughtful, lyrical, passionately serious, these poems represent a man in his wise maturity, giving full weight and measure to every line he utters." -Carolyn Kizer "A fine book. Haines' vision cuts through to essentials - his stern yet exhilarating poems deserve to be widely read." -Frederick Morgan NEW POEMS: 1980-88, winner of the 1990 Western States Book Award for poetry, is the tenth volume of verse by John Haines. A former recipient of an Alaska State council on the Arts Fellowship, an Ingram Merrill Foundation Grant, and a National Endowment for the Arts Fellowship, Haines has homesteaded in Alaska for more than a quarter of a century. For the last two years, he has served as a Guest Writer in Residence at Ohio University.
New Poems: A Revised Bilingual Edition (Studies In German Literature Linguistics And Culture Ser. #164)
by Rainer Maria RilkeThe formative work of the legendary poet who sought to write "not feelings but things I had felt"When Rainer Maria Rilke arrived in Paris for the first time in September 1902, commissioned by a German publisher to write a monograph on Rodin, he was twenty-seven and already the author of nine books of poems. His early work had been accomplished, but belonged tonally to the impressionistic, feeling-centered world of a late-nineteenth-century aesthetic.Paris was to change everything. Rilke's interest in Rodin deepened and his enthusiasm for the sculptor's "art of living surfaces" set the course for his own pursuit of an objective ideal. What was "new" about Rilke's New Poems, published in two independent volumes in 1907 and 1908, is a compression of statement and a movement away from "expression" and toward "making realities." Poems such as "The Panther" and "Archaic Torso of Apollo" are among the most successful and famous results of Rilke's impulse.This selection from both books unites the companion volumes in a torrent of brilliant work intoxicated with the materiality of the world. Edward Snow has now improved upon the translations for which he received the Harold Morton Landon Translation Award and with which he began his twenty-year project of translating Rilke.
new poems
by Tadeusz Rozewicz Bill JohnstonWritten in a pared-down, direct language, and filled with allusions to everything from philosophy to TV talk shows, the poetry of Tadeusz Rózewicz encompasses the complexity of human experience in the early 21st century. Rózewicz's unique voice, formed during his experiences as a member of the Polish resistance in World War II, and honed by decades living under communist rule, holds a merciless mirror up to the crimes and excesses of the poet's lifetime. In his eighties now, Rózewicz continues to be a prolific writer and an acerbic commentator on his life and times. This collection combines his latest three volumes: professor's knife, gray zone, and exit. These are extraordinary poems from an acknowledged European master.
New Poems, 1907
by Rainer Maria RilkeRainer Maria Rilke's move to Paris in 1902 and his close association with Rodin led him to take a new direction in his poetry. Between 1906 and 1908 he produced a torrent of brilliant work that was published in two separate volumes under the title Neue Gedichte, or New Poems. As the celebrated Rilke translator Edward Snow observes, these books "together constitute one of the great instances of the lyric quest for objective experience." Here is the first volume, New Poems, 1907, in a bilingual edition.
New Poems, 1908: The Other Part
by Rainer Maria RilkeIn 1984 Edward Snow won the Harold Morton Landon Translation Award of the Academy of American Poets for the first volume of these translations of Rainer Maria Rilke's watershed work, NEW POEMS, 1907. His work was praised for the resonance of the English and its faithfulness to the density and meaning of the German. Like the poems in the first volume, these are presentations of objects, "thing-poems" (Dinggedichte). In 1902 Rilke left Germany for Paris where he acted as the secretary to the sculptor Auguste Rodin. Rodin's craftsman-like approach, his steady discipline, and his relentless productivity inspired in Rilke a new poetic method: he, too would be a craftsman meticulously appropriating the world about him for his poetic vision. "Somehow," he wrote, "I too must come to make things; not plastic, but written things--realities that emerge from handiwork. Somehow I too must discover the smallest basic element, the cell of my art, the tangible immaterial means of representation for everything."Until this volume, Rilke's voice had come from the interior, expressing feelings and moods. Though always celebrated for his mastery of word-sound, rhythm, meter, and rhyme, Rilke had written poetry often married by sentimentality and insularity. NEW POEMS represented a turning point, an intoxication from the materiality of the world.NEW POEMS, 1908 contains such famous works as "Archaic Torso of Apollo," "Corpse Washing," "Buddha in Glory," and "Late Autumn in Venice." Rilke takes familiar figures--from a sundial to a stained-glass Adam and Eve--and refracts their presence into corporeality and spirituality. Rilke peers behind sculptural surfaces to the implicit desire or pain in the objects of our environment.
New Poems Book One
by Charles BukowskiCharles Bukowski was one of America's best-known writers and one of its most influential and imitated poets. Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.
New Poems Book Two
by Charles BukowskiCharles Bukowski was one of America's best-known writers abnd one of its most influential and imitated poets. Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems, which Bukowski considered to be among his best work.
New Poems of Emily Dickinson
by William H. ShurrFor most of her life Emily Dickinson regularly embedded poems, disguised as prose, in her lively and thoughtful letters. Although many critics have commented on the poetic quality of Dickinson's letters, William Shurr is the first to draw fully developed poems from them. In this remarkable volume, he presents nearly 500 new poems that he and his associates excavated from her correspondence, thereby expanding the canon of Dickinson's known poems by almost one-third and making a remarkable addition to the study of American literature. Here are new riddles and epigrams, as well as longer lyrics that have never been seen as poems before. While Shurr has reformatted passages from the letters as poetry, a practice Dickinson herself occasionally followed, no words, punctuation, or spellings have been changed. Shurr points out that these new verses have much in common with Dickinson's well-known poems: they have her typical punctuation (especially the characteristic dashes and capitalizations); they use her preferred hymn or ballad meters; and they continue her search for new and unusual rhymes. Most of all, these poems continue Dickinson's remarkable experiments in extending the boundaries of poetry and human sensibility.
New Poets of Native Nations
by Heid E. ErdrichA landmark anthology celebrating twenty-one Native poets first published in the twenty-first centuryNew Poets of Native Nations gathers poets of diverse ages, styles, languages, and tribal affiliations to present the extraordinary range and power of new Native poetry. Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth—long narratives, political outcries, experimental works, and traditional lyrics—and the result is an essential anthology of some of the best poets writing now.Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da’, Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood.
New Provinces: Poems of Several Authors
by Michael Gnarkowski Douglas LochheadWhen New Provinces first appeared in 1936, it represented four years of planning, argument, and compromise, and an additional two and a half years of correspondence and editorial preparation. This prolonged effort was brought to a successful end with the publication of a slim collection of verse, the work of six writers, Robert Finch, Leo Kennedy, A.M. Klein, E.J. Pratt, F.R. Scott, and A.J.M. Smith. At the time it was published it received little critical attention and had even less popular appeal; after nearly a year the book had sold only 82 copies, 10 of them to one of the contributors. Only E.K. Brown, writing for University of Toronto Quarterly in 1937, seemed to realize that New Provinces 'marked the emergence ... of a group of poets who may well have a vivifying effect on Canadian poetry.' Since that time this small volume has been recognized as a monument in Canadian literature, a singular event in a literary process which stemmed from the origins of Canadian modernism and its beginnings in Montreal, marking the first collective effort to introduce poets who came to represent the new establishment. Michael Gnarowski's introduction tells the fascinating story of the genesis of the idea for the book and the difficulties that were encountered.
A New School Year: Stories in Six Voices
by Sally DerbyIn a unique narrative, readers meet a diverse group of six children ranging in age from Kindergarten through fifth grade. With nerves and excitement each child gears up for a new school year by hustling in the morning, meeting new teachers and new classmates during the day, and heading home with homework and relief by day&’s end. Simple, bright illustrations focus on each child and his/her worries, hopes, and successes on the first day of school.
A New Selected Poems
by Galway KinnellContains selected poems from:What a Kingdom It Was (1960)Flower Herding on Mount Monadnock (1964)Body Rags (1968)The Book of Nightmares (1971)Mortal Acts, Mortal Words (1980)The Past (1985)When One Has Lived a Long Time Alone (1990)Imperfect Thirst (1994)
New Selected Poems
by Philip LevineAll the poems Levine himself chose for inclusion in his earlier Selected Poems, plus 15 new poems.
New Selected Poems
by Katie Peterson Robert LowellIn this condensed edition of Selected Poems, Robert Lowell’s poems are brought together from all of his books of verse. Chosen and introduced by Katie Peterson on the occasion of Robert Lowell’s one hundredth birthday, Brief Selected Poems offers a perfectly chosen and illuminating representation of one of the great careers in twentieth-century poetry.
A New Shakespearean Poem?
by Sarah Smith Edward De Vere Earl Of OxfordMystery writer finds Shakespeare poem.<P> Oh, right.<P> In an obscure old volume in the British Library, bestselling mystery writer Sarah Smith found an ancient poem. Who wrote it? Ex-English professor Smith writes a snarky and accessible preface that introduces the reader to authorship studies and, with deduction worthy of Sherlock Holmes, she identifies the writer of the poem as the major alternate Shakespeare candidate, Edward de Vere. <P> To quote Smith, the poem shares “certain characteristics of Shakespeare’s work—not the most obvious, nor the easiest to imitate.” These characteristics include irregular rhythm, the use of new words and metaphors taken from sports, run-on lines, secularism, a drawing away from allegory and the morality-play tradition, and the use of dramatic voices.<P> And the poem is not influenced by Shakespeare. It was published in October 1580. If a poem written this early does have significant and otherwise inexplicable similarities to Shakespeare’s work, of course it is important indeed.<P> Want to read a new Shakespeare poem? Maybe it’s here. Take a look.
New Songs for Orpheus (Hugh MacLennan Poetry Series)
by John ReibetanzFor a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest airIn New Songs for OrpheusJohn Reibetanz updates Ovid’s poetry. Ovid’s words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years.Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid’s characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001.The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away – like those in Ovid’s “restored” world after the flood – are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal.
The New Testament
by Jericho BrownHonored as a "Best Book of 2014" by Library Journal <P>In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. <P>In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing--and the truth is coming on fast. <P>ericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.
New Theatre
by Susan SteudelNew Theatre stages a lively foray into spaces geographical and utopian that calls into question the process and nature of meaning. Steudel's coolly cerebral 'Birch' sequence about Vladimir Ilyich Lenin's later life muses on power and identity, but is balanced by an intimate autobiographical long poem that gives quieter, equally surprising shorter pieces room to spike and bloom in this assured debut.
A New Theory for American Poetry: Democracy, the Environment, and the Future of Imagination
by Angus FletcherAmid gloomy forecasts of the decline of the humanities and the death of poetry, Angus Fletcher, a wise and dedicated literary voice, sounds a note of powerful, tempered optimism. He lays out a fresh approach to American poetry at large, the first in several decades, expounding a defense of the art that will resonate well into the new century. Breaking with the tired habit of treating American poets as the happy or rebellious children of European romanticism, Fletcher uncovers a distinct lineage for American poetry. His point of departure is the fascinating English writer, John Clare; he then centers on the radically American vision expressed by Emerson and Walt Whitman. With Whitman this book insists that "the whole theory and nature of poetry" needs inspiration from science if it is to achieve a truly democratic vista. Drawing variously on Complexity Theory and on fundamentals of art and grammar, Fletcher argues that our finest poetry is nature-based, environmentally shaped, and descriptive in aim, enabling poets like John Ashbery and other contemporaries to discover a mysterious pragmatism. Intense, resonant, and deeply literary, this account of an American poetics shows how today's consumerist and conformist culture subverts the imagination of a free people. While centering on American vision, the argument extends our horizon, striking a blow against all economically sanctioned attacks upon the finer, stronger human capacities. Poetry, the author maintains, is central to any coherent vision of life.