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Notebook of a Return to the Native Land (Wesleyan Poetry Series)
by Aimé CésaireAimé Césaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. The long poem was the beginning of Césaire's quest for négritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Césaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture.Clayton Eshleman and Annette Smith achieve a laudable adaptation of Césaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. André Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to Césaire.Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.
Notebook of Roses and Civilization
by Nicole Brossard Robert MajzelsThe heat of summer on an earlobe, a parking meter, the shadow of crabs and pigeons under a cherry tree, an olive, a shoulder blade in the poems of Nicole Brossard these concrete, quotidian things move languorously through the senses to find a place beyond language. Taken together, they create an audacious new architecture of meaning.Nicole Brossard, one of the world's foremost literary innovators, is known for her experiments with language and her groundbreaking treatment of desire and gender. This dextrous translation by the award-winning poets and translators Erin Moure and Robert Majzels brings into English, with great verve and sensitivity, Brossard's remarkable syntax and sensuality. '[Brossard's] use of elliptical formulations and syntactical hijackings creates tensions between the image and the statement that result in a style that is unmistakably hers.' - La Presse'A new work by Brossard is an event ... Yesterday, at the Hotel Clarendon is not merely experimental. It's radical.' - The Globe and Mail
Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia (Routledge Advances in Theatre & Performance Studies)
by Morgan Lloyd Malcolm Aida Patient Kimberly A. Williams Laura KresslyThis collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.
Notes from a Bottle Found on the Beach at Carmel: A Poem
by Evan S. ConnellPraise for Notes from a Bottle Found on the Beach at Carmel"A unique tour de force" -The New York Times Book Review"One of the most remarkable books that I have read in a long time." -Kenneth Rexroth"Mr. Connell's NOTES are what one intelligent, sensitive artist has been able to salvage from all experience as testimony to the rather pathetic integrity of the human species in the face of extinction. The book is no manual or tract, however, although its political meaning is unmistakable, but a work of art, even a work of high art." -Hayden Carruth
Notes of an Alchemist
by Loren C. EiseleyPoems on crystals, birds, the outdoors and all aspects of nature.
Notes on Arrival and Departure: Poems
by Rachel RoseRachel Rose follows her award-winning first book with a dazzling, urgent collection of new poems that look unflinchingly at our errors and our longings, in images that range from the disturbing to the spectacular. Anchoring the collection is a rich, unsentimental suite of lyrics on the journey of pregnancy and new motherhood. These poems are humanist, lushly imagined, and compellingly voiced.From the Trade Paperback edition.
Notes on the Assemblage
by Juan Felipe Herrera<p>Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. <p>Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again.</p>
Notes to The Complete Poetical Works of Percy Bysshe Shelley
by Mary Wollstonecraft ShelleyMary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was a British novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft. Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published. The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression. The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
Nothing Beats a Pizza
by Loris LesynskiThe opening refrain of Nothing Beats a Pizza is catchy and fun, just like all 32 poems found in Loris Lesynski's book. Dancing across the pages are illustrations and poems alive with humor, exploring important things in a kid's world: pizza, substitute teachers, homework, moods, food, and pets.
Nothing Burns as Bright as You
by Ashley WoodfolkFrom acclaimed author Ashley Woodfolk, Nothing Burns as Bright as You is an impassioned story about queer love, grief, and the complexity of female friendship that will keep your heart racing, and breaking, until the very last page. <p><p> Two girls. One wild and reckless day. Years of tumultuous history unspooling like a thin, fraying string in the hours after they set a fire. <p><p> They were best friends. Until they became more. Their affections grew. Until the blurry lines became dangerous. <p><p> Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed. And the girls will learn that hearts, like flames, aren’t so easily tamed. <p><p> It starts with a fire. How will it end?
Nothing by Design
by Mary Jo SalterA beautiful collection of verse--both light and dark, elegiac and affirmative--from one of our most admired poets. The title Nothing by Design is taken from Salter's villanelle "Complaint for Absolute Divorce," in which we're asked to entertain the thought of a no-fault universe. The wary search for peace, personal and public, is a constant theme in poems as varied as "Our Friends the Enemy," about the Christmas football match between German and British soldiers in 1914; "The Afterlife," in which Egyptian tomb figurines labor to serve the dead; and "Voice of America," where Salter returns to the Saint Petersburg of her exiled friend, the late Joseph Brodsky. A section of charming light verse serves as counterpoint to another series entitled "Bed of Letters," in which Salter addresses the end of a long marriage. Artfully designed, with a highly intentional music, these poems movingly give form to the often unfathomable, yet very real, presence of nothingness and loss in our lives.
Nothing is Lost: Selected Poems (The Lockert Library of Poetry in Translation #52)
by Edvard KocbekThis is the first comprehensive English-language collection of verse by the most celebrated Slovenian poet of modern times and one of Europe's most notable postwar poets, Edvard Kocbek (1904-1981). The selections introduce the reader to the full spectrum of Kocbek's long and distinguished career, starting with the pantheist and expressionist nature poems of his early period and continuing through the politically engaged poetry written during and after World War II, to the philosophical and metaphysical meditations of his fecund late period. Readers will be struck by the originality and freshness of Kocbek's sinewy and intense vision, rendered into fluid and idiomatic English by two experienced translators. The Slovenian texts appear on the facing pages. The opening stanza of "Moon with a Halo" ? The man beside me was killed.He had a mother who bore himand a father who made him toys,he had a brother and a playful uncleand a little girl with blond braids,he had a wooden cart and a wooden horse,a trunkful of colored dreamsand a brook where he used to fish. ?
Nothing More to Lose
by Najwan Darwish Kareem James Abu-ZeidNothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English. Hailed across the Arab world and beyond, Darwish's poetry walks the razor's edge between despair and resistance, between dark humor and harsh political realities. With incisive imagery and passionate lyricism, Darwish confronts themes of equality and justice while offering a radical, more inclusive, rewriting of what it means to be both Arab and Palestinian living in Jerusalem, his birthplace.igious traditions--has made Darwish one of the very few Palestinian poets to garner a large readership outside his homeland. While so many poets within Palestine are trying to follow in the footsteps of Mahmoud Darwish--whose influence on Palestinian poetry was enormous from the 1960s to his death in 2008--Najwan Darwish is widely respected for his refusal to take on the mantle of his famous namesake (to whom he bears no relation). This refusal is clearest in his own poetic rebuttal to Mahmoud Darwish's best-known poem, "Identity Card"--a radical rewriting that espouses a more inclusive view of what it means to be both Arab and Palestinian.
Nothing Stays Put: The Life and Poetry of Amy Clampitt
by Willard SpiegelmanAn evocative portrait of the beloved and acclaimed poet, whose late-in-life success took the literary world by storm.&“From the bright strands of Amy Clampitt&’s extraordinary life and poems—plus letters, diaries, and extensive interviews—Willard Spiegelman has woven a gorgeous tapestry of a book.&” —Patrick Phillips, author of Song of the Closing DoorsWith the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we&’ve invented to describe it.Giving equal weight to the life and the poetry, Spiegelman untangles Clampitt&’s famously allusive lines to reveal the experiences they emerged from, pulling the curtain back on her nearly four decades of artistic anonymity, and in doing so assembling a rich period piece of Manhattan during the days in which Clampitt worked for Oxford University Press and the National Audubon Society—writing cheery, discursive office memos, and two novels that never got published, before hitting her stride in verse.Nothing Stays Put is a gift to poetry fans, an inspiration to artists striving at any age, and an ode to this most unlikely of literary celebrities, who would publish five acclaimed books and win a MacArthur &“Genius Grant&” nearly all in the final decade of her life.
The Nothing That Is: Essays on Art, Literature and Being
by Johanna SkibsrudRather than making "something" out of "nothing," what follows is an endeavour to express the potential of language and thought to encounter what is infinitely beyond both yet to be imagined.In The Nothing That Is, Johanna Skibsrud gathers essays about the very concept of "nothing." Addressing a broad range of topics—including false atrocity tales, so-called fake news, high-wire acts, and telepathy, as well as responses to works by John Ashbery, Virginia Woolf, Anne Carson, and more—these essays seek to decentre our relationship to both the "givenness" of history and to a predictive or probable model of the future.The Nothing That Is explores ways in which poetic language can activate the possibilities replete within our every moment. Skibsrud reveals that within every encounter between a speaking "I" and what exceeds subjectivity, there is a listening "Other," be it community or the objective world.
Nothingism: Poetry at the End of Print Culture (Poets On Poetry)
by Jason SchneidermanWhat is the internet doing to poetry? Good question! In Nothingism, Jason Schneiderman grapples with the way that digital culture has begun to reshape America’s poetry landscape, examining this profound shift in the way that poetry is written, read, and taught. He dives into the history of the poetic line and how previous media (oral, manuscript, print) have shaped our understanding of exactly what a poem is. In considering the transformations of poetry in the digital age, he finds that the transition from print to digital culture mirrors the earlier transition from manuscript to print culture. In this collection, the essays range from blistering manifesto to deep historical dives to gentle classroom guidance to considerations of the poems of James Merrill and Agha Shahid Ali, moving between the theoretical and the practical. Nothingism is both deeply personal and highly erudite, providing an engaging and scholarly account of reading, writing, and teaching poetry as our world continues its unsupervised lurch toward digital culture.
Nought
by Julie JoostenNought, the new poetry collection by Governor General's Literary Award finalist Julie Joosten, explores the intersections of body, identity, and love in poems that grapple with mysteries of neurology and metaphysics. Here the materiality of the body and experience have transformed into a language, a thought that resides in and between bodies. Throughout, Joosten masterfully engages with form and rhythm, crafting work that is intimage and perceptive, pulsing with life.
Nouns & Verbs: New and Selected Poems
by Campbell McGrathA major new collection from one of our best loved, most celebrated, and most original poetsDeeply personal but also expansive in its imaginative scope, Nouns & Verbs brings together thirty-five years of writing from Campbell McGrath, one of America’s most highly lauded poets. Offering a hint of where he’s headed while charting the territory already explored, McGrath gives us startlingly inventive new poems while surveying his previous work—lyric poems, prose poems, and a searing episodic personal epic, “An Odyssey of Appetite,” exploring America’s limitless material and spiritual hungers.Nothing is too large or small to remain untouched by McGrath’s voracious intellect and deep empathy—everything from Japanese eggplant to a can of Schaefer beer to the smokestacks of Chicago comes in for a close and perceptive look even as McGrath crosses borders and boundaries, investigating the enduring human experiences of love and loss. A book that stands on its own solid foundation, Nouns & Verbs captures the voice and vision of a truly singular poet.
Novel Pictorial Noise
by Noah Eli GordonAn exciting new collection of prose poetry from an emerging talent, Noah Eli Gordon's Novel Pictorial Noise was a winner of the 2006 National Poetry Series Open Competition, selected by esteemed poet John Ashbery. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.
November Boughs (Dover Thrift Editions)
by Walt Whitman"I loved this book. It's an inexpensive collection of Walt Whitman poems, letters, and essays that is well worth your time ... this book is worth purchasing and perusing due to its historical value of ruminations on American life." -- Old Musty BooksCompiled when the great poet was 70 years old, November Boughs offers verse and prose reminiscences of a singular American life. Walt Whitman's reflections begin with the essay "A Backward Glance O'er Travel'd Roads," in which he discusses the genesis of his most famous and controversial book, Leaves of Grass. A selection of poetry titled "Sands at Seventy" is followed by a series of essays and recollections that include "Slang in America," "What Lurks Behind Shakespeare's Historical Plays," "The Old Bowery," and notes on the life of the Quaker abolitionist Elias Hicks, whose body -- it was rumored -- he and a youthful group of friends once attempted to exhume.This affordable, high-quality edition of a rare book of poetry and prose provides a greater context for the interpretation of Whitman's other works. Essential reading for Whitman scholars, this volume is also of interest to historians of the Civil War, abolitionism, and nineteenth-century America.
Novice: Poems (Sewanee Poetry)
by null Nida SophasarunHow close can a person come to home when their family has deserted it? Guided by this question, the poems in Nida Sophasarun’s Novice traverse natural, animal, and dream worlds, seeking intimacy in a snake coming in from the rain, a mother’s body imagined as a house, and the moon serving as both the missing piece and the linchpin in a night sky. Organized by tropical seasons and unfolding in Asia and the American South, Novice proposes that home is monumental and ruined, remembered and forgotten, local and diffuse, peopled and haunted.
Now and for a Time
by John FullerThroughout his long and prolific career, John Fuller has been admired for the way in which he melds levity with serious reflection. In this beautiful new collection of twenty-one poems he proves himself, once again, a true master of this art. They take us from birth to death: from a baby's first delightful babblings, to the dignified, measured words of a man surveying his life and marriage, and looking forward into the unknown. There are moments of great joie de vivre, of pleasure in the earthy things of life; and yet, beyond, there is always a sense of a vaster, more elusive universe. The snorting of the horses in a field in 'Dreams', the egret on the rock in 'Sentinel': these are nature's mysteries. To make sense of these, we have language and music. Celebratory, playful, reconciled to the questions that will not be answered, these poems exude a miraculous kind of peace and understanding: 'A point of closure that allows the next/Inevitable sentence to begin'.
Now and Then: The Poet's Choice Columns, 1997-2000 (Poetry Ser.)
by Robert HassDuring his years as Poet Laureate, Robert Hass revived a popular 19th–century tradition: including poetry in our daily newspapers. "Poet's Choice" went on to appear as a nationally syndicated column across the country from 1997 to 2000. The column, which featured poems relevant to current headlines, serves as a symbol of the continuing importance of poetry in our daily lives. This collection contains well–known poets such as Wallace Stevens, Rita Dove, John Ashbery, and Robert Frost, as well as emerging and translated poets such as Jaime Sabines and Czeslaw Milosz. Also included are Hass's essays that accompanied the poems. Encapsulating a world before 9/11, this collection serves as both remembrance and reminder of a period in our history, and as a celebration of the poets whose works transcend time.
Now and Then: The Poems Of Gil Scott-heron (Canons #101)
by Gil Scott-HeronA wide-ranging collection of poetry by the iconic &“poet and polemicist whose lyrics have inspired and galvanized generations&” (GQ). Musician, poet, and spoken-word artist Gil Scott-Heron influenced generations of artists with his highly original, disarmingly witty, politically provocative song-poems. Coming into prominence in the early 1970s, the self-proclaimed &“bluesologist&” has earned, among many other accolades, the title of Godfather of Rap. Now and Then presents a collection of poems from across Scott-Heron long career—including some of his most iconic recorded pieces, as well as lesser-known works that have never been recorded. With an introduction by Kate Tempest, this collection carries the reader from the global topics of political hypocrisy and the dangers posed by capitalist culture to painfully personal themes and the realities of everyday life. Through it all, Scott-Heron&’s message is both steeped in history and as urgent as ever.&“Scott-Heron is such a fine writer…the least likely pop star ever, one with a truly brilliant mind&”—Sunday Times, UK &“Some of the funniest and most literate lyrics in all music . . . From deadpan attacks on racism to withering sarcasm about the Great Society; from Chomskian rants to parodies of media shallowness—every line comes coated in a sardonically witty turn of phrase.&”—Time Out
Now It's Dark: New Poems (Wesleyan Poetry Series)
by Peter GizziThe poems in this brilliant follow-up to the National Book Award finalist Archeophonics, are concerned with grieving, with poetry and death, with beauty and sadness, with light. As Ben Lerner has written, "Gizzi's poetry is an example of how a poet's total tonal attention can disclose new orders of sensation and meaning. His beautiful lines are full of deft archival allusion." With litany, elegy, and prose, Gizzi continues his pursuit toward a lyric of reality. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom.