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New Selected Poems

A poem book which is written by a popular artist.

A New Selected Poems

Contains selected poems from:What a Kingdom It Was (1960)Flower Herding on Mount Monadnock (1964)Body Rags (1968)The Book of Nightmares (1971)Mortal Acts, Mortal Words (1980)The Past (1985)When One Has Lived a Long Time Alone (1990)Imperfect Thirst (1994)

New Selected Poems

All the poems Levine himself chose for inclusion in his earlier Selected Poems, plus 15 new poems.

New Selected Poems

In this condensed edition of Selected Poems, Robert Lowell’s poems are brought together from all of his books of verse. Chosen and introduced by Katie Peterson on the occasion of Robert Lowell’s one hundredth birthday, Brief Selected Poems offers a perfectly chosen and illuminating representation of one of the great careers in twentieth-century poetry.

A New Shakespearean Poem?

Mystery writer finds Shakespeare poem.<P> Oh, right.<P> In an obscure old volume in the British Library, bestselling mystery writer Sarah Smith found an ancient poem. Who wrote it? Ex-English professor Smith writes a snarky and accessible preface that introduces the reader to authorship studies and, with deduction worthy of Sherlock Holmes, she identifies the writer of the poem as the major alternate Shakespeare candidate, Edward de Vere. <P> To quote Smith, the poem shares “certain characteristics of Shakespeare’s work—not the most obvious, nor the easiest to imitate.” These characteristics include irregular rhythm, the use of new words and metaphors taken from sports, run-on lines, secularism, a drawing away from allegory and the morality-play tradition, and the use of dramatic voices.<P> And the poem is not influenced by Shakespeare. It was published in October 1580. If a poem written this early does have significant and otherwise inexplicable similarities to Shakespeare’s work, of course it is important indeed.<P> Want to read a new Shakespeare poem? Maybe it’s here. Take a look.

New Songs for Orpheus (Hugh MacLennan Poetry Series)

For a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest airIn New Songs for OrpheusJohn Reibetanz updates Ovid’s poetry. Ovid’s words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years.Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid’s characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001.The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away – like those in Ovid’s “restored” world after the flood – are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal.

The New Testament

Honored as a "Best Book of 2014" by Library Journal <P>In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. <P>In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing--and the truth is coming on fast. <P>ericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.

New Theatre

New Theatre stages a lively foray into spaces geographical and utopian that calls into question the process and nature of meaning. Steudel's coolly cerebral 'Birch' sequence about Vladimir Ilyich Lenin's later life muses on power and identity, but is balanced by an intimate autobiographical long poem that gives quieter, equally surprising shorter pieces room to spike and bloom in this assured debut.

A New Theory for American Poetry: Democracy, the Environment, and the Future of Imagination

Amid gloomy forecasts of the decline of the humanities and the death of poetry, Angus Fletcher, a wise and dedicated literary voice, sounds a note of powerful, tempered optimism. He lays out a fresh approach to American poetry at large, the first in several decades, expounding a defense of the art that will resonate well into the new century. Breaking with the tired habit of treating American poets as the happy or rebellious children of European romanticism, Fletcher uncovers a distinct lineage for American poetry. His point of departure is the fascinating English writer, John Clare; he then centers on the radically American vision expressed by Emerson and Walt Whitman. With Whitman this book insists that "the whole theory and nature of poetry" needs inspiration from science if it is to achieve a truly democratic vista. Drawing variously on Complexity Theory and on fundamentals of art and grammar, Fletcher argues that our finest poetry is nature-based, environmentally shaped, and descriptive in aim, enabling poets like John Ashbery and other contemporaries to discover a mysterious pragmatism. Intense, resonant, and deeply literary, this account of an American poetics shows how today's consumerist and conformist culture subverts the imagination of a free people. While centering on American vision, the argument extends our horizon, striking a blow against all economically sanctioned attacks upon the finer, stronger human capacities. Poetry, the author maintains, is central to any coherent vision of life.

New Thought Pastels

New Time (Wesleyan Poetry Series)

Time spent in Japan, and everyday life in Berkeley and Oakland, come together as a kaleidoscope of words and consciousness in New Time. Leslie Scalapino pushes at the edges / spatial shape of language and experience in her new collection by writing that is itself events, which are to "punch a hole in reality."Real events, occurring in real time, are transformed in the act of writing them as perceived rather than interpreted. Phrases repeat, conjoin, break apart, and return in this challenging and innovative work, as Scalapino moves toward a "new time" wherein there is no 'inner' -- one's illusion that is "the adamant social being / is inner" and "the body is a new form."

The New World Border: Prophecies, Poems, And Loqueras For The End Of The Century

Hero of a thousand syncretic faces--intercultural intepreter, reverse anthropologist, experimental linguist, and political artist of the first order- Guillermo Gómez-Peña has won international acclaim for his efforts to create a hybrid culture and to articulate a borderless ethos.

New York-Paris: Whitman, Baudelaire, and the Hybrid City

As New York and Paris began to modernize, new modes of entertainment, such as panoramas, dioramas, and photography, seemed poised to take the place of the more complex forms of literary expression. Dioramas and photography were invented in Paris but soon spread to America, forming part of an increasingly universal idiom of the spectacle. This brave new world of technologically advanced but crudely mimetic spectacles haunts both Whitman's vision of New York and Baudelaire's view of Paris. In New York-Paris, Katsaros explores the images of the mid-nineteenth-century city in the poetry of both Whitman and Baudelaire and seeks to demonstrate that, by projecting an image of the other's city onto his own, each poet tried to resist the apparently irresistible forward momentum of modernity rather than create a paradigmatically happy mixture of "high" and "low" culture.

New York School Collaborations

Ranging from conceptual theater to visual poetry the New York School explored the possibilities of collaboration like no other group of American poets. New York School Collaborations gathers essays from a diverse group of scholars on the alliances and artistic co-productions of New York School poets, painters, musicians, and film-makers.

Newly Not Eternal

Equal parts elegy and ode, Newly Not Eternal explores the startling suffering and sentiment implicit in human mortality. At the heart of this collection, a son has died on the cusp of his first breath, but the book’s stakes are larger and more universal than a single, silent, foreshortened life. Ranging from personal lyrics to monologues in persona, from triolets to a modified crown of sonnets, from surreal fantasy to natural landscape, George David Clark’s poems sing of the brutality of time and the beauty that transcends it.

The News

Emmy-award winning journalist Jeffrey Brown explores the intersections between politics and poetry in his debut book The News. From a high-security prison in Arizona to a West Point classroom to a slum in Haiti, Brown's poems share the perspectives of inmates, cadets, and survivors. Brown's voice is introspective and compassionate as he addresses both the "news from home" and natural disasters that cause large-scale suffering. In Brown's own words, poetry is an "accounting of what it means to be alive in this world," and his work unites the "often disconnected worlds of news and poetry."Headlines 1"Bomb Explodes in a Crowded Market"Winds blow, my friends are scattered"Dow Falls on Jobs Numbers"I add and add and it doesn't add up"President to Address the Nation"I seek a way out, a way in - away"White Smoke: Habemus Papam"I turned for a moment - where did she go?"U.S. Demands End to Cyber Attacks"I've forgotten every book I've read"Detroit: Crisis Born of Bad Decisions"This is the life I choose nowJeffrey Brown is the chief correspondent for arts, culture, and society at PBS NewsHour. His work has taken him all over the world as he searches for the connections between news and poetry. He is the creator and host of "Art Beat," which is NewsHour's online arts and culture blog. As a producer and correspondent, his work has earned him an Emmy the Cine Golden Eagle. He lives in Washington, DC.

News and Weather: Seven Canadian Poets

This anthology cuts into the Canadian poetry scene on a fresh, oblique angle. Included are Robert Bringhurst, Margaret Avison, A.F. Moritz, Guy Birchard, Terry Humby, Alexander Hutchison and Brent MacKay.

News From Down to the Café: New Poems

Contents: Wayburne Pig, The Wayburne Team, Rhapsody for the Good Night: Christmas Eve, Sonora Portable Music Master (Made in the United States of America) 55 to 500 Kilocycles Table Model, Labor, Blow, Song E.U. Washburn Heard Sung to Tommy Malouf from the Cummings Plot, Sonata in Red, Burn, Righteous, The Relic, The Legend of the Monster in Two Draw, Song E.U. Washburn Heard the Mockingbird Sing Near the Grave of Janie Grace Gosset, Stranger, Private Conversation Overheard from the Booths: Eulogy After the Fact, or Reflections on a Gift from a Magus, The Fish, Land: Overheard Coffeecounter Conversation between Charlie Parks and Tommy Minor, A Hymn for Pearl, A Tale of Ignorance, Stupidity, and Cold Beer without Moderation, E.U. Washburn's Story: Uncle Abe, Housedogs, Classified, Conversation Overheard from a Back Booth on a Tuesday Afternoon After a Weekend Storm, The Twenty-One Gun Salute, Slow, Song E.U. Washburn Heard While Tending Roses over the Grave of Philemon and Baucis Rojas, Old, Epilogue Scribbled on Four Napkins and One Line on the Palm of a Hand While Sitting in a Back Booth with E.U. Washburn.

The News from Poems: Essays on the 21st-Century American Poetry of Engagement

The News from Poems examines a subgenre of recent American poetry that closely engages with contemporary political and social issues. This "engaged" poetry features a range of aesthetics and focuses on public topics from climate change, to the aftermath of recent wars in Afghanistan and Iraq, to the increasing corporatization of U.S. culture. The News from Poems brings together newly commissioned essays by eminent poets and scholars of poetry and serves as a companion volume to an earlier anthology of engaged poetry compiled by the editors. Essays by Bob Perelman, Steven Gould Axelrod, Tony Hoagland, Eleanor Wilner, and others reveal how recent poetry has redefined our ideas of politics, authorship, identity, and poetics. The volume showcases the diversity of contemporary American poetry, discussing mainstream and experimental poets, including some whose work has sparked significant controversy. These and other poets of our time, the volume suggests, are engaged not only with public events and topics but also with new ways of imagining subjectivity, otherness, and poetry itself.

News of the Universe: Poems of Twofold Consciousness (A\sierra Club Books Publication Ser.)

Acclaimed poet and translator Robert Bly here assembles a unique cross-cultural anthology that illuminates the idea of a larger-than-human consciousness operating in the universe. The book's 150 poems come from around the world and many eras: from the ecstatic Sufi poet Rumi to contemporary voices like Kenneth Rexroth, Denise Levertov, Charles Simic, and Mary Oliver. Brilliant introductory essays trace our shifting attitudes toward the natural world, from the "old position" of dominating or denigrating nature, to the growing sympathy expressed by the Romantics and American poets like Whitman and Dickinson. Bly's translations of Neruda, Rilke, and others, along with superb examples of non-Western verse such as Eskimo and Zuni songs, complete this important, provocative anthology.

News of the World

A superb new collection from “a great American poet . . . still at work on his almost-song of himself”(The New York Times Book Review). In both lively prose poems and more formal verse, Philip Levine brings us news from everywhere: from Detroit, where exhausted workers try to find a decent breakfast after the late shift, and Henry Ford, “supremely bored” in his mansion, clocks in at one of his plants . . . from Spain, where a woman sings a song that rises at dawn, like the dust of ages, through an open window . . . from Andorra, where an old Communist can now supply you with anything you want—a French radio, a Cadillac, or, if you have a week, an American film star. The world of his poetry is one of questionable magic: a typist lives for her only son who will die in a war to come; three boys fish in a river while a fine industrial residue falls on their shoulders. This is a haunted world in which exotic animals travel first class, an immigrant worker in Detroit yearns for the silence of his Siberian exile, and the Western mountains “maintain that huge silence we think of as divine. ” A rich, deeply felt collection from one of our master poets. From the Hardcover edition.

Next: New Poems (American Poets Continuum #15.00)

Finalist, 1988 Pulitzer Prize for Poetry. "Clifton mythologizes herself: that is, she illuminated her surroundings and history from within in a way that casts light on much beyond."--The Women's Review of Books

Next Day: New and Selected Poems

A selection of the dazzling work of one of the finest writers of her generation and winner of the Los Angeles Times Book Prize, a poet of elegant restraint, emotional depth, and moral visionBeginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Zarin&’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the reader to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax. From the clarity of childhood memory to the maze of marriage and divorce, from her own consciousness—shaping landscapes of New York, Cape Cod, and Rome, to the shifting tides of history and the troubled conscience of a nation, her subject matter encompasses all of a woman's life, with passion—its risks, satisfactions, and shattering immediacy—her first and truest subject.

Next Door to the Dead: Poems (Kentucky Voices)

“A collection of poems that are bold, inviting, charming, different, humorous, and irreverent. Often, they slip the bonds of common expectation.” —Northern Kentucky TribuneWhen Kathleen Driskell tells her husband that she’s gone to visit the neighbors, she means something different than most. The noted poet—whose last book, Seed Across Snow, was twice listed as a national bestseller by the Poetry Foundation—lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet’s fascination with the “neighbors” brings the burial ground back to life.Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These “neighbors,” with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones.Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell’s poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us.“Driskell has written her path to the Kentuckian sublime.” —Shane McCrae, author of Sometimes I Never Suffered

The Next Place

Best selling bereavement book for all ages and all faiths. A comforting message of hope and compassion.