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Poesía sobre mujeres inspiradoras – Libro VII
by D. S. PaisAl escribir este libro, he tenido muy presente el viaje vital de grandes mujeres que han causado un impacto en el mundo, y lo han cambiado a mejor. Como tributo a estas ilustres mujeres, he dado con lo mejor de mí un paso adelante en la forma de poesía, alabándolas por desafiar las circunstancias alrededor suyo. Mi objetivo es iluminar e inspirar . Incluso las mas excelentes personas enfrentan desafíos, pero los dejan atrás y hacen que se oigan sus voces. He homenajeado a las siguientes mujeres en este libro: Emperatriz Dowager Cixi, Andrea Dworkin, y, Wilma Rudolph
The Poesis of Peace: Narratives, Cultures, and Philosophies
by Klaus-Gerd Giesen Carool Kersten Lenart ŠkofExploring the relations between the concepts of peace and violence with aesthetics, nature, the body, and environmental issues, The Poesis of Peace applies a multidisciplinary approach to case studies in both Western and non-Western contexts including Islam, Chinese philosophy, Buddhist and Hindu traditions. Established and renowned theologians and philosophers, such as Kevin Hart, Eduardo Mendieta, and Clemens Sedmak, as well as upcoming and talented young academics look at peace and non-violence through the lens of recent scholarly advances on the subject achieved in the fields of theology, philosophy, political theory, and environmentalism.
Poet-Monks: The Invention of Buddhist Poetry in Late Medieval China
by Thomas J. MazanecPoet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the latter half of Tang-dynasty China, asserted a bold new vision of poetry that proclaimed the union of classical verse with Buddhist practices of repetition, incantation, and meditation.Mazanec traces the historical development of the poet-monk as a distinct actor in the Chinese literary world, arguing for the importance of religious practice in medieval literature. As they witnessed the collapse of the world around them, these monks wove together the frayed threads of their traditions to establish an elite-style Chinese Buddhist poetry. Poet-Monks shows that during the transformative period of the Tang-Song transition, Buddhist monks were at the forefront of poetic innovation.
Poet & Peasant and Through Peasant Eyes: A Literary-Cultural Approach to the Parables in Luke
by Kenneth E. BaileyThis volume is a combined edition of Poet and Peasant and Through Peasant Eyes, Kenneth Bailey's intensive studies of the parables in the gospel of Luke. Bailey begins by surveying the development of allegorical, historical-eschatological, aesthetic, and existential methods of interpretation. Though figures like Julicher, Jeremias, Dodd, Jones, and Via have made important advances, Bailey sees the need to go beyond them by combining an examination of the poetic structures of the parables with a better understanding of the Oriental culture that informs the text. Bailey's work within Middle Eastern peasant culture over the last twenty years has helped him in his attempt to determine the cultural assumptions that the teller of the parables must have made about his audience. The same values which underlay the impact of the parables in Christ's time, Bailey suggests, can be discovered today in isolated peasant communities in Egypt, Lebanon, Syria, and Iraq. Because time has made almost no impact in these cultural pockets, it is possible to discern, for example, what it meant 2,000 years ago for a friend to come calling at midnight, or for a son to ask for his inheritance prior to his father's death. In addition to illuminating the cultural framework of the parables, Bailey offers an analysis of their literary structure, treating the parabolic section as a whole as well as its individual components. Through its combination of literary and cultural analyses, Bailey's study makes a number of profound advances in parabolic interpretation.
The Poet Prince: A Novel
by Kathleen McgowanThe third book in the Magdalene Line Trilogy takes Maureen to Florence, where she begins training in the secret teachings of The Order of the Holy Sepulcher. Under the guidance of her new teacher, Destino, she discovers the fascinating story of Lorenzo de Medici - the godfather of the Renaissance and the greatest patron of the arts in history. But Lorenzo's obsession was not with culture alone. Instead, he worked carefully to create a body of work which would preserve a series of ancient secrets - secrets too powerful and dangerous to be committed to writing. But Maureen's most explosive discovery affects the person closest to her, as she realizes that her lover, Berenger, shares an extraordinary legacy with Lorenzo de Medici. Both men were born under the auspices of a prophecy found in the early writing of the Bloodline - the prophecy of the Poet Prince. But as Berenger and Maureen explore the daunting task of filling Lorenzo's place in the 21st Century, they find themselves the subject of an ancient vendetta hell-bent on destroying the heresy and ending Maureen's life in the process.
Poetic Ethics in Proverbs
by Anne W. StewartThe Book of Proverbs' frequent use of binary oppositions - righteous and wicked, wise and foolish - has led many to assume that its vision of the moral world is relatively simplistic. This study demonstrates that Proverbs in fact presents a remarkably sophisticated response to ethical questions of profound concern to the Israelite sages who crafted the book: what motivates human beings? How do they learn? How does the power of desire shape human characters? Anne W. Stewart analyzes Proverbs' multifaceted collection of images and metaphors to reveal their complex understanding of the development of the moral self, which suggests that character formation requires educating all of the senses and not simply the cognitive faculties. One of few works to make explicit connections between the poetic form of Proverbs and its pedagogical function, Poetic Ethics in Proverbs will appeal to all those interested in literary approaches to the Bible.
Poetic Images, Presence, and the Theater of Kenotic Rituals (Routledge Advances in Theatre & Performance Studies)
by Eniko SepsiThis book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of "kenosis". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina’s oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices – János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba – facilitating a better understanding of Novarina’s works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina’s theatre, and will be of great interest to students and scholars in theatre and literature studies.
Poetic Relations: Intimacy and Faith in the English Reformation
by Constance M. FureyWhat is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God. As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
Poetic Revelations: Word Made Flesh Made Word: The Power of the Word III (The Power of the Word)
by Mark S. Burrows Jean Ward Małgorzata GrzegorzewskaThis book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. <P><P> The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.
Poetic Trespass
by Lital LevyA Palestinian-Israeli poet declares a new state whose language, "Homelandic," is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a "language plague" that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. In Poetic Trespass, Lital Levy brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, she presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, Poetic Trespass traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, Levy finds writers who have boldly crossed over this divide to create literature in the language of their "other," as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, Levy introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, Poetic Trespass will change the way we understand literature and culture in the shadow of the Israeli-Palestinian conflict.Some images inside the book are unavailable due to digital copyright restrictions.
The Poetics of Ancient and Classical Arabic Literature: Orientology (Culture and Civilization in the Middle East)
by Esad DurakovicThrough analysing ancient and classical Arabic literature, including the Qur'an, from within the Arabic literary tradition, this book provides an original interpretation of poetics, and of other important aspects of Arab culture. <P><P> Ancient Arabic literature is a realm of poetry; prose literary forms emerged rather late, and even then remained in the shadow of poetic creative efforts. Traditionally, this literature has been viewed through a philologist’s lens and has often been represented as ‘materialistic’ in the sense that its poetry lacked imagination. As a result, Arabic poetry was often evaluated negatively in relation to other poetic traditions. The Poetics of Ancient and Classical Arabic Literature argues that old Arabic literature is remarkably coherent in poetical terms and has its own individuality, and that claims of its materialism arise from a failure to grasp the poetic principles of the Arabic tradition. Analysing the Qur’an, which is known for confronting the poetry of the time, this book reveals that "post Qur’anic" literature came to be defined against it. Thus, the constitution and interpretation of Arabic literature imposed itself as a particular exegesis of the sacred Text. <P><P> Disputing traditional interpretations by arguing that Arabic literature can only be assessed from within, and not through comparison with other literary traditions, this book is of interest to students and scholars of Islamic Studies, Arabic Studies and Literary Studies.
The Poetics of Appearance in the Attic Korai
by Mary StieberSome of the loveliest works of Archaic art were the Athenian korai--sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B. C. , they served as votives until Persians sacked the citadel in 480/79 B. C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods. Some of the loveliest works of Archaic art were the Athenian korai--sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B. C. , they served as votives until Persians sacked the citadel in 480/79 B. C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods.
The Poetics of Arabian Sūqs: A Hermeneutic Reading of the Development of Arabian Sūqs from the Pre-Islamic Era to Present (Routledge Research in Architecture)
by Jasmine ShahinThis book investigates the history of Arabian sūqs from their pre-Islamic beginnings to the present. Collecting evidence from archaeological ruins, Islamic towns, modern cities, Arabic poetry, philosophical debates, political conflicts, puppet shows and the insights of modern-day market-goers, the book presents new and unforeseen interpretations of the Arabian sūq’s meaning and its transformation through time and place. The finding that such meaning is tied to ancient trade rituals, where temple and market presented a holistic socio-urban unit, re-questions some instrumental assumptions regarding the value of sūq-ness in Arabia’s everyday practices. Such a finding, which locates the fadaā/tareeq duality as a central theme in Arabia’s socio-urban discourse, emphasizes the importance of lived experiences and poetics as key sources for understanding socio-urban phenomena.
The Poetics of Biblical Narrative: Ideological Literature and the Drama of Reading (Indiana Studies In Biblical Literature Ser. #No.453)
by Meir Sternberg"This... is a brilliant work." --Choice"[Sternberg] has written a very important book, both for his comprehensiveness and for the clearly-avowed faith stance from which he understands and interprets the strategies of the biblical narratives.... a superb overview... " --Theological Studies"... rated very highly indeed. It is a book to read and then reread." --Modern Language Review"... Sternberg has accomplished an enormous task, enriching our understanding of the theoretical basis of biblical narrative and giving us insight into a remarkable number of particular texts." --Journal of the American Academy of Religion"... an important book for those who seek to take the Bible seriously as a literary work because it shows, more clearly and emphatically than any book I know, that the Bible is a serious literary work--a text manifesting a highly sophisticated and successful narrative poetics." --Adele Berlin, Prooftexts
A Poetics of Church: Reading and Writing Sacred Spaces of Poetic Dwelling
by Jennifer ReekThis innovative book aims to create a ‘poetics of Church’ and a ‘religious imaginary’ as alternatives to more institutional and conventional ways of thinking and of being ‘Church’. Structured as a spiritual and literary journey, the work moves from models of the institutional Catholic Church into more radical and ambiguous textual spaces, which the author creates by bringing together an unorthodox group of thinkers referred to as ‘poet-companions’: the 16th-century founder of the Society of Jesus, Ignatius of Loyola, the French thinkers Gaston Bachelard and Hélène Cixous, the French poet Yves Bonnefoy, and the English playwright Dennis Potter. Inspired especially by the reading and writing practices of Cixous, the author attempts to exemplify Cixous’ notion of écriture féminine—‘feminine writing’—that suggests new ways of seeing and relating. The project’s uniting of Ignatian spirituality with postmodern thinking and its concern with creating new theological, literary and spiritual spaces for women both coincide and contrast with Pope Francis’s pastoral and reformist tendencies, which have neglected to adequately address the marginalisation of women in the Church. As Francis has called for ‘a theology of women’, of which there are, of course, many to draw from, this volume will be a timely contribution with a unique interdisciplinary approach.
Poetics of Conduct: Oral Narrative and Moral Being in a South Indian Town
by Leela PrasadLeela Prasad's riveting book presents everyday stories on subjects such as deities, ascetics, cats, and cooking along with stylized, publicly delivered ethical discourse, and shows that the study of oral narrative and performance is essential to ethical inquiry. Prasad builds on more than a decade of her ethnographic research in the famous Hindu pilgrimage town of Sringeri, Karnataka, in southwestern India, where for centuries a vibrant local culture has flourished alongside a tradition of monastic authority. Oral narratives and the seeing-and-doing orientations that are part of everyday life compel the question: How do individuals imagine the normative, and negotiate and express it, when normative sources are many and diverging? Moral persuasiveness, Prasad suggests, is intimately tied to the aesthetics of narration, and imagination plays a vital role in shaping how people create, refute, or relate to "text," "moral authority," and "community." Lived understandings of ethics keep notions of text and practice in flux and raise questions about the constitution of "theory" itself. Prasad's innovative use of ethnography, poetics, philosophy of language, and narrative and performance studies demonstrates how the moral self, with a capacity for artistic expression, is dynamic and gendered, with a historical presence and a political agency.
The Poetics of Conversion in Early Modern English Literature
by Molly MurrayChristians in post-Reformation England inhabited a culture of conversion. Required to choose among rival forms of worship, many would cross - and often recross - the boundary between Protestantism and Catholicism. This study considers the poetry written by such converts, from the reign of Elizabeth I to that of James II, concentrating on four figures: John Donne, William Alabaster, Richard Crashaw, and John Dryden. Murray offers a context for each poet's conversion within the era's polemical and controversial literature. She also elaborates on the formal features of the poems themselves, demonstrating how the language of poetry could express both spiritual and ecclesiastical change with particular vividness and power. Proposing conversion as a catalyst for some of the most innovative devotional poetry of the period, both canonical and uncanonical, this study will be of interest to all specialists in early modern English literature.
Poetics of Critique: The Interdisciplinarity of Textuality (Routledge Revivals Ser.)
by Andrew W. HassTitle first published in 2003. Poetics of Critique breaks new ground in its pursuit of a formal and critical language of interdisciplinarity. The "founding" disciplines within the humanities - theology, philosophy, and literature - are brought together here in a shared space, but one that reconstitutes the very nature of each and any discipline. Readings alternate between discursive analysis and imaginative revisioning; texts alternate between those of the critical thinker (Kant, Nietzsche, Gadamer) and those of the novelist, the poet, and the playwright (Bulgakov, Goethe, Kundera, Sophocles). In this movement between traditions, a fusion, at once organic and dynamic, takes place: theologian, philosopher and artist become one, and a pure interdisciplinarity begins to emerge into view. Andrew Hass draws us into a new critical-poetic sensibility, by which we may explore the ultimate questions of human existence and divine reality with new vigor and sustain, or indeed revitalize, our deep passion for the fundamental question of truth.
A Poetics of Jesus: The Search for Christ Through Writing in the Nineteenth Century (Routledge Revivals)
by Jeffrey F. KeussThis title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.
Poetics of the Flesh
by Mayra RiveraIn Poetics of the Flesh Mayra Rivera offers poetic reflections on how we understand our carnal relationship to the world, at once spiritual, organic, and social. She connects conversations about corporeality in theology, political theory, and continental philosophy to show the relationship between the ways ancient Christian thinkers and modern Western philosophers conceive of the "body" and "flesh." Her readings of the biblical writings of John and Paul as well as the work of Tertullian illustrate how Christian ideas of flesh influenced the works of Maurice Merleau-Ponty and Michel Foucault, and inform her readings of Judith Butler, Frantz Fanon, and others. Rivera also furthers developments in new materialism by exploring the intersections among bodies, material elements, social arrangements, and discourses through body and flesh. By painting a complex picture of bodies, and by developing an account of how the social materializes in flesh, Rivera provides a new way to understand gender and race.
The Poetry and Career of Li Po: 701-762 (Ethical and Religious Classics of East and West #8)
by Arthur WaleyWhen this was originally published in 1950 this was the fullest biography of one of China’s greatest poets that had ever appeared in any language. It tells the story of the poet’s life against the background of contemporary history and, in doing so, gives a brilliant picture of Chinese life in the eighth century A.D. – during a period of the Tang Dynasty, fertile in great poets, such as Wang Wei, Tu Fu and Mêng Haojan.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
Poetry and Prayer: The Power of the Word II (The Power of the Word)
by Francesca Bugliani Knox John TookInterdisciplinary and ecumenical in scope, Poetry and Prayer offers theoretical discussion on the profound connection between poetic inspiration and prayer as well as reflection on the work of individual writers and the traditions within which they stand. An international range of established and new scholars in literary studies and theology offer unique contributions to the neglected study of poetry in relation to prayer. Part I addresses the relationship of prayer and poetry. Parts II and III consider these and related ideas from the point of view of their implementation in a range of different authors and traditions, offering case studies from, for example, the Bible, Dante, Shakespeare and Herbert, as well as twentieth-century poets such as Thomas Merton, Denise Levertov, W.H. Auden and R.S. Thomas.
Poetry and the Religious Imagination: The Power of the Word (The Power of the Word)
by David Lonsdale Francesca Bugliani KnoxWhat is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.
Poetry and Theology in the Modernist Period
by Anthony DomesticoIn this book, Domestico reveals how an important strand of modern poetry actually understood itself in and through the central theological questions of the modernist era: What is transcendence, and how can we think and write about it? What is the sacramental act, and how does its wedding of the immanent and the transcendent inform the poetic act? How can we relate kairos (holy time) to chronos (clock time)? Seeking answers to these complex questions, Domestico examines both modernist institutions (the Criterion) and specific works of modern poetry (Eliot’s Four Quartets and Jones’s The Anathemata). The book also traces the contours of what it dubs "theological modernism": a body of poetry that is both theological and modernist. In doing so, this book offers a new literary history of the modernist period, one that attends both to the material circulation of texts and to the broader intellectual currents of the time.