- Table View
- List View
Revolver
by Kevin ConnollyThe highly anticipated follow-up to the award-winning poetry collection Drift, Kevin Connolly's Revolver is a daring marriage of brilliant technical skill and explosive imagination. Each of the poems in this extraordinary collection is written in a different vocal register -- revolving through poetic voices with precise control and sharp wit. Connolly reveals himself to be one of the few poets in Canada who can pull off such a high wire act, and make it both thrilling and meaningful.
Rewards and Fairies
by Rudyard KiplingContents Include: A Charm - Introduction - Cold Iron: Cold Iron: Gloriana: The Two Cousins - The Looking-Glass - The Wrong Thing: A Truthful Song - King Henry VII, and the Shipwrights - Marklake Witches: The Way through the Woods - Brookland Road - The Knife and the Naked Chalk: The Run of the Downs - Song of the Men's Side - Brother Square Toes: Philadelphia - If - 'A Priest in Spite of Himself': A St. Helena Lullaby - 'Poor Honest Men' - The Conversion of St. Wilfrid: Eddi's Service - Song of the Red War-Boat - A Doctor of Medicine: An Astrologer's Song - 'Our Fathers of Old' - Simple Simon: The Thousandth Man - Frankie's Trade - The Tree of Justice: The Ballad of Minepit Shaw - A Carol
Los reyes
by Julio CortázarUna variante del mito del minotauro en forma de poema dramático. «¡Cede lugar a mi secretor amor! ¡Ven, hermano, ven, amante al fin! ¡Surge de la profundidad que nunca osé salvar, asoma desde la hondura que mi amor ha derribado! ¡Brota asido al hilo que te lleva el insensato!» Los reyes (1949) -primer libro publicado por Cortázar con su nombre verdadero- es un poema dramático que propone una curiosa variante del mito del Minotauro: Ariadna no está enamorada de Teseo sino del monstruo que habita en el centro del laberinto. Gran conocedor de la estructura cerrada y fatal de los mitos griegos, Cortázar se las ingenia para que la historia tenga, de todas formas, el desenlace conocido: a pesar de las intenciones de su amada, el monstruo elige morir a manos de Teseo. Esta obra de estilo clásico y rara belleza, que ocupa un lugar de excepción dentro de la riquísima obra literaria de Cortázar, tiene el mérito enorme de respetar y, al mismo tiempo, transgredir la tradición.
Reynard the Fox: A New Translation
by James Simpson Stephen GreenblattOne of the greatest characters of medieval literature, the trickster Reynard the Fox, comes to life in this rollicking new translation. What do a weak lion king, a grief-stricken rooster, a dim-witted bear, and one really angry wolf have in common? The answer is they've all been had by one sly fox named Reynard. Originally bursting forth from Europe in the twelfth century, Reynard the Fox--a classic trickster narrative centered on a wily and gleefully amoral fox and his numerous victims in the animal kingdom--anticipated both Tex Avery and The Prince by showing that it's better to be clever than virtuous. However, where The Prince taught kings how to manipulate their subjects, Reynard the Fox demonstrated how, in a world of ruthless competition, clever subjects could outwit both their rulers and enemies alike. In these riotous pages, Reynard lies, cheats, or eats anyone and anything that he crosses paths with, conning the likes of Tybert the Cat, Bruin the Bear, and Bellin the Ram, among others. Reynard's rapacious nature and constant "stealing and roving" eventually bring him into conflict with the court of the less-than-perceptive Noble the Lion and the brutal Isengrim the Wolf, pitting cunning trickery against brute force. Unlike the animal fables of Aesop, which use small narratives to teach schoolboy morality, Reynard the Fox employs a dark and outrageous sense of humor to puncture the hypocritical authority figures of the "civilized" order, as the rhetorically brilliant fox outwits all comers by manipulating their bottomless greed. As James Simpson, one of the world's leading scholars of medieval literature, notes in his introduction, with translations in every major European language and twenty-three separate editions between 1481 and 1700 in England alone, the Reynard tales were ubiquitous. However, despite its immense popularity at the time, this brains-over-brawn parable largely disappeared. Now, for the first time in over a century, the fifteenth-century version of Reynard the Fox reemerges in this rollicking translation. Readers both young and old will be delighted by Reynard's exploits, as he excels at stitching up the vain, pompous, and crooked and escapes punishment no matter how tight the noose. Highlighted by new illustrations by Edith E. Newman, Simpson's translation of the late Middle English Caxton edition restores this classic as a part of a vital tradition that extends all the way to Br'er Rabbit, Bugs Bunny, and even Itchy & Scratchy. As Stephen Greenblatt writes in his foreword, Reynard is the "animal fable's version of Homer's Odysseus, the man of many wiles," proving that in a dog-eat-dog world the fox reigns supreme.
Rhapsody in Plain Yellow: Poems
by Marilyn ChinA fusion of east and west, high culture, popular culture, and ancient Chinese history mark this distinguished collection. Marilyn Chin, with her multilayered, multidimensional, intercultural singing, elegizes the loss of her mother and maternal grandmother and tries to unravel the complexities of her family's past. She tells of the trials of immigration, of exile, of thwarted interracial love, and of social injustice. Some poems recall the Confucian "Book of Songs," while others echo the African American blues tradition and Western railroad ballads. The title poem references the Han Dynasty rhapsody but is also a wild, associative tour de force. Political allegories sing out with personal revelations. Personal revelations open up to a universal cry for compassion and healing. These songs emerge as a powerful and elegant collection: sophisticated yet moving, hard-hitting yet refined.
The Rhetoric of Fiction
by Wayne C. BoothThe first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."
The Rhetoric of the Roman Fake
by Irene PeiranoPrevious scholarship on classical pseudepigrapha has generally aimed at proving issues of attribution and dating of individual works, with little or no attention paid to the texts as literary artefacts. Instead, this book looks at Latin fakes as sophisticated products of a literary culture in which collaborative practices of supplementation, recasting and role-play were the absolute cornerstones of rhetorical education and literary practice. Texts such as the Catalepton, the Consolatio ad Liviam and the Panegyricus Messallae thus illuminate the strategies whereby Imperial audiences received and interrogated canonical texts and are here explored as key moments in the Imperial reception of Augustan authors such as Virgil, Ovid and Tibullus. The study of the rhetoric of these creative supplements irreverently mingling truth and fiction reveals much not only about the neighbouring concepts of fiction, authenticity and reality, but also about the tacit assumptions by which the latter are employed in literary criticism.
Rhetoric, Women and Politics in Early Modern England
by Jennifer Richards Alison ThorneRhetoric has long been a powerful and pervasive force in political and cultural life, yet in the early modern period, rhetorical training was generally reserved as a masculine privilege. This volume argues, however, that women found a variety of ways to represent their interests persuasively, and that by looking more closely at the importance of rhetoric for early modern women, and their representation within rhetorical culture, we also gain a better understanding of their capacity for political action. Offering a fascinating overview of women and rhetoric in early modern culture, the contributors to this book: examine constructions of female speech in a range of male-authored texts, from Shakespeare to Milton and Marvell trace how women interceded on behalf of clients or family members, proclaimed their spiritual beliefs and sought to influence public opinion explore the most significant forms of female rhetorical self-representation in the period, including supplication, complaint and preaching demonstrate how these forms enabled women from across the social spectrum, from Elizabeth I to the Quaker Dorothy Waugh, to intervene in political life. Drawing upon incisive analysis of a wide range of literary texts including poetry, drama, prose polemics, letters and speeches, Rhetoric, Women and Politics in Early Modern England presents an important new perspective on the early modern world, forms of rhetoric, and the role of women in the culture and politics of the time.
Rhino Rhumba
by Judith SandersHave you ever seen a rhino do the rumba? Join the rhinos as they dance the night away in this silly animal rhyme! How long will they be able to keep dancing before they get too tired?
Rhyme and Punishment: Adventures in Wordplay
by Brian P. ClearyWhat is a PUN? A pun is a little verbal joke--a "twist" or a "play" on words. The simplest puns sound like a word of similar pronunciation but different spelling. When people realize that the word can be heard or understood in two different ways, it makes them laugh and sometimes roll their eyes and groan, as in this on
The Rhyme Bible Storybook
by ZondervanThe Rhyme Bible Storybook brings classic Bible stories from the Old and New Testaments to life, retold in rhyme so that children are enthusiastic to read along, excited to read aloud, and, most importantly, eager to remember their favorite Scripture verses.Storybook Bibles are wonderful ways for young children to begin their journey into knowing and loving God&’s Word. The Rhyme Bible Storybook:Is ideal for children ages 4-8Features eye-catching art throughoutIncludes classic Bible stories from the Old and New Testaments told in read-aloud rhymeIs a popular a gift from parents and grandparents for birthdays, Christmas, Easter, and First CommunionsThe Rhyme Storybook Bible provides a unique and appealing way for children to hear God&’s truths, with its rhyming text and vibrant illustrations.
Rhyme Schemer
by K. A. HoltKevin has a bad attitude. He's the one who laughs when you trip and fall. In fact, he may have been the one who tripped you in the first place. He has a real knack for rubbing people the wrong way--and he's even figured out a secret way to do it with poems. But what happens when the tables are turned and he is the one getting picked on? Rhyme Schemer is a touching and hilarious middle-grade novel in verse about one seventh grader's journey from bully-er to bully-ee, as he learns about friendship, family, and the influence that words can have on people's lives.
Rhyme Stones (Orca Echoes)
by Graham Ross Pat SkeneIn Rhyme Stones, we go spelunking, we meet a witch who can't stay on her broomstick, a schoolyard bully, and we see how a simple piece of cloth can become anything we want it to be. Each long poem is followed by an exclusive interview with the main character, and each short poem has a "trailer" of cool facts about the theme.
Rhymes a la Mode
by Andrew LangPurchase of this book includes free trial access to www. million-books. com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: ALMAE MATRES. (ST. ANDREWS, 1862. OXFORD, 1865. ) O T, Andrews by the Northern sea, A haunted town it is to me I A little city, worn and grey, The grey North Ocean girds it round. And o'er the rocks, and up the bay, The long sea-rollers surge and sound. And still the thin and biting spray Drives down the melancholy street, And still endure, and still decay, Towers that the salt winds vainly beat. Ghost-like and shadowy they stand Dim mirrored in the wet sea-sand. ALMAE MATRES. St. Leonard's chapel, long ago We loitered idly where the tall Fresh budded mountain ashes blow Within thy desecrated wall: The tough roots rent the tomb below, The April birds sang clamorous, We did not dream, we could not know How hardly Fate would deal with us O, broken minster, looking forth Beyond the bay, above the town, O, winter of the kindly North, O, college of the scarlet gown, And shining sands beside the sea, And stretch of links beyond the sand, Once more I watch you, and to me It is as if I touched his hand And therefore art thou yet more dear, O, little city, grey and sere, ALMAE MATRES. Though shrunken from thine ancient pride And lonely by thy lonely sea, Than these fair halls on Isis' side, Where Youth an hour came back to me A land of waters green and clear, Of willows and of poplars tall, And, in the spring time of the year, The white may breaking over all, And Pleasure quick to come at call. And summer rides by marsh and wold, And Autumn with her crimson pall About the towers of Magdalen rolled; And strange enchantments from the past, And memories of the friends of old, And strong Tradition, binding fast The flying terms with bands of gold, ? All these hath Oxford: all are dear, Bu. . .
Rhymes à la Mode
by Andrew LangAndrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).
Rhymes and Reasons
by Diana WendPoems of variety and inspiration fill this little book and are definitely food for thought. The poems will particularly appeal to those who don’t think poetry needs to be obscure and scholarly. You never know, there could be a message in here for even the fussiest of readers.
Rhymes from Rural England
by Sue EdwardsFrom the EU, to Covid, to White Van Men, this is a little book of life experiences and observations in rhyme. Hopefully, some poems will make you smile. Others are reflective and thought-provoking. Most relay a message. Rhymes from Rural England is full of feel-good verses which put life in perspective.
Rhymes in the Flow: How Rappers Flip the Beat
by Macklin Smith Aurko JoshiDespite its global popularity, rap has received little scholarly attention in terms of its poetic features. Rhymes in the Flow systematically analyzes the poetics (rap beats, rhythms, rhymes, verse and song structures) of many notable rap songs to provide new insights on rap artistry and performance. Defining and describing the features of what rappers commonly call flow, the authors establish a theory of the rap line as they trace rap’s deepest roots and stylistic evolution—from Anglo-Saxon poetry to Lil Wayne—and contextualize its complex poetics. Rhymes in the Flow helps explain rap’s wide appeal by focusing primarily on its rhythmic and thematic power, while also claiming its historical, cultural, musical, and poetic importance.
Rhymes of a Red Cross Man
by Robert W. ServiceRobert William Service (1874-1958) was a poet and writer. He is mostly well known for his writings on the Canadian North, including the poems The Shooting of Dan McGrew and The Cremation of Sam McGee. Inspired by the vast beauty of the Yukon wilderness, Service began writing poetry about the things he saw. He collected enough poems for a book, which was published in 1907 in North America as The Spell of the Yukon and Other Verses and in England as The Songs of a Sourdough. This made Service wealthy and he became known as the Canadian Kipling . During World War I he worked as an ambulance driver for the Canadian Red Cross, as well as working as a war correspondent for the Canadian government. He wrote a number of poems about the war, many appearing in a new book, Rhymes of a Red Cross Man (1916). Amongst his other works are: Ballads of a Cheechako (1909), The Trail of 98: A Northland Romance (1910), Rhymes of a Rolling Stone (1912), Ballads of a Bohemian (1921) and an autobiography, Ploughman of the Moon: An Adventure Into Memory (1945).
Rhymes of a Rolling Stone
by Robert W. ServiceRobert William Service (1874-1958) was a poet and writer. He is mostly well known for his writings on the Canadian North, including the poems The Shooting of Dan McGrew and The Cremation of Sam McGee. Inspired by the vast beauty of the Yukon wilderness, Service began writing poetry about the things he saw. He collected enough poems for a book, which was published in 1907 in North America as The Spell of the Yukon and Other Verses and in England as The Songs of a Sourdough. This made Service wealthy and he became known as the Canadian Kipling. During World War I he worked as an ambulance driver for the Canadian Red Cross, as well as working as a war correspondent for the Canadian government. He wrote a number of poems about the war, many appearing in a new book, Rhymes of a Red-Cross Man (1916). Amongst his other works are: Ballads of a Cheechako (1909), The Trail of '98: A Northland Romance (1910), Rhymes of a Rolling Stone (1912), Ballads of a Bohemian (1921) and an autobiography, Ploughman of the Moon: An Adventure Into Memory (1945).
Rhymes of Life and Love
by Houda YounesCan we ever figure out what life is about? Dig deep into the rhyming symphonies of enticing love, fly over the dazzling winds of ambition, push through the bright lightening of daily struggles, and always remember: It will definitely shine after the darkness!This book is a collection of poems written across many years of social and emotional explorations that we go through in life. “Rhymes of Life” focus on the social aspects such as self-help topics, family relationships, friendship, life-changing decisions, social struggles, … “Rhymes of Love” focus on romantic relationships all the way from falling in love to dealing with break-ups and then moving on.
Rhyme's Reason: A Guide to English Verse (3rd edition)
by John HollanderIn his classic text, Rhyme's Reason, the distinguished poet and critic John Hollander surveys the schemes, patterns, and forms of English verse, illustrating each variation with an original and witty self-descriptive example.
Rhyme's Rooms: The Architecture of Poetry
by Brad LeithauserFrom the widely acclaimed poet, novelist, critic, and scholar, a lucid and edifying exploration of the building blocks of poetry and how they've been used over the centuries to assemble the most imperishable poems.&“Anyone wanting to learn how to remodel, restore, or build a poem from the foundation up, will find this room-by-room guide on the architecture of poetry a warm companion.&” —Tomás Q. Morín, author of MacheteWe treasure our greatest poetry, Brad Leithauser reminds us in these pages, "not for its what but its how." In chapters on everything from iambic pentameter to how stanzas are put together to "rhyme and the way we really talk," Leithauser takes a deep dive into that how—the very architecture of poetry. He explains how meter and rhyme work in fruitful opposition ("Meter is prospective; rhyme is retrospective"); how the weirdnesses of spelling in English are a boon to the poet; why an off rhyme will often succeed where a perfect rhyme would not; why Shakespeare and Frost can sound so similar, despite the centuries separating them. And Leithauser is just as likely to invoke Cole Porter, Stephen Sondheim, or Boz Scaggs as he is Chaucer or Milton, Bishop or Swenson, providing enlightening play-by-plays of their memorable lines.Here is both an indispensable learning tool and a delightful journey into the art of the poem—a chance for new poets and readers of poetry to grasp the fundamentals, and for experienced poets and readers to rediscover excellent works in all their fascinating detail.Portions of this book have appeared in The New Yorker, The New York Times, and The New York Review of Books.
Rhythm: Form & Dispossession
by Vincent BarlettaMore than the persistent beat of a song or the structural frame of poetry, rhythm is a deeply imbedded force that drives our world and is also a central component of the condition of human existence. It’s the pulse of the body, a power that orders matter, a strange and natural force that flows through us. Virginia Woolf describes it as a “wave in the mind” that carries us, something we can no more escape than we could stop our hearts from beating. Vincent Barletta explores rhythm through three historical moments, each addressing it as a phenomenon that transcends poetry, aesthetics, and even temporality. He reveals rhythm to be a power that holds us in place, dispossesses us, and shapes the foundations of our world. In these moments, Barletta encounters rhythm as a primordial and physical binding force that establishes order and form in the ancient world, as the anatomy of lived experience in early modern Europe, and as a subject of aesthetic and ethical questioning in the twentieth century. A wide-ranging book covering a period spanning two millennia and texts from over ten languages, Rhythm will expand the conversation around this complex and powerful phenomenon.