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Advocate for the Doomed: The Diaries and Papers of James G. McDonald, 1932-1935
by Richard Breitman Barbara Mcdonald Stewart James G. Mcdonald Severin HochbergThe private diary of James G. McDonald (1886-1964) offers a unique and hitherto unknown source on the early history of the Nazi regime and the Roosevelt administration's reactions to Nazi persecution of German Jews. Considered for the post of U.S. ambassador to Germany at the start of FDR's presidency, McDonald traveled to Germany in 1932 and met with Hitler soon after the Nazis came to power. Fearing Nazi intentions to remove or destroy Jews in Germany, in 1933 he became League of Nations High Commissioner for Refugees and sought aid from the international community to resettle outside the Reich Jews and others persecuted there. In late 1935 he resigned in protest at the lack of support for his work.This is the eagerly awaited first of a projected three-volume work that will significantly revise the ways that scholars and the world view the antecedents of the Holocaust, the Shoah itself, and its aftermath.
The Advocate's Daughter: A Thriller
by Anthony FranzeA Washington, DC lawyer and a frequent major media commentator on the Supreme Court, Anthony Franze delivers a high-stakes story of family, power, loss, and revenge set within the insular world of the highest court of our country. Among Washington D.C. power players, everyone has secrets they desperately want to keep hidden, including Sean Serrat, a Supreme Court lawyer. Sean transformed his misspent youth into a model adulthood, and now has one of the most respected legal careers in the country. But just as he learns he's on the short list to be nominated to the U.S. Supreme Court, his daughter, Abby, a talented and dedicated law student, goes missing. Abby's lifeless body is soon found in the library of the Supreme Court, and her boyfriend, Malik Montgomery, a law clerk at the high court, is immediately arrested. The ensuing media frenzy leads to allegations that Malik's arrest was racially motivated, sparking a national controversy. While the Serrat family works through their grief, Sean begins to suspect the authorities arrested the wrong person. Delving into the mysteries of his daughter's last days, Sean stumbles over secrets within his own family as well as the lies of some of the most powerful people in the country. People who will stop at nothing to ensure that Sean never exposes the truth.
Advocating for the Environment: How to Gather Your Power and Take Action
by Susan InchesAn accessible, solutions-oriented guide for addressing the earth's environmental crisis and enacting meaningful changeWhat can we as ordinary citizens do about climate change?" While countless environmental books focus on the causes of our current crisis, Advocating for the Environment is one of the first to focus on advocacy and policy-based solutions, arming readers with the tools they need to take action and enact change. In Part I, environmental policy expert Susan Inches discusses storytelling, empathy, mindset, and how effective communication can help us collaborate with others, even those with opposing views. Part II focuses on practical skills like coalition building, media relations, communication strategy, and navigating political and bureaucratic obstacles that block large-scale legislation. The book also includes case studies, research, and templates to deepen learning. Professors and teachers, students, legislators, environmental clubs, and church groups will also find useful ideas and strategies on every page.
Advocating Transitional Justice in Africa: The Role of Civil Society (Springer Series in Transitional Justice)
by Jasmina Brankovic Hugo van der MerweThis volume documents and analyses the strategies used by African civil society organisations to lobby for and enact transitional justice measures in their countries. The book offers local practitioners and African scholars space to reflect on the development and effectiveness of strategies in promoting transitional justice, as well as to identify the theoretical and contextual influences on transitional justice work. Most importantly, it presents lessons and best practices for advocating transitional justice. This edited volume fills a significant gap by providing an up-to-date regional African perspective on transitional justice in the form of a compilation of country-specific and thematic analyses of agenda-setting and lobbying efforts. It also offers insights into the state-civil society relationship on the continent. While including some historical perspective, the book chapters provide fresh and up-to-date insights into ongoing transitional justice efforts that are key to defining the future of how the field is understood in theory and in practice.
Aeffect: The Affect and Effect of Artistic Activism
by Stephen DuncombeThe first book to seriously identify how artistic activism works and how to make it work betterThe past decade has seen an explosion in the hybrid practice of “artistic activism,” as artists have turned toward activism to make their work more socially impactful and activists have adopted techniques and perspectives from the arts to make their interventions more creative. Yet questions haunt the practice: Does artistic activism work aesthetically? Does it work politically? And what does “working” even mean when one combines art and activism? In Æffect, author Stephen Duncombe sets out to address these questions at the heart of the field of artistic activism.Written by the co-founder and current Research Director of the internationally recognized Center for Artistic Activism, Æffect draws on Duncombe’s more than twenty-five years of experience in the field and one hundred in-depth interviews with artistic activists worldwide. More than a mere academic exercise, the theory, research, and tools in this book lay the groundwork for artistic activists to evaluate and strengthen their practice and to create better projects. The exploration of good artistic activism is grounded in three sets of concerns. 1) Change: Upon what theories of change is artistic activism based? 2) Intention: What do we hope and expect artistic activism to do, and how does it do this? 3) Evaluation: What actually happens as the result of an artistic activist intervention? Can it be measured?Æffect is rich with examples that demonstrate successful artistic activism, including Undocubus, an old bus painted “No Fear” across its side that was driven cross-country by a group of undocumented immigrant activists; Journal Rappé, a video show created by Senegalese rappers who created long-form investigative reports by rapping the current news in French and Wolof; and War on Smog, a staged a public performance piece by artistic activists in the city of Chongqing in Southwest China. Scannable QR codes are included to provide tools that help readers assess the æffect of their artistic activism.
An Aegean April (Chief Inspector Andreas Kaldis Mysteries #9)
by Jeffrey SigerThe beautiful Greek island of Lesvos, birthplace of the poet Sappho, and for centuries an agrarian paradise famed for anise-flavored ouzo and tasty sardines, sees its serenity turn into chaos as the world watches boatloads of refugees daily flee onto its shores from Turkey across the narrow Mytilini Strait. Mihalis Volandes is one of Lesvos' elite, the patriarch of a storied shipping clan. He's weathered many changes in his long life, and when a government policy accelerates the surge of refugees onto his island, he rises to prominence in relief efforts he sees as growing increasingly ineffectual. One evening, after working to stir up support for his breakthrough plan to strike at the heart of the lucrative refugee trafficking trade, he returns to his mansion in darkness - only to fall victim in his own garden to a swishing sword. A refugee-turned-local-aid-worker is found at the scene, splattered with Volandes' blood, and swiftly arrested by island police. Case closed - or would be, if young Ali Sera were not working with SafePassage, an NGO (non-government organization), headed on Lesvos by American Dana McLaughlin. McLaughlin is having none of Ali's arrest. Within hours the phone rings in the Athens office of Chief Inspector Andreas Kaldis, and she's requesting that Kaldis take over the investigation. Volandes was a prominent citizen and the crime particularly gruesome. Could it be terrorism or something else? But whether Ali is guilty or framed, Andreas can't ignore a powerful motive for the murder. Volandes' daring plan, if implemented, would soon shut down the cash-generating refugee-trafficking pipeline between Turkey and Lesvos. And so, we're off on a nail-biting ride with Kaldis and his team through Byzantine island politics, deteriorating diplomatic relations, and a world on fire with intrigues and more brutal deaths. This ninth Andreas Kaldis thriller once again links modern Greece to its ancient past, the powerful grip of myths upon its people, and cutting edge issues of societal change affecting our world at large.
Aeolian proceses as Dust Storms in the Deserts of Central Asia and Kazakhstan (Environmental Science and Engineering)
by Gulnura Issanova Jilili AbuduwailiThis book highlights the aeolian processes in the desert zone of Kazakhstan and analyzes the current status of dust and sand storms in Central Asia and Kazakhstan. It also highlights the analyses, dynamics and long-term observations of storms on the basis of numerous cartographic materials and satellite images. Dust/sand storms are a common and important phenomenon in the arid and semi-arid regions of Kazakhstan, especially in its southern parts, where areas are covered by a great variety of deserts and offer a significant source of mineral and salt aerosols. The deserts of Kazakhstan mostly cover lowlands and extend from the eastern coast of the Caspian Sea to the piedmonts of the Tien-Shan Mountain. In Kazakhstan, desertification processes due to wind erosion in the form of dust/sand storms were observed in semi-desert and desert landscapes.
The Aesthetic Cold War: Decolonization and Global Literature
by Peter J. KallineyHow decolonization and the cold war influenced literature from Africa, Asia, and the CaribbeanHow did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work.Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century.
Aesthetic Constructions of Korean Nationalism: Spectacle, Politics and History (Asia's Transformations)
by Hong KalWhile most studies on Korean nationalism centre on textual analysis, Aesthetic Constructions of Korean Nationalism offers a different approach. It looks at expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism. By linking concepts of visual spectacle, urban space and governmentality, this book explores how such notions made the nation imaginable to the public in both the past and the present; how they represented a new modality of seeing for the state and contributed to the shaping of collective identities in colonial and postcolonial Korea. The author further examines how their different modes were associated with the change in governmentality in Korea. In addressing these questions, the book interprets the politics behind the culture of displays and shows both the continuity and the transformation of spectacles as a governing technology in twentieth-century Korea. Aesthetic Constructions of Korean Nationalism is a significant contribution to a study of the politics of visual culture in colonial and postcolonial Korea. The book will be of interest to students and scholars of Korean Studies, Culture and Heritage Studies and Asian Studies.
The Aesthetic Dimension
by Herbert MarcuseDeveloping a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.
Aesthetic Modernism and Masculinity in Fascist Italy (Popular Culture and World Politics)
by John ChampagneAesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artefacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something – like masculinity – is rendered as being an element of world politics, and how such an understanding differs from more orthodox ‘cultural’ analyses common to international relations. Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history.
Aesthetic Perceptions of Urban Environments (Interventions)
by Arundhati VirmaniTo what extent do urban dwellers relate to their lived and imagined environment through aesthetic perceptions, and aspirations? This book approaches experiences of urban aesthetics not as an established framework, defined by imposed norms or legislations, but as the result of a continuous reflexive and proactive gaze, a complex and deep engagement of the mind, body and sensibilities. It uses empirical studies ranging from China, India to Western Europe. Three axes are privileged. The first considers urban everyday aesthetic experiences in the long-term as a historical production, from medieval Italy to a future imagined by science fiction. The second examines the impact of aestheticizing everyday material realities in neighbourhoods, and the tensions and conflicts these engender around urban commons. Finally, the third axis considers these relationships as aesthetic inequalities, exacerbated in a new age of urban development. The book combines local and transnational scales with an interdisciplinary approach, bringing together historians, sociologists, cultural geographers, anthropologists, architects, and contemporary art curators. They illustrate the importance of combining different social science methods and functional perspectives to study such complex social and cultural realities as cities. This book will be of interest to students, scholars and practitioners of humanities and social sciences, cultural and urban studies, architecture and political geography.
Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries
by Liu KangAlthough Chinese Marxism--primarily represented by Maoism--is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism. Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity. Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology.
Aesthetics and Political Culture in Modern Society (Routledge Innovations in Political Theory)
by Henrik Kaare NielsenDo aesthetic appeals to senses and emotions in political debate necessarily marginalise political reason and reduce citizens to consumers – thus dangerously undermining democracy? Or is sensuous-emotional engagement, on the contrary, a basic fact of the political process and a crucial precondition for revitalising democracy? Aesthetics and Political Culture in Modern Society investigates the current interrelationship between aesthetic practice and political practice in Western democracies, focusing on its impact on democratic political culture. Henrik Kaare Nielsen argues that aesthetic interventions in the political process do not by definition undermine politics’ content of reason. Instead, a differentiation must be made between a multiplicity of aesthetic forms of intervention – some of which tend to weaken the political judgement of citizens while other forms tend to stimulate competent judgement. This book will be of interest to scholars in the fields of political science, sociology, media studies, and cultural studies.
Aesthetics and Politics (Radical Thinkers)
by Walter Benjamin Theodor Adorno Georg Lukacs Bertolt Brecht Ernst BlochNo other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
Aesthetics and Politics: A Nordic Perspective on How Cultural Policy Negotiates the Agency of Music and Arts (New Directions in Cultural Policy Research)
by Ole Marius Hylland Erling BjurströmThrough comparative and integrated case studies, this book demonstrates how aesthetics becomes politics in cultural policy. Contributors from Norway, Sweden and the UK analyse exactly what happens when art is considered relevant for societal development, at both a practical and theoretical level. Cultural policy is seen here as a mechanism for translating values, that through organized and practical aesthetical judgement lend different forms of agency to the arts. What happens when aesthetical value is reinterpreted as political value? What kinds of negotiations take place at a cultural policy ground level when values are translated and reinterpreted? By addressing these questions, the editors present an original collection that effectively centralises and investigates the role of aesthetics in cultural policy research.
Aesthetics and the Philosophy of Art: Comparative Perspectives
by Prabha Shankar DwivediThis volume brings together the finest research on aesthetics and the philosophy of art by stalwart critics and leading scholars in the field. It discusses various themes, such as the idea of aesthetic perception, the nature of aesthetic experience, attitude theory, the relation of art to morality, representation in art, and the association of aesthetics with language studies in the Indian tradition. It deliberates over the theories and views of Aristotle, Freud, Plato, Immanuel Kant, T. S. Eliot, George Dickie, Leo Tolstoy, R. G. Collingwood, Michael H. Mitias, Monroe C. Beardsley, and Abhinavagupta, among others. The book offers a comparative perspective on Indian and Western approaches to the study of art and aesthetics and enables readers to appreciate the similarities and differences between the conceptions of aesthetics and philosophy of art on a comparative scale detailing various aspects of both. The first of its kind, this key text will be useful for scholars and researchers of arts and aesthetics, philosophy of art, cultural studies, comparative literature, and philosophy in general. It will also appeal to general readers interested in the philosophy of art.
Aesthetics and the Revolutionary City: Real and Imagined Havana (Studies of the Americas)
by James Clifford KentAesthetics and the Revolutionary City engages in alternative ways of reading foreign visual representations of Havana through analysis of advertising images, documentary films, and photographic texts. It explores key narratives relating to the projection of different Havana imaginaries and focuses on a range of themes including: pre-revolutionary Cuba; the dream of revolution; and the metaphor of the city “frozen-in-time.” The book also synthesizes contemporary debates regarding the notion of Havana as a real and imagined city space and fleshes out its theoretical insights with a series of stand-alone, important case studies linked to the representation of the Cuban capital in the Western imaginary. The interpretations in the book bring into focus a range of critical historical moments in Cuban history (including the Cuban Revolution and the “Special Period”) and consider the ways in which they have been projected in advertising, documentary film and photography outside the island.
Aesthetics at Large: Volume 1: Art, Ethics, Politics (Art, Ethics, Politics)
by Thierry de DuveImmanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling formalism isolated from all worldly concerns, Kant’s guidance urgently opens the understanding of art onto ethics and politics. Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz? Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.
The Aesthetics of Democracy
by Craig CarsonThis book offers an original and interdisciplinary interpretation of the relation between aesthetics and modern liberal democracy, uniting the fields of art theory with the democratic political philosophy and modern liberal economic theory. The central argument of the books offers an explanation of the theoretical limitations of the contemporary discourse concerning "political art," while at the same time illustrating historically how the European and American discourse of modern democracy and political economy developed an explicit stance against the conflation of art and politics. Exposing the unstated presuppositions about our modern liberal democracy, Craig Carson opens a new field of inquiry concerning the role of art, media, and televisual "theater" central to modern politics.
The Aesthetics of Hate: Far-Right Intellectuals, Antisemitism, and Gender in 1930s France
by Sandrine SanosThe Aesthetics of Hate examines the writings of a motley collection of interwar far-right French intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms.
The Aesthetics of Rule and Resistance: Analyzing Political Street Art in Latin America (Protest, Culture & Society #29)
by Lisa BogertsEffective visual communication has become an essential strategy for grassroots political activists, who use images to publicly express resistance and make their claims visible in the struggle for political power. However, this “aesthetics of resistance” is also employed by political and economic elites for their own purposes, making it increasingly difficult to distinguish from the “aesthetics of rule.” Through illuminating case studies of street art in Buenos Aires, Bogotá, Caracas, and Mexico City, The Aesthetics of Rule and Resistance explores the visual strategies of persuasion and meaning-making employed by both rulers and resisters to foster self-legitimization, identification, and mobilization.
The Aesthetics of Rule and Resistance: Analyzing Political Street Art in Latin America (Protest, Culture & Society #29)
by Lisa BogertsEffective visual communication has become an essential strategy for grassroots political activists, who use images to publicly express resistance and make their claims visible in the struggle for political power. However, this “aesthetics of resistance” is also employed by political and economic elites for their own purposes, making it increasingly difficult to distinguish from the “aesthetics of rule.” Through illuminating case studies of street art in Buenos Aires, Bogotá, Caracas, and Mexico City, The Aesthetics of Rule and Resistance explores the visual strategies of persuasion and meaning-making employed by both rulers and resisters to foster self-legitimization, identification, and mobilization.
Æthelflæd: Lady of the Mercians
by Tim ClarksonThis Dark Ages biography chronicles the life of one of the period&’s most famous women: the ruler of Mercia who took England back from the Vikings. At the end of the 9th century, a large part of what is now England was controlled by the Vikings—warlike Scandinavians who had been attacking the British Isles for more than a hundred years. Alfred the Great, king of Wessex, was determined to regain the conquered lands. But when he died in 899 A.D., the task passed to his son Edward. In the early 900s, Edward led a great fight against the Viking armies, assisted by the English rulers of Mercia: Lord Æthelred and his wife Æthelflæd, who was also Edward&’s sister. After her husband&’s death, Æthelflæd ruled Mercia on her own, leading the army to war and working with her brother to achieve their father&’s aims. Known to history as the Lady of the Mercians, she earned a reputation as a capable general who was feared by her enemies. In this authoritative biography, Tim Clarkson tells her remarkable life story from childhood to her vital role in saving England from the Vikings.
Æthelred: The Unready
by Dr Levi RoachAn imaginative reassessment of Æthelred "the Unready," one of medieval England’s most maligned kings and a major Anglo-Saxon figure