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Short Cuts: Selected Stories
by Raymond Carver Robert AltmanA collection of nine fiction short stories and nine poems, which form an indelible portrait of American innocence and loss. This new movie tie-in edition is filled with deadpan humor and enormous tenderness as only an author of Altman's caliber could.
Short Film Starring My Beloved's Red Bronco: Poems (Ballard Spahr Prize for Poetry)
by K. Iver<p><p>In small-town Mississippi, before the aughts, a child “assigned ‘woman’” and a boy “forced to call / himself a girl” love one another—from afar, behind closed doors, in motels. The child survives an injurious mother and the beast-shaped men she brings home; the boy becomes a soldier. Years later, the boy—the eponymous beloved, Missy—dies by suicide, kicking up a riptide of memory. This is where K. Iver writes, at the confluence of love poem and elegy. <p><p> “I say to the water if you were here, / you’d be here.” With cinematic precision, they conjure dorm-room landlines, the lingering sweetness of shared candy, a ballet strap and “soft / fingers tracing it, afraid to touch / the skin.” They punctuate depictions of familial abuse and the cruel politics of the Deep South with fairy tales: a girl who endures abuse refusing to grow into a mother who inflicts it herself, queer youth kissing fearlessly, bodies transcending the violence of a reductive gender binary. In these fantasies, “there’s no / reason to leave town no hidden / torches waiting for us to fall asleep.” <p><p>Short Film Starring My Beloved’s Red Bronco sees us through a particular kind of grief—one so relentless, it’s precious. It presses us, also, to continue advocating for a world in which queer love fantasies become reality and queer love poems “swaddle the impossible / contours of joy.”
Short Haul Engine
by Karen SolieWinner of the 2002 Dorothy Livesay Award for Poetry (BC Book Prizes), shortlisted for the 2002 Griffin Poetry Prize, the 2002 Gerald Lampert Award for first book and longlisted for the 2002 ReLit Awards. Karen Solie takes risks with perception and language, risks that pay off in such startling ways that it’s hard to believe this is a first book. Short Haul Engine is one great twist of fate and fury after another. The writing is clear, striking and open to all sorts of possibilities. Even at their most playful, these poems dive much deeper than initially expected. There’s a remarkably dark sense of humour at work here, but tempered with a haunting vulnerability that makes even the sharpest lines tremble.
Short Histories of Light (Hugh MacLennan Poetry Series #42)
by Aidan ChafeShiver. Swift whip of wind. / Fangs of the low front / stinging fierce as forest fires. / Frost thickening the stoop. In his debut collection, Short Histories of Light, Aidan Chafe recounts his Catholic upbringing in a household dealing with the common but too often taboo subject of mental illness. In unflinching fashion, Chafe reveals the unintended disasters that follow those who struggle with depression and the frustration of loved ones left to pick up the pieces. Other sections of the book shine a light on the wounds inflicted by systems of patriarchy, particularly organized religion, and the caustic nature of humanity. Imagery and metaphor illuminate Chafe’s writing in a range of poetic forms, both modern and traditional. A boy stares helplessly through the walls of the family home, watches “filaments in glass skulls buzzing.” A father’s birthmark is described as a “scarlet letter.” Grandma is portrayed as a “forgotten girl on a Ferris wheel of feelings.” Vivid and haunting, at once tender and terse, Short Histories of Light captures what it feels like to be a short circuit in a world of darkness.
Short Takes on the Apocalypse
by Patricia YoungThe poems in this collection originated as a response to Elmore Leonard's "Ten Rules of Writing" and metamorphosed into poetic responses to quotations and epigraphs on a variety of subjects.
Short Talks
by Anne CarsonDeluxe redesign of the two-time Griffin Award winner's first poetry collection. Includes new material. On the occasion of the press's 40th anniversary, Brick Books is proud to present the first of six new editions of classic books from our back catalogue. This new edition of Short Talks features a foreword by the poet Margaret Christakos, a "Short Talk on Afterwords" by Carson herself, and a new cover and design by the renowned typographer Robert Bringhurst. First issued in 1992, this is Carson's first and only collection of poems published with an independent Canadian press. It announced the arrival of a profound, elegiac and biting new voice. Short Talks can comfortably stand alongside Carson's other bestselling and award-winning works.
Shoulda Been Jimi Savannah
by Patricia SmithWinner of 2013 Wheatley Book Award in PoetryFinalist for 2013 William Carlos Williams Award"Patricia Smith is writing some of the best poetry in America today. Ms Smith's new book, Shoulda Been Jimi Savannah, is just beautiful-and like the America she embodies and represents-dangerously beautiful. Shoulda Been Jimi Savannah is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines." -Sapphire"One of the best poets around and has been for a long time." -Terrance Hayes"Smith's work is direct, colloquial, inclusive, adventuresome." -Gwendolyn BrooksIn her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals "that soul beneath the vinyl."Patricia Smith is the author of five volumes of poetry, including Blood Dazzler, a finalist for the 2008 National Book Award, and Teahouse of the Almighty, a National Poetry Series selection. She lives in New Jersey.
Shout!: Little Poems That Roar
by Brod Bagert Sachiko YoshikawaThis vibrant collection of twenty-one poems celebrates the joys (snack time!) and pitfalls (2 + 2 = 23?) of childhood. Brod Bagert's often silly, always winsome poems cover everything from the seasons and the stars to finger paint and kids who quack. With humor and warmth, Shout! shows us there's fun in work and play, poetry in everything, and a million different uses for ketchup. Kids are sure to shout for a reread.
Show Me Your Environment: Essays On Poetry, Poets, And Poems
by David BakerShow Me Your Environment, a penetrating yet personable collection of critical essays, David Baker explores how a poem works, how a poet thinks, and how the art of poetry has evolved—and is still evolving as a highly diverse, spacious, and inclusive art form. The opening essays offer contemplations on the “environment of poetry from thoughts on physical places and regions as well as the inner aesthetic environment. Next, he looks at the highly distinctive achievements and styles of poets ranging from George Herbert and Emily Dickinson through poets writing today. Finally, Baker takes joy in reading individual poems—from the canonical to the contemporary; simply and closely.
Shy Charles
by Rosemary WellsBeing painfully timid and shy does not keep a young mouse from rescuing his baby-sitter in an emergency situation.
Si me hubiera conocido antes
by Jonathan HelenioHe aprendido de lo difícil para que, cada vez, lo difícil sea más fácil. Acompáñame en esta experiencia de palabras y sentimientos encontrados. Ayúdame a ser dueño de mi mente y déjate llevar cuando estoy pensando en alto.
Si yo amaneciera otra vez
by Javier MaríasDoce poemas de William Faulkner, pertenecientes a A Green Bough, traducidos por Javier Marías. Los comentarios del gran autor español, en parte inéditos, y el recorrido por el Mississippi de Faulkner de la mano de Manuel Rodríguez Rivero, constituyen un extraordinario homenaje a William Faulkner en el centenario de su nacimiento. El 25 de septiembre de 1997 se han cumplido cien años del nacimiento de William Faulkner, y aunque sigue siendo uno de los escritores del siglo más estudiados por los críticos y más imitados por sus colegas o descendientes, parece como si el aniversario notorio le llegara en un momento de su posteridad algo indeciso. El número de tesis, monografías y análisis universitarios no ha menguado en exceso en los últimos años, pero algunas tendencias o "escuelas" predominantes hoy en su país de origen se esfuerzan por omitirlo, orillarlo y propiciar su olvido, al ser culpable de los cuatro pecados capitales de nuestros pacatos y oportunistas tiempos, a saber: era varón, era blanco, era anglosajón machista. La literatura, los textos, han sido convertidos asombrosamente en un elemento secundario a la hora de estudiar y valorar la literatura y los textos. También es culpable sin remisión de un quinto pecado muy grave: está muerto.
Si yo fuera el director del circo (Classic Seuss)
by Dr. Seuss¡El clásico de Dr. Seuss que rinde homenaje a la imaginación ahora disponible en español y rimado! ¡El circo Guirko! - ¡El mejor espectáculo del mundo sobre la faz de la tierra o donde quiera que vayas! El joven Morris Guirko tiene una GRAN imaginación. Quiere transformar el terreno baldío que hay detrás de la tienda de Sneelock en el Circo Guirko, el más colosal, estupendo, fenomenal espectáculo del mundo. Insólitas criaturas y fantásticos actos circenses, llevados a cabo por Sneelock, un soñoliento tendero a quien Morris imagina como ¡la estrella temeraria de su gran espectáculo!, entusiasmarán a todos los espectadores. Dr. Seuss nos brinda lo mejor de su repertorio: un homenaje a la imaginación y un mundo de fantasía que cautivará a los lectores de todas las edades.Las ediciones rimadas y en español de los clásicos de Dr. Seuss publicadas por Random House brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!), y Horton Hears a Who! (¡Horton escucha a Quién!). Ideal tanto para leer en casa como en la escuela, estos libros han sido meticulosamente traducidos, respetando la rima, por autores y traductores latinoamericanos, y supervisados por Teresa Mlawer, reconocida y galardonada traductora durante más de cincuenta años. ¡Y no te pierdas las nuevas ediciones en español que se publicarán todos los años!Dr. Seuss's classic celebration of youthful imagination—now available in a rhymed Spanish edition!The Circus McGurkus! The World's Greatest ShowOn the face of the earth, or wherever you go!Young Morris McGurk's has a BIG imagination. He wants to turn the vacant lot behind Sneelock's Store into the Circus McGurkus—the most colossal, stupendous, tremendous show in the world! Here you'll be entertained by bizarre creatures and fantastic circus acts performed by Sneelock—a sleepy shop keeper whom Morris images as the daredevil star of his big top! This is Dr. Seuss at his best, celebrating youthful imagination and creating a fantasy world that will delight and transport readers of all ages.Random House's rhymed Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy over 30 different classic Dr. Seuss titles including The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez dos peces pez rojo pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); and Horton Hears a Who! (¡Horton escucha a Quién!). Perfect for home and classroom use, they are meticulously translated in rhyme by native Latin American Spanish speakers overseen by award-winning translator Teresa Mlawer. Look for new translations to be made available every year!
Siamese Compassion - 2nd Edition
by Kaushal Suvarna"Siamese Compassion, 2nd Edition" by Kaushal Suvarna, published on March 10, 2018, presents a diverse exploration of themes through intriguing sections such as "Cat School Meditation" and "Peter Pan In Mundy Land." The author, with a background in Western thought and an MSc in Mathematics, delves into literature, chess, music, quantum mechanics, psychology, philosophy, and spirituality. The book's acknowledgments express gratitude for various influences, from literature and poetry to mathematics and genetics, as well as the people encountered along the author's journey. With an ISBN of 978-93-5288-762-0, this second edition builds upon the foundation laid by the first edition, published by CreateSpace Independent Publishing Platform on May 1, 2017. Through a blend of essays and poems, "Siamese Compassion" offers readers a captivating exploration of diverse intellectual and existential realms.
Sibilance: Poems
by Sally Van DorenThe word “sibilance” refers to pronunciations of the letter “s,” including the emission of a hissing or whistling sound. As the title of Sally Van Doren’s fourth collection of poetry, the word alerts readers to the sounds of language in the poems that follow in abecedarian order. Filled with wordplay, Van Doren’s poems vacillate between the extremes of joy and despair, by turns witty and chagrined, punning and reflective.The poems gathered in Sibilance aim to clarify their author’s ambivalence concerning living life and writing about it. Her unique investigations teem with distilled images encased in the language of irreverence and awe.
Side Effects May Include Strangers (Hugh MacLennan Poetry Series #56)
by Dominik ParisienAsk, Can we for a moment make of beauty / the measure of our pain? and I will answer. To be ill is to be a body bursting with strangers. A curiosity. A narrative to interpret. Dominik Parisien's debut collection is a poignant celebration of the complicated lived experience of disability, a challenge to the societal gaze, and a bold reconfiguration of the language of pain. A powerful contribution to the field of disability poetics, Side Effects May Include Strangers is an affecting look at the multitude of ways a body is both boundary and boundless. Parisien takes bpNichol's claim that "what is a poem is inside of your body" and localizes the inner and outer lives of disabled, queer, and aging bodies as points of meaning for issues of autonomy, disability, sexuality, and language. Balancing hope and uncertainty, anger and gratitude, these poems shift from medical practice to myth, from trauma to intergenerational friendship, in an unflinching exploration of the beauty and complexity of othered bodies.
Side Notes from the Archivist: Poems
by Anastacia-ReneeThe award-winning, genre-crossing writer demonstrates her power as a funkadelic and formidable feminist voice in this rich and beautiful collection of verse and image—a multi-part retrospective that traverses time, space, and reality to illuminate the expansiveness of Black femme lives.Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.Every poem in Side Notes elevates and honestly illustrates the buoyancy of Blackness and the calamity of Black lives on earth. In her uniquely embracing and experimental style, Anastacia-Reneé documents these truths as celebrations of diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat.From internet “Fame” to the toxicity of the white gaze, Side Notes from the Archivist cements Anastacia-Reneé role as a leading light in the womanist movement—an artist whose work is in conversation with advocates of Black culture and thought such as Audre Lorde, Amiri Baraka, and Nikki Giovanni.
Sidetracks
by Bei DaoA lyrical masterpiece by the renowned poet with a “Whitman-like rhetorical immensity coupled with a passionately eccentric sensibility” (Carol Muske Dukes, Los Angeles Times) Sidetracks, Bei Dao’s first new collection in almost fifteen years, is also the poet’s first long poem and his magnum opus—the artistic culmination of a lifetime devoted to the renewal and reinvention of language. “As a poet, I am always lost,” Bei Dao once said. Opening with a prologue of heavenly questions and followed by thirty-four cantos, Sidetracks travels forward and backward along the divergent paths of the poet’s wandering life—from his time as a Young Pioneer in Beijing, through the years of exile living in six countries, back to the rural construction site where he worked during the Cultural Revolution, to the “sunshine tablecloth” in his kitchen in Davis, California, and his emotional visit home after a thirteen-year separation (“the mother tongue has deepened my foreignness”). All the various currents of our times rush into his lifelines, reconfigured through the “vortex of experience” and the poet’s encounters with friends and strangers, artists and ghosts, as he moves from place to place, unable to return home. As the poet Michael Palmer has noted, “Bei Dao’s work, in its rapid transitions, abrupt juxtapositions, and frequent recurrence to open syntax evokes the un-speakability of the exile’s condition. It is a poetry of explosive convergences, of submersions and unfixed boundaries, ‘amid languages.’”
Sidewalk Chalk: Poems of the City
by Carole Boston WeatherfordAt every corner, down every block, a city percolates with people at work and play: girls jumping double Dutch, the shoeshine man polishing a pair of wing tips, boys heading toward the basketball court. Each neighborhood is filled with unique characters (the beautician, the barber, the short-order cook) and places (the storefront churches, the outdoor market, the park pool) - all as familiar as family. Carole Boston Weatherford pays tribute to these sights and sounds of urban life in twenty fresh and rhythmic poems. In quiet moments and lively street scenes, her work captures the excitement and diversity found in these places that have "no trees / to climb" but where people young and old still "reach for the stars." Dimitrea Tokunbo's vivid illustrations are sure to delight.
Sidney to Milton, 1580–1660 (Transitions Ser.)
by Marion Wynne-DaviesThis invaluable guide offers readers an accessible and imaginative approach to the literature of early modern Britain. Exploring the poetry, drama and prose of the period, Marion Wynne-Davies combines theory and practice, providing a helpful introduction to key theoretical concepts and close readings of individual texts by both canonical and less well-known authors. Amongst other things, Wynne-Davies discusses sixteenth- and seventeenth-century poetry in its political and cultural contexts, considers Renaissance drama in terms of performance space, and uses the early modern map to explain the prose works of writers such as Bunyan and Cavendish.
Sightlines
by Arthur SzeFinalist for the 2019 National Book AwardFrom the current phenomenon of drawing calligraphy with water in public parks in China to Thomas Jefferson laying out dinosaur bones on the White House floor, from the last sighting of the axolotl to a man who stops building plutonium triggers,Sight Lines moves through space and time and brings the disparate and divergent into stunning and meaningful focus. In this new work, Arthur Sze employs a wide range of voices--from lichen on a ceiling to a man behind on his rent--and his mythic imagination continually evokes how humans are endangering the planet; yet, balancing rigor with passion, he seizes the significant and luminous and transforms these moments into riveting and enduring poetry.
Sightseer in This Killing City (Penguin Poets)
by Eugene GloriaA fourth collection from a prize-winning poet whose "gift is breathtaking" (Naomi Shihab Nye)Eugene Gloria's Sightseer in This Killing City captures the surreal and disorienting feelings of the present. In the wake of recent presidential elections in the United States and in the Philippines, Gloria's latest collection sharpens his obsession with arrivals and departures, gun violence, displacement, cultural legacy, and the bitter divisions in America. Through the voice of Nacirema, the central persona of the collection, we are introduced to a character who chooses mystery and inhabits landscapes fraught with beauty and brutality. Gloria quotes melodies from seventies soul and jazz, blending the urban lament of Thelonious Monk and John Coltrane with the idiom of Stevie Wonder and Fela Kuti. Sightseer in this Killing City is an argument for grace and perseverance in an era of bombast and bullies.
Sign Language
by John S. PaulIn photos, drawings and words, Sign Language pays homage to the lost art of urban outdoor sign painting. In a working environment both novel and ambitious, author John S. Paul found success, noting, "No other job gave me such a direct impact on the urban landscape, or such physical engagement. Painting signs over Broadway in 1984 was a rare look down from the elevated height of a heroic messenger." Few books have ever provided such an insider perspective into this unique livelihood of days past. In 40 photos and 30 poems and stories, the author creates an immersion into a rarefied world on danger and beauty, raising the sense of the importance of moments and blurring the boundary between public and private space.
Signal Fires
by Christopher DewdneyChristopher Dewdney’s love for the landscape and the flora and fauna of southwestern Ontario has provoked some of the most gorgeously erotic prose ever to appear in this country. From that love, augmented by ardent research in the field, emerges a marvellously compelling, futuristic vision of time and space collapsed into near-simultaneity. Books IV and V of The Natural History of Southwestern Ontario, presented in Signal Fires, are self-contained sections of a continuing prose poem deeply satisfying in its density. The New-Old World of this long poem, written over a fifteen-year period, is sensuously and conceptually so immediate that orgasm and epiphany are one in it. This is writing, and reading, as immersion. Accompanying the natural histories in Signal Fires are poems with a different but equally involving music, lyrics of loss and redemption in which human relationships are central.