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Science Fiction And Digital Technologies In Argentine And Brazilian Culture
by Edward KingFictional narratives produced in Latin America often borrow tropes from contemporary science fiction to examine the shifts in the nature of power in neoliberal society. King examines how this leads towards a market-governed control society and also explores new models of agency beyond that of the individual.
Science Fiction and Indian Women Writers: Exploring Radical Potentials
by Urvashi KuhadScience fiction, as a literature of fantasy, goes beyond the mundane to ask the question: what if the world were different from the way it is? It often challenges the real, builds on imagination, places no limits on human capacities, and encourages readers to think outside their social and cultural conditioning. This book presents a systematic study of Indian women’s science fiction. It offers a critical analysis of the works of four female Indian writers of science fiction: Rokeya Sakhawat Hossain, Manjula Padmanabhan, Priya Sarukkai Chabria and Vandana Singh. The author considers not only the evolution of science fiction writing in India, but also discusses the use of innovations and unique themes including science fiction in different Indian languages; the literary, political, and educational activism of the women writers; and eco-feminism and the idea of cloning in writing, to argue that this genre could be viewed as a vibrant representation of freedom of expression and radical literature. This ground-breaking volume will be useful for scholars and researchers of English literature. It will also prove a very useful source for further studies into Indian literature, science and technology studies, women’s and gender studies, comparative literature and cultural studies.
Science, Fiction, and the Fin-de-Siècle Periodical Press (Cambridge Studies in Nineteenth-Century Literature and Culture)
by Will TattersdillIn this revisionary study, Will Tattersdill argues against the reductive 'two cultures' model of intellectual discourse by exploring the cultural interactions between literature and science embodied in late nineteenth-century periodical literature, tracing the emergence of the new genre that would become known as 'science fiction'. He examines a range of fictional and non-fictional fin-de-siècle writing around distinct scientific themes: Martian communication, future prediction, X-rays, and polar exploration. Every chapter explores a major work of H. G. Wells, but also presents a wealth of exciting new material drawn from a variety of late Victorian periodicals. Arguing that the publications in which they appeared, as well as the stories themselves, played a crucial part in the development of science fiction, Tattersdill uses the form of the general interest magazine as a way of understanding the relationship between the arts and the sciences, and the creation of a new literary genre. Provides analysis of some of H. G. Wells's most famous writings, showing them in an entirely new light when placed back in their periodical context Challenges the 'two cultures' model of intellectual discourse by exploring the cultural interactions between literature and science Proposes a new view of the importance of periodicals as a
Science Fiction and the Mass Cultural Genre System
by John RiederIn Science Fiction and the Mass Cultural Genre System, John Rieder asks literary scholars to consider what shape literary history takes when based on a historical, rather than formalist, genre theory. Rieder starts from the premise that science fiction and the other genres usually associated with so-called genre fiction comprise a system of genres entirely distinct from the pre-existing classical and academic genre system that includes the epic, tragedy, comedy, satire, romance, the lyric, and so on. He proposes that the field of literary production and the project of literary studies cannot be adequately conceptualized without taking into account the tensions between these two genre systems that arise from their different modes of production, distribution, and reception. Although the careful reading of individual texts forms an important part of this study, the systemic approach offered by Science Fiction and the Mass Cultural Genre System provides a fundamental challenge to literary methodologies that foreground individual innovation.
Science Fiction by Scientists
by Michael BrothertonThis anthology contains fourteen intriguing stories by active research scientists and other writers trained in science. Science is at the heart of real science fiction, which is more than just westerns with ray guns or fantasy with spaceships. The people who do science and love science best are scientists. Scientists like Isaac Asimov, Arthur C. Clarke, and Fred Hoyle wrote some of the legendary tales of golden age science fiction. Today there is a new generation of scientists writing science fiction informed with the expertise of their fields, from astrophysics to computer science, biochemistry to rocket science, quantum physics to genetics, speculating about what is possible in our universe. Here lies the sense of wonder only science can deliver. All the stories in this volume are supplemented by afterwords commenting on the science underlying each story.
Science Fiction Cinema in the Twenty-First Century: Transnational Futures, Cosmopolitan Concerns (Studies in Global Genre Fiction)
by Pablo Gómez-MuñozRecent films are increasingly using themes and conventions of science fiction such as dystopian societies, catastrophic environmental disasters, apocalyptic scenarios, aliens, monsters, time travel, teleportation, and supernatural abilities to address cosmopolitan concerns such as human rights, climate change, economic precarity, and mobility. This book identifies and analyses the new transnational turn towards cosmopolitanism in science fiction cinema since the beginning of the twenty-first century. The book considers a wide selection of examples, including case studies of films such as Elysium, In Time, 2012, Andrew Niccol’s The Host, Codependent Lesbian Space Alien Seeks Same, and Cloud Atlas. It also questions the seeming cosmopolitanism of these narratives and exposes how they sometimes reproduce social hierarchies and exploitative practices. Dealing with diverse, interdisciplinary concerns represented in cinema, this book in the Studies in Global Genre Fiction series will be of interest to readers and scholars working in the fields of science fiction, film and media studies, cosmopolitanism, border theory, popular culture, and cultural studies. It will also appeal to fans of science fiction cinema and literature.
Science/Fiction Collections: Fantasy, Supernatural and Weird Tales
by Lee AshScience/Fiction Collections offers different views and attitudes toward Science Fiction and Fantasy Literature and descriptions of a variety of collections. Written during a time when Science Fiction and Fantasy writings had just gained widespread popularity, it offers suggestions and considerations for approaching any special collection dealing with a relatively new field.
Science Fiction, Ethics and the Human Condition
by Christian Baron Peter Nicolai Halvorsen Christine CorneaThis book explores what science fiction can tell us about the human condition in a technological world, with the ethical dilemmas and consequences that this entails. This book is the result of the joint efforts of scholars and scientists from various disciplines. This interdisciplinary approach sets an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology and which ethical dilemmas it brings along. One of the aims of this book is to demonstrate what can be achieved in approaching science fiction as a kind of imaginary laboratory for experimentation, where visions of human (or even post-human) life under various scientific, technological or natural conditions that differ from our own situation can be thought through and commented upon. Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction, as well as to a broader academic audience interested in ethical questions.
The Science-Fiction & Fantasy Quiz Book
by Joseph McculloughWhat character did Peter Cushing portray in Star Wars: A New Hope? Who was Arwen Evenstar's mother? According to Isaac Asimov, what is third law of robotics? Which barbarian hero carried a sword called 'Graywand'?Do you dare face the ultimate test of science fiction and fantasy knowledge? This fun-filled book offers the chance to prove your expertise, with questions ranging from easy to nearly impossible, drawn from the greatest novels, movies, comic books, video games and television shows in the history of the genre.
The Science Fiction Hall of Fame, Volume III, Nebula Award Winners 1965-1969
by Arthur C. Clarke George W. ProctorAll of the Nebula award winners for short stories, novellas, and novelets from 1965 to 1969
Science Fiction Hall of Fame, Volume One
by Robert Silverberg26 of the best sci-fi short stories ever written. These stories were selected by members of the Science Fiction Writers of America.
The Science Fiction Hall of Fame, Volume Two A
by Ben BovaThis book is an anthology that captures the birth of science fiction as a literary field and a definitive collection of the best science fiction novellas written between 1929 to 1964 and contains eleven great classics.
Science-Fiction Handbook
by L. Sprague deCamp Catherine Crook deCampCopy from the 1975 Owlswick Press print edition:L. Sprague de Camp's original Science-Fiction Handbook, published in 1953 and long out of print, has been favourably remembered by a whole generation of science fiction readers and aspiring writers. Over the years, at convention after convention, fans have urged its reissue. Teachers of courses on imaginative fiction have begged for the book; one planned to reproduce the manual for his creative writing course until he learned that the material was under copyright Because of this enduring interest, the present book came into being.Completely rewritten by de Camp and his wife Catherine, Science Fiction Handbook, Revised serves two purposes. It introduces the general reader to the fascinating field of imaginative fiction. The first two chapters describe the growth of science fiction from Aristophanes to Asimov and give the history of its parent literature, fantasy, which is as old as cavemen and as young as tomorrow.The rest of the book affords the apprentice writer an overview of the pleasures and problems of writing imaginative fiction an teachers him the many and varied skills such writing requires. There are chapters on setting the scene, plotting the story and writing dialogue. Other chapters are devoted to showing the creative writer how to sore his literary works, keep records for tax purposes, market a story, deal with editors and agents, read the fine print in contracts and bargain with publishers. Finally, there are helpful hints for the successful writer about relating to his community, handling publicity and melding the needs of the creative artists with those of a successful human being and family member.In short, here is a wealth of information on the techniques of writing fiction. Here, too, is the wisdom distilled by the de Camps in the course of their long writing careers. And, for those who have no desire to write, here is a chance to see what the writer's world is really like and to learn something about the remarkable literature that we call science fiction and fantasy.
Science Fiction in Argentina: Technologies of the Text in a Material Multiverse
by Joanna PageIt has become something of a critical commonplace to claim that science fiction does not actually exist in Argentina. This book puts that claim to rest by identifying and analyzing a rich body of work that fits squarely in the genre. Joanna Page explores a range of texts stretching from 1875 to the present day and across a variety of media-literature, cinema, theatre, and comics-and studies the particular inflection many common discourses of science fiction (e.g., abuse of technology by authoritarian regimes, apocalyptic visions of environmental catastrophe) receive in the Argentine context. A central aim is to historicize these texts, showing how they register and rework the contexts of their production, particularly the hallmarks of modernity as a social and cultural force in Argentina. Another aim, held in tension with the first, is to respond to an important critique of historicism that unfolds in these texts. They frequently unpick the chronology of modernity, challenging the linear, universalizing models of development that underpin historicist accounts. They therefore demand a more nuanced set of readings that work to supplement, revise, and enrich the historicist perspective.
The Science Fiction Novel Super Pack No. 1
by Clifford D. SimakThe Science Fiction Novel Super Pack #1 brings you ten full novels, and more than 1,500 pages of awe inspiring fiction. These are the novelists who shaped the field. Collectively these authors have won thirteen Hugo awards and four Nebula awards, while six of them have been named Grand Masters by the Science Fiction Writers of America. Collected here are: 'Empire' by Clifford D. Simak; 'Falcons of Narabedla' by Marion Zimmer Bradley; 'The Green Odyssey' by Philip José Farmer; 'The Stars, My Brothers' by Edmond Hamilton; 'The Time Traders' by Andre Norton; 'Deathworld' by Harry Harrison; 'Star Surgeon' by Alan E. Nourse; 'A Voyage to Arcturus' by David Lindsay; 'Preferred Risk' by Frederik Pohl & Lester del Rey; 'Space Tug' by Murray Leinster.
The Science Fiction of Edgar Allan Poe
by Harold Beaver Edgar Allan PoeOne of the greatest of all horror writers, Edgar Allan Poe (1809-49) also composed pioneering tales that seized upon the scientific developments of an era marked by staggering change. In this collection of sixteen stories, he explores such wide-ranging contemporary themes as galvanism, time travel and resurrection of the dead. 'The Unparalleled Adventure of One Hans Pfall' relates a man's balloon journey to the moon with a combination of scientific precision and astonishing fantasy. Elsewhere, the boundaries between horror and science are elegantly blurred in stories such as 'The Facts in the Case of M. Valdemar', while the great essay 'Eureka' outlines Poe's own interpretation of the universe. Powerfully influential on later authors including Jules Verne, these works are essential reading for anyone wishing to trace the genealogy of science fiction, or to understand the complexity of Poe's own creative vision
Science Fiction Quotations: From the Inner Mind to the Outer Limits
by Gary Westfahl Arthur C. ClarkeIn this unprecedented collection of science fiction and fantasy quotations, the reader revisits the stunning moment when Mary Shelley's Frankenstein monster first comes to life; witnesses the transformation of Robert Louis Stevenson's Dr. Jekyll into Mr. Hyde; is present when Bruce Wayne resolves to become Batman; and overhears the cosmic conclusions of The Incredible Shrinking Man. Drawing upon two centuries of the vast and provocative literature of science fiction and fantasy, this comprehensive book presents more than 2,900 quotations from wide-ranging sources, including science fiction and fantasy stories, novels, films, and television programs. The quotations are organized by topic-alien worlds; darkness and light; robots, androids, and cyborgs; machines and technology; weapons; and more than one hundred others. The reader will encounter the wit and wisdom of renowned authors (H. G. Wells, Ray Bradbury, J. R. R. Tolkien, Ursula K. Le Guin) along with definitive versions of such important statements as Isaac Asimov's Three Laws of Robotics and Star Trek's Prime Directive. With its thorough index, this book is both an invaluable resource for the writer or scholar and an irresistible page-turner for the curious browser.
Science Fiction (Revised Edition)
by Elizabeth J. Pearson Sylvia Z. BrodkinThis book is a collection of science fiction stories which include Of Missing Persons, Litterbug, The Winner, The Sentinel etc.
Science Fiction, Science Fact, and You
by Robert J. Lowenherz Jack LowenherzA sterling collection of the best science-fiction stories by the best writers. Complete, unabridged works. Fascinating articles of science fact. Challenging activities that focus on high-level reading skills, writing, and vocabulary. Authors include Isaac Asimov, Carl Sagan, Ray Bradbury, Robert Silverberg, Arthur C. Clarke, Ursula K. Le Guin. The book is organized around six themes: Space Travel, Time Travel, Robots and Artificial Intelligence, Space Aliens or Extraterrestrials, Future People, and Future Worlds.
Science Fiction (Second Edition)
by Adam RobertsScience Fiction is a fascinating and comprehensive introduction to one of the most popular areas of modern culture. This second edition reflects how the field is rapidly changing in both its practice and its critical reception
Science Fiction Short Stories (Gothic Fantasy)
by David Tallerman Beth Cato Kate O'Connor Brian Trent Mike Morgan Rachael K. Jones Edward Ahern Stewart C. Baker Keyan Bowes Sarah Hans Rob Hartzell Alexis A. Hunter Jacob M. Lambert Adrian Ludens Conor Powers-Smith Zach Shephard Patrick Tumblety Donald Jacob Uitvlugt M. Darusha Wehm Nemma WollenfangNew Author and collections. A deluxe edition of super-charged, original and classic short stories. Dystopia, Post-Apocalypse, time travel, robots and more this brilliant collection brings together the best of today's writers (many stories previously unpublished), with an eclectic range of science fiction masters including H. Rider Haggard, Stanley G. Weinbaum, Philip Frances Nowlan, Edward Page Mitchell and Jack London.An eclectic collection of SF adventure tales.
Science Fiction Stories and Contexts
by Heather MasriExcellent collections of science fiction abound, but very few have been prepared expressly for classroom use. Heather Masri, editor of "Science Fiction: Stories and Contexts," has prepared an anthology that recognizes, and is designed to meet, the needs of students and instructors in an introductory survey course in science fiction. Grouped into major themes, her comprehensive selection of fiction -- enjoyable and captivating stories, notable for their literary, philosophical, and cultural richness -- are by classic and emerging writers from the nineteenth to the twenty-first centuries. The stories are uniquely complemented by contextual documents that suggest the scholarly, theoretical, and historical currents that drove the development of the genre, and informative editorial matter that contributes to the book's flexibility for instructors and usefulness for students.
Science Fiction Theatre (TV Milestones Series)
by J. P. TelotteIn the wake of the juvenile space operas of the early 1950s, a groundbreaking series debuted and paved the way for one of viewers’ favorite genres today: adult-oriented science fiction. Science Fiction Theatre aired with a fresh anthology-style narrative from the vision of veteran producer Ivan Tors and with compelling narration by Truman Bradley. Created by industry-leading syndicator Ziv Television Programs, the show pioneered a scientifically based approach to aliens, telepathy, and the mysteries of the universe that provided a model for Rod Serling’s The Twilight Zone (1959–64) and a myriad of acclaimed programs that followed, including The Outer Limits (1963–65), The Ray Bradbury Theater (1985–92),and Black Mirror (2011–present). This book contextualizes Science Fiction Theatre within the budding American television industry of the 1950s, as powerful networks and independent producers and syndicators vied to create and distribute programming to an audience eager to embrace this new, free medium. Including a complete videography of this historically neglected series, author J. P. Telotte illuminates Science Fiction Theatre as a touchstone for understanding the development of science fiction media and the dynamic nature of early television broadcasting.
Science Fiction TV (Routledge Television Guidebooks)
by J. P. TelotteThe first in the Routledge Television Guidebooks series, Science Fiction TV offers an introduction to the versatile and evolving genre of science fiction television, combining historical overview with textual readings to analyze its development and ever-increasing popularity. J. P. Telotte discusses science fiction’s cultural progressiveness and the breadth of its technological and narrative possibilities, exploring SFTV from its roots in the pulp magazines and radio serials of the 1930s all the way up to the present. From formative series like Captain Video to contemporary, cutting-edge shows like Firefly and long-lived popular revivals such as Doctor Who and Star Trek, Telotte insightfully tracks the history and growth of this crucial genre, along with its dedicated fandom and special venues, such as the Syfy Channel. In addition, each chapter features an in-depth exploration of a range of key historical and contemporary series, including: -Captain Video and His Video Rangers -The Twilight Zone -Battlestar Galactica -Farscape -Fringe Incorporating a comprehensive videography, discussion questions, and a detailed bibliography for additional reading, J. P. Telotte has created a concise yet thought-provoking guide to SFTV, a book that will appeal not only to dedicated science fiction fans but to students of popular culture and media as well.
Science No Fair!: Project Droid #1 (Project Droid)
by Nancy Krulik Amanda Burwasser Mike MoranHilarious story about a slightly crazy science and engineering experimentLogan Applebaum tries to keep his new robot cousin, Java, a secretLogan’s science fair rivals steal Java, and Logan worries they’ll discover Java’s true identity If you thought your science fair experience was nerve-wracking, try being Logan Applebaum. One day, his inventor mother declares that she made a new robot cousin for Logan, Java. Java might be incredibly bright, but he’ll also be quite the handful. Logan had a picture of how the third grade would go. Java was not part of that picture. As the third grade science fair gets closer and the kids prepare for their experiments, Logan thinks Java will come in handy. He can at least help Logan beat the Silverspoon twins, who always win everything. Unfortunately for Logan, the twins Sherry and Jerry steal Java as their partner. Even worse, these kids become suspicious. Can Logan work quickly enough to keep a crazy experiment from becoming a crazier disaster? Join mother-daughter author duo Nancy Krulik and Amanda Burwasser as they introduce the comedic pair of Logan and Java. This first installment of their Project Droid #1 story reminds readers of Amelia Bedelia with a delightful modern edge. Science No Fair! is an excellent pre- bedtime book choice.