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Writing Neoliberal Values: Rhetorical Connectivities and Globalized Capitalism (Rhetoric, Politics and Society)
by Rachel C. RiednerThis book examines human-interest stories, unpacking from them violence inherent to neoliberalism, and considers if it is possible to find in these stories hints of people and labour that suggest other narratives.
Writing Neoliberal Values: Rhetorical Connectivities and Globalized Capitalism (Rhetoric, Politics and Society)
by Rachel C. RiednerThis book examines human-interest stories, unpacking from them violence inherent to neoliberalism, and considers if it is possible to find in these stories hints of people and labour that suggest other narratives.
Writing of the Formless: Jose Lezama Lima and the End of Time
by Jaime Rodríguez MatosIn this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.
The Writing of the Nation by Its Elite: The Politics of Anglophone Indian Literature in the Global Age (Literary Cultures of the Global South)
by MK RaghavendraThis volume examines the idea of India as it emerges in the writing of its anglophone elite, post-2000. Drawing on a variety of genres, including fiction, histories, non-fiction assessments – economic, political, and business – travel accounts, and so on, this book maps the explosion of English-language writing in India after the economic liberalization and points to the nation’s sense of its growing importance as a producer of culture. From Ramachandra Guha to William Dalrymple, from Arundhati Roy to Pankaj Mishra, from Jhumpa Lahiri to Amitav Ghosh, from Amartya Sen to Gurcharan Das, from Barkha Dutt to Tarun Tejpal, this investigation takes us from aesthetic imaginings of the nation to its fractured political fault lines, the ideological predispositions of the writers often pointing to an asymmetrically constituted India. A major intervention on how postcolonial India is written about and imagined in the anglophone world, this book will be of great interest to scholars and researchers of cultural studies, literature, history, and South Asian studies. It will also be of interest to general readers with an inclination towards India and Indian writing.
Writing on the Southern Front: Authentic Conservatism for Our Times
by Joseph ScotchieFor traditionalists, the conservative ascendency of the 1980s turned out to be a major disappointment. With the triumph of multiculturalism and political correctness, liberalism seemed to move from strength to strength. Still, a stout number of southern conservative writers plunged forward, and their themes of populism, immigration, and cultural integrity are seeing a contemporary resurgence. Discussing a wide array of authors who worked in a variety of genres, Joseph Scotchie celebrates those unreconstructed champions who fought the culture wars of their times with a special learning and vigor. Also included in this collection are creative artists who kept the flame of literature alive, providing visions of possibilities that only genre can provide.
The Writing on the Wall: The British Commonwealth and Aggression in the East 1931–1935 (Routledge Revivals)
by E. M. AndrewsFirst published in 1987, The Writing on the Wall tells the story of the muddle, shortsightedness and duplicity which characterised Britain’s dealings with her Pacific Dominions. It describes the reactions of each Dominion and chronicles the desultory responses of Canada, Australia, and New Zealand to the developing crises in the North Pacific. The result is an important contribution to the history of all four continents. As the 1930s opened, the British Empire was everywhere recognised as a Great Power. Its rule extended over one-fifth of the earth’s land surface; it encompassed the largest population of any ‘State’ in the world; it controlled one-sixth of the world’s trade. In truth, the Empire was tragically fragile. Both Britain and the Dominions had disarmed to the point of impotence, so that when Japan occupied Manchuria in 1931 and attacked Shanghai, the centre of British trade in China, in the following year, they were unable to respond. British defence chiefs declared Japan’s success to be ‘the writing on the wall’. Despite these warnings, British politicians chose to appease the Japanese at the cost of seriously damaging the League of Nations, and to avoid spending money on defence in the Far East. Despite the concerns of the Dominions—Australia, New Zealand, and Canada—the scene was set for the total collapse of Britain’s Empire in the East within a decade. This book will be of interest to students and researchers of history.
Writing on the Wall
by Mumia Abu Jamal Johanna Fernandez"Revolutionary love, revolutionary memory and revolutionary analysis are at work in every page written by Mumia Abu-Jamal ... His writings are a wake-up call. He is a voice from our prophetic tradition, speaking to us here, now, lovingly, urgently. Black man, old-school jazz man, freedom fighter, revolutionary-his presence, his voice, his words are the writing on the wall."-Cornel West, from the forewordFrom the first slave writings to contemporary hip hop, the canon of African American literature offers a powerful counter-narrative to dominant notions of American culture, history and politics. Resonant with voices of prophecy and resistance, the African American literary tradition runs deep with emancipatory currents that have had an indelible impact on the United States and the world. Mumia Abu-Jamal has been one of our most important contributors to this canon for decades, writing from the confines of the U.S. prison system to give voice to those most silenced by chronic racism, impoverishment and injustice.Writing on the Wall is a selection of more than 100 previously unpublished essays that deliver Mumia Abu-Jamal's essential perspectives on community, politics, power, and the possibilities of social change in the United States. From Rosa Parks to Edward Snowden, from the Trail of Tears to Ferguson, Missouri, Abu-Jamal addresses a sweeping range of contemporary and historical issues. Written mostly during his years of solitary confinement on Death Row, these essays are a testament to Abu-Jamal's often prescient insight, and his revolutionary perspective brims with hope, encouragement and profound faith in the possibility of redemption."Greatness meets us in this book, and not just in Mumia's personal courage and character. It's in the writing. This is art with political power, challenging institutional injustice in the U.S. while catalyzing our understanding, memory and solidarities for liberation and love. Writing on the Wall can set the nation aflame-yes, for creating new possible worlds."-Mark Lewis Taylor, Professor of Theology and Culture, Princeton Theological SeminaryMumia Abu-Jamal is an award-winning journalist and author of two best-selling books, Live From Death Row and Death Blossoms.Johanna Fernández is a Fulbright Scholar and Professor of History at Baruch College in New York City.Cornel West is a scholar, philosopher, activist and author of over a dozen books including his bestseller, Race Matters. He appears frequently in the media, and has appeared on Real Time with Bill Maher, The Colbert Report, CNN and C-Span as well as Tavis Smiley. Baruch College of the City University of New York where she teaches 20th Century US history and African American History. She is author of the forthcoming When the World Was Their Stage: A History of the Young Lords Party, 1968-1976 (Princeton University Press). Fernandez is the writer and producer of the film, Justice on Trial: the Case of Mumia Abu-Jamal and she is featured in the critically acclaimed documentary about Mumia Abu-Jamal, Long Distance Revolutionary. She has appeared in Democracy Now!, Hannity, Megyn Kelley, Al Jazeera, and The New York Times. She is a coordinator of the Campaign to Bring Mumia Home.CORNEL WEST is a scholar, philosopher, activist and author of over a dozen books including his bestseller, Race Matters.
Writing Politics: An Anthology
by David BromwichExplore the tradition of the political essay with this brilliant anthology.David Bromwich is one of the most well-informed, cogent, and morally uncompromising political writers on the left today. He is also one of our finest intellectual historians and literary critics. In Writing Politics, Bromwich presents twenty-seven essays by different writers from the beginning of the modern political world in the seventeenth century until recent times, essays that grapple with issues that continue to shape history—revolution and war, racism, women&’s rights, the status of the worker, the nature of citizenship, imperialism, violence and nonviolence, among them—and essays that have also been chosen as superlative examples of the power of written English to reshape our thoughts and the world. Jonathan Swift, Edmund Burke, Henry David Thoreau, Harriet Taylor, Abraham Lincoln, George Eliot, W. E. B. Du Bois, Mohandas Gandhi, Virginia Woolf, Martin Luther King, and Hannah Arendt are here, among others, along with a wide-ranging introduction.
Writing Politics: Studies in Compositional Method
by Michael J ShapiroWriting Politics is a methods book designed to instruct on politically focused literary inquiry. Exploring the political sensibilities that arise from the way literary fiction re-textualizes historical periods and events, the book features a series of violence-themed inquiries that emphasize forms of writing as the vehicles for politically attuned historiography. Each investigation treats the way the literary genre, within historiographic metafiction, enables political inquiry. It’s a form of writing that inter-articulates history and fiction to rework a textual past and unsettle dominant understandings of events and situations. Central to the diverse chapters are fictional treatments of authoritarian, fascist, or zealous mentalities. Featured, for example, are Radovan Karadzic (the architect of the Bosnian genocide), Reinhard Heydrich (the architect of the Holocaust’s "final solution"), and the Trotsky assassin Ramon Mercader. Michael J. Shapiro has produced another original and sophisticated bookshelf staple; the only contemporary investigation in Political Studies that instructs on method in this way.
Writing Postcommunism
by David WilliamsMoving through the elegiac ruins of the Berlin Wall and the Yugoslav disintegration, Writing Postcommunism explores literary evocations of the pervasive disappointment and mourning that have marked the postcommunist twilight.
Writing Public Policy: A Practical Guide to Communicating in the Policymaking Process
by Catherine F. SmithWriting Public Policy is a practical, concise guide to writing and communicating in public policy processes. Designed to help students understand and perform common types of communication used in solving public problems, this text explains the standards and functions of communicating in the public sector and teaches the use of selected public policy communication genres. Catherine F. Smith presents a general method for planning, producing, and assessing communications in a variety of real-life contexts and situations of public policy work.
Writing Resistance: The Rhetorical Imagination of Hindi Dalit Literature (South Asia Across the Disciplines)
by Laura BrueckWriting Resistance is the first close study of the growing body of contemporary Hindi-language Dalit (low caste) literature in India. The Dalit literary movement has had an immense sociopolitical and literary impact on various Indian linguistic regions, yet few scholars have attempted to situate the form within contemporary critical frameworks. Laura R. Brueck's approach goes beyond recognizing and celebrating the subaltern speaking, emphasizing the sociopolitical perspectives and literary strategies of a range of contemporary Dalit writers working in Hindi.Brueck explores several essential questions: what makes Dalit literature Dalit? What makes it good? Why is this genre important, and where does it oppose or intersect with other bodies of Indian literature? She follows the debate among Dalit writers as they establish a specifically Dalit literary critical approach, underscoring the significance of the Dalit literary sphere as a "counterpublic" generating contemporary Dalit social and political identities. Brueck then performs close readings of contemporary Hindi Dalit literary prose narratives, focusing on the aesthetic and stylistic strategies deployed by writers whose class, gender, and geographic backgrounds shape their distinct voices. By reading Dalit literature as literature, this study unravels the complexities of its sociopolitical and identity-based origins.
Writing Revolution: Hispanic Anarchism in the United States
by Christopher J. Castañeda Montse FeuIn the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castañeda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the history of essential publications and the individuals behind them; and the circulation of anarchist writing from the Spanish-American War to the twenty-first century.Contributors: Jon Bekken, Christopher Castañeda, Jesse Cohn, Sergio Sánchez Collantes, María José Domínguez, Antonio Herrería Fernández, Montse Feu, Sonia Hernández, Jorell A. Meléndez-Badillo, Javier Navarro Navarro, Michel Otayek, Mario Martín Revellado, Susana Sueiro Seoane, Kirwin R. Shaffer, Alejandro de la Torre, and David Watson
Writing The Rules For Europe: A Practical Guide To The Future
by Johan Schot Wolfram KaiserTechnologies have created crucial connections across borders requiring new forms of regulation. This book analyzes how experts, cartels and international organizations have written the rules for Europe since around 1850. Based on fresh research in the archives of multiple international organizations and European countries it explores the "hidden integration" of Europe forms of integration that were not always visible, but affected the citizens of Europe in their everyday lives. Richly illustrated and engagingly written, the book de-centers the present-day European Union in a new long-term understanding of European integration. "
Writing Southeast Asian Security: Regional Security and the War on Terror after 9/11 (Routledge Critical Terrorism Studies)
by Jennifer MustaphaThis book is a critical analysis of how the discursive and material practices of the "War on Terror" influenced security politics in Southeast Asia after 9/11. It explores how the US-led War on Terror, operating both as a set of material practices and as a larger discursive framework for security, influenced the security of both state and non-state actors in Southeast Asia after 9/11. Building on the author’s own critical security studies approach, which demands a historically and geographically contingent method of empirically grounded critique, Writing Southeast Asian Security examines some of the unexpected effects that the discourses and practices of the War on Terror have had on the production of insecurity in the region. The cases presented here demonstrate that forms of insecurity were constructed and/or abetted by the War on Terror itself, and often occurred in concert with the practices of traditional state-centric security. This work thus contributes to a larger critical project of revealing the violence intrinsic to the pursuit of security by states, but also demonstrates pragmatic opportunities for a functioning politics of theorizing security. This book will be of much interest to students of critical terrorism studies, critical security studies, East Asian, and Southeast Asian politics, US foreign policy, and IR in general.
Writing Spaces: Discourses of Architecture, Urbanism and the Built Environment, 1960–2000 (Architext)
by C. Greig CryslerWriting Spaces examines some of the most important discourses in spatial theory of the last four decades, and considers their impact within the built environment disciplines. The book will be a key resource for courses on critical theory in architecture, urban studies and geography, at both the graduate and advanced undergraduate level.
Writing, Teaching and Researching History in the Electronic Age: Historians and Computers
by Dennis A. TrinkleThis volume focuses on the role of the computer and electronic technology in the discipline of history. It includes representative articles addressing H-Net, scholarly publication, on-line reviewing, enhanced lectures using the World Wide Web, and historical research.
Writing the 1926 General Strike
by Charles FerrallCharles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike . The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class, culture and politics. While major figures active at the time wrote on or responded to this crucial moment, this is the first volume to address their respective works. Ferrall and McNeill show how novels then in progress, such as Virginia Woolf's To the Lighthouse and D. H. Lawrence's Lady Chatterley's Lover, were affected by the Strike as well as the ways in which it has been remembered from the 1930s to the present. Their study sheds new light on the relationship between politics and literature of the modernist era.
Writing the Black Diasporic City in the Age of Globalization
by Carol BaileyWriting the Black Diasporic City in the Age of Globalization theorizes the city as a generative, “semicircular” social space, where the changes of globalization are most profoundly experienced. The fictive accounts analyzed here configure cities as spaces where movement is simultaneously restrictive and liberating, and where life prospects are at once promising and daunting. In their depictions of the urban experiences of peoples of African descent, writers and other creative artists offer a complex set of renditions of twentieth- and twenty-first-century Black urban citizens’ experience in European or Euro-dominated cities such as Boston, London, New York, and Toronto, as well as Global South cities such as Accra, Kingston, and Lagos—that emerged out of colonial domination, and which have emerged as hubs of current globalization. Writing the Black Diasporic City draws on critical tools of classical postcolonial studies as well as those of globalization studies to read works by Ama Ata Aidoo, Amma Darko, Marlon James, Cecil Foster, Zadie Smith, Michael Thomas, Chika Unigwe, and other contemporary writers. The book also engages the television series Call the Midwife, the Canada carnival celebration Caribana, and the film series Small Axe to show how cities are characterized as open, complicated spaces that are constantly shifting. Cities collapse boundaries, allowing for both haunting and healing, and they can sever the connection from kin and community, or create new connections.
Writing the City in British Asian Diasporas (Routledge Contemporary South Asia Series)
by William Gould Emma Tomalin Seán McLoughlin Ananya Jahanara KabirIn 1962, the Commonwealth Immigrants Act hastened the process of South Asian migration to postcolonial Britain. Half a decade later, now is an opportune moment to revisit the accumulated writing about the diasporas formed through subsequent settlement, and to probe the ways in which the South Asian diaspora can be re-conceptualised. Writing the City in British Asian Diasporas takes a fresh look at such matters and will have multi-disciplinary resonance worldwide. The meaning and importance of local, multi-local and trans-local dynamics is explored through a devolved and regionally-accented comparison of five British Asian cities: Bradford, the East End of London, Manchester, Leicester and Birmingham. Analysing the ‘writing’ of these differently configured cities since the 1960s, its main focus is the significant discrepancies in representation between differently-positioned texts reflecting both dominant institutional discourses and everyday lived experiences of a locality. Part I offers a comprehensive, yet still highly contested, reading of each city’s archives. Part II examines how the arts and humanities fields of History, Religion, Gender and Literary/Cultural Studies have all written British Asian diasporas, and how their perspectives might complement the better-established agendas of the social sciences. Providing an innovative analysis of South Asian communities and their multi-local identities in Britain today, this interdisciplinary book will be of interest to scholars of South Asian Studies, Migration, Ethnic and Diaspora Studies, as well as Sociology, Anthropology, and Geography.
Writing the Early Medieval West
by Charles West Elina ScreenFar from the oral society it was once assumed to have been, early medieval Europe was fundamentally shaped by the written word. This book offers a pioneering collection of fresh and innovative studies on a wide range of topics, each one representing cutting-edge scholarship, and collectively setting the field on a new footing. Concentrating on the role of writing in mediating early medieval knowledge of the past, on the importance of surviving manuscripts as clues to the circulation of ideas and political and cultural creativity, and on the role that texts of different kinds played both in supporting and in subverting established power relations, these essays represent a milestone in studies of the early medieval written word.
Writing the Monarch in Jacobean England
by Jane RickardKing James VI and I's extensive publications and the responses they met played a key role in the literary culture of Jacobean England. This book is the first sustained study of how James's subjects commented upon, appropriated and reworked these royal writings. Jane Rickard highlights the vitality of such responses across genres - including poetry, court masque, sermon, polemic and drama - and in the different media of performance, manuscript and print. The book focuses in particular on Jonson, Donne and Shakespeare, arguing that these major authors responded in illuminatingly contrasting ways to James's claims as an author-king, made especially creative uses of the opportunities that his publications afforded and helped to inspire some of what the King in turn wrote. Their literary responses reveal that royal writing enabled a significant reimagining of the relationship between ruler and ruled. This volume will interest researchers and advanced students of Renaissance literature and history.
Writing the New World: The Politics of Natural History in the Early Spanish Empire
by Mauro José CaraccioliIn Writing the New World, Mauro Caraccioli examines the natural history writings of early Spanish missionaries, using these texts to argue that colonial Latin America was fundamental in the development of modern political thought. Revealing their narrative context, religious ideals, and political implications, Caraccioli shows how these sixteenth-century works promoted a distinct genre of philosophical wonder in service of an emerging colonial social order.Caraccioli discusses narrative techniques employed by well-known figures such as Gonzalo Fernández de Oviedo and Bartolomé de Las Casas as well as less-studied authors including Bernardino de Sahagún, Francisco Hernández, and José de Acosta. More than mere catalogues of the natural wonders of the New World, these writings advocate mining and molding untapped landscapes, detailing the possibilities for extracting not just resources from the land but also new moral values from indigenous communities. Analyzing the intersections between politics, science, and faith that surface in these accounts, Caraccioli shows how the portrayal of nature served the ends of imperial domination.Integrating the fields of political theory, environmental history, Latin American literature, and religious studies, this book showcases Spain’s role in the intellectual formation of modernity and Latin America’s place as the crucible for the Scientific Revolution. Its insights are also relevant to debates about the interplay between politics and environmental studies in the Global South today. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Virginia Tech.
Writing the Playbook: A Practitioner’s Guide to Creating a Boy-Friendly School
by Ms Kelley E. KingYour game plan for getting boys on the path to higher achievement As a school leader, Kelley King has walked the talk: she successfully led her own staff to close the achievement gap between boys and girls in reading and writing in just one year. In this book, readers get King’s step-by-step, research-based leadership plan for jump-starting boys’ achievement. King shares: Critical insight into the brain-based differences between boys and girls First-hand leadership and classroom experiences to provide educators with a blueprint for creating schools where boys (and girls!) thrive Ready-to-use activities and resources for leading a successful gap-closing initiative
Writing the Republic: Liberalism and Morality in American Political Fiction
by Anthony HutchisonIn this provocative book, Anthony Hutchison challenges the belief that the American novel is "antipolitical" and condemns the relative absence of American literature in studies of the political novel. In Hutchison's view, our fiction is always informed by the complexities of the American political tradition, and to acknowledge this is to introduce a new, rewarding chapter of critical inquiry into the study of American literature.Focusing on the works of Herman Melville, Gore Vidal, Russell Banks, Lionel Trilling, and Philip Roth, Hutchison finds a critique of liberalism put forth by classical republicanism, transcendentalism, Marxism, and neoconservatism at their respective moments of historical ascent. He shows how these authors take very specific historical periods and episodes for their subject matter and interrogate, critique, and contextualize pivotal moments in the intellectual history of American liberalism. In their work, liberalism reconstitutes itself in the face of competing ideological pressures, demonstrating that the novel is very much characterized by a "republican" concern with the health of the polity.Considering such artists, philosophers, and theorists as Ralph Waldo Emerson, Fyodor Dostoevsky, Hannah Arendt, and John Dewey, alongside numerous contemporary commentators and historians, Hutchison repositions American novelists as serious political thinkers. He reveals Melville's Moby Dick to be the formal template for the American political novel and compares and contrasts its embodiment of "republican" fiction with the "democratic" mode Mikhail Bakhtin associates with Dostoevsky. He especially draws attention to the meaning of republicanism in the early national period, the place of abolitionism in the Civil War, and the post-1930s liberal retreat from Left radicalism. By concentrating on the tension between issues of liberalism and morality in the political thought of these American novelists, Hutchison hopes to advance a more nuanced and textured understanding of the U.S. political tradition. He scrutinizes a number of critical studies and makes a cogent case for a more interdisciplinary approach to the American political novel that focuses less on the politics of representation and more on the representation of politics.