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The Necropastoral: Poetry, Media, Occults
by Joyelle McsweeneyIn The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts "strange meetings" of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.
Need Machine
by Andrew FaulknerNeed Machine clamours through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumour. Honest, irreverent and sharply indifferent, this book will hogtie you with awe.
The Need To Hold Still: Poems
by Lisel MuellerWinner of the National Book Award for Poetry in 1981.
The Needle
by Jennifer GrotzFollowing her debut collection, Cusp, chosen by Yusef Komunyakaa to win the Bread Loaf Writers' Conference Bakeless Prize, the composed, observed quality of Jennifer Grotz's The Needle will remind readers of the poetry of Elizabeth Bishop and Ellen Bryant Voigt. Whether she is describing a town square in Kraków, where many of these poems are set, the ponies of Ocracoke Island, a boy playing a violin, or clouds, she finds the lyrical details that release an atmosphere of heightened, transcendent attention in which the things of the world become the World, what Zbigniew Herbert called "royal silence."
The Needle's Eye: Passing through Youth
by Fanny HoweA meditation on time, violence, and chance by "one of America's most dazzling poets" (O, The Oprah Magazine)Fanny Howe's The Needle's Eye: Passing through Youth is a sequence of essays, short tales, and lyrics that are intertwined by an inner visual logic. The book contains filmic images that subvert the usual narrative chronology; it is focused on the theme of youth, doomed or saved. A fourteenth-century folktale of two boys who set out to find happiness, the story of Francis and Clare with their revolutionary visions, the Tsarnaev brothers of Boston, the poet George Oppen and the philosopher Simone Weil, two strangers who loved but remain strange, and the wild-child Brigid of Ireland: all these emerge "from multiple directions, but always finally from the eye at the end." As the philosopher Richard Kearney writes, "Howe's ruminations and aesthetics are those of the fragmentary, but are unified by world thinkers like Arendt, Weil, Agamben, and Yeats." The Needle's Eye is a brilliant and deeply felt exploration of faith and terror, coincidence and perception, by a literary artist of profound moral intelligence, "recognized as one of the country's least compromising yet most readable experimentalist writers" (The Boston Globe).
Needs Improvement
by Jon Paul FiorentinoWhether misreading sixth-grade pedagogical materials or offering visual schematics for reading Michel Foucault and Judith Butler, Jon Paul Fiorentino's sixth poetry collection asks us to reconsider our engagement with received information -- but does so with a wink during detention.
Nefertiti in the Flak Tower: Poems
by Clive James"Clive James is more or less the only living poet who manages to be both entertaining and moving."--Edward Mendelson Clive James's renown as an internationally celebrated poet continues to expand, and there is no stronger evidence for this than Nefertiti in the Flak Tower, a collection "steeped in the lessons of Philip Larkin and W.B. Yeats" (London Times). Here, his polymathic learning and technical virtuosity are worn more lightly than ever; the effect is to produce a deep sense of trust into which the reader gratefully sinks, knowing they are in the presence of a master. The most obvious token of that mastery is the book's breathtaking range of theme: there are moving elegies, a meditation on the later Yeats, a Hollywood Iliad, and odes to rare orchids, wartime typewriters, and sharks--as well as a poem on the fate of Queen Nefertiti in Nazi Germany. Despite the dizzying variety, James's poetic intention becomes increasingly clear: what marks this new collection is his intensified concentration on the individual poem as a self-contained universe. Poetry is a practice he compares (in "Numismatics") to striking new coin, and Nefertiti in the Flak Tower is a treasure chest of one-off marvels, with each poem a twin-sided, perfect human balance of the unashamedly joyous and the deadly serious, "whose play of light pays tribute to the dark."
Negative Money
by Lillian-Yvonne BertramFrom a National Book Award nominated poet, this collection is about a life lived in the red, on the edges of great lack and great abundance, of financial and emotional marginsNegative Money follows a speaker continually coming of age while probing the binary thresholds of racial and gender identity, violence and safety, security and precarity, love and loneliness.For readers of Readers Claudia Rankine, Torrey Peters, Ocean Vuong, and Jericho Brown, NBA nominated Lillian-Yvonne Bertrams&’s poems are innovative, conceptually thoughtful work. Through experimentation and muscular lyricism, Bertram maintains a style that observes a speaker&’s attempt to understand and exert multiple identities within the binary confines of race and gender.Playing and gliding from acrostics to sonnets to maps, these compassionate, cerebral, and irreverent poems plainly recognize the larger and potentially escapable oppressive systems that dominate all of our lives by narrating the exhaustion that comes from living under constraining systems of relentless extraction, systems whose powers fracture all attempts at genuine love and intimacy.
Negative Space
by Luljeta Lleshanaku Ani GjikaLleshanaku’s poems are “full of objects and souls, transformed and given wings in Chagall-like metaphor” (Sasha Dugdale, Poetry Nation Review) “Language arrived fragmentary / split in syllables / spasmodic / like code in times of war,” writes Luljeta Lleshanaku in the title poem to her powerful new collection Negative Space. In these lines, personal biography disperses into the history of an entire generation that grew up under the oppressive dictatorship of the poet’s native Albania. For Lleshanaku, the “unsaid, gestures” make up the negative space that “gives form to the woods / and to the mad woman—the silhouette of goddess Athena / wearing a pair of flip-flops / and an owl on top of a shoulder.” It is the negative space “that sketched my onomatopoeic profile / of body and shadow in an accidental encounter.” Lleshanaku instills ordinary objects and places—gloves, used books, acupuncture needles, small-town train stations—with subtle humor and profound insight, as a child discovering a world in a grain of sand.
Negative Theology and Utopian Thought in Contemporary American Poetry
by Jason LagapaThis book explores the utopian imagination in contemporary American poetry and the ways in which experimental poets formulate a utopian poetics by adopting the rhetorical principles of negative theology, which proposes using negative statements as a means of attesting to the superior, unrepresentable being of God. With individual chapters on works by such poets as Susan Howe, Nathaniel Mackey, Charles Bernstein, and Alice Notley, this book illustrates how a strategy of negation similarly proves optimal for depicting the subject of utopia in literary works. Negative Theology and Utopian Thought in Contemporary American Poetry: Determined Negations contends that negative statements in experimental poetry illustrate the potential for utopian social change, not by portraying an ideal world itself but by revealing the very challenge of representing utopia directly.
The Neglected Shelley (The Nineteenth Century Series)
by Timothy Webb Alan M. WeinbergNew editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.
Negotiations
by Destiny O. BirdsongWhat makes a self? In her remarkable debut collection of poems, Destiny O. Birdsong writes fearlessly towards this question. Laced with ratchetry, yet hungering for its own respectability, Negotiations is about what it means to live in this America, about Cardi B and top-tier journal publications, about autoimmune disease and the speaker’s intense hunger for her own body—a surprise of self-love in the aftermath of both assault and diagnosis. It’s a series of love letters to black women, who are often singled out for abuse and assault, silencing and tokenism, fetishization and cultural appropriation in ways that throw the rock, then hide the hand. It is a book about tenderness and an indictment of people and systems that attempt to narrow black women’s lives, their power. But it is also an examination of complicity—both a narrative and a black box warning for a particular kind of self-healing that requires recognizing culpability when and where it exists.
Negro Mountain (Phoenix Poets)
by C. S. GiscombeA cross-genre poetry collection that troubles the idea of poetic voice while considering history, biology, the shamanistic, and the shapes of racial memory. In the final section of Negro Mountain, C. S. Giscombe writes, “Negro Mountain—the summit of which is the highest point in Pennsylvania—is a default, a way among others to think about the Commonwealth.” Named for an “incident” in which a Black man was killed while fighting on the side of white enslavers against Indigenous peoples in the eighteenth century, this mountain has a shadow presence throughout this collection; it appears, often indirectly, in accounts of visions, reimaginings of geography, testimonies about the “natural” world, and speculations and observations about race, sexuality, and monstrosity. These poems address location, but Giscombe—who worked for ten years in central Pennsylvania—understands location to be a practice, the continual “action of situating.” The book weaves through the ranges of thinking that poetic voice itself might trouble. Addressing a gallery of figures, Giscombe probes their impurities and ambivalences as a way of examining what languages “count” or “don’t count” as poetry. Here, he finds that the idea of poetry is visionary, but also investigatory and exploratory.
The Negro Speaks of Rivers
by Langston HughesHughes has long been acknowledged as the voice of the Harlem Renaissance, and this poem is considered the movement's song. Artist Lewis acts as interpreter and visionary, using watercolor to pay tribute to Hughes's timeless anthem, a poem that every child deserves to know.
Neighborhood Odes: Poems
by Gary Soto David DiazFrom family pictures to pinatas, from the gato with a meow like a rusty latch to Fourth of July fireworks, the poet celebrates the startling and often overlooked moments that define childhood. Affectionate without being overly sentimental, the collection provides a good introduction to contemporary poetry as well as a fine homage to a Chicano community. --Publishers Weekly
Neighborhood Register: Poems
by Marcus Jackson"A poet whose voice and message we trust. . . a singular and significant voice. You will not forget this neighborhood, or this poet. " from the foreword by Toi Derricotte From the twilight towns of the Rust Belt to the vivid inlets of New York City, Neighborhood Register is a ledger of the people, scenes, and sectors from which hidden music and meaning unearth. The collection evokes the beauties and difficulties within multi-racial families, the value of vernacular, and the unexpected resonances of common objects. "In his fine first collection, Jackson lyrically knits together time, memory, human desires and obligations and invites the kind reader to dance along to his bright measures, which sometimes resemble the life of a young poet, deeply enmeshed in the world, and sometimes reflect like a mirror. " - Cornelius Eady
Neighbors
by Jay NebelNeighbors is a book of lyric narratives about the men and women who live and work next to us, the people standing in line at the DMV or buying milk and bread at the grocery store. Jay Nebel gives voice to an America lost in the graffiti of park benches and 24-hour diner parking lots, where men attempt CPR on gorillas and beat each other in back alleys with baseball bats, as well as revere their mothers. These are poems that look through the windows at the secret lives of our neighbors, their affairs and addictions, their curses and loves.
Neighbour Procedure
by Rachel ZolfRachel Zolf's powerful follow-up to the Trillium Award-winning Human Resources is a virtuoso polyvocal correspondence with the daily news, ancient scripture and contemporary theory that puts the ongoing conflict in Israel/Palestine firmly in the crosshairs. Plucked from a minefield of competing knowledges, media and public texts, Neighbour Procedure sees Zolf assemble an arsenal of poetic procedures and words borrowed from a cast of unlikely neighbours, including Mark Twain, Dadaist Marcel Janco, blogger-poet Ron Silliman and two women at the gym. The result is a dynamic constellation where humour and horror sit poised at the threshold of ethics and politics. 'This is an extraordinary collection of poems, and yet I hesitate in saying this, since something happens to poetry in these pages, so I no longer know what precisely poetry is or can be. In fact, Rachel Zolf brings an incredible range of readings to bear on the poetic line. If there is a mixing of media within these lines, there is also a proliferation of tongues, an effort to let language collide to produce a more acute and anguished experience of war. Israel and Palestine recur in the fits and starts of meditation offered here where language follows unpredictable sequences and finds itself suddenly stuttering in its vowels. There is mourning, rage and some brave and difficult effort to speak across traditions, languages, to avow loss, to expose the colder rationalities of occupation and war, and a linguistic fathoming of the ethics of proximity. This is courageous and moving work that feels like the struggle of a lifetime condensed into potent lines.' - Judith Butler. 'Neighbour Procedure is the most realized conceptual-modular book of political poetry I've read to date; Zolf's language-motion escapes several nation-states' culture capture zones while re-threading the very notion of "self"-representational purposivity.' - Rodrigo Toscano. 'This book is a sharp, painful cry against the tyranny of the monologic.' - Charles Bernstein.
Neon Aliens Ate My Homework and Other Poems: A Book of Poetry
by Nick CannonJust in time for National Poetry Month, Nick Cannon, entertainer extraordinaire, debuts his poetry book for children.Nick Cannon---the unstoppable entertainer, comedian, actor, and musician---was inspired to write Neon Aliens Ate My Homework and Other Poems as a way to combine the worlds of poetry and hip-hop. These two mediums have shaped Nick into the prolific artist he is today. To furtherpay respect to the urban storytelling that inspired him, each funny, gross, wacky, or thought-provoking poem in this collection is illustrated by one of six incredible street artists who have shown his or her work around the world. There are even four illustrations by Nick himself.Also includes: More than 65 poems written by Nick Cannon 4 poems illustrated by Nick Cannon himself 60+ poems illustrated by one of six outstanding street artists A letter from Nick CannonA biography of Nick Cannon A biography of each illustrator An index
Neon Vernacular: New and Selected Poems
by Yusef KomunyakaaABOUT THE AUTHOR: Yusef Komunyakaa is a professor in the Council of Humanities and Creative Writing at Princeton University. He is the author of five Wesleyan titles including the Pulitzer-winning Neon Vernacular (1993), which also won the Kingsley-Tufts Poetry Award from the Claremont Graduate School, Thieves of Paradise (1998), Magic City (1992), and Dien Cai Dau (1988). In 1991 he won the Thomas Forcade Award, in 1993 he was nominated for the Los Angeles Times Book Prize in Poetry, and in 1997 he was awarded the Hanes Poetry Prize.
Neon Vernacular: New and Selected Poems (Wesleyan Poetry Series)
by Yusef KomunyakaaAn award-winning poet’s testimony of the war in Vietnam.
Neoteny: Poems
by Emily MichaelA lively and imaginative debut, Neoteny explores blindness, family, and birdsong. In these poems, Emily K. Michael meditates on literary and personal heroes like Jo March, her beloved grandmother, and her guide dog. This collection is rich with treasures from childhood -- the honey-colored piano Michael played, the fig tree in her front yard and the trays of fresh mint drying on her grandmother's table. The poems move between a child mind and an adult's perspective as Michael contemplates the rich emotional power of commonplace objects and the way her own blindness complicates everyday situations. Poems like "In This One" and "I Say Yes" take the reader into the domestic moments of young romance while "Deficiencies," and "Wood Thrush" invite readers to disappear in wonder for the wild world. <P><P>A native of Jacksonville, Florida, Michael weaves local sounds and spaces into her work. "Anniversary in St. Augustine" is the story of a couple's private tour of historical landmarks, while "Ajeen" captures the quiet of a deserted street deep in hurricane season. "Trading Threes" and "Encore" welcomes local birds onto the page as Michael immortalizes the sounds of mockingbirds and cardinals. <P><P>Though Neoteny is an uplifting collection, Michael confesses the difficulties she experiences as a blind poet in a sighted world. In "Small Hours," she asks readers to wonder just how important their vision really is, and in "Blindness Locked Me Out," she catalogues the situations where her disaiblity relegated her to the sidelines. "Natural Compliance" maps the challenge of exploring the wilderness with a white cane and wheelchair. And "A Phenomenology of Blindness" is Michael's resounding answer to the common questions about how blindness works. To those who think Michael is seeking a cure, she offers "Faith," a poem that examines how healing really works. <P><P>Neoteny also pays tribute to the poets Michael loves. "Practice" is Michael's nod to CD Wright's "Lake Echo, Dear" and "Antiphon for Emily" is her song for Emily Dickinson. Neoteny opens on "I Begin to Understand Jo March," a finalist for the 2018 Atlantis Award. The final poem is "Cello," first published in Artemis Journal and later included in Carilion Roanoke Memorial Hospital's Poems in the Waiting Room. Poems from this collection have also appeared in Wordgathering, Nine Mile Magazine, The Fem, Saw Palm, The Deaf Poets Society, Rogue Agent, and The South Carolina Review.
Neruda: The Poet's Calling
by Mark EisnerThe most definitive biography to date of the poet Pablo Neruda, a moving portrait of one of the most intriguing and influential figures in Latin American historyFew poets have captured the global imagination like Pablo Neruda. In his native Chile, across Latin America, and in many other parts of the world, his name and legacy have become almost synonymous with liberation movements, and with the language of erotic love. Neruda: The Poet’s Calling is the product of fifteen years of research by Mark Eisner, writer, translator, and documentary filmmaker. The book vividly depicts Neruda’s monumental life, potent verse, and ardent belief in the “poet’s obligation” to use poetry for social good. It braids together three major strands of Neruda’s life—his world-revered poetry; his political engagement; and his tumultuous, even controversial, personal life—forming a single cohesive narrative of intimacy and breadth.The fascinating events of Neruda’s life are interspersed with Eisner’s thoughtful examinations of the poems, both as works of art in their own right and as mirrors of Neruda’s life and times. The result is a book that animates Neruda’s riveting story in a new way—one that offers a compelling narrative version of Neruda’s life and work, undergirded by exhaustive research, yet designed to bring this colossal literary figure to a broader audience.
Neruda and Vallejo: Selected Poems
by Robert Bly"Chilean Pablo Neruda is Latin America's greatest poet and one of the finest ever to have written in the Spanish language. The Peruvian poet, Cesar Vallejo, part Indian and born in a mining village, ranks not far below Neruda. Robert Bly is one of America's foremost poets, and a translator of uncommon brilliance. The combination makes for a priceless volume."--Long Beach Press Telegram.
Nerve Storm
by Amy GerstlerIn her first collection since Bitter Angel, which won the 1991 National Book Critics Circle Award, Gerstler continues her intense, and often savage, pursuit of redemption through suffering. At times pain is caused by illness (scarlet fever, tuberculosis), at times by man's inhumanity to man (the Holocaust; bodies are recovered from an unspecified explosion). Past and present blur as one speaker is followed through various reincarnations in a single poem. A cow lazily chewing grass insists that Prior to this promotion/ I was the town drunk. Her best poems are relentless, soul-searching, surreal and wonderfully inexplicable. But less than half this volume displays vintage Gerstler. At their weakest, her poems are formulaic and contrived, as when she catalogues matriarchal saints for modern times (Our lady of organ transplants. / Our lady of the power lunch). A five-page poem about insect collecting (possibly a found poem lifted from various manuals) is pointless. Most damaging is her ability to trivialize the same themes she presents so potently elsewhere, as when the speaker of one poem gives instructions on survival to a potentially homeless person. Whether a poem is sympathizing or mocking, the meter and the poet's distanced gaze remain the same, frequently leaving readers uncertain of the poet's intentions.