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New and Selected Poems 1974-2004
by Carl DennisThe New York Times has called Carl Dennis's poetry "wise, original, and deeply moving. " A poet with a growing audience of admirers, Dennis writes in a clear, classically simple language that is both personal and universal. Making use of a rich variety of genres-advice, meditation, elegy, and prophecy-his poems take unexpected turns as they explore their subjects, catching the reader off balance in a way that is liberating. This new anthology gathers the best of his eight previous books along with a generous sampling of new poems.
New and Selected Poems of Thomas Lux: 1975-1995
by Thomas LuxOne of the New York Public Library's 25 "Books to Remember" in 1997 Lux comments on the absurd, the pathetic, and the commonplace in our culture, writing with compassion as well as satire. He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."
New and Selected Poems, Volume One
by Mary OliverWhen New and Selected Poems, Volume One was originally published in 1992, Mary Oliver was awarded the National Book Award. In the fourteen years since its initial appearance it has become one of the best-selling volumes of poetry in the country. This collection features thirty poems published only in this volume as well as selections from the poet's first eight books.<P><P> Mary Oliver's perceptive, brilliantly crafted poems about the natural landscape and the fundamental questions of life and death have won high praise from critics and readers alike. "Do you love this world?" she interrupts a poem about peonies to ask the reader. "Do you cherish your humble and silky life?" She makes us see the extraordinary in our everyday lives, how something as common as light can be "an invitation/to happiness,/and that happiness,/when it's done right,/is a kind of holiness,/palpable and redemptive." She illuminates how a near miss with an alligator can be the catalyst for seeing the world "as if for the second time/the way it really is." Oliver's passionate demonstrations of delight are powerful reminders of the bond between every individual, all living things, and the natural world.<P> Winner of the National Book Award
New and Selected Poems, Volume Two
by Mary OliverMary Oliver has been writing poetry for nearly five decades, and in that time she has become America's foremost poetic voice on our experience of the physical world. This collection presents forty-two new poems-an entire volume in itself-along with works chosen by Oliver from six of the books she has published since New and Selected Poems, Volume One.
The New Anthology of American Poetry, Volume Two: Modernisms: 1900-1950
by Steven Axelrod Camille Roman Thomas TravisanoBringing together fifty years of exciting modernisms, The New Anthology of American Poetry, Volume 2 includes over 600 poems by sixty-five American poets writing in the period between 1900 and 1950. The most recognized poets of the era, such as William Carlos Williams, Ezra Pound, Wallace Stevens, T. S. Eliot, H. D., Gertrude Stein, Robert Frost, Marianne Moore, Hart Crane, and Langston Hughes are represented, along with many other Harlem Renaissance poets, women poets, immigrant and working-class poets, imagists, and objectivists. It is also the first modernist anthology to include poems and songs from popular culture.
New Approaches to Ezra Pound: A Co-ordinated Investigation of Pound's Poetry and Ideas
by Ezra PoundGreat advances are currently being made in the understanding of Pound's lifework. Many of the essays in this book--the majority are published her for the first time--disclose hitherto unsuspected aspects of the poet's beliefs, while others are studies in depth of areas of his work which, although frequently discussed, have never before been properly examined. Seldom, in fact, have so many pioneering studies been assembled between the covers of a single volume. The various contributors are eminently qualified to treat the specific ideas and interests of Pound's about which they write, and the book as a co-ordinated whole comprehensively covers his--and our artistic culture. Eminent scholars and critics from five different countries have come together in this attempt to 'unscrew the inscrutable': Richard EllemannLeslie FiedlerForrest ReadN. Christoph de NagyWalter BaumannGuy DavenportJ. P. SullivanJohn EspeyDonal DavieGeorge DekkerBoris de RachewiltzAlbert CookHugh KennerChristine Broke-Rose Eva Hesse--well-known here and in Germany as a critic and translator--establishes the interrelationships between the various fields of study and examines some of Pound's key concepts from the aspect of the history of ideas. New Approaches to Ezra Pound should serve as a valuable source book for all students of literature and may above all be expected to act as a catalyst for future studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
The New Arcadia: Poems
by John KinsellaOne of Australia's best poets conjures the Australian countryside in this brilliant epic, inspired by Philip Sidney's classic pastoral "Arcadia." "Astonishingly fecund and inventive. The New Arcadia revitalizes pastoral traditions, but more in the mode of lamentation than celebration. Like Frost's New Hampshire and Vermont, Kinsella's Western Australia is eroded, a last act salted with the ruins of our age, and yet yielding permanent poems."--Harold Bloom
New Collected Poems: Collected And New Sabbath Poems
by Wendell BerryIn Wendell Berry's upcoming The New Collected Poems, the poet revisits for the first time his immensely popular Collected Poems, which The New York Times Book Review described as "a straight-forward search for a life connected to the soil, for marriage as a sacrament and family life" that "affirms a style that is resonant with the authentic," and "[returns] American poetry to a Wordsworthian clarity of purpose."In The New Collected Poems, Berry reprints the nearly two hundred pieces in Collected Poems, along with the poems from his most recent collections-Entries, Given, and Leavings-to create an expanded collection, showcasing the work of a man heralded by The Baltimore Sun as "a sophisticated, philosophical poet in the line descending from Emerson and Thoreau . . . a major poet of our time."Wendell Berry is the author of over forty works of poetry, fiction, and non-fiction, and has been awarded numerous literary prizes, including the T.S. Eliot Award, a National Institute of Arts and Letters award for writing, the American Academy of Arts and Letters Jean Stein Award, and a Guggenheim Foundation Fellowship. While he began publishing work in the 1960s, Booklist has written that "Berry has become ever more prophetic," clearly standing up to the test of time.
New Collected Poems
by Marianne MooreA landmark definitive edition of one of our most innovative and beloved poetsThe landmark oeuvre of Marianne Moore, one of the major inventors of poetic modernism, has had no straight path from beginning to end; until now, there has been no good vantage point from which to see the body of her remarkable work as a whole. Throughout her life Moore arranged and rearranged, visited and revisited, a large majority of her existing poetry, always adding new work interspersed among revised poems. This makes sorting out the complex textual history that she left behind a pressing task if we mean to represent her work as a poet in a way that gives us a complete picture. New Collected Poems offers an answer to the question of how to represent the work of a poet so skillful and singular, giving a portrait of the range of her voice and of the modernist culture she helped create.William Carlos Williams, remarking on the impeccable precision of Moore’s poems, praised “the aesthetic pleasure engendered when pure craftsmanship joins hard surfaces skillfully.” It is only in New Collected Poems that we can understand her later achievements, see how she refashioned her earlier work, and get a more complete understanding of her consummate craftsmanship, innovation, and attention to detail. Presented and collected by Heather Cass White, the foremost scholar of Moore’s work, this new collection at last allows readers to experience the untamed force of these dazzling poems as the author first envisioned them.
New Collected Rhymes
by Andrew LangAndrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).
A New Companion to Milton (Blackwell Companions to Literature and Culture)
by Thomas N. CornsA New Companion to Milton builds on the critically-acclaimed original, bringing alive the diverse and controversial world of contemporary Milton studies while reflecting the very latest advances in research in the field. Comprises 36 powerful readings of Milton's texts and the contexts in which they were created, each written by a leading scholar Retains 28 of the award-winning essays from the first edition, revised and updated to reflect the most recent research Contains a new section exploring Milton's global impact, in China, India, Japan, Korea, in Spanish speaking American and the Arab-speaking world Includes eight completely new full-length essays, each of which engages closely with Milton's poetic oeuvre, and a new chronology which sets Milton's life and work in the context of his age Explores literary production and cultural ideologies, issues of politics, gender and religion, individual Milton texts, and responses to Milton over time
New Dark Ages (Wesleyan Poetry Series)
by Donald RevellNew Dark Ages is a book of ideas that exhibits a rare quality - adventurousness. The poems are intelligent and deeply felt, complex and crystal clear. Donald Revell writes about things as tender and as complicated as happiness and freedom. His poetry brims with images, wonder, and discovery, as it seeks to answer such questions as :If the original idea of America is defunct, what has taken its place? If privacy is no more, how do we go about the business of loving? If God and history have become one, what is the relationship between morality and expediency?" And, above all, "Why is it that, in spite of all, the twentieth century is so heart-breakingly beautiful - a true vindication of humanism?"
New Directions in Contemporary Australian Poetry (Modern and Contemporary Poetry and Poetics)
by Dan Disney Matthew HallThis book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here—“Indigeneities”; “Political Landscapes”; “Space, Place, Materiality”; “Revising an Australian Mythos”—models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.
New England Beyond Criticism: In Defense of America's First Literature (Wiley-Blackwell Manifestos)
by Elisa NewTimely and beautifully written, New England Beyond Criticism provides a passionate defense of the importance of the literature of New England to the American literary canon, and its impact on the development of spirituality, community, and culture in America. An exploration and defense of the prominence of New England’s literary tradition within the canon of American literature Traces the impact of the literature of New England on the development of spirituality, community, and culture in America Includes in-depth studies of work from authors and poets such as William Bradford, Emily Dickinson, Robert Frost, Henry David Thoreau, Susan Howe, and Marilynne Robinson Examines the place and impression of New England literature in the nation’s intellectual history and the lives of its readers
New Enlarged Anthology of Robert Frost's Poems
by Robert FrostSelected poems of Robert Frost, accompanied by an introduction and commentary by Louis Untermeyer. They make up an anthology that will bring you numberless hours of pleasure and joy.
New Essays on John Clare
by Kövesi, Simon and McEathron, Scott Simon Kövesi Scott MceathronJohn Clare (1793–1864) has long been recognized as one of England's foremost poets of nature, landscape and rural life. Scholars and general readers alike regard his tremendous creative output as a testament to a probing and powerful intellect. Clare was that rare amalgam ‒ a poet who wrote from a working-class, impoverished background, who was steeped in folk and ballad culture, and who yet, against all social expectations and prejudices, read and wrote himself into a grand literary tradition. All the while he maintained a determined sense of his own commitments to the poor, to natural history and to the local. Through the diverse approaches of ten scholars, this collection shows how Clare's many angles of critical vision illuminate current understandings of environmental ethics, aesthetics, Romantic and Victorian literary history, and the nature of work.
New Formalisms and Literary Theory
by Verena Theile Linda TredennickBringing together scholars who have critically followed New Formalism's journey through time, space, and learning environment, this collection of essays both solidifies and consolidates New Formalism as a burgeoning field of literary criticism and explicates its potential as a varied but viable methodology of contemporary critical theory.
New Hampshire: Robert Frost Vintage Book
by Robert FrostNew Hampshire is Robert Frost&’s poetic tour de force. It won the Pulitzer Prize for excellence in poetry. While Frost had been a respected poet before New Hampshire&’s release New Hampshire forever cemented Frost&’s standing as the greatest American Poet. If you&’ve never read Frost, this is the book with which to start. It includes some of his most beloved poems such as "Stopping by Woods on a Snowy Evening," "Nothing Gold Can Stay" and "Fire and Ice.&” Powerful and Evocative. Poems included are: 'New Hampshire' 'A Star in a Stone-Boat' 'The Census-Taker' 'The Star-Splitter' 'Maple' 'The Ax-Helve' 'The Grindstone' 'Paul&’s Wife' 'Wild Grapes' 'Place for a Third' 'Two Witches' - 'The Witch of Coos' - 'The Pauper Witch of Grafton' 'An Empty Threat' 'A Fountain, a Bottle, a Donkey&’s Ears, and Some Books' 'I Will Sing You One-O' 'Fragmentary Blue' 'Fire and Ice' 'In a Disused Graveyard' 'Dust of Snow' 'To E.T.' 'Nothing Gold Can Stay' 'The Runaway' 'The Aim Was Song' 'Stopping by Woods on a Snowy Evening' 'For Once, Then, Something' 'Blue-Butterfly Day' 'The Onset' 'To Earthward' 'Good-by and Keep Cold' 'Two Look at Two' 'Not to Keep' 'A Brook in the City' 'The Kitchen Chimney' 'Looking for a Sunset Bird in Winter' 'A Boundless Moment' 'Evening in a Sugar Orchard' 'Gathering Leaves' 'The Valley&’s Singing Day' 'Misgiving' 'A Hillside Thaw' 'Plowmen' 'On a Tree Fallen Across the Road' 'Our Singing Strength' 'The Lockless Door' 'The Need of Being Versed in Country Things'
New Hampshire: A Poem With Notes And Grace Notes (Dover Thrift Editions)
by Robert FrostRobert Frost (1874–1963) was the most celebrated poet in America for most of the twentieth century. Although chiefly associated with the life and landscapes of New England, his work embodies penetrating and often dark explorations of universal themes. Frost received more than 40 honorary degrees, and the first of his four Pulitzer Prizes was awarded for this 1923 collection.New Hampshire features Frost's meditations on rural life, love, and death, delivered in the voice of a soft-spoken New Englander. Critics have long marveled at the poet's gift for capturing the speech of the region's natives and his realistic evocations of the area's landscapes. This compilation includes several of his best-known poems: "Stopping by Woods on a Snowy Evening," "Nothing Gold Can Stay," and "Fire and Ice" as well as verse based on such traditional songs as "I Will Sing You One-O." The poems are complemented by the atmospheric illustrations created for the original edition by Frost's friend, woodcut artist J. J. Lankes.
New Hampshire: Poems (Dover Thrift Editions Ser.)
by Robert FrostThis Pulitzer Prize–winning poetry collection from 1923 features some of the most enduring works by one of the finest American poets of the twentieth century. One of the most beloved and influential poets in American letters, Robert Frost won his first of four Pulitzer Prizes for this collection of poems inspired by the cold and wild places of New Hampshire in winter. From vivid depictions of provincial life to wry accounts of city dwellers to striking contemplations of the end of the world, the poems collected here are quintessential Frost. Along with the lengthy title poem, this volume boasts some of Frost&’s most famous and significant works, including &“Fire and Ice,&” &“Nothing Gold Can Stay,&” and &“Stopping by Woods on a Snowy Evening,&” which Frost himself called &“my best bid for remembrance.&”
New Impressions of Africa
by Raymond RousselPoet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle #xE9;poque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africais undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dal#xEC;--who dubbed it the most "ungraspably poetic" work of the era--Andr#xE9; Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery. Roussel began writingNew Impressions of Africain 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism. This bilingual edition ofNew Impressions of Africapresents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
New Impressions of Africa (Facing Pages)
by Raymond RousselA new translation of a masterpiece of modernist poetryPoet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì—who dubbed it the most "ungraspably poetic" work of the era—André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
A New Index for Predicting Catastrophes
by Madhur AnandA striking poetic debut that brilliantly illuminates and celebrates the intersection of poetry and science, and the ways they can mediate our discovery of the world and our place in it. Originating from her living room, backyard garden, university office, or the field sites in boreal or tropical forests, the poems in Madhur Anand's captivating debut collection compose a lyric science; they bring order and chaos together into a unified theory of predicting catastrophes, large and small. Anand's ecologist poetics are sophisticated and original; her voice is an "index," a way of cataloguing and measuring the world and human experience, and of illuminating the interconnectedness at the heart of all things. Narrating the beauty of her perceived world, the poems unabashedly embrace the scintillant language of scientific evidence as they interrogate crises of personal and global concern. The result is a poetry that is as complex as it is compassionate. Anand's modernist intervention into "nature" poetry is a sparkling addition to poetics in Canada and beyond.From the Trade Paperback edition.
A New Introduction to Chaucer (Longman Medieval and Renaissance Library)
by D. S. BrewerThis new introduction to Chaucer has been radically rewritten since the previous edition which was published in 1984. The book is a controversial and modern restatement of some of the traditional views on Chaucer, and seeks to present a rounded introduction to his life, cultural setting and works. Professor Brewer takes into account recent literary criticism, both challenging new ideas and using them in his analysis of Chaucer's work. Above all, there is a strong emphasis on leading the reader to understand and enjoy the poetry and prose, and to try to understand Chaucer's values which are often seen to oppose modern principles. A New Introduction to Chaucer is the result of Derek Brewer's distinguished career spanning fifty years of research and study of Chaucer and contemporary scholarship and criticism. New interpretations of many of the poems are presented including a detailed account of the Book of the Duchess. Derek Brewer's fresh and narrative style of writing will appeal to all who are interested in Chaucer, from sixth-form and undergraduate students who are new to Chaucer's work through to more advanced students and lecturers.