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Primero de poeta
by Patricia BenitoEl libro de poesía que, autoeditado por su autora, escaló las listas de Amazon y ha conquistado a miles de lectores. «Vive, joder, vive. Y si algo no te gusta, cámbialo. Y si algo te da miedo, supéralo. Y si algo te enamora, agárralo.» Primero de poeta son todos los papeles que rellené y quemé, todos los pasos que no di, las vidas que perdí. Todas las declaraciones de amor que callé, los sueños que rompí, los miedos de los que aprendí. Es mi impaciencia, mis ganas de sentir y el pánico. Es descubrir que mis miedos siempre ganan la partida. Es empujarte a que te vayas por si te acercas demasiado. Es querer que te acerques demasiado. Primero de poeta son todos mis errores. Y mi cura. La opinión de los lectores:«Cada página es una confesión desnuda y sincera de la autora, de esas que te hacen partícipe de principio a fin porque sabes que son auténticas, porque están escritas con el lenguaje que compartimos todos, el del dolor y el de la alegría, el del miedo y el del amor, en definitiva, el lenguaje del alma. Recomiendo tenerlo para ojearlo con cuidado de vez en cuando, porque al menos a mí, me hace sentir cosas de las cuales no quiero abusar y "gastarlas" demasiado rápido.»Chris «Para los amantes del buen gusto, de lo bonito, de lo que toca el alma. Por encontrarme reflejada en muchos de esos renglones, hacerme sonreír y también hacerme reflexionar. Por todo eso y por mucho más, es un libro para leer al menos una vez en la vida.»Inma «A cada poema te enamoras más de Patricia, porque te hace sentir y recordar emociones cotidianas que a veces podemos tener olvidadas. Recomendable 100%, para leer y releer.»Inma Naroi «Una poesía moderna, directa, de pensamientos ágiles y muy cercana, con partes que invitan a la reflexión.»Juan
Primitive: The Art and Life of Horace H. Pippin
by Janice N. HarringtonA biographical reflection on the art and life of Horace H. Pippin-the best-known African-American artist of his time-Primitive is a critique on current perceptions surrounding African-American folk art, as well as the absence of key African-American history in present-day curricula. Award-winning poet Janice Harrington connects readers with a fascinating, odds-defying artist, all while underscoring the human need for artistic expression.
Primitivism (The Critical Idiom Reissued #19)
by Michael BellFirst published in 1972, this books examines the subject of primitivism through the study of the work of a number of major writers, including D. H. Lawrence, Herman Melville, Joseph Conrad, T. S. Eliot and James Joyce. It looks at the variety of definitions and uses of primitivism and how the idea has changed over time as well as with each writer. In doing so, it is argued that primitivism denotes, or arises from, a sense of crisis in civilization and it is born of the interplay between the civilized self and the desire to reject or transform it. This book will be of interest to those studying modern literature.
Prince of paranoia: It was before wizards went underground
by J. D. LovegoodI am drowning here, You are just describing the water. Like a mirror, a door to the world in a subjective way. With the belief that objectivity does not exist. Looking through the matrix, hooked to the machines. From outside he controls them, he enters the game but is not part of it. You enter to save the world from the virus, but sometimes you realize that you are the benign virus «in a polluted world».
Prince Puggly of Spud and the Kingdom of Spiff
by Robert Paul WestonThe next middle-grade rhyming novel from the award-winning author of Zorgamazoo!Prince Puggly of the muddy, terminally unfashionable Kingdom of Spud is surprised when he receives an invitation to a lavish ball in the far more chic Kingdom of Spiff. Puggly is sure that the Spiffs will take one look at him and laugh him out of their kingdom. And that’s exactly what they do. . . . But then Puggly meets Francesca, the bookish Princess of Spiff, and together the two set out to teach Francesca’s Spiffian countrymen an absurd lesson in style. Award-winning author Robert Paul Weston once again delivers a humorous fantasy in rhyming verse that just begs to be read aloud. And this time, it comes with a message that’s sure to impress: There’s more to a person than how they are dressed.
The Princess
by Alfred Lord TennysonSir Walter Vivian all a summer's day, Gave his broad lawns until the set of sun, Up to the people.
Princess Bess Gets Dressed
by Margery CuylerA fashionably dressed princess reveals her favorite clothes at the end of a busy day.
Princess Sleepyhead and the Night-Night Bear
by Peter BentlyCuddle up together with this sweet and funny bedtime story. Perfect for tricky bedtimes!The moon's in the sky and the kingdom's asleep.The cows are all slumbering. So are the sheep.The ducks are tucked up in the roots of the willow.The rabbit is drowsily nibbling his pillow . . .Night has fallen, and everyone is snuggled up and snoozing. All except Princess Sleepyhead...She's tried running, jumping, counting and chasing, but it's no use. She just can't get to sleep!Luckily the Night-Night Bear is on hand to help. He knows that what every little princess needs at bedtime is a story and a goodnight hug.From a Roald Dahl Funny Prize-winning author and a bestselling illustrator!
The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition
by Roland GreeneThe most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes.At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries.This is a book that no reader or writer of poetry will want to be without.Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poetsMore than 250 new entries cover recent terms, movements, and related topicsBroader international coverage includes articles on the poetries of more than 110 nations, regions, and languagesExpanded coverage of poetries of the non-Western and developing worldsUpdated bibliographies and cross-referencesNew, easier-to-use page designFully indexed for the first time
The Princeton Handbook of Multicultural Poetries
by T. V. F. BroganDrawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written).
The Princeton Handbook of Poetic Terms: Third Edition
by Roland Greene Stephen CushmanThe Princeton Handbook of Poetic Terms--drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics--provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers.Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and PoeticsProvides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholarsFeatures entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone)Includes an introduction, bibliographies, cross-references, and a full index
The Princeton Handbook of World Poetries
by Roland Greene Stephen CushmanThe Princeton Handbook of World Poetries--drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics--provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context.Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and PoeticsProvides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the worldFeatures extensive coverage of non-Western poetic traditionsIncludes an introduction, bibliographies, cross-references, and a general index
Principios del desastre
by Dávila S.Principios del desastre es el primer libro de poemas de Dávila S. Luces y sombras Tus ojos son esos orbesverdes que parpadeanen medio de la noche,deslumbrando las acerasy los cielos,mostrando ese suspirode luz que te define. ¿Podrá mi oscuridadluchar contra el vacíode tenerte sin tenerte,sin ser mío el tiemposuficiente, en estos ojostuyos que hoy me entienden? Tus labios parecensaber todas las respuestas.
The Principle of Rapid Peering
by Sylvia LegrisA lyrical guide through Saskatchewan’s Aspen Parkland by a poet whose work is “fizzing with ecological intellect” (Times Literary Supplement). Self-seeding wind is a wind of ever-replenishing breath. —from “The Walk, or The Principle of Rapid Peering” The title of Sylvia Legris’ melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of “rapid peering.” Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist’s notebook in verse. Here is “where nature converges with words,” as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.
The Principle of Rapid Peering
by Sylvia LegrisSelf-seeding windis a wind of ever-replenishing breath.-from 'The Walk, or The Principle of Rapid Peering'The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.Features drawings by the poet.
Prison Shakespeare: For These Deep Shames and Great Indignities (Palgrave Shakespeare Studies)
by Rob PensalfiniThis book explores the development of the global phenomenon of Prison Shakespeare, from its emergence in the 1980s to the present day. It provides a succinct history of the phenomenon and its spread before going on to explore one case study the Queensland Shakespeare Ensemble's (Australia) Shakespeare Prison Project in detail. The book then analyses the phenomenon from a number of perspectives, and evaluates a number of claims made about the outcomes of such programs, particularly as they relate to offender health and behaviour. Unlike previous works on the topic, which are largely individual case studies, this book focuses not only on Prison Shakespeare's impact on the prisoners who directly participate, but also on prison culture and on broader social attitudes towards both prisoners and Shakespeare.
The Private Life: Poems
by Lisel Mueller“Lisel Mueller’s poems are deeply felt and give pleasure because of their truth conveyed in sensuous terms. I found myself earmarking numbers of poems because they were compelling, satisfying, each a thing in itself.”—Richard Eberhart The forty-three poems in this award winning collection by Lisel Mueller are written with a sense of history, an awareness of the inescapable changes taking place in our century and the effect on how we see our lives. Each of the poems speaks from a separate moment of experience. Each of them in its own way, celebrates the autonomy of the self, the mysteries of intimacy, growth, and feeling, and the struggle against what one writer has called the “ongoing assault from without to be something palpable and identifiable.”
A Private Mythology: Poems
by May SartonStunning reflections chronicling a journey both spiritual and physical by May Sarton, one of America&’s most beloved poetsIn celebration of her fiftieth birthday, May Sarton embarked on a pilgrimage around the world. Traveling through Japan, India, and Greece, she captured her spiritual discoveries in this vivid collection of poetry. Arresting images and meditations on the differences between East and West are rendered with the exceptional clarity of an accomplished artist.Winner of the Emily Clark Balch Prize.
Prize Cache: A Collection of Writings
by Riley Nicholas KellyStories, fiction and articles in this book were written by Riley Nicholas Kelly over a period of two decades during his career as a newspaper editor, free-lance writer and poet. Ten of the seventeen offerings received various literary awards.
Probably Inevitable
by Matthew TierneyThese are high-energy poems, riddled with wit and legerdemain and jolted by the philosophy and science of time. 'Time's not the market, it's the bustle; / not the price but worth," he muses, sailing through the rhythms and algorithms of a world made concrete by Samuel Johnson, before it was undone by Niels Bohr. Tierney's narrators grapple with the gap between what's seen and what's experienced, their minds tuned to one (probably) inevitable truth: the more I understand, the more I understand I'm alone. What continues to set Matthew Tierney's poems apart is their uncanny ability to find within the nomenclature of science not mere novelty but a new path to human frailty, a renewed assertion of individuality, and a genuine awe at existence.
Probing Eyes: Poems of a Lifetime, 1959-2019
by Elton HiggsProbing Eyes is a collection of 156 poems written over a period of 60 years by a Christian professor of English literature. The first and largest section is called &“Scriptural Extensions,&” and it seeks to throw fresh light on various Scriptural situations by either projecting the personality of a character though a dramatic monologue or offering a fresh slant on the events depicted. These poems proceed from asking the question, &“I wonder what this biblical character was thinking in the midst of these events.&” The second section, &“Interactions,&” presents some of the author&’s experiences in interfacing with others, from family and friends to people only casually known. The third section, &“Perspectives on Time, consists of poems written mostly as New Year&’s meditations, dealing with how we as Christians are affected by the passage of time; while the inexorable flow of time reminds of our finiteness and mortality, it also challenges us to understand how God, Who is timeless, is master of our limitations. The final section, &“Personal and Meditative,&” is a miscellanea of personal and occasional ruminations, some serious and others playful. The book has four indexes to facilitate finding a poem by title, chronological placement, Scriptural reference, or topic. The author hopes that these poems will thus lend themselves to use for private Bible study and sermon or worship application. The most fruitful reading of the poems, especially of those for which a Scriptural reference is given, will come from a careful look at the relevant biblical texts.This book is not presented as the work of a main-stream poet, for Prof. Higgs has pursued his poetry writing as an avocation, not a profession. He has opted for clarity over artistic sophistication, which may not commend him to contemporary critics and practitioners of poetic composition. At the same time, the author aspires to go beyond the kind of religious versification whose primary purpose is to convey a moral lesson through rhyming lines. That is not an ignoble objective, but it does not embrace a full participation in the linguistic complexity that characterizes serious poetry. Dr. Higgs seeks in his poems to combine the beauty of art with the beauty of Truth, and thereby to stimulate fresh attention to who God is and how He works with the people of His creation.The style of Probing Eyes is mainly free verse, but with regular use of internal rhyme, assonance, and alliteration. The reader may see reflected in this style Prof. Higgs&’s admiration for the poetry of Gerard Manly Hopkins, George Herbert, John Donne, and (in conversational tone) Robert Frost. But above all, the author hopes that readers find evidence of the influence of the Holy Spirit, ad gloriam dei.XXXXXXX
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and Cleopatra
by Ernest SchanzerThe opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon.
Proceed to Check Out (Phoenix Poets)
by Alan ShapiroAward-winning poet Alan Shapiro offers a new collection of poems reflecting on mortality and finitude. Alan Shapiro’s fourteenth collection of poetry, Proceed to Check Out, is a kind of summing up, or stock-taking, by an aging poet, of his precarious place in a world dominated by the ever-accelerating pace of technological innovation, political disruption, personal loss, and racial strife. These poems take on fundamental subjects—like the nature of time and consciousness and how or why we become who we are—but Shapiro presses them into becoming urgent and timely. Employing idiomatic range and formal variety, Shapiro’s poems move through recurring dreams, the coercions of childhood, and the mysterious connections of mind and matter, pleasure and memory. They meet an abiding need to find empathy and understanding in even the most challenging places—amid disaffection, public discord, and estrangement. His grasp of contemporary life—in all its insidious violence and beauty—is distinct, comprehensive, and profound.
The Procession
by Kahlil GibranA collection of poetry by Kahlil Gibran, Eastern literature&’s most prolific thinker and the author of The Prophet, one of the most renowned books of the last century. Kahlil Gibran&’s reflections on the wistful beauty, lofty majesty, and abiding peace of Eastern wisdom revolutionized Arab literature. This collection of dramatic poems uses the dialogue between age and youth as a platform to discuss deep subjects such as freedom, death, and the eternal soul. From &“Of Life and Sorrow&” to &“Of Science and Knowledge,&” Gibran&’s vision transcends boundaries of religion and culture, finding beauty and wisdom in the universal struggles of everyday life.
Prodigal: New and Selected Poems, 1976–2014
by Linda GregersonIn her first book of collected work, prize-winning poet Linda Gregerson mines nearly forty years of poetry, bringing us a full range of her talents. Ten new poems introduce Prodigal, followed by fifty poems, culled from Gregerson's five collections, that range broadly in subject from class in America to our world's ravaged environment to the wonders of parenthood to the intersection of science and art to the passion of the Roman gods, and beyond. This selection reinforces Gregerson&’s standing as &“one of poetry&’s mavens . . . whose poetics seek truth through the precise apprehension of the beautiful while never denying the importance of rationality&” (Chicago Tribune). A brilliant stylist, known for her formal experiments as well as her perfected lines, Gregerson is a poet of great vision. Here, the growth of her art and the breadth of her interests offer a snapshot of a major poet's intellect in the midst of her career.