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Black Newspapers and America's War for Democracy, 1914-1920
by William G. JordanDuring World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war?This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America--at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in.But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
The Black Notebook
by Michel Tremblay Sheila FischmanIn the heart of the Latin Quarter, meeting place of marginal characters of all sorts, Céline Poulin works the night shift at a cheap and popular restaurant, Le Sélect, serving hamburger platters and spaghetti and meatballs to student misfits, transvestites, hookers and queens from the Main-Montreal's disreputable Boulevard Saint-Laurent. Hanging out with a theatre company in her off hours, Céline sees opening before her a world where it is not only possible, but even desirable to pretend. When the director offers her a role in The Trojan Women, the die is cast.The Black Notebook is Céline's diary, her account of her trials and tribulations, her expectations and her cruel disappointments, because this young waitress at Le Sélect has her own dramatic story to tell, even if only to herself: Céline is a midget.From the theatre of Euripides to the theatre of Montreal's Main, Michel Tremblay-our Balzac-creates and gives voice to some astonishing new characters in this first of a new series of novels. For the characters of The Black Notebook, the first in this trilogy, life is a comedy that barely conceals the cruel and pitiless tragedy of the everyday. With a transcendent eloquence and compassion, Michel Tremblay celebrates how it is possible for Céline to embrace her difference and to flourish-despite that difference, or perhaps, because of it.
Black Odyssey: The African-American Ordeal in Slavery
by Nathan Irvin HugginsThis classic work of scholarship and empathy tells the story of the self-creation of the African-American people. It assesses the full impact of the Middle Passage -- "the most traumatizing mass human migration in modern history" -- and of North American slavery both on the enslaved and on those who enslaved them. It explores the ways in which a nominally free society perverted its own freedoms and denied the fact that an inhuman institution lies at the heart of the American experience. The authority and eloquence of this work make it essential reading for all who want to understand the American past and present.
Black on Black: On Our Resilience and Brilliance in America
by Daniel Black*A Zibby's Most Anticipated Book of 2023**A "Next Big Idea Club" Must-Read Book for January**An Essence "Books by Black Authors to Read This Winter" Pick?**An Ebony Entertainment "Required Reading" Book for January**A Lambda Literary "Most Anticipated LGBTQIA+ Literature" for January**A Southern Review of Books Best Book of January*A piercing collection of essays on racial tension in America and the ongoing fight for visibility, change, and lasting hope&“There are stories that must be told.&”Acclaimed novelist and scholar Daniel Black has spent a career writing into the unspoken, fleshing out, through storytelling, pain that can&’t be described.Now, in his debut essay collection, Black gives voice to the experiences of those who often find themselves on the margins. Tackling topics ranging from police brutality to the AIDS crisis to the role of HBCUs to queer representation in the black church, Black on Black celebrates the resilience, fortitude, and survival of black people in a land where their body is always on display.As Daniel Black reminds us, while hope may be slow in coming, it always arrives, and when it does, it delivers beyond the imagination. Propulsive, intimate, and achingly relevant, Black on Black is cultural criticism at its openhearted best.
Black on Both Sides: A Racial History of Trans Identity
by C. Riley SnortonWinner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America&’s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the &“father of American gynecology,&” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of &“cross dressing&” and canonical black literary works that express black men&’s access to the &“female within,&” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don&’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.
Black on the Block: The Politics of Race and Class in the City
by Mary PattilloThere was a time when North Kenwood-Oakland was plagued by gangs, drugs, violence, and the font of poverty from which they sprang. But in the late 1980s, activists rose up to tackle the social problems that had plagued the area for decades. Black on the Block tells the remarkable story of how these residents laid the groundwork for a revitalized and self-consciously black neighborhood that continues to flourish today. But theirs is not a tale of easy consensus and political unity, and here Pattillo teases out the divergent class interests that have come to define black communities like North Kenwood-Oakland. She explores the often heated battles between haves and have-nots, home owners and apartment dwellers, and newcomers and old-timers as they clash over the social implications of gentrification. Along the way, Pattillo highlights the conflicted but crucial role that middle-class blacks play in transforming such districts as they negotiate between established centers of white economic and political power and the needs of their less fortunate black neighbors. "A century from now, when today's sociologists and journalists are dust and their books are too, those who want to understand what the hell happened to Chicago will be finding the answer in this one. "-- Chicago Reader "To see how diversity creates strange and sometimes awkward bedfellows... turn to Mary Pattillo's Black on the Block."-- Boston Globe
Black on White: Black Writers on What It Means to Be White
by David R. RoedigerIn this thought-provoking volume, David R. Roediger has brought together some of the most important black writers throughout history to explore the question: What does it really mean to be white in America?From folktales and slave narratives to contemporary essays, poetry, and fiction, black writers have long been among America's keenest students of white consciousness and white behavior, but until now much of this writing has been ignored. Black on White reverses this trend by presenting the work of more than fifty major figures, including James Baldwin, Derrick Bell, Ralph Ellison, W.E.B. Du Bois, bell hooks, Toni Morrison, and Alice Walker to take a closer look at the many meanings of whiteness in our society.Rich in irony, artistry, passion, and common sense, these reflections on what Langston Hughes called "the ways of white folks" illustrate how whiteness as a racial identity derives its meaning not as a biological category but as a social construct designed to uphold racial inequality. Powerful and compelling, Black on White provides a much-needed perspective that is sure to have a major impact on the study of race and race relations in America.From the Trade Paperback edition.
Black Opera: History, Power, Engagement
by Naomi AndreFrom classic films like Carmen Jones to contemporary works like The Diary of Sally Hemmings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Black or Right: Anti/Racist Campus Rhetorics
by Louis M. MarajBlack or Right: Anti/Racist Campus Rhetorics explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.
Black Pain: It Just Looks Like We're Not Hurting
by Terrie M. WilliamsBlack people are dying everywhere we turn, in the faces we see and the headlines we read, and we feel emotional pain, but we don't know how to tackle it—it's time to recognize it and work through our trauma.Terrie had made it: she had launched her own public relations company with such clients as Eddie Murphy and Johnnie Cochran. Yet she was in constant pain, waking up in terror, overeating in search of relief. For thirty years she kept on her game face of success, exhausting herself daily to satisfy her clients' needs while neglecting her own. When she finally collapsed, she had no clue what was wrong or if there was a way out. She learned her problem had a name—depression—and that many suffered from it, limping through their days, hiding their hurt. As she healed, her mission became clear: break the silence of this crippling taboo and help those who suffer, especially in the black community. Black Pain identifies emotional pain—which uniquely and profoundly affects the black experience—as the root of lashing out through desperate acts of crime, violence, drug and alcohol abuse, eating disorders, workaholism, and addiction to shopping, gambling, and sex. Few realize these destructive acts are symptoms of our inner sorrow. In Black Pain, Terrie has inspired the famous and the ordinary to speak out and mental health professionals to offer solutions. The book is a mirror turned on you. Do you see yourself and your loved ones here? Do the descriptions of how the pain looks, feels, and sounds seem far too familiar? Now you can do something about it. The help the community needs is here: a clear explanation of our troubles and a guide to finding relief through faith, therapy, diet, and exercise, as well as through building a supportive network and eliminating toxic people. Black Pain encourages us to face the truth about the issue that plunges our spirits into darkness, so that we can step into the healing light. You are not on the ledge alone.
Black Panther: Interrogating a Cultural Phenomenon (Reframing Hollywood)
by Terence McSweeneyNamed a Nonfiction Book Awards Gold Winner by the Nonfiction Authors AssociationGold Winner of the 2022 eLit Book Award for Popular CultureWinner of a National Indie Excellence Award in the category of “Movies & TV”Book of the Year 2021 in African Studies awarded by CESTAFWinner of the 2022 Best Book Award in the category of “Performing Arts”Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways that transcended the dimensions of the superhero film. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. McSweeney argues that Black Panther is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008–). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, Black Panther complicates this by engaging in an entirely different mythos in its portrayal of an African nation—never colonized by Europe—as the most powerful and technologically advanced in the world. McSweeney charts how and why Black Panther became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history.
Black Panther in Exile: The Pete O'Neal Story
by Paul J. MagnarellaIn the tumultuous year after Martin Luther King Jr.’s assassination, 29-year-old Pete O’Neal became inspired by reading The Autobiography of Malcolm X and founded the Kansas City branch of the Black Panther Party (BPP). The same year, FBI director J. Edgar Hoover declared the BPP was the “greatest threat to the internal security of the country.” Black Panther in Exile is the gripping story of O’Neal, one of the influential members of the movement, who now lives in Africa—unable to return to the United States but refusing to renounce his past. Arrested in 1969 and convicted for transporting a shotgun across state lines, O’Neal was free on bail pending his appeal when Fred Hampton, chairman of the Illinois chapter of the BPP, was assassinated by the police. O’Neal and his wife fled the United States for Algiers. Eventually they settled in Tanzania, where the O’Neals continue the social justice work of the Panthers through community and agricultural programs and host study-abroad programs for American students. Paul Magnarella—a veteran of the United Nations Criminal Tribunals and O’Neal’s attorney during his appeals process from 1997 to 2001—describes his unsuccessful attempts to overturn what he argues was a wrongful conviction. He lucidly reviews the evidence of judicial errors, the prosecution’s use of a paid informant as a witness, perjury by both the prosecution’s key witness and a federal agent, as well as other constitutional violations. He demonstrates how O’Neal was denied justice during the height of the COINTELPRO assault on black activists in the United States.
The Black Panthers: Portraits from an Unfinished Revolution (E-duke Books Scholarly Collection)
by Peniel E. Joseph Yohuru Williams Bryan Shih"Brilliant, painful, enlightening, tearful, tragic, sad, and funny, this photo-essay book is at its core about healing, and about the social justice work that still needs to be done in the era of hip-hop, Black Lives Matter, and the historic presidency of Barack Obama.” -Kevin Powell, author of The Education of Kevin Powell: A Boy's Journey into Manhood"A brilliantly conceived volume. Bryan Shih and Yohuru Williams demonstrate why the Panthers' story-its lessons and failures-even fifty years after its founding remains key to understanding national and international struggles for freedom and justice today.” -Cheryl Finley, professor and director of visual studies, Cornell UniversityEven fifty years after it was founded, the Black Panther Party remains one of the most misunderstood political organizations of the twentieth century. But beyond the labels of "extremist” and "violent” that have marked the party, and beyond charismatic leaders like Huey Newton, Bobby Seale, and Eldridge Cleaver, were the ordinary men and women who made up the Panther rank and file.In The Black Panthers, photojournalist Bryan Shih and historian Yohuru Williams offer a reappraisal of the party's history and legacy. Through stunning portraits and interviews with surviving Panthers, as well as illuminating essays by leading scholars, The Black Panthers reveals party members' grit and battle scars-and the undying love for the people that kept them going.
The Black Panthers in the Midwest: The Community Programs and Services of the Black Panther Party in Milwaukee, 1966–1977 (Studies in African American History and Culture)
by Andrew WittThis book analyzes the community programs of the Black Panther Party, specifically those of the Milwaukee branch, with the aim of dispelling many of the existing stereotypes about the Party. Misconceptions range from the Party being labeled as bent on the violent destruction of the United States to it being an overwhelmingly sexist group. This book challenges stereotypes such as these by examining the community programs of the Party and by looking at the role of women in the Party. Witt argues that the Party was not an extremist group dedicated to overthrowing the government of the United States, but rather an organization committed to providing essential community services for lower-income and working-class African American communities around the nation.
Black Passports: Travel Memoirs as a Tool for Youth Empowerment
by Stephanie Y. EvansIn this resource guide for fostering youth empowerment, Stephanie Y. Evans offers creative commentary on two hundred autobiographies that contain African American travel memoirs of places around the world. The narratives are by such well-known figures as Frederick Douglass, W. E. B. Du Bois, Billie Holiday, Maya Angelou, Malcolm X, James Baldwin, Muhammad Ali, Richard Pryor, Angela Davis, Condoleezza Rice, and President Barack Obama, as well as by many lesser-known travelers. The book addresses a variety of issues related to mentoring and curriculum development. It serves as a tool for "literary mentoring," where students of all ages can gain knowledge and wisdom from texts in the same way achieved by one-on-one mentoring, and it also provides ideas for incorporating these memoirs into lessons on history, geography, vocabulary, and writing. Focusing on four main mentoring themes—life, school, work, and cultural exchange—Evans encourages readers to comb the texts for models of how to manage attitudes, behaviors, and choices in order to be successful in transnational settings.
Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (Performance and American Cultures)
by Julius B. Fleming Jr.Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University)2024 College Language Association Book Award Winner2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change)Honorable Mention, Association for the Study of the Arts of the Present 2023 Book PrizeHonorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society)Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association.Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR)Finalist, ATHE Outstanding Book AwardA bold rethinking of the Civil Rights Movement through the lens of Black theater“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.
Black Patriots and Loyalists: Fighting for Emancipation in the War for Independence
by Alan GilbertWe commonly think of the American Revolution as simply the war for independence from British colonial rule. But, of course, that independence actually applied to only a portion of the American population—African Americans would still be bound in slavery for nearly another century. Alan Gilbert asks us to rethink what we know about the Revolutionary War, to realize that while white Americans were fighting for their freedom, many black Americans were joining the British imperial forces to gain theirs. Further, a movement led by sailors—both black and white—pushed strongly for emancipation on the American side. There were actually two wars being waged at once: a political revolution for independence from Britain and a social revolution for emancipation and equality. Gilbert presents persuasive evidence that slavery could have been abolished during the Revolution itself if either side had fully pursued the military advantage of freeing slaves and pressing them into combat, and his extensive research also reveals that free blacks on both sides played a crucial and underappreciated role in the actual fighting. Black Patriots and Loyalists contends that the struggle for emancipation was not only basic to the Revolution itself, but was a rousing force that would inspire freedom movements like the abolition societies of the North and the black loyalist pilgrimages for freedom in Nova Scotia and Sierra Leone.
Black Patriots and Loyalists: Fighting for Emancipation in the War for Independence
by Alan GilbertA surprising look at the roles of African Americans in the Revolutionary War: &“An elegant and passionate writer, Alan Gilbert pulls no punches.&”—Historian We think of the American Revolution as the war for independence from British colonial rule. But, of course, that independence actually applied to only a portion of the American population—African Americans would still be bound in slavery for nearly another century. Drawing on first-person accounts and primary sources, Alan Gilbert asks us to rethink what we know about the Revolutionary War, to realize that while white Americans were fighting for their freedom, many black Americans were joining the British imperial forces to gain theirs. Further, a movement led by sailors—both black and white—pushed strongly for emancipation on the American side. There were actually two wars being waged at once: a political revolution for independence from Britain, and a social revolution for emancipation and equality—planting the seeds for future freedom. &“The personal stories of those who fought on the patriots&’ side in an all-black regiment and on the loyalist side in exchange for a promise of freedom are fascinating and informative.&”—Booklist
Black Pearls: Daily Meditations, Affirmations, and Inspirations for African-Americans
by Eric V. CopageEric V. Copage's Black Pearls is an extraordinary book of inspirational thoughts and practical advice for African-Americans. The 365 quotes that begin each day's entry range from African proverbs to wisdom from Oprah Winfrey, Malcolm X, Terry McMillan, Bill Cosby, Rosa Parks, Spike Lee, Marian Wright Edelman, Alice Walker, and Martin Luther King, Jr., among hundreds of other diverse and accomplished people of African descent. And each day's entry covers a new topic: Love, Anger, Pride, Dieting, Stress, Stereotypes, Power, and Success are just a few! From the daily inspirations, author Eric V. Copage suggests meditations and specific actions that will help readers boost their spirits -- and achieve their dreams.
"Black People Are My Business": Toni Cade Bambara's Practices of Liberation (African American Life Series)
by Thabiti Lewis"Black People Are My Business": Toni Cade Bambara’s Practices of Liberation studies the works of Bambara (1939–1995), an author, documentary filmmaker, social activist, and professor. Thabiti Lewis’s analysis serves as a cultural biography, examining the liberation impulses in Bambara’s writing, which is concerned with practices that advance the material value of the African American experience and exploring the introspection between artist production and social justice. This is the first monograph that focuses on Bambara’s unique approach and important literary contribution to 1970s and 1980s African American literature. It explores her unique nationalist, feminist, Marxist, and spiritualist ethos, which cleared space for many innovations found in black women’s fiction. Divided into five chapters, Lewis’s study relies on Bambara’s voice (from interviews and essays) to craft a "spiritual wholeness aesthetic"—a set of principles that comes out of her practices of liberation and entail family, faith, feeling, and freedom—that reveals her ability to interweave ethnic identity, politics, and community engagement and responsibility with the impetus of balancing black male and female identity influences and interactions within and outside the community. One key feature of Bambara’s work is the concentration on women as cultural workers whereby her notion of spiritual wholeness upends what has become a scholarly distinction between feminism and black nationalism. Bambara’s fiction situates her as a pivotal voice within the Black Arts Movement and contemporary African American literature. Bambara is an understudied and important artistic voice whose aversion to playing it safe both personified and challenged the boundaries of black nationalism and feminism. "Black People Are My Business" is a wonderful addition to any reader’s list, especially those interested in African American literary and cultural studies.
Black Performance Theory
by Anita Gonzalez Thomas F. DefrantzBlack performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers--many of whom are performers--demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young
The Black PhD Experience: Stories of Strength, Courage and Wisdom in UK Academia
by William Ackah, Jacqueline Darkwa, Wayne A. Mitchell, De-Shaine Murray and Madina WaneThis unique book charts the journeys of Black doctoral students through UK higher education. Using powerful firsthand accounts, the book details the experiences of Black PhD students. From application through to graduation and beyond, the book offers key insights into the workings of higher education, highlighting the structural barriers that impede progress. Challenges and recommendations are issued for the sector and wider community. This text is a witness to the tenacity and brilliance of Black students to achieve against the odds. A game changer for the sector. Essential reading for anyone interested in equity and inclusion in higher education.
A Black Philadelphia Reader: African American Writings About the City of Brotherly Love
by Louis J. ParascandolaThe relationship between the City of Brotherly Love and its Black residents has been complicated from the city’s founding through the present day. A Black Philadelphia Reader traces this complex history in the words of Black writers who were native to, lived in, or had significant connections to the city. Featuring the works of famous authors—including W. E. B. Du Bois, Harriet Jacobs, Sonia Sanchez and John Edgar Wideman—alongside lesser-known voices, this reader is an immersive and enriching composite portrait of the Black experience in Philadelphia. Through fiction and nonfiction, poetry and prose, readers witness episodes of racial prejudice and gender inequality in areas like public health, housing, education, policing, criminal justice, and public transportation. And yet amid these myriad challenges, the writers convey an enduring faith, a love of family and community, and a hope that Philadelphia will fulfill its promises to its Black citizens.Thoughtfully introduced and accompanied by notes that contextualize the works and aid readers’ comprehension, this book will appeal to a wide audience of Philadelphians and other readers interested in American, African American, and urban studies.
Black Picket Fences: Privilege and Peril among the Black Middle Class
by Mary PattilloBlack Picket Fences is a stark, moving, and candid look at a section of America that is too often ignored by both scholars and the media: the black middle class. The result of living for three years in "Groveland," a black middle-class neighborhood on Chicago's South Side, sociologist Mary Pattillo-McCoy has written a book that explores both the advantages and the boundaries that exist for members of the black middle class. Despite arguments that race no longer matters, Pattillo-McCoy shows a different reality, one where black and white middle classes remain separate and unequal. "An insightful look at the socio-economic experiences of the black middle class. . . . Through the prism of a South Side Chicago neighborhood, the author shows the distinctly different reality middle-class blacks face as opposed to middle-class whites. " —Ebony "A detailed and well-written account of one neighborhood's struggle to remain a haven of stability and prosperity in the midst of the cyclone that is the American economy. " —Emerge
Black Picket Fences: Privilege and Peril Among the Black Middle Class
by Mary Pattillo-Mccoy"Black Picket Fences" is a stark, moving, and candid look at a section of America that is too often ignored by both scholars and the media: the black middle class. The result of living for three years in "Groveland," a black middle-class neighborhood on Chicago's South Side, sociologist Mary Pattillo-McCoy has written a book that explores both the advantages and the boundaries that exist for members of the black middle class. Despite arguments that race no longer matters, Pattillo-McCoy shows a different reality, one where black and white middle classes remain separate and unequal.