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Song of the Heart: Selected Poems by Ramon Lopez Velarde
by Ramon Lopez VelardeIn this illustrated volume of poetry, two of Mexico's most prominent artists, poet and painter, join their words and images of animals to create a work of startling insight and beauty.
Song of the Morning: Easter Stories and Poems for Children
by Pat AlexanderHere is a book for the whole family to enjoy this Easter, the year round, and for years to come. The Easter events form the climax to a story that began long before. So this book starts with the creation and spoiling of the world, God's rescue plan and the coming of Jesus. The Bible's stories of Palm Sunday, Good Friday and Easter Day are placed in context.
Song of the North
by Frank Asch Ted LevinBear, Puffin, Moose, and all the other inhabitants of the North know its songs. It sings of clean icy waters for fishing, craggy cliffs for nesting, and smooth ponds for teaching babies to swim. The North embraces a community of creatures living together and sharing its resources.
Song of the Sparrow
by Lisa Ann SandellSince she was a small child, Elaine has been the only woman living in a military camp with hundreds of men. When her mother died, her father took Elaine and her brothers to Arthur's camp, where she regularly mingles with people who are now legends.
Song of the Water Boatman And Other Pond Poems: A Caldecott Honor Award Winner
by Joyce SidmanA collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.
Songbook: How Lyrics Became Poetry in Medieval Europe
by Marisa GalvezToday we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category “poetry”: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Songbook: How Lyrics Became Poetry in Medieval Europe
by Marisa GalvezHow medieval songbooks were composed in collaboration with the community—and across languages and societies: &“Eloquent…clearly argued.&”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook&’s role in several vernacular traditions is more relevant than ever.
Songs
by Derek HendersonThe poems in Derek Henderson's Songs are "translations" of a film cycle of the same name, shot by American filmmaker Stan Brakhage (1933-2003) to document his and his family's life in Colorado in the mid-1960s. Where Brakhage's films provide a subjective visual record of his experience bewildered by the eye, these poems let language bewilder the space a reader enters through the ear. Henderson tenders the visual experience of Brakhage's films-films of the domestic and the wild, the private and political, the local and global-into language that insists on the ultimate incapacity of language-or of image-to fully document the comfort and the violence of intimacy. Songs expresses the ecstasy we so often experience in the company of family, but it just as urgently attests to ecstasy's turbulent threat to family's stability. Like Brakhage's films, Henderson's poems carry across into language and find family in every moment, even the broken ones, all of them abounding in hope.
Songs (Mountain West Poetry Series)
by Derek HendersonMountain West Poetry Series Published by the Center for Literary Publishing at Colorado State University The poems in Derek Henderson’s Songs are “translations” of a film cycle of the same name, shot by American filmmaker Stan Brakhage (1933–2003) to document his and his family’s life in Colorado in the mid-1960s. Where Brakhage’s films provide a subjective visual record of his experience bewildered by the eye, these poems let language bewilder the space a reader enters through the ear. Henderson tenders the visual experience of Brakhage’s films—films of the domestic and the wild, the private and political, the local and global—into language that insists on the ultimate incapacity of language—or of image—to fully document the comfort and the violence of intimacy. Songs expresses the ecstasy we so often experience in the company of family, but it just as urgently attests to ecstasy’s turbulent threat to family’s stability. Like Brakhage’s films, Henderson’s poems carry across into language and find family in every moment, even the broken ones, all of them abounding in hope.
Songs From My Heart: Poems and Photographs
by Daisaku IkedaDaisaku Ikeda, a poet laureate, has produced vast amount of poems. In these poems, readers will find genuine feelings and impressions of the real life of a man “who strives at all times to be an honest human being”. Songs from My Heart is the compilation of Ikeda’s poems in which he expresses reflections and ideas that sprang from his daily whirlwind of activities, in such a straight-forward manner that it can be described as his personal diary. Poems here honor youth, nature and the common people.
Songs From The Mansion House Garden
by Neil WillisThrough the ages we have lived in a split society of the haves and have-nots. Songs From The Mansion House Garden is a poetic look into the lives people lead, some through wealth, others religion or through nature, and how we perceive each other. Each will have an opinion on wealth; whether it is a necessity or a creator of each life.By the end the reader can make their own decision on the author’s thoughts.
Songs and Stories of the Ghouls (Wesleyan Poetry Series)
by Alice NotleyLeft dead after our cultures were broken by triumphant enemies, our stories changed to suit others. We now change them again to suit ourselves. Songs and Stories of the Ghouls purports to give power to the dead—voices to the victims of genocide both ancient and contemporary—and presence to women. Medea did not kill her sons; Dido founds a city, over and over again, the city of the present author's poetry. In these poems the poet asserts that though her art comes from a tradition as broken as Afghanistan's statuary, there is always a culture to pass on to one's children, and one is always involved in doing so. We are the ghouls, the drinkers of the blood-sacs, and we insist that we are alive.
Songs for Relinquishing the Earth
by Jan ZwickySongs for Relinquishing the Earth contains many poems of praise and grief for the imperilled earth drawing frequently on Jan Zwicky’s experience as a musician and philosopher and on the landscapes of the prairies and rural Ontario.
Songs for the Harvester of Dreams
by Duane NiatumDuane Niatum writes poems about Native American life in the Northwest.
Songs for the Open Road: Poems of Travel and Adventure (Dover Thrift Editions Ser.)
by The American Poetry Literacy ProjectCollection of more than 80 poems by 50 American and British masters celebrates travel, adventure and the many real and metaphorical journeys each of us take in the course of our lives. Works by Whitman, Byron, Millay, Sandburg, Service, Bliss Carman, Robert Louis Stevenson, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, many others. Includes 2 selections from the Common Core State Standards Initiative: "The New Colossus" and "The Railway Train."
Songs from Dreamland: Original Lullabies
by Lois DuncanAn illustrated collection of lullabies and poems about sleep.
Songs from a Mountain
by Amanda Nadelberg"Amanda Nadelberg's poems . . . are jumping, funny, romantic, and frequently lyrical....which in the immediate reading is almost pure music."--Ken Tucker, Entertainment WeeklyFrom "Matson":So what patent reason is there to doubtthe color of a person's hair, there is sunand timpani. Rubber wood bone silkhemp or ivory I will cut my own in Junebut in May endured the next yesterdayI've already now forgotten what all themen I'll ever know smelled like. Maybedevotion on the beach in the middle ofthe week which is dumbed down withplanets imagining song.
Songs in Dark Times: Yiddish Poetry Of Struggle From Scottsboro To Palestine
by Amelia M. GlaserA probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples.Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed.The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.”These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
Songs in Sepia and Black & White
by Norbert Krapf“In these 101 poems Norbert Krapf explores the richness of his ancestry . . . a book that confirms Krapf’s status as one of America’s finest living poets.” —Benjamin Hedin, author of Under the SpellA collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields’s black and white photos are evocative imaginings of Norbert Krapf’s poems, visual metaphors that extend and deepen their vision. Krapf’s poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet’s German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, “Prayer to Walt Whitman at Ground Zero”; “Back Home,” a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the twentieth anniversary of the fall of the Berlin Wall, “Questions on a Wall.”“Pursuing a tri-fold creative concept that unites poetry, art in the form of photography, and music is certainly not a light challenge. Norbert Krapf has mastered it with remarkable virtuosity and once again reinforced his reputation as the pre-eminent German-American poet of the English language.” —Yearbook of German-American Studies“Some of Krapf’s poetry is breathtakingly moving. Most of it is very insightful . . . The way he joins history and emotion is wonderful.” —Englewood Review of Books
Songs of Experience: Facsimile Reproduction with 26 Plates in Full Color
by William BlakeOne of Blake's most inspired creations, "The Tyger" mingles the lyric and mystical in an exquisite union. Now you can experience the beauty of this and other poems the way Blake intended them -- with his own hand-colored illustrations giving them visual form.This facsimile edition of one of Blake's celebrated "Illuminated Books" reproduces a collection of calligraphed poems, each enclosed in a masterful full-color illustration. Twenty-six plates reprinted from a rare 1826 etched edition include "London," "A Little Boy Lost," "Holy Thursday," The Voice of the Ancient Bard," and other immortal verse. To enhance reading, the texts of all the poems are transcribed separately, following the plates.Dynamic designs and simplicity of language convey Blake's vision of mankind and his condemnation of a wealthy society insensitive to poverty and unhappiness. Moreover, its universal themes make Songs of Experience just as poignant and profound today. Lovers of literature and fine art will want to add this faithful, inexpensive facsimile of an immortal classic to their libraries.
Songs of Innocence
by William Blake Charles Robinson Mary H. RobinsonWilliam Blake's 1789 classic evokes an idyllic world, populated by pipers, shepherds, angels, and joyful children. Graced by Charles and Mary Robinson's ethereal Art Nouveau illustrations, this special edition comprises the complete Songs of Innocence, in addition to nine poems from Songs of Experience.
Songs of Innocence and Songs of Experience
by William BlakeTwo classics of English poetry, alternately describing childhood states of innocence and their inevitable corruption by a harsh and unjust world. Contains the full texts of all the poems in the original 1794 edition of both collections. Alphabetical lists of titles and first lines. Includes a selection from the Common Core State Standards Initiative.
Songs of Innocence and Songs of Experience: Shewing The Two Contrary States Of The Human Soul (Dover Thrift Editions)
by William BlakeAs both painter and poet, William Blake (1757–1827) was a powerful and visionary artist whose two early collections of poetry, Songs of Innocence and Songs of Experience, contain memorable lyric verses embodying the emerging spirit of Romanticism. <p><p> The two works were published together in 1794 with the subtitle, "Shewing the Two Contrary States of the Human Soul." The poems of Songs of Innocence describe childhood states of naturalness and purity in delicately beautiful lyrics that reveal a child's unspoiled and beatific view of life and human nature. In Songs of Experience the mood and tone darken, the poems suggesting the bitter corruptions and disillusionment that await the innocent. <p> The contrast between the two sets of lyrics is perhaps at its most acute in the poems "The Lamb" and "The Tyger," the latter ultimately expressing wonderment at the seemingly paradoxical coexistence of good and evil. The full texts of all the poems in the 1794 edition of both collections are included in this volume.