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A Romantic Night: Volume 8 (Volume 8 #8)

by Gu NanYin

Jin Beisheng had three good qualities, good looks, a lot of money, and a good person!Jin Beisheng's obsession with Zhou Manquan made her a real wife."What good is it for me to be your woman?""I'm helping you take revenge and get what you want. Isn't that enough?" The man's smile was enigmatic and unfathomable.

A Romantic Night: Volume 2 (Volume 2 #2)

by Gu NanYin

Jin Beisheng had three good qualities, good looks, a lot of money, and a good person!Jin Beisheng's obsession with Zhou Manquan made her a real wife."What good is it for me to be your woman?""I'm helping you take revenge and get what you want. Isn't that enough?" The man's smile was enigmatic and unfathomable.

A Romantic Night: Volume 7 (Volume 7 #7)

by Gu NanYin

Jin Beisheng had three good qualities, good looks, a lot of money, and a good person!Jin Beisheng's obsession with Zhou Manquan made her a real wife."What good is it for me to be your woman?""I'm helping you take revenge and get what you want. Isn't that enough?" The man's smile was enigmatic and unfathomable.

A Romantic Night: Volume 6 (Volume 6 #6)

by Gu NanYin

Jin Beisheng had three good qualities, good looks, a lot of money, and a good person!Jin Beisheng's obsession with Zhou Manquan made her a real wife."What good is it for me to be your woman?""I'm helping you take revenge and get what you want. Isn't that enough?" The man's smile was enigmatic and unfathomable.

A Romantic Night: Volume 10 (Volume 10 #10)

by Gu NanYin

Jin Beisheng had three good qualities, good looks, a lot of money, and a good person!Jin Beisheng's obsession with Zhou Manquan made her a real wife."What good is it for me to be your woman?""I'm helping you take revenge and get what you want. Isn't that enough?" The man's smile was enigmatic and unfathomable.

A Romantic Night: Volume 4 (Volume 4 #4)

by Gu NanYin

Jin Beisheng had three good qualities, good looks, a lot of money, and a good person!Jin Beisheng's obsession with Zhou Manquan made her a real wife."What good is it for me to be your woman?""I'm helping you take revenge and get what you want. Isn't that enough?" The man's smile was enigmatic and unfathomable.

Romantic Orpheus: Profiles of Clemens Brentano

by John F. Fetzer

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Romantic Paradox: An Essay on the Poetry of Wordsworth (RLE: Wordsworth and Coleridge #2)

by C.C. Clarke

First published in 1962, this book reveals unexpected complexity or equivocation in Wordsworth’s use of certain key words, particularly ‘image’, ‘form’ and ‘shape’. The author endeavours to show that this complexity is related to the poet’s awareness of the ambiguity of the perceptual process. Numerous passages from The Prelude and other poems are analysed to illustrate the argument and to show that, because of this doubt or hidden perplexity, Wordsworth’s poetry has a far richer texture, is more concentrated, intricately organised and loaded with ambivalent meanings than it would otherwise have been. New light is also shed on Wordsworth’s debt to Akenside.

The Romantic Rhetoric of Accumulation

by Lenora Hanson

The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

Romantic Sobriety: Sensation, Revolution, Commodification, History

by Orrin N. Wang

Winner, 2011 Jean-Pierre Barricelli Prize, International Conference on RomanticismThis book explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory.Orrin N. C. Wang explains how themes of sensation and sobriety, along with Marxist-related ideas of revolution and commodification, set the terms of narrative surrounding the history of Romanticism as a movement. The book is both polemical and critical, engaging in debates with modern thinkers such as Paul de Man, Jacques Derrida, Walter Benn Michaels, and Slavoj Žižek, as well as presenting fresh readings of late eighteenth- and early nineteenth-century writers, including Wordsworth, Kant, Shelley, Byron, Brontë, and Keats. Romantic Sobriety combines deeply complex, close readings with a broader reflection on Romanticism and its implications for literary study. It will interest scholars who study Romanticism from a number of perspectives, including those interested in bodily and social consumption, the roles of addiction and abstinence in literature, the connection between literary and visual culture, the intersection of critical theory and Romanticism, and the relationships among language, historical knowledge, and political practice.

Romantic Suspense Collection: Featuring Linda Howard

by Carla Cassidy Linda Howard Delores Fossen

Three reader-favorite romantic suspense stories in one collection for the first time from bestselling authors Linda Howard, Delores Fossen and Carla Cassidy! Midnight Rainbow by Linda Howard Grant Sullivan is the best agent the US government has ever had, and he has one mission: rescue the wealthy socialite Jane Hamilton Greer from captivity. But is Jane just a society girl in over her head, or is she really engaged in espionage that could compromise US interests for years to come? Only one thing is certain: when Grant finds Jane, questions of guilt and innocence begin to fade against the undeniable attraction between this fiery couple... Marching Orders by Delores Fossen Anna Caldwell hadn't planned on spending her honeymoon dodging bullets with a husband who couldn't even remember her! Rescue Officer Rafe McQuade had saved Anna's life, fathered her baby and proposed...but remembered nothing. But Rafe doesn't need his memory to know how much Anna means to him, but he did need everything in his power to complete the most dangerous mission of his career. Lives, and his marriage, were on the line... Mercenary's Perfect Mission by Carla Cassidy Fleeing Samuel Grayson's cult was risky for Olivia Conner, so risky, that she left behind one of her children. What she'd seen in Cold Plains could get her killed. Olivia's only option was a safe house she found with the help of mercenary Micah Grayson. But once she finds out he's Samuel's twin, she dared not trust him...or the way her body reacted to his. Now the two must embark on a deadly mission: rescue her son, take down Samuel and safeguard their hearts against love!

Romantic Thriller Collection Featuring Sharon Sala: Going Once\Murder in the Smokies\The Bridge

by Sharon Sala Paula Graves Carol Ericson

Three romantic suspense stories in one collection for the first time by New York Times bestselling author Sharon Sala, Paula Graves, and Carol Ericson. GOING ONCE by Sharon Sala As floodwaters engulf her Louisiana hometown Nola Landry is stranded on high ground, sole witness to the brutal murder of three people. Finally rescued after the storm, no one believes her story—until FBI agents arrive on the scene…one of whom Nola knows very well. Tate Benton has been tracking the Stormchaser serial killer for months, never expecting the trail might lead him home, or to the woman he can’t forget. Long-buried feelings resurface, and the former lovers try to pick up the pieces in the wake of the disaster. Amid the relief effort the killer lingers, determined to silence Nola forever… . MURDER IN THE SMOKIES by Paula Graves When Sutton Calhoun left Bitterwood, Tennessee, he never thought he'd return. But now he's back to investigate an unsolved murder and team up with police detective Ivy Hawkins—the only part of Bitterwood worth remembering. Ivy is well aware of Sutton's reputation, but his smoldering eyes are resurrecting long-buried feelings. Plus, as the body count rises, Sutton is the only one who believes her that a methodical serial killer is living in Bitterwood. Ivy doesn't know which is worse—the desire she feels for a man who's nothing but trouble…or the danger posed by a killer who has them in his sights? THE BRIDGE by Carol Ericson Under the Golden Gate, Elise Duran refused to be a serial killer's next victim. She was the first of the abducted to survive. And Detective Sean Brody was there to make sure a second chance wouldn't be necessary. As the elusive murderer sends them messages, both personal and gruesome, the point becomes clear: no one can escape death. But Sean's presence can't be any stronger as he shadows Elise while on the job—and off it—proving she couldn't have asked for a better protector. Though beneath his cool exterior Sean hides a troublesome secret. One that's absolutely to die for… .

The Romantic Tradition in British Political Thought (Routledge Library Editions: Political Thought and Political Philosophy #40)

by Jonathan Mendilow

First published in 1986. It is often suggested that the great first generation of Romantics, after the first flush of their revolutionary enthusiasm, ‘sold out’ to the forces of conservatism and reaction. This book starts from the thesis that the ideas of Wordsworth, Coleridge and Southey did always contain powerful radical and reformist implications that set the tone of liberal and left-wing discussion for several generations. The message of the French Revolution and Wordsworth’s youthful enthusiasm continued to imbue the thought of Carlyle, and his disciples Ruskin and Kingsley, and its characteristic articulations are still visible in later socialists such as Keir Hardie and Blatchford. This thoughtful book not only shows how surprising are the original roots of some great socialist thinkers, but also argues for a strong continuity in the English tradition of political thought from the 1780s to the early years of the twentieth century. Both students of politics and of literature and Victorian ideas will be stimulated by The Romantic Tradition in British Political Thought.

Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation (SUNY series, Studies in the Long Nineteenth Century)

by Kate Singer

Romantic Vacancy argues that, at the cult of sensibility's height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility's claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects' bodies and minds. Kate Singer contends that affect's genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This book discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies.

¿Romántica yo?

by Vega Fountain

¿Pueden dos personas tan opuestas como Simón, un romántico de los de antes, y Vicky, una escéptica del amor, mantener una relación si ella siempre tiene dudas? Vicky no es plenamente feliz, pero está satisfecha con su vida de soltera y empleada en un supermercado. El amor no es para ella, siempre ha sabido que le traería más problemas que alegrías. Cuando Simón, el atractivo camarero donde va a almorzar a diario y que le hace soportable su jornada con su amabilidad y su coqueteo, se le declara, le llegan las dudas. Pero Simón la conquista con cada pequeño detalle y decide darle una oportunidad. Poco después, a ella le surge una ocasión profesional y decide tomarla y dejar atrás a Simón, convencida de que su feliz noviazgo no puede ser eterno. La distancia, en cambio, le hará entender que el amor está por encima de todo, pero ¿cómo convencer a un romántico empedernido como él de que le ama, cuando lleva meses diciéndole que no cree en Cupido? Vicky va a aprender que el amor hay que cuidarlo para no perderlo y, si no, tendrá que esforzarse para recuperarlo y, para ello, trazar un buen plan...

Romantically Disturbed: Love Poems to Rip Your Heart Out

by Ben H. Winters Adam F. Watkins

Love Poems to Rip Your Heart OutFind a love to die for with Edgar Award winner Ben H. Winters's 30 haunting love poems. Accompanied by Adam F. Watkins's beautifully horrifying illustrations, these eerie poems reveal that love is not always what it seems to be . . .

Romanticise Your Life: How to find joy in the everyday

by Beth McColl

'Romanticise Your Life came at a time when I really needed it. Beth's writing has helped me to discover the joy all around me' - ANNIE LORD, author of NOTES ON HEARTBREAKExploring all areas of life from solo travelling to the joy of friendships, tapping into your Main Character Energy, and taking control of your dating life, in this beautifully illustrated must-have guide Beth McColl shows you how romance is about appreciating the small things, because they can be just as magnificent as meeting the love of your life.Everyday romance might be:· Cooking yourself an elaborate meal· Going on a solo trip to the seaside· Writing a letter to an old friend · Texting someone out of the blue just to let them know you're missing them· Smiling at a handsome stranger on the train just before your stopEmpowered by Beth's uplifting anecdotes and inspiring tips, you will discover that whether it's a grand gesture, or just simply appreciating how the sun rises anew each day, life is about making the most of the moments we're given...Because joy and romance start with you.

Romanticise Your Life: How to find joy in the everyday

by Beth McColl

'Romanticise Your Life came at a time when I really needed it. Beth's writing has helped me to discover the joy all around me' - ANNIE LORD, author of NOTES ON HEARTBREAKExploring all areas of life from solo travelling to the joy of friendships, tapping into your Main Character Energy, and taking control of your dating life, in this beautifully illustrated must-have guide Beth McColl shows you how romance is about appreciating the small things, because they can be just as magnificent as meeting the love of your life.Everyday romance might be:· Cooking yourself an elaborate meal· Going on a solo trip to the seaside· Writing a letter to an old friend · Texting someone out of the blue just to let them know you're missing them· Smiling at a handsome stranger on the train just before your stopEmpowered by Beth's uplifting anecdotes and inspiring tips, you will discover that whether it's a grand gesture, or just simply appreciating how the sun rises anew each day, life is about making the most of the moments we're given...Because joy and romance start with you.

Romanticise Your Life: How to find joy in the everyday

by Beth McColl

'Romanticise Your Life came at a time when I really needed it. Beth's writing has helped me to discover the joy all around me' - ANNIE LORD, author of NOTES ON HEARTBREAKExploring all areas of life from solo travelling to the joy of friendships, tapping into your Main Character Energy, and taking control of your dating life, in this beautifully illustrated must-have guide Beth McColl shows you how romance is about appreciating the small things, because they can be just as magnificent as meeting the love of your life.Everyday romance might be:· Cooking yourself an elaborate meal· Going on a solo trip to the seaside· Writing a letter to an old friend · Texting someone out of the blue just to let them know you're missing them· Smiling at a handsome stranger on the train just before your stopEmpowered by Beth's uplifting anecdotes and inspiring tips, you will discover that whether it's a grand gesture, or just simply appreciating how the sun rises anew each day, life is about making the most of the moments we're given...Because joy and romance start with you.

Romanticism (The New Critical Idiom)

by Aidan Day

Romanticism was a revolutionary intellectual and artistic movement which generated some of the most popular and influential texts in British and American literary history. This clear and engaging guide introduces the history, major writers and critical issues of this crucial era. This fully updated second edition includes: Discussion of a broad range of writers including William Blake, Mary Wollstonecraft, William Wordsworth, Lord Byron, John Keats, Ralph Waldo Emerson, H.D. Thoreau, Frederick Douglas A new chapter on American Romanticism Discussion of the romantic sublime or romantic imagination An engagement with critical debates such as postcolonialism, gender studies and ecocriticism.

Romanticism and the Materiality of Nature

by Onno Oerlemans

Given current environmental concerns, it is not surprising to find literary critics and theorists surveying the Romantic poets with ecological hindsight. In this timely study, Onno Oerlemans extends these current eco-critical views by synthesizing a range of viewpoints from the Romantic period. He explores not only the ideas of poets and artists, but also those of philosophers, scientists, and explorers.Oerlemans grounds his discussion in the works of specific Romantic authors, especially Wordsworth and Shelley, but also draws liberally on such fields as literary criticism, the philosophy of science, travel literature, environmentalist policy, art history, biology, geology, and genetics, creating a fertile mix of historical analysis, cultural commentary, and close reading. Through this, we discover that the Romantics understood how they perceived the physical world, and how they distorted and abused it. Oerlemans's wide-ranging study adds much to our understanding of Romantic-period thinkers and their relationship to the natural world.

Romanticism and Visuality: Fragments, History, Spectacle (Routledge Studies in Romanticism #10)

by Sophie Thomas

This book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to be the Romantic resistance to the visible gives way to a generative fascination with the visual and its imaginative--even spectacular--possibilities.

Romanticism, History, Historicism: Essays on an Orthodoxy (Routledge Studies in Romanticism)

by Damian Walford Davies

The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.

Romanticismo e Miracoli di Natale

by Sky Corgan

Quando una ragazza di provincia si imbatte in un famoso cantante country travestito, inizia la guarigione inaspettata ... Aurora McGovern era entusiasta di scoprire che la famosa cantante country Kline West sarebbe venuta nella sua piccola città. Essendo amica intima di suo padre di lui, è stata una delle prime persone invitate a una festa di benvenuto per la celebrità. Ma quando un vecchio datore di lavoro chiede ad Aurora se può gestire la sua caffetteria in modo da poter portare sua figlia alla festa per incontrare la cantante, il cuore gentile di Aurora vince e lei perde l'occasione della vita. Da quando un tragico incidente d'auto durante le vacanze ha reclamato sua madre e sua sorella, Kline West non ama il Natale. Incolpando parzialmente suo padre per l'incidente, Kline risponde a malapena alle sue telefonate e viene a trovarlo solo durante il Natale in modo che possano superare emotivamente le vacanze insieme. Quest'anno non doveva essere diverso, seduto quasi in silenzio, facendo finta che il Natale non esistesse. Quando il padre di Kline organizza inaspettatamente una festa di benvenuto per la cantante country, la pressione diventa più di quanto Kline possa sopportare. La fuga sembra la soluzione migliore per alleviare lo stress e si ritrova al bar locale dove lavora Aurora. Non sa che il loro incontro casuale cambierà il significato del Natale per entrambi. Questa commovente storia d'amore per le vacanze in una piccola città è una storia di perdite e guadagni, spirito comunitario e guarigione aiutando gli altri.

The Romantics

by Mary Roberts Rinehart

Stories of true romance, from youth to middle age and beyondAn elderly couple sits on a park bench, murmuring compliments to each other, and passing gentle judgment on the crowds that pass them by. They are alone—no children, no friends, nothing but their memories to keep them company. Are they happy? Or is true love no longer enough to sustain them?While this couple sits on the bench, remembering faded passions, young people are falling in love for the first time. Middle-aged husbands and wives are taking second honeymoons, trying to recapture something that now seems like it may never have been real to begin with. Lovers are everywhere—happy and sad, jealous and fervent—and no one knows them better than Mary Roberts Rinehart. In this haunting collection, she shows us love won and lost, its ends and its beginnings, always different, and always a little bit the same.

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