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Nineteenth-Century English Labouring-Class Poets Vol 2
by John GoodridgeOver 100 poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were hugely popular and important in their day but few are available today. This is a collection of some of those poems from the 19th century.
Nineteenth-Century Poetry and Liberal Thought
by Anna BartonThis book explores the relationship between nineteenth-century poetry and liberal philosophy. It carries out a reassessment of the aesthetic possibilities of liberalism and it considers the variety of ways that poetry by William Wordsworth, Elizabeth Barrett Browning, Arthur Hugh Clough, George Meredith, Robert Browning, Matthew Arnold and Algernon Charles Swinburne responds to and participates in urgent philosophical, social and political debates about liberty and the rule of law. It provides an account of poetry's intervention into four different sites where liberalism has a stake: the self, the university, married life and the nation state and it seeks to assert the peculiar capacity of poetry to articulate liberal concerns, proposing poetic language as a means of liberal enquiry.
Nineteenth-Century Poetry and the Physical Sciences: Poetical Matter (Palgrave Studies in Literature, Science and Medicine)
by Gregory TatePoetical Matter examines the two-way exchange of language and methods between nineteenth-century poetry and the physical sciences. The book argues that poets such as William Wordsworth, Mathilde Blind, and Thomas Hardy identified poetry as an experimental investigation of nature’s materiality. It also explores how science writers such as Humphry Davy, Mary Somerville, and John Tyndall used poetry to formulate their theories, to bestow cultural legitimacy on the emerging disciplines of chemistry and physics, and to communicate technical knowledge to non-specialist audiences. The book’s chapters show how poets and science writers relied on a set of shared terms (“form,” “experiment,” “rhythm,” “sound,” “measure”) and how the meaning of those terms was debated and reimagined in a range of different texts.“A stimulating analysis of nineteenth-century poetry and physics. In this groundbreakingstudy, Tate turns to sound to tease out fascinating continuities acrossscientific inquiry and verse. Reflecting that ‘the processes of the universe’ werethemselves ‘rhythmic,’ he shows that a wide range of poets and scientists werethinking through undulatory motion as a space where the material and the immaterialmet. ‘The motion of waves,’ Tate demonstrates, was ‘the exemplary form inthe physical sciences.’ Sound waves, light, energy, and poetic meter were eachcharacterized by a ‘process of undulation,’ that could be understood as both aphysical and a formal property. Drawing on work in new materialism and newformalism, Tate illuminates a nineteenth-century preoccupation with dynamic patterningthat characterizes the undulatory as (in John Herschel’s words) not ‘things,but forms.’”—Anna Henchman, Associate Professor of English at Boston University, USA“This impressive study consolidates and considerably advances the field of physicsand poetry studies. Moving easily and authoritatively between canonical and scientistpoets, Nineteenth-Century Poetry and the Physical Sciences draws scientificthought and poetic form into telling relation, disclosing how they were understoodvariously across the nineteenth century as both comparable and competingways of knowing the physical world. Clearly written and beautifully structured,Nineteenth-Century Poetry and the Physical Sciences is both scholarly and accessible,a fascinating and indispensable contribution to its field.”—Daniel Brown, Professor of English at the University of Southampton, UK“Essential reading for Victorianists. Tate’s study of nineteenth-century poetry andscience reconfi gures debate by insisting on the equivalence of accounts ofempirical fact and speculative theory rather than their antagonism. Theundulatory rhythms of the universe and of poetry, the language of science and ofverse, come into new relations. Tate brilliantly re-reads Coleridge, Tennyson,Mathilde Blind and Hardy through their explorations of matter and ontologicalreality. He also addresses contemporary theory from Latour to Jane Bennett.” — Isobel Armstrong, Emeritus Professor of English at Birkbeck, University of London, UK
Nineteenth-Century Verse and Technology
by Jason David HallThis book repositions thinking about rhythm, meter and versification during the “Mechanical Age.” Cutting across disciplinary boundaries, the book examines the rhythmical workings of poems alongside not only Victorian theories of prosody and poetics but also contemporary thinking about labor practices, pedagogical procedures, scientific experiments, and technological innovations. By offering an exploded definition of meter—one that extends beyond conventional foot-based scansion—this book explicates the conceptual and, at times, material exchanges between poetic meter and machine culture. The machines of meter include mid-century theories of abstraction and technologies of smoothness and even spacing; a deeply influential, though rarely credited, system of metrical manufacture; verse produced by a Victorian automaton; the mechanics of the human body and mind and the meters that issued from them; and the promise of scientific machines to resolve metrical dilemmas once and for all.
Ninety-fifth Street
by John KoetheIn his eighth book of poems, John Koethe offers readers the reflections of a poet in midlife, an "aging child of sixty-two," passionately engaged with the world yet drawn to meditate on memory, time, and the mysteries of human existence. In Ninety-fifth Street, Koethe retraces narratives from his life and moves across various landscapes he once inhabited; in his hands these stories and places become poems of beauty, feeling, and poignant candor. Disarmingly conversational and always accessible, these new poems offer the pleasures of a lucid intelligence and a distinctive poetic voice, by turns contemplative and worldly, lyrical, witty, and elegiac.
Ninety-five Nights of Listening
by Malinda MarkhamMalinda Markham's peoms are inspired in part by her fascination with Japanese language, art, and literature. Her reactions to and interpretations of that country's history, culture, and people are in these verses, echoing with the voices and silences of women across time. Markham imagines the experiences of many women: a geisha laments her past in "Geisha Considered as Making," as a mother laments for her daughter's future in "Yield to This." Markham is intrigued with how language tries but ultimately fails to hold memory in place. She grapples with the translation of words and feeling and shows how this failure also brings a searching for belief - a word that repeats throughout these poems - in a world that cannot allow it. Writes Cole Swenson, "Markham's language has the delicacy of the fine bones of the inner ear; it is, itself, a form of listening - to insects, birds, traffic, to the world. Her listening brings things into being, catching the nuances of change, from season to season, culture to culture, impression to language. This is a radiant collection."
The Ninety-Third Name of God: Poems (Walter Lynwood Fleming Lectures in Southern History)
by Anya Krugovoy SilverAnya Krugovoy Silver’s debut collection considers the flawed and gaudy flesh as it turns toward a beloved’s embrace, toward the surgeon’s knife. Her poems both celebrate the sensual world and seek to transcend the body’s limitations through encounters with art, memory, and the divine. At once imagistic, lyrical, and meditative, Silver’s verse begins in the personal sphere and then looks outward toward the wider human experiences of illness, faith, fear, and love. From chemotherapy to doing laundry, from observation of deformed pussy willows to contemplation of the word “girl,” Silver does not shrink from life’s “blazonry of loss.” Instead, she ultimately affirms the possibility of praise and joy.
Niños: Poems for the Lost Children of Chile
by María José FerradaOn September 11, 1973, a military coup plunged Chile into seventeen long years of dictatorial rule. Only the return of democracy could reveal the full horrors of Augusto Pinochet&’s regime: 3,197 people dead or disappeared—including thirty-four children under the age of fourteen. This book is a stirring memorial to those victims and to the cost of extremism. Thirty-four poems—one for each child lost—consider the diverse hopes of these fragile young lives. From Alicia to Jaime, Héctor to Paola, Soledad to Rafael, they were brave and creative, thoughtful and strong. In these pages, some children watch for the changing seasons. Some listen for new sounds on rainy afternoons. And some can&’t wait for their next birthday. Featuring gentle, emotive poems and soft, pastel-toned illustrations, Niños is an unforgettable tribute to the children of Pinochet&’s Chile and all those threatened by political violence across the world.
Njal's Saga
by Leifur Eiricksson Robert CookWritten in the thirteenth century, Njal's Saga is a story that explores perennial human problems-from failed marriages to divided loyalties, from the law's inability to curb human passions to the terrible consequences when decent men and women are swept up in a tide of violence beyond their control. It is populated by memorable and complex characters like Gunnar of Hlidarendi, a powerful warrior with an aversion to killing, and the not-so-villainous Mord Valgardsson. Full of dreams, strange prophecies, violent power struggles, and fragile peace agreements, Njal's Saga tells the compelling story of a fifty-year blood feud that, despite its distance from us in time and place, is driven by passions familiar to us all.
No amarás
by Lorena PronskyNo amarás es un viaje de autodescubrimiento, sanación y transformación personal. Este libro es una esperanza para quien haya sobrevivido a una relación tóxica, así como también para cualquiera que esté transitando una ruptura o un duelo. Es momento de reparar viejas heridas y dejar que el amor regrese de manera saludable y segura. Relaciones dependientes, no correspondidas, patológicas o violentas. Vínculos que disparan contra nuestra autoestima o la del otro, y nos muestran que hay lugares donde amar resulta un acto imposible. Historias de las que nos resistimos a retirarnos, aunque quedarnos nos lastime. (Des)amores que nos golpean, que nos dañan, pero que por alguna potente y misteriosa razón permanecen en nuestra vida. Patrones que se repiten, con un mismo principio y un mismo final. En contra de nuestro propio deseo. ¿Cuáles son los motivos que nos llevan a habitar una y otra vez esos espacios de dolor, a encaminarnos al mismo inexorable destino de frustración y padecimiento? En estas páginas Lorena Pronsky nos propone una búsqueda, un camino. Nos invita a averiguar quiénes somos, qué nos lleva a incurrir reiteradamente en comportamientos y zonas que nos hacen daño. Indagar, tratar de entender; conocer nuestra propia verdad para hacer posible un ejercicio saludable del amor. Mientras que esto no suceda, el final de tu cuento, hagas lo que hagas, intentes lo que intentes, siempre será el mismo. Ahí, justo ahí, NO AMARÁS.
No bastó con querer
by Loreto SesmaEl nuevo poemario de Loreto Sesma, una de las autoras más conocidas y admiradas de la nueva generación de poetas. Un libro que transita por las penumbras del amanecer, en lo ambiguo de esa oscuridad que muta de repente en esperanza. No bastó con querer es un claroscuro de versos que hablan del poder que ejerce sobre nosotros el recuerdo, el olvido imposible, que nos destruye pero a la vez nos ha construido como lo que somos, en la resiliencia. Loreto Sesma dibuja con profundidad y alma el perfil de la dulce derrota del que ya sabe perder, de la victoria amarga del que conoce que será finita. Un conjunto de poemas sobre el dolor que llevamos en la maleta, el bagaje de las heridas del amor, pero también sobre la posibilidad de la luz. «Llega el día.Simplementerecoges todos tus pedazos del silencioy dices:esto es querer,pero ya no es amor».
No Chronology (Phoenix Poets)
by Karen FishIn No Chronology, Karen Fish’s third collection of poems, she investigates those moments when the boundary of everyday life merges with history, imagination, and art. Fish was trained as a visual artist, and this way of seeing is intrinsic to her approach to poetry. Fish’s reflections on art and life speak to our common experiences, and her power to illuminate the subtle complexities of the world around us lies in her keen and compassionate observations. These poems invite us to join her in looking both at and beyond ourselves. The outside world vanishes. No help comes. Imagine, staring into the sun, then, how the clouds spread out and open like wallets over a few corrugated roofs. Throughout this collection, Fish seeks truths about memory and loss, shame and redemption. She faces uncomfortable questions arising from our individual and collective actions, asking whether we are complicit in extinctions of species and how we reduce the humanity of prisoners by tying their identity to their crime. But these poems are also about naming life’s particular joys: driving in spring, walking through the woods with dogs, or hearing a child speak through the mail slot. They offer a space to encounter lyrical meditation as an experience in and of itself.
No Chronology (Phoenix Poets)
by Karen FishIn No Chronology, Karen Fish’s third collection of poems, she investigates those moments when the boundary of everyday life merges with history, imagination, and art. Fish was trained as a visual artist, and this way of seeing is intrinsic to her approach to poetry. Fish’s reflections on art and life speak to our common experiences, and her power to illuminate the subtle complexities of the world around us lies in her keen and compassionate observations. These poems invite us to join her in looking both at and beyond ourselves. The outside world vanishes. No help comes. Imagine, staring into the sun, then, how the clouds spread out and open like wallets over a few corrugated roofs. Throughout this collection, Fish seeks truths about memory and loss, shame and redemption. She faces uncomfortable questions arising from our individual and collective actions, asking whether we are complicit in extinctions of species and how we reduce the humanity of prisoners by tying their identity to their crime. But these poems are also about naming life’s particular joys: driving in spring, walking through the woods with dogs, or hearing a child speak through the mail slot. They offer a space to encounter lyrical meditation as an experience in and of itself.
No Confession, No Mass (Prairie Schooner Book Prize in Poetry)
by Jennifer PerrineWhether exploring the porous borders between sin and virtue or examining the lives of saints and mystics to find the human experiences in stories of the divine, the poems in No Confession, No Mass move toward restoration and reunion.Jennifer Perrine’s poems ask what healing might be possible in the face of sexual and gendered violence worldwide—in New Delhi, in Steubenville, in Juárez, and in neighborhoods and homes never named in the news. The book reflects on our own complicity in violence, “not confessing, but unearthing” former selves who were brutal and brutalized—and treating them with compassion. As the poems work through these seeming paradoxes, they also find joy, celebrating transformations and second chances, whether after the failure of a marriage, the return of a reluctant soldier from war, or the everyday passage of time.Through the play of language in received forms—abecedarian, sonnet, ballad, ghazal, villanelle, ballade—and in free verse buzzing with assonance, alliteration, and rhyme, these poems sing their resistance to violence in all its forms.
No creo poder tocar el cielo con las manos (Flash Poesía)
by SafoLa colección «Poesía portátil» nos brinda en No creo poder tocar el cielo con las manos una traducción inédita de algunos de los escasos textos que se conservan de la poeta griega Safo, figura clave en la tradición poética femenina europea. Considerada la «Décima Musa» por Platón, los fragmentos conservados de la obra de Safo son escasos y constituyen una muestra fundamental de la primera poesía europea. Siendo ya en su época una autoridad, los siglos la han situado como un referente de la literatura femenina que ha inspirado por igual a hombres y mujeres. Los textos que nos quedan de su obra atestiguan una sensualidad intensa y delicada que canta los dolores y la alegría de la pasión amorosa.
No Dialect Please, You're a Poet: English Dialect in Poetry in the 20th and 21st Centuries (Routledge Interdisciplinary Perspectives on Literature)
by Claire Hélie Elise Brault-Dreux Emilie LoriauxNo Dialect Please, You're a Poet is situated at the crossroads in research areas of literature and linguistics. This collection of essays brings to the forefront the many ways in which dialect is present in poetry and how it is realised in both written texts and oral performances. In examining works from a wide range of poets and poetries, from acclaimed poets to emerging ones, this book offers a comprehensive introduction to poetics of dialects from a variety of regions, across two centuries of English poetry.
No Enemies, No Hatred
by Liu XiaoboWhen the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called âeoeincitement to subvert state power. âe#157; In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: âeoeI stand by the convictions I expressed in my âe~June Second Hunger Strike Declarationâe(tm) twenty years agoâe"I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies. âe#157; That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissidentâe(tm)s struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCPâe(tm)s Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel. This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland.
No está todo perdido; todavía nos queda cerveza, poesía y sexo
by @bentodlcEl nuevo libro de uno de los poetas que más está dando que hablar en las redes. «Este libro está listo para ti, para que sientas, y seas capaz de coger la fuerza suficiente para comprender que no está todo perdido. Este libro reúne textos de amor, desamor, sociedad, pero todo desde las entrañas. No está todo perdido; todavía nos queda cerveza, poesía y sexo contiene los poemas de la primera versión, poemas de Mi corazón pecera y poemas completamente inéditos. Una edición especial, para que, te lo recuerdo y que no se te olvide, te tatúes a fuego en la piel que No está todo perdido.» Soy Rubén Chiquito, @Bentodlc si me conoces de redes sociales. Soy Trabajador Social y un poeta indie de mierda. Escribo por pasión y necesidad. Grito en versos todo lo que nunca me atreví a decir. No voy a escribir toda mi biografía; no tendría muchas cosas que contar, pero todo lo que soy, ya lo he sangrado en formato versos en este libro.
No Fair! No Fair!: And Other Jolly Poems of Childhood
by Calvin TrillinThe first children's poetry collection by award-winning writer Calvin Trillin -- illustrated by acclaimed illustrator Roz Chast!Get ready to laugh out loud with Calvin Trillin's first collection of poems for children (and nearby grown-ups). Enjoy the whimsical cartoon illustrations by New York Times bestselling illustrator Roz Chast as you find out if Justin is "the awfulest kid in the class," if there's anything that Matt won't eat, and if you can send back a new baby brother.Inspired by some of Calvin Trillin's real-life experiences, No Fair! No Fair! And Other Jolly Poems of Childhoodcelebrates the humor of familiar everyday topics.
No Fear Shakespeare: The Canterbury Tales
by Geoffrey Chaucer Josh Cracraft Hilary Teplitz John CrowtherHave you ever tried to read The Canterbury Tales but realized that you have to look up the definitions of half the words on the page? You want to enjoy Chaucer's poetry but decoding it one word at a time is beyond slow No Fear: The Canterbury Tales will fix that problem. When you can't decipher the original, look across to the right-hand page and you'll know what each word means and how they fit together. Soon you'll be reading Chaucer's own verse fearlessly--and actually enjoying it. No Fear: The Canterbury Tales puts Chaucer's language side by side with a facing-page modern English translation--the kind of English people actually speak today. When Chaucer's English makes your head spin, our translation will help you sort out what's happening, who's saying what, and why.
No Fear Shakespeare: Sonnets
by William Shakespeare John CrowtherNo Fear Shakespeare puts Shakespeare's language side-by-side with a facing-page translation into modern English-- the kind of English people actually speak today. When Shakespeare's words make your head spin, our translation will help you sort out what's happening, who's saying what, and why.
No-Gate Gateway: The Original Wu-Men Kuan
by David HintonA new translation of one of the great koan collections--by the premier translator of the Chinese classics--that reveals it to be a literary and philosophical masterwork beyond its association with Chan/Zen.A monk asked: &“A dog too has Buddha-nature, no?&” And with the master&’s enigmatic one-word response begins the great No-Gate Gateway (Wu-Men Kuan), ancient China&’s classic foray into the inexpressible nature of mind and reality. For nearly eight hundred years, this text (also known by its Japanese name, Mumonkan) has been the most widely used koan collection in Zen Buddhism—and with its comic storytelling and wild poetry, it is also a remarkably compelling literary masterwork. In his radical new translation, David Hinton places this classic for the first time in the philosophical framework of its native China, in doing so revealing a new way of understanding Zen—in which generic &“Zen perplexity&” is transformed into a more approachable and earthy mystery. With the poetic abilities he has honed in his many translations, Hinton brilliantly conveys the book&’s literary power, making it an irresistible reading experience capable of surprising readers into a sudden awakening that is beyond logic and explanation.
No Going Back
by Patrick Flores-ScottA Junior Library Guild Gold Standard Selection"Powerful…. The excellent pacing and heart-wrenching exploration of redemption will sweep readers up." —Kirkus Reviews"[A] page-turning, highly readable story." —Booklist"Time-stamped chapters add urgency, intensity, and excitement as the thrilling plot progresses, making for a page-turning story about forgiveness and personal evolution." —Publishers WeeklyIn this tour de force about one teen&’s quest for redemption from the award-winning author of American Road Trip, Antonio is determined to make amends to the people he hurt most—even if it means breaking the terms of his early release from juvenile detention. It&’s Friday morning, and seventeen-year-old Antonio Sullivan is on the verge of earning his early release from Zephyr Woods Youth Detention Center. Having been incarcerated for the last year and a half for a crime he didn&’t directly commit, he&’s now dedicating himself to his education and his sobriety program. What&’s more, Antonio is driven by a deep need to make amends to the two people he hurt the most: his mom and his lifelong best friend, Maya. The conditions of his early release are clear—Antonio can&’t have any contact with his father or miss his first meeting with his parole officer Monday morning. But a lot can happen between Friday and Monday, especially when the odds are against you. Told through time-stamped chapters that race at a fever pitch over the course of a weekend, this absorbing coming-of-age novel explores what it means to right past wrongs in the face of adversity.PRAISE FOR NO GOING BACK "Fast-paced, poignant, and poetic . . . This is a book of unexpected hope." —Sondra Soderborg, author of Sky Ropes "A deep look into the heart of being misunderstood, told with prose you just can't fake. With honest voices, a flow of poetry, and a satisfying conclusion, this book is a gift with a purpose, the kind you hand to a reader that both wants and needs it." —Sean Beaudoin, author of Welcome Thieves and Wise Young Fool "A gripping and heart-wrenching novel about family, friendship and second chances—will keep you on the edge of your seat until the very end." —Betty Culley, author of Three Things I Know are True and The Name She Gave Me "Poetry, resilience, unflinching honesty, a steady undercurrent of hope, plus a wild adventure with a ticking clock, this book packs it all in for a three-day turbulent ride that's full of heart." —Kristin Bartley Lenz, author of The Art of Holding On and Letting Go "A powerful story of the push and pull between doing what&’s right and being there for the people we love." —Katherine Higgs-Coulthard, author of Junkyard Dogs and Hanging with My Peeps "Patrick Flores-Scott delivers a beautiful exploration of familial love, the idea of healthy friendships, and the long-term impacts of trauma." —Rita Shah, author of The Meaning of Rehabilitation and Its Impact on Parole
No Image There and the Gaze Remains: The Visual in the Work of Jorie Graham (Studies in Major Literary Authors)
by Catherine KaraguezianFirst Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.