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Ibn Khaldun: An Intellectual Biography

by Robert Irwin

The definitive account of the life and thought of the medieval Arab genius who wrote the MuqaddimaIbn Khaldun (1332–1406) is generally regarded as the greatest intellectual ever to have appeared in the Arab world--a genius who ranks as one of the world's great minds. Yet the author of the Muqaddima, the most important study of history ever produced in the Islamic world, is not as well known as he should be, and his ideas are widely misunderstood. In this groundbreaking intellectual biography, Robert Irwin provides an engaging and authoritative account of Ibn Khaldun's extraordinary life, times, writings, and ideas. Irwin tells how Ibn Khaldun, who lived in a world decimated by the Black Death, held a long series of posts in the tumultuous Islamic courts of North Africa and Muslim Spain, becoming a major political player as well as a teacher and writer. Closely examining the Muqaddima, a startlingly original analysis of the laws of history, and drawing on many other contemporary sources, Irwin shows how Ibn Khaldun's life and thought fit into historical and intellectual context, including medieval Islamic theology, philosophy, politics, literature, economics, law, and tribal life. Because Ibn Khaldun's ideas often seem to anticipate by centuries developments in many fields, he has often been depicted as more of a modern man than a medieval one, and Irwin's account of such misreadings provides new insights about the history of Orientalism.In contrast, Irwin presents an Ibn Khaldun who was a creature of his time—a devout Sufi mystic who was obsessed with the occult and futurology and who lived in an often-strange world quite different from our own.

Ibn Khaldûn's Philosophy of History: A Study in the Philosophic Foundation of the Science of Culture (Routledge Library Editions: Islamic Thought in the Middle Ages)

by Muhsin Mahdi

This book, first published in 1957, is the study of 14th-century Arab historian Ibn Khaldun, who founded a special science to consider history and culture, based on the philosophy of Plato and Aristotle and their Muslim followers. In no other field has the revolt of modern Western thought against traditional philosophy been so far-reaching in its consequences as in the field of history. Ibn Khaldun realized that history is more immediately related to action than political philosophy because it studies the actual state of man and society. He found that the ancients had not made history the object of an independent science, and thought it was important to fill this gap. A factual acquaintance with the conclusions of Ibn Khaldun’s reflections on history is not the same as the full comprehension of their theoretical significance. When these fundamental questions are answered, it becomes possible to pose the specific question of the relation of Ibn Khaldun’s philosophy of history, or his new science of culture, to other practical sciences and, particularly, to the art of history. After an exposition of the major trends of Islamic historiography, part of this book attempts to answer this question through the analysis of the method and intention of the sections of the ‘History’ where Ibn Khaldun himself examines the works of major Muslim historians, shows the necessity of the new science of culture, and distinguishes it from other practical sciences.

Ibn Khaldun’s Theory and the Party-Political Edifice of the United Malays National Organisation (SpringerBriefs in Political Science)

by Syed Hamid bin Syed Jaafar Albar

This concise book examines the decline and erosion of UMNO as a dominant political party of Malaysia through the perspective of Ibn Khaldun's theory of asabiyyah and umran. It uses the qualitative method of data collection from Ibn Khaldun's original works. After discussing Ibn Khaldun's theory of asabiyyah and umran, UMNOs umranic contributions and erosion of Malay asabiyyah are discussed in detail. The research outlines how asabiyyah led to UMNOs rise to prominence, gain of political power, bringing of progress and development of Malaysia to an umranic stage before it started to decline and erode in concordance with the five stages of Ibn Khaldun's theory of rise and fall of civilizations. This book highlights that early leaders of UMNO played significant role in fostering group feeling and solidarity of the Malays (asabiyyah). Asabiyyah was the engine that propelled UMNO to transform the Malays and Malaysia to an umranic society. In conclusion, the later leaders of UMNO contributed to weakening of the Malay asabiyyah and the fall of UMNO from power in the 14th General Elections in 2018. The process of UMNOs decline and erosion of political power is primarily caused by the leaders’ failures and shortcomings. The author, a Malaysian lawyer and long-standing Minister in the Prime Minister's Department, Minister of Justice, Minister of Defence, Minister of Foreign Affairs, and Minister of Home Affairs in the Barisan Nasional in Malaysia, concludes with the recommendation that for UMNO to be relevant again in the current political landscape, it must initiate new and serious approaches and initiatives to change itself and must focus on good governance and rule of law in a multi-ethnic Malaysian society. Relevant to scholars and practitioners in political science, sociology, and Islamic studies, this book is a landmark commentary on contemporary Malaysian politics, drawing from the author's own experience as a member of parliament in his various ministerial positions over three decades.

Ibn Sina's Remarks and Admonitions: Physics and Metaphysics

by Shams C. Inati

Al-Isharat wat-Tanbihat ( Remarks and Admonitions) is one of the most mature and comprehensive philosophical works of Ibn Sina (Avicenna, 980--1037). Grounded in an exploration of logic (which Ibn Sina described as the gate to knowledge) and happiness (the ultimate human goal), the text illuminates the divine, the human being, and the nature of things through a wide-ranging discussion of topics. The sections of Physics and Metaphysics deal with the nature of bodies and souls as well as existence, creation, and knowledge. Especially important are Ibn Sina's views of God's knowledge of particulars, which generated much controversy in medieval Islamic and Christian philosophical and theological circles and provoked a strong rejection by eleventh-century philosopher al-Ghazali.This book provides the first annotated English translation of Physics and Metaphysics and edits the original Arabic text on which the translation is based where it is corrupt or incomprehensible. It begins with a detailed analysis of the text, followed by a translation of the three classes or groups of ideas in the Physics (On the Substance of Bodies; On the Directions and Their Primary and Secondary Bodies; and On the Terrestrial and Celestial Souls) and the four in the Metaphysics (On Existence and Its Causes; Creation Ex Nihilo and Immediate Creation; On Ends, on Their Principles, and on the Arrangement [of Existence]; and On Abstraction. The Metaphysics closes with a significant discussion of the concepts of providence, good, and evil, which Ibn Sina uses to introduce a theodicy.Researchers, faculty, and students in philosophy, theology, religion, and intellectual history will find in this work a useful and necessary source for understanding Ibn Sina's philosophical thought and more generally the medieval Islamic and Christian study of nature, the world beyond, psychology, God, and the concept of evil.

Ibn Sina’s Remarks and Admonitions: An Analysis and Annotated Translation

by Shams C. Inati

Al-Isharat wal-Tanbihat (Remarks and Admonitions) is one of the most mature and comprehensive philosophical works by Ibn Sina (Avicenna, 980–1037). Grounded in an exploration of logic (which Ibn Sina described as the gate to knowledge) and happiness (the ultimate human goal), the text illuminates the divine, the human being, and the nature of things through a wide-ranging discussion of topics. The sections of Physics and Metaphysics deal with the nature of bodies and souls as well as existence, creation, and knowledge. Especially important are Ibn Sina's views of God's knowledge of particulars, which generated much controversy in medieval Islamic and Christian philosophical and theological circles and provoked a strong rejection by eleventh-century philosopher al-Ghazali.This book provides the first annotated English translation of Physics and Metaphysics and edits the original Arabic text on which the translation is based. It begins with a detailed analysis of the text, followed by a translation of the three classes or groups of ideas in the Physics (On the Substance of Bodies, On the Directions and Their Primary and Secondary Bodies, and On the Terrestrial and Celestial Souls) and the four in the Metaphysics (On Existence and Its Causes, Creation Ex Nihilo and Immediate Creation, On Ends, on Their Principles, and on the Arrangement [of Existence], and On Abstraction. The Metaphysics closes with a significant discussion of the concepts of providence, good, and evil, which Ibn Sina uses to introduce a theodicy.Researchers, faculty, and students in philosophy, theology, religion, and intellectual history will find in this work a useful and necessary source for understanding Ibn Sina's philosophical thought and, more generally, the medieval Islamic and Christian study of nature, the world beyond, psychology, God, and the concept of evil.

Ibn Taymiyya (Makers of the Muslim World #73)

by Jon Hoover

Ibn Taymiyya (1263–1328) of Damascus was one of the most prominent and controversial religious scholars of medieval Islam. He called for jihad against the Mongol invaders of Syria, appealed to the foundational sources of Islam for reform, and battled against religious innovation. Today, he inspires such diverse movements as Global Salafism, Islamic revivalism and modernism, and violent jihadism. This volume synthesizes the latest research, discusses many little-known aspects of Ibn Taymiyya&’s thought, and highlights the religious utilitarianism that pervades his activism, ethics, and theology.

Ibn Tufayl: Living the Life of Reason (Makers of the Muslim World)

by Taneli Kukkonen

Ibn Tufayl (1105-1185) was an Andalusian courtier, philosopher, Sufi master, and royal physician to the Almohad Caliphs. He inspired the 12th-century Andalusian revolt against Ptolemaic astronomy and through his sponsorship he was also responsible for the career of the most renowned Aristotelian of medieval times, Abu al-Walid Ibn Rushd (the Latin Averroes). In Ibn Tufayl, we see an exemplar of the kind of versatile and pious scholar early Almohad culture wanted to cultivate.Ibn Tufayl's own intellectual outlook is preserved for us in Hayy Ibn Yaqzan, a philosophical romance that is one of the most beloved and best read pieces in all Arabic literature. A popular and often-copied work in early modern Europe, Hayy has for many come to represent what is distinctive of high classical Arabic philosophy. Ibn Tufayl sets one of the most famous Arabic philosophical works of all time in its historical and philosophical context: it paints a vivid portrait of the world as Ibn Tufayl saw it and as he wished for it to be seen.

Ibn Tufayl's Hayy Ibn Yaqzan: A Philosophical Tale

by Ibn Tufayl Lenn Evan Goodman

The Arabic philosophical fable Hayy Ibn Yaqzanis a classic of medieval Islamic philosophy. Ibn Tufayl (d. 1185), the Andalusian philosopher, tells of a child raised by a doe on an equatorial island who grows up to discover the truth about the world and his own place in it, unaided--but also unimpeded--by society, language, or tradition. Hayy's discoveries about God, nature, and man challenge the values of the culture in which the tale was written as well as those of every contemporary society. Goodman's commentary placesHayy Ibn Yaqzanin its historical and philosophical context. The volume features a new preface and index, and an updated bibliography. "One of the most remarkable books of the Middle Ages. "--Times Literary Supplement "An enchanting and puzzling story. . . . The book transcends all historical and cultural environments to settle upon the questions of human life that perpetually intrigue men. "--Middle EastJournal "Goodman has done a service to the modern English reader by providing a readable translation of a philosophically significant allegory. "--Philosophy East and West "Add[s] bright new pieces to an Islamic mosaic whose general shape is already known. "--American Historical Review

ICB, The Garden Children's Bible: International Children's Bible

by Thomas Nelson

The Garden Children&’s Bible is a great way to get kids to &“toon&” into Scripture! Lenny the Lion and Lucy the Lamb are sent out on adventures by The Boss (God), who teaches them lessons from His Word along the way. Presented by characters based on the animated series The Garden, created by award-winning animator Butch Hartman, this illustrated Bible depicts over 100 stories from the storyline of Scripture.Kids will delight in the five, full-color comic strips based on The Garden animated series spaced throughout the Bible. Twenty more full-color pages of characters and stories from Scripture will draw kids into the stunning color and original designs by Hartman.In addition to the art, one hundred short, foundational pieces of wisdom from The Boss appear in the Bible to give children easy takeaways they will carry with them for a lifetime. Two hundred Lenny and Lucy character sidebars explain key biblical concepts in clear, easy-to-understand language that helps children better connect with the content in God&’s Word. And fifty prayers developed around Scripture teach children how to pray God&’s Word.Scripture memorization lists, promises from Scripture, a kid-friendly topical index, dictionary, a reading plan, activity pages, and more are in this fun and encouraging Bible.Features include:PRESENTATION PAGE – Personalize the Bible by recording a memory or noteBIBLE BOOK INTRODUCTIONS – Concise overviews highlight important events in each book300 CHARACTER CALLOUTS- Sidebar notes presented by Lenny, Lucy, and &“The Boss&” bring emphasis to key Biblical conceptsFULL-COLOR MULTI-PAGE COMIC SECTION BASED ON THE ANIMATED SERIESBIBLE LEARNING LISTS – Names of God, Bible Verses to Memorize, Miracles of Jesus, Scripture PromisesEND-OF-PAGE CROSS-REFERENCES – Find related passages quickly and easilyTOPICAL INDEX AND DICTIONARY – Kid-friendly tools teaching how to use the BibleMIRACLES and PARABLES of JESUS – Charts create a quick reference to important events50 SCRIPTURE-BASED PRAYERSThe International Children&’s Bible® (ICB) translation was created especially for children in the third grade and up and provides the ideal blend of readability and fidelity to the original meaning of the Scripture text.

ICB, Holy Bible: International Children's Bible

by Thomas Nelson

The ICB Holy Bible is filled with dozens of full-page, beautifully designed, color illustrations to help children visualize popular Bible characters and events.The International Children&’s Bible®, created especially for children in the third grade and up, provides the ideal blend of readability and fidelity to the original meaning of the Scripture texts. While the large print and bold subheadings make it easy to read, this edition is also filled with features that speak directly to children&’s hearts and minds. And boldfaced key words are linked to the Bible&’s robust dictionary to help increase a child&’s comprehension of Scripture.The beautiful illustrations set alongside Bible text are sure to delight your child&’s imagination as they &“see&” popular Bible stories come to life. This Bible includes study helps designed specifically for beginning Bible readers, such as Scripture memorization, &“Miracles of Jesus,&” and &“Kids in the Bible,&” that will help strengthen their knowledge of Scripture.Features include:A convenient &“Where Do I Find It?&” index to track down special biblical characters and eventsStudy helps designed specifically for beginner Bible readers, including Scripture memorization, &“Miracles of Jesus,&” &“Names of God,&” &“Kids in the Bible,&” and the importance of reading the BibleA listing of God&’s promises on such topics as love, peace, protection, and healthDetailed ICB Dictionary describing key Bible characters and termsReading Plans provide an easy framework to help guide kids as they experience God in his wordFull color Bible maps help to visualize historical events and where they happenedReadable 10-point print size displayed in a double column format

The Ice Cream Queen of Orchard Street: A Novel

by Susan Jane Gilman

"An upside-down, funhouse treat. You'll lick it up." - USA TodayIn 1913, little Malka Treynovsky flees Russia with her family. Bedazzled by tales of gold and movie stardom, she tricks them into buying tickets for America. Yet no sooner do they land on the squalid Lower East Side of Manhattan when Malka is crippled and abandoned in the street.Taken in by an Italian ices peddler, she manages to survive through cunning and inventiveness. As she learns the secrets of his trade, she begins to shape her own destiny. She falls in love with a gorgeous, illiterate radical named Albert, and they set off across America in an ice cream truck. Slowly, she transforms herself into Lillian Dunkle, "The Ice Cream Queen" -- doyenne of an empire of ice cream franchises and a celebrated television personality. Yet Lillian Dunkle is nothing like the whimsical motherly persona she crafts for herself in the media. Conniving, profane, and irreverent, she is a supremely complex woman who prefers a good stiff drink to an ice cream cone. And when her past begins to catch up with her, everything she has spent her life building will be at stake.

The Ice Swan

by J'nell Ciesielski

Amid the violent last days of the glittering Russian monarchy, a princess on the run finds her heart where she least expects it.1917, Petrograd. Fleeing the murderous flames of the Russian Revolution, Princess Svetlana Dalsky hopes to find safety in Paris with her mother and sister. But the city is buckling under the weight of the Great War, and the Bolsheviks will not rest until they have erased every Russian aristocrat from memory. Svetlana and her family are forced into hiding in Paris&’s underbelly, with little to their name but the jewels they sewed into their corsets before their terrifying escape.Born the second son of a Scottish duke, the only title Wynn MacCallan cares for is that of surgeon. Putting his talents with a scalpel to good use in the hospitals in Paris, Wynn pushes the boundaries of medical science to give his patients the best care possible. After treating Svetlana for a minor injury, he is pulled into a world of decaying imperial glitter. Intrigued by this mysterious, cold, and beautiful woman, Wynn follows Svetlana to an underground Russian club where drink, dance, and questionable dealings collide on bubbles of vodka.Out of money and options, Svetlana agrees to a marriage of convenience with the handsome and brilliant Wynn, who will protect her and pay off her family&’s debts. It&’s the right thing for a good man to do, but Wynn cannot help hoping the marriage will turn into one of true affection. When Wynn&’s life takes an unexpected turn, so does Svetlana&’s—and soon Paris becomes as dangerous as Petrograd. And as the Bolsheviks chase them to Scotland, Wynn and Svetlana begin to wonder if they will ever be able to outrun the love they are beginning to feel for one another.&“The Ice Swan is a ray of light in the middle of a Europe that was sinking into darkness. Ciesielski&’s talent for storytelling from the heart is a feast for the readers&’ eyes.&” —Mario Escobar, international bestselling author of Remember Me and Children of the StarsAdventurous World War I historical romanceFor fans of Kate Quinn, Beatriz Williams, and Aimie K. RunyanFull-length, stand-alone novel (approx. 120,000 words)Includes discussion questions for book clubs

Icelandic Magic: Practical Secrets of the Northern Grimoires

by Stephen E. Flowers

A practical guide to the magical systems of pre-Christian Iceland • Reveals spells and workings drawn directly from surviving magical books from the 16th to 20th century preserved at the National Library in Reykjavík • Explores the history of magic in Iceland through original translations of Icelandic folktales about famous magicians and about legendary grimoires, such as the Galdrabók, the oldest and most complete book of its kind • Explains how to personalize the spells through the creation of unique signs and symbols based on the mythic names of Odin and Icelandic magical alphabets During the Christianization of Europe in the Middle Ages, many books of magic were lost as the ancient pagan traditions were suppressed. But in Iceland the practice of recording magical spells in books continued in secret for centuries, on a scale not seen elsewhere. Now housed in the National Library in Reykjavík, these surviving grimoires, which represent only a hundredth of what was lost, reveal a rich magical tradition that continued to evolve into the 20th century. Drawing directly from the actual surviving Icelandic books of magic, Stephen Flowers presents a complete system of magic based on Icelandic lore and magical practices from the 16th century onward. He explores the history of magic in Iceland in pagan and early Christian times and reveals specific practical techniques and ritual templates that readers can adapt to their unique purposes. Illustrating traditional Icelandic magical practices and the Icelanders’ attitudes toward them, he shares original translations of Icelandic folktales about famous magicians, such as the legend of Gray-Skin, and about legendary grimoires, such as the Galdrabók, the oldest and most complete book of its kind. After initiating the reader into the grammar and symbols of Icelandic magic through history and lore, Flowers then presents an extensive catalog of actual spells and magical workings from the historical Icelandic books of magic. These examples provide ready-made forms for practical experimentation as well as an exemplary guide on how to create signs and symbols for more personalized magical work. The author also includes guidance on creating unique magical signs from the 100 mythic names of Odin, which he translates and interprets magically, and from Icelandic magical alphabets, symbols that connect Icelandic magic to the ancient runic tradition.

Icelandic Spiritualism: Mediumship and Modernity in Iceland

by Loftur Reimar Gissurarson

Icelandic Spiritualism is an engaging social anthropological study of the place of spiritualism in Icelandic church and society during the first half of the twentieth century. Challenging standard theoretical approaches to the study of religion, the book contributes a wealth of data on the history of religion and psychical research, presenting it in a vivid descriptive narrative.The authors trace the role of the spirit world in Icelandic culture, giving particular attention to the distinctive history of Iceland's "conversion" to Christianity. They focus on the appearance of "modern" spiritualism as a distinct phenomenon in Icelandic life. The book studies the interaction between various groups in fin-de-siecle Icelandic society, not least in the state church, as mediumistic phenomena became widely reported through the newspapers.To some, Icelandic spiritualism may be considered a deviant case of Protestantism. What makes this book interesting, however, is that the spiritualism is seen as integral to Iceland's transition to modernity. While Icelandic Spiritualism concentrates mainly on the first half of the twentieth century, it also provides a summary of the continuation of spiritualist phenomena up to the current period. This intriguing study will be of interest to theologians, philosophers, sociologists, psychologists, and anthropologists.

Icon: Studies in the History of An Idea

by Moshe Barasch Luci Serrano

Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.

The Icon: Window on the Kingdom

by Michel Quenot

To understand the icon, one must comprehend its organic unity: artistic, spiritual, theological. Quenot's analysis of various icons and their theological elements enables the readers to appreciate the various aspects of the icon more fully. There are currently many books written about icons, discussing either their historical context, describing their spiritual attraction, or simply showing their aesthetic beauty. The Icon is, however, an exceptional book in many ways.

The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival

by Maria Taroutina

In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.

The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival

by Maria Taroutina

In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.

Icon of Evil: Hitler's Mufti and the Rise of Radical Islam

by David Dalin

A chilling, fascinating, and nearly forgotten historical figure is resurrected in this riveting work that links the fascism of the last century with the terrorism of our own. Written with vigor and extraordinary access to primary sources in several languages, Icon of Evil is the definitive account of the man who, during World War II, was called "the fuhrer of the Arab world" and whose ugly legacy lives on today.With new and disturbing details, David G. Dalin and John F. Rothmann show how al -Husseini ingratiated himself with his hero, Adolf Hitler, becoming, with his blond hair and blue eyes, an "honorary Aryan" while dreaming of being installed as Nazi leader of the Middle East. Al-Husseini would later recruit more than 100,000 Muslims in Europe to fight in divisions of the Waffen- SS, and obstruct negotiations with the Allies that might have allowed four thousand Jewish children to escape to Palestine. Some believe that al-Husseini even inspired Hitler to implement the Final Solution. At war's end, al-Husseini escaped indictment at Nuremberg and was harbored in France.Icon of Evil chronicles al-Husseini's postwar relationships with such influential Islamic figures as the radical theoretician Sayyid Qutb and Saddam Hussein's powerful uncle General Khairallah Talfah and his crucial mentoring of the young Yasser Ararat. Finally, it provides compelling evidence that al-Husseini's actions and writings serve as inspirations today to the leaders of Hamas, Hezbollah, and other terrorist organizations pledged to destroy Israel and the United States.

Icon of Evil: Hitler's Mufti and the Rise of Radical Islam

by David G. Dalin John F. Rothmann

Dalin (Hoover Institution, Stanford U. ) and Rothmann (Fromm Institute, U. of San Francisco) tell the story of Haj Amin al-Husseini, the one-time mufti of Jerusalem, and his support for the fascists during World War II. In the long-standing debate concerning whether Husseini's activities were driven by anti-Semitic hatred as opposed to anti-Zionism/Palestinian nationalism, they opt decisively for the former. Most of their discussion of Husseini's fascist activities will be relatively uncontroversial, although it's quite clear that when faced with choices of interpretation they are far more likely to chose the one that paints the mufti in a bad light, but their argument gets significantly weaker as they attempt to intimately connect Husseini to virtually every single opponent of the US and Israel in the Middle East including the Palestinian Liberation Organization, Saddam Hussein, Al-Qaeda, Hezbollah, and Hamas. Annotation ©2008 Book News, Inc. , Portland, OR (booknews. com)

Iconoclasm As Child's Play

by Joe Moshenska

When sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.

The Iconoclastic Imagination: Image, Catastrophe, and Economy in America from the Kennedy Assassination to September 11

by Ned O'Gorman

Bloody, fiery spectacles--the Challenger disaster, 9/11, JFK's assassination--have given us moments of catastrophe that make it easy to answer the "where were you when" question and shape our ways of seeing what came before and after. Why are these spectacles so packed with meaning? In The Iconoclastic Imagination, Ned O'Gorman approaches each of these moments as an image of icon-destruction that give us distinct ways to imagine social existence in American life. He argues that the Cold War gave rise to crises in political, aesthetic, and political-aesthetic representations. Locating all of these crises within a "neoliberal imaginary," O'Gorman explains that since the Kennedy assassination, the most powerful way to see "America" has been in the destruction of representative American symbols or icons. This, in turn, has profound implications for a neoliberal economy, social philosophy, and public policy. Richly interwoven with philosophical, theological, and rhetorical traditions, the book offers a new foundation for a complex and innovative approach to studying Cold War America, political theory, and visual culture.

Iconographic Index to New Testament Subjects Represented in Photographs and Slides of Paintings in the Visual Collections, Fine Arts Library, Harvard University: Christian Devotional Paintings of the Italian School

by Rachel Hall with Helene E. Roberts

This vast reference resource will appeal to anyone who wishes to find depictions of New Testament narratives from scholars, to students, to picture researchers. The first part of the book consists of a list of proper names, terms, and concepts relating to New Testament narratives represented. Under each name, term or concept, the ICONCLASS alphanumeric codes are entered, along with a brief description of the New Testament scenes in which the characters or actions occur. The second part of this text is organized according to the ICONCLASS alphanumeric codes, their order reflecting the Biblical sequence of narrative.

The Iconography of Tibetan Lamaism

by Antoinnette K. Gordon

The Iconography of Tibetan Lamaism was first published twenty years ago for the express purpose of "giving the student interested in Tibetan iconography a general idea of the development of Buddhism into Lamaism, and making easier the identification of the various deities of the Tibetan pantheon." Although interest in the field has grown over the years, the book has remained the only authoritative work of its kind. Long out of print and rare even in the second-hand bookshops it is now being offered in a new, revised and enlarged edition to meet the persistent and increasing demand for it.This book gives a descriptive outline of the principal gods in the Tibetan pantheon, tracing the main features and symbols that are used to denote each one. A Comprehensive illustrated list of the various ritual objects, talismans, symbols, mudras (symbolic hand poses), and asanas and vahanas (position of the lower limbs) that are used in the images of the gods is accompanied with a word list of the Sanskrit terms most commonly encountered in a study of Lamaism.A set of thirty-one thang-kas from the famous collection of Baron A. von Stael-Holstein, formerly of Peking, China, which came to America after the publication of the original edition of the book, has been included in this new and revised edition.

Iconostasis

by Pavel Florensky

Iconostasis is Fr. Pavel's final theological work. Composed in 1922, it explores in highly original terms the significance of the icon: its philosophic depth, its spiritual history, its empirical technique. In doing so, Fr. Pavel also sketches a new history of both Western religious art and the Orthodox icon: a history under the direct operation of the Holy Spirit. The work is original, challenging and profoundly articulate. This translation is the first complete English version.

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