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Anishinaabe Songs for a New Millennium
by Marcie R. RendonPoem-songs summon the voices of Anishinaabe ancestors and sing to future generationsThe ancestors that walk with us, sing us our song. When we get quiet enough, we can hear them sing and make them audible to people today. In Anishinaabe Songs for a New Millennium, Marcie R. Rendon, a member of the White Earth Nation, summons those ancestors&’ songs, and so begins the dream singing for generations yet to come. &“The Anishinaabe heard stories in their dream songs,&” Ojibwe author Gerald Vizenor wrote, and like those stories once inscribed in pictographs on birch-bark scrolls, Rendon&’s poem-songs evoke the world still unfolding around us, reflecting our place in time for future generations. Through dream-songs and poem-songs responding to works of theater, choral music, and opera, Rendon brings memory to life, the senses to attention—to see the moonbeams blossoming on the windowsill, to feel the hold of the earth, to hear the echo of grandmother&’s breath, to lie on the bones of ancestors and feel the rhythms of silence running deep. Her singing, breaking the boundaries that time would impose, carries the Anishinaabe way of life and way of seeing forward in the world.
Anjos Caídos
by Toni AriasANJOS CAÍDOS é o quinto poemário de Toni García Arias publicado em papel em seu momento pelo prestigioso Editorial Renacimiento. ANJOS CAÍDOS é um conjunto de poemas que abordam os temas próprios da vida, como se fossem pequenos postais da vida cotidiana. Entre os temas que abordam este poemário podemos encontrar as lembranças da infância, o desamor, a perda dos seres queridos ou a sensação de derrota. O título ANJOS CAÍDOS faz referência a todas essas pequenas perdas que vamos sofrendo ao longo da vida e que são ao fim nossos momentos vividos convertidos já em lembranças.
Ann at Highwood Hall: Poems for Children
by Robert GravesThe fiftieth anniversary edition of the renowned author&’s poems for children—featuring the original, iconic illustrations. This collection of boisterous and witty children&’s poems by Robert Graves—with charming drawings by painter and illustrator Edward Ardizzone—has enchanted generations of young readers. Celebrating its fiftieth anniversary, the original 1964 edition is now available in this beautiful digital reproduction. These seven timeless poems evoke the world of Victorian England and include the story of Ann, &“the third-but-youngest child of seventeen&” who runs away to live at a duke&’s palace; a valentine in verse; a battle of words lost in translation between King George II and the Chinese Emperor; a doctor&’s bedside visit to a little girl; and a lively argument between young Caroline and Charles that is strikingly similar to the banter of twenty-first century children. Ann at Highwood Hall is a classic of children&’s literature that will thrill fans of Robert Graves and poetry lovers of all ages.
Anna Letitia Barbauld and Eighteenth-Century Visionary Poetics
by Daniel P. WatkinsIn this first critical study of Anna Letitia Barbauld’s major work, Daniel P. Watkins reveals the singular purpose of Barbauld’s visionary poems: to recreate the world based on the values of liberty and justice. Watkins examines in close detail both the form and content of Barbauld’s Poems, originally published in 1773 and revised and reissued in 1792. Along with careful readings of the poems that situate the works in their broader political, historical, and philosophical contexts, Watkins explores the relevance of the introductory epigraphs and the importance of the poems’ placement throughout the volume. Centering his study on Barbauld’s effort to develop a visionary poetic stance, Watkins argues that the deliberate arrangement of the poems creates a coherent portrayal of Barbauld’s poetic, political, and social vision, a far-sighted sagacity born of her deep belief that the principles of love, sympathy, liberty, and pacifism are necessary for a secure and meaningful human reality. In tracing the contours of this effort, Watkins examines, in particular, the tension in Barbauld’s poetry between her desire to engage directly with the political realities of the world and her equally strong longing for a pastoral world of peace and prosperity. Scholars of British literature and women writers will welcome this important study of one of the eighteenth century’s foremost writers.
Anna Seward and the End of the Eighteenth Century
by Claudia T. KairoffAnna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward’s most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward’s poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward’s works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century.
Anna Seward and the End of the Eighteenth Century
by Claudia T. KairoffA critical study of the prominent British poet’s work.Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers.Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry.Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century.“Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman“This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice“Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies
Anna and the Ice Troll
by C. L. ClickardUntil she finishes her laundry, Anna won't be chased away by an ice troll!
Anne Carson: Ecstatic Lyre
by Joshua Marie WilkinsonAnne Carson's works re-think genre in some of the most unusual and nuanced ways that few writers ever attempt, from her lyric essays, enigmatic poems, and novels in verse to further forays into video and comics and collaborative performance. Carson's pathbreaking translations of Ancient Greek poetry and drama, as well as her scholarship on everything from Sappho to Celan, only continue to demonstrate the unique vision she has for what's possible for a work of literature to become. Anne Carson: Ecstatic Lyre is the first book of essays dedicated to the breadth of Anne Carson's works, individually, spanning from Eros the Bittersweet through Red Doc. With contributions from Kazim Ali, Dan Beachy-Quick, Julie Carr, Harmony Holiday, Cole Swensen, Eleni Sikelianos, and many others (including translators, poets, essayists, scholars, novelists, critics, and collaborators themselves), we learn from Carson's greatest admirers and closest readers about the books that moved and inspired them.
Annette von Droste-Hülshoff (Routledge Revivals)
by Margaret MareFirst published in 1965, Annette von Droste-Hülshoff is the first book about the great German poetess of the early nineteenth century in English. Delicate, fey, over-sensitive, unstable, with the intellect often described as unbecomingly masculine, it is easy to see how Annette von Droste-Hülshoff was bound to flout the conventions of the conservative society she lived in and to suffer accordingly. But melancholy and despairing as many of her poems are, we are never allowed to imagine her as a weak person. Margaret Mare is careful to show us her trenchant humour, her gift of mimicry, her generosity to her friends, the resolution which made her refuse, in the middle of a dangerous illness, to treat herself ‘like a soap bubble or a soft egg’—giving us a full picture of the woman of genius who could prophesy confidently that her works would still be read a hundred years after her death. Divided into three parts the book deals with the poet’s life and background, detailed interpretations of selected poems, and, the poet’s treatment of supernatural themes, her epics and prose works, her style and use of images. This book will be an essential read for scholars and researchers of poetry, literature, German literature, European literature, and comparative literature.
Annulments
by Zach SavichWinner of the 2010 Colorado Prize for Poetry. "It is the poet who, undistracted by the imbecile telegraphy of this moment, dares to sustain a sustaining sound I most esteem and most warmly embrace. Zach Savich has written a book both intimate and vast, both tender and acidly candid. And with his long poem, 'The Mountains Overhead,' he has entered that visionary company of poets who, by overturning Babel, lay the heavens at our feet." --Donald Revell "Sparse, spare, these lines nonetheless overflow with a sheer and brilliant imagination- 'The crows: hearing our voices through wires'; 'the horses hold themselves like torches'; 'the sun a dial tone . . .' The tension between minimalism of form and maximalism of concept and feeling gives this work a vivid, oddly crystalline, momentum. The central long poem unfolds one small leaf at a time, yet resists accumulation; instead it presents us again and again with the opportunity to immerse ourselves in the slightly uncanny: what would it be to sing instead of to say? This book gives us an intimation." --Cole Swensen
Annulments (Colorado Prize for Poetry)
by Zach SavichWinner of the 2010 Colorado Prize for Poetry Published by the Center for Literary Publishing at Colorado State University
Anny's Mirrors
by Nancy E. Walker-GuyeAnny finds mirrors everywhere: in her mother's room, her spoon, her pot, and a puddle!
Anodyne
by Khadijah QueenThe poems that make up Anodyne consider the small moments that enrapture us alongside the daily threats of cataclysm. Formally dynamic and searingly personal, Anodyne asks us to recognize the echoes of history that litter the landscape of our bodies as we navigate a complex terrain of survival and longing. With an intimate and multivocal dexterity, these poems acknowledge the simultaneous existence of joy and devastation, knowledge and ignorance, grief and love, endurance and failure—all of the contrast and serendipity that comes with the experience of being human. If the body is a world, or a metaphor for the world, for what disappears and what remains, for what we feel and what we cover up, then how do we balance fate and choice, pleasure and pain? Through a combination of formal lyrics, delicate experiments, sharp rants, musical litany, and moments of wit that uplift and unsettle, Queen’s poems show us the terrible consequences and stunning miracles of how we choose to live.
Anonymity Suite
by David McfaddenAnonymity Suite reaffirms David McFadden’s reputation as one of the more interesting and completely enjoyable voices in Canadian poetry. Like a Pre-Raphaelite painter, he is able to join various objects, experiences, voices, and moods in a single canvas. A poem may begin with someone studying Italian on the shore of Lake Como, or drinking kava with firewalkers in the South Seas, and end up with Kelly Gruber and the notorious Skydome heckler. Formally, this is very much a suite of poems, using images from nature, history, and culture to unite thematic strands dealing with sentimentality and anonymity, joy and grief, personality and universality, and a wealth of philosophical and ethical concerns.
Another America/Otra America
by Barbara KingsolverFrom a bestselling and beloved author, an intensely personal collection of poetry &“rich with political and human resonance&” (Ursula K. LeGuin)Before becoming the bestselling author we know today, Barbara Kingsolver, as a new college graduate in search of adventure, moved to the borderlands of Tucson, Arizona. What she found, she says, was &“another America.&”Interweaving past political events, from the US-backed dictatorships in South America to the government surveillance carried out in the Reagan years, Kingsolver&’s early poetry expands into a broader examination of the racism, discrimination, and immigration system she witnessed at close range. The poems coalesce in a record of her emerging adulthood, in which she confronts the hypocrisy of the national myth of America—a confrontation that would come to shape her not only as an artist, but as a citizen. With a new introduction from Kingsolver that reflects on the current border crisis, Another America is a striking portrait of a country deeply divided between those with privilege and those without, and the lives of urgent purpose that may be carved out in between.
Another City: Poems
by David KeplingerWINNER OF THE UNT RILKE PRIZEHow does it feel to experience another city? To stand beneath tall buildings, among the countless faces of a crowd? To attempt to be heard above the din?The poems of Another City travel inward and outward at once: into moments of self-reproach and grace, and to those of disassociation and belonging. From experiences defined by an urban landscape—a thwarted customer at the door of a shuttered bookstore in Crete, a chance encounter with a might-have-been lover in Copenhagen—to the streets themselves, where &“an alley was a comma in the agony&’s grammar,&” in David Keplinger&’s hands startling images collide and mingle like bodies on a busy thoroughfare.Yet Another City deftly spans not only the physical space of global cities, but more intangible and intimate distances: between birth and death, father and son, past and present, metaphor and reality. In these poems, our entry into the world is when &“the wound, called loneliness, / opens,&” and our voyage out of it is through a foreign but not entirely unfamiliar constellations of cities: Cherbourg, Manila, Port-au-Prince.This is a rich portrait of the seemingly incommunicable expanses between people, places, and ideas—and the ability of a poem to transcend the void.
Another Day's Journey
by Lois CloudWe all go through journeys in our lives and often feel that we are on this journey alone. It is nice to know that the everyday ups and downs are the experiences that can make us or break us. When we walk in someone else’s shoes for a bit we can sympathize, laugh, cry, agree or disagree and at that point know that we are not alone in this life’s journey. We keep going, we keep living, and we keep experiencing the journeys in our lives that make us who we aspire to be, who we want to be and who we are. Look at your life and the journeys you are going through and think of all the roads to come, then realize that your past experiences are the things that motivate your future journeys. Love, peace, joy, and happiness are journeys that we should have every day. But we do not! Walk with me through a couple of journeys in my life.
Another Day: Sabbath Poems 2013-2023
by Wendell BerryA new collection of poems and the companion volume to the popular bestseller This Day, Wendell Berry's Another Day is another stunning contribution to the poetry canon from one of America's most beloved writersA companion to his beloved volume This Day and Wendell Berry's first new poetry collection since 2016, this new selection of Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials.With the publication of this new edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry&’s work.
Another Gravity
by Don MckayFrom one of Canada’s most acclaimed poets and the winner of the Governor General’s Award for Poetry. This book, Don McKay’s ninth collection, practises "the dark art of reflection" – which, as one of the poems tells us, whether boldly or capriciously, could not have existed without the moon – as it moves ever more deeply into ideas of home.
Another Jar Of Tiny Stars: Poems By More Ncte Award-winning Poets
by Bernice E. Cullinan Deborah WootenA Jar of Tiny Stars is one of the most popular poetry books from Wordsong. This new edition is now expanded and includes the work of the latest five winners of the National Council of Teachers of English Award for Poetry for Children. By turns silly and wise, playful and thought-provoking, the poems in this colleciotn were chosen by young readers as their favorites among those written by NCTE Award winners. New to this collection are works from Eloise Greenfield, Nikki Grimes, Mary Ann Hoberman, Lee Bennett Hopkins, and X. J. Kennedy. Rounding out the collection are poems by Arnold Adoff, John Ciardi, Barbara Esbensen, Aileen Fisher, Karla Kuskin, Myra Cohn Livingston, David McCord, Eve Merriam, Lilian Moore, and Valerie Worth.
Another Kind of Autumn
by Loren C. EiseleyPosthumous collection of 50 poems on nature from Harper's, Audubon, Poetry.
Another Reason
by Carl DennisFrom the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s new collection Another Reason assume that our efforts to reason with ourselves and with others about what matters to us are necessary to escape the purely private point of view, to provide the houses we live in with doors and windows. These poems enact a drama of attempted persuasion, as the poet confers with himself, with intimates, and with strangers, if only in the hope that by defining differences more precisely one may be drawn into a genuine dialogue. As the poet asserts and questions his own authority, encountering a wide range of competing claims from other voices, we find ourselves included in a conversation that deepens our notion of the human community. .
Another Way to Play: Poems 1960-2017
by Michael Lally Eileen MylesThe collected works of a poet who bridges the rhythms and message of the beats, the disarming frankness of the New York School, and the fierce temerity of activist authors throughout the ages.From a '60s-era verse letter to John Coltrane to a 2017 examination of Life After Trump, Another Way to Play collects more than a half century of engaged, accessible, and deeply felt poetry from a writer both iconoclastic and embedded in the American tradition. In the vein of William Carlos Williams and Frank O'Hara, Lally eschews formality in favor of a colloquial idiom that pops straight from the page into the reader's synapses. This is the definitive collection of verse from a poet who has been around the world and back again: verse from the streets, from the the political arena, from Hollywood, from the depths of the underground, and from everywhere in between. Lally is not a poet of any one school or style, but a poet of his own inner promptings; whether casual, impassioned, or ironic, his words are unmistakably his own. Here is a poet who can hold two opposed ideas in mind simultaneously, and fuse them, with pathos and humor, into his own idiosyncratic verbal art. As Lally himself writes: "I suffered, I starved, and so did my kids, / I did what I did for poetry I thought /and I never sold out, and even when I did / nobody bought."