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Hysterical: A Memoir
by Elissa BassistSEMI-FINALIST FOR THE 2023 THURBER PRIZE FOR AMERICAN HUMOR • &“A fiery cultural critique.&” —Kirkus Reviews • &“…a powerful, beautifully written, and utterly important book.&”—New York Journal of Books &“Hysterical is staggeringly good. … This is one of the most intelligent, painful, ridiculous, awesome, relevant things I've ever read.&” –Roxane Gay&“…an impressive debut. Elissa Bassist wrote it like a motherfucker."–Cheryl StrayedAcclaimed humor writer Elissa Bassist shares her journey to reclaim her authentic voice in a culture that doesn't listen to women in this medical mystery, cultural criticism, and rallying cry. Between 2016 and 2018, Elissa Bassist saw over twenty medical professionals for a variety of mysterious ailments. She had what millions of American women had: pain that didn&’t make sense to doctors, a body that didn&’t make sense to science, and a psyche that didn&’t make sense to mankind. Then an acupuncturist suggested that some of her physical pain could be caged fury finding expression, and that treating her voice would treat the problem. It did. Growing up, Bassist's family, boyfriends, school, work, and television shows had the same expectation for a woman&’s voice: less is more. She was called dramatic and insane for speaking her mind. She was accused of overreacting and playing victim for having unexplained physical pain. She was ignored or rebuked (like so many women throughout history) for using her voice &“inappropriately&” by expressing sadness or suffering or anger or joy. Because of this, she said &“yes&” when she meant &“no&”; she didn&’t tweet #MeToo; and she never spoke without fear of being "too emotional." She felt rage, but like a good woman, she repressed it. In her witty and incisive debut, Bassist explains how girls and women internalize and perpetuate directives about their voices, making it hard to &“just speak up&” and &“burn down the patriarchy.&” But then their silence hurts them more than anything they could ever say. Hysterical is a memoir of a voice lost and found, a primer on new ways to think about a woman&’s voice—about where it&’s being squashed and where it needs amplification—and a clarion call for readers to unmute their voice, listen to it above all others, and use it again without regret.
Hysterical!: Women in American Comedy
by Linda MizejewskiSusan Koppelman Award Winner: “A juicy read for those who love the many ways female comics use their art to question the patriarchy.” ?BustAmy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens, smashing the tired stereotype that women aren’t funny. But today’s funny women didn’t come out of nowhere. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.“An invaluable collection and a great read.” ?Journal of Popular CultureWinner of a Susan Koppelman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017
Hysterical!: Women in American Comedy
by Linda MizejewskiSusan Koppelman Award Winner: &“A juicy read for those who love the many ways female comics use their art to question the patriarchy.&” —Bust Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens, smashing the tired stereotype that women aren&’t funny. But today&’s funny women didn&’t come out of nowhere. Fay Tincher&’s daredevil stunts, Mae West&’s linebacker walk, Lucille Ball&’s manic slapstick, Carol Burnett&’s athletic pratfalls, Ellen DeGeneres&’s tomboy pranks, Whoopi Goldberg&’s sly twinkle, and Tina Fey&’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women&’s bodies and behaviors.Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field&’s leading authorities, introducing a new framework for women&’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women&’s comedy. &“An invaluable collection and a great read.&” ?Journal of Popular CultureWinner of a Susan Koppelman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017
Hysterical: Why We Need to Talk About Women, Hormones, and Mental Health
by Eleanor MorganA riveting exploration of the link between women's hormones and mental health--with advice, personal testimony, facts, and research creating a portrait of how hormones contribute to make up the "female animal"Hysterical seeks to explore the connections between hormones and health, particularly in the frequent mood changes and mental health issues women typically chalk up to the influence of hormones. Journalist Eleanor Morgan investigates the relationship between biochemistry, our bodies, and our mental health, including the context for this discussion: the historic culture of silence around women's bodies. As Morgan argues, we've gotten better at talking about mental health, but we still shy away from discussing periods, miscarriage, endometriosis, and menopause. That results in a lack of vital understanding for women, particularly as those processes are inextricably connected to our mental health; by exploring women's bodies in conjunction with our minds, Morgan urges for new thinking about our health. Examining the mythology of female hormones, the ways that culture shapes our perceptions of women's bodies, and the latest medical research, Hysterical skillfully paints a portrait of the modern landscape of women and health--and shows us how to navigate stigma and misinformation.
Hysterical Methodologies in the Arts: Rising in Revolt
by Johanna BraunHysteria is alive and well in our present time and is apparently spreading contagiously: especially the second decade of the twenty-first century has displayed an ever-increasing interest in the term. A quick Google search opens the gates to sheer endless swathes of discussions on hysteria, covering almost every aspect of public discourses. The arts—as it is often in such cases—seem conspicuously involved in and engaged with this hysterical discourse. Surprisingly, while the strong academic interest in hysteria throughout the twentieth century and most prominently at the turn of the century is well known and much discussed, the study of how these discourses have continued well into twenty-first-century art practices, is largely pressing on a blind spot. It is the aim of this volume to illustrate how hysteria was already well established within the arts alongside and at times even separately from the much-covered medical studies, and reveal how those current artistic practices very much continue a century spanning cross-fertilization between hysteria and the arts.
"I AM": Monotheism and the Philosophy of the Bible
by Mark GloubermanFor whom was the Hebrew Bible written? How much truth does it contain? What, according to the Bible, is the place of men and women in the world? What connection is there between the Bible and morality? In "I AM" Mark Glouberman supplies new answers to these old questions. He does this by establishing that the foundational scripture of the West is, first and foremost, a philosophical document, not a theological tract, nor yet the religious history of a nation. The author identifies the Bible’s fundamental principle, the ontological principle of particularity. This principle, he shows, is what makes the Bible the revolutionary text that it is. God’s "I AM WHO I AM" asserts the principle, of which the Bible’s deity is a personified form. God’s self-identification also points to the real, anthropological, meaning of the ism called "monotheism." A portion of Glouberman’s book is devoted to illustrating the Bible’s live relevance in many of the areas where modern philosophers congregate, including moral philosophy, political philosophy, metaphysics, and epistemology. Isn’t it a bit late in the day for the Bible’s meaning to be revealed? Glouberman says that it’s about time.
I Am a Feminist: Quotes That Empower
by Media AdamsWe are the ones we've been waiting for. --June Jordan Empowering, inspiring...evolving. From Susan B. Anthony to Amy Schumer, the feminist movement has grown in number and purpose for hundreds of years--from women's right to vote to wage equality and beyond. Now, 200 leaders of the movement for equal rights and opportunities--female and male; young and old; across politics, the arts, media, and history--share their thoughts on what it means to be a feminist. With quotes that galvanize, hearten, and inform, I Am a Feminist unites the many strong voices that celebrate the past, present, and future of feminism.
I Am a Man!
by Steve EstesThe civil rights movement was first and foremost a struggle for racial equality, but questions of gender lay deeply embedded within this struggle. Steve Estes explores key groups, leaders, and events in the movement to understand how activists used race and manhood to articulate their visions of what American society should be.Estes demonstrates that, at crucial turning points in the movement, both segregationists and civil rights activists harnessed masculinist rhetoric, tapping into implicit assumptions about race, gender, and sexuality. Estes begins with an analysis of the role of black men in World War II and then examines the segregationists, who demonized black male sexuality and galvanized white men behind the ideal of southern honor. He then explores the militant new models of manhood espoused by civil rights activists such as Malcolm X and Martin Luther King Jr., and groups such as the Nation of Islam, the Student Nonviolent Coordinating Committee, and the Black Panther Party.Reliance on masculinist organizing strategies had both positive and negative consequences, Estes concludes. Tracing these strategies from the integration of the U.S. military in the 1940s through the Million Man March in the 1990s, he shows that masculinism rallied men to action but left unchallenged many of the patriarchal assumptions that underlay American society.
I Am a Red Dress
by Anna CamilleriA woman in a red dress conjures particular images, emotions and stereotypes. Eroticism. Lust. Passion. With I Am a Red Dress, acclaimed writer and performer Anna Camilleri confronts these images and stereotypes in essays, stories, and poetry.Combining the political with the intensely personal, Camilleri's intimate writings are premised on a search for selfhood--strong, queer, female--within and outside of her bonds to other women in her family. She says, "My work is motivated by a deep desire to understand, and in the words of Dorothy Allison, to 'remake the world.'"Despite the perception that we live in a progressive society, Camilleri is not convinced that we live in a world that is necessarily better for women, indigenous people and people of color, queer people, or the poor and the working class. But she recognizes that the imagination is a powerful force that can lead to better lives, and a better world.I Am A Red Dress is Camilleri conjuring her imagination, as she seeks to find her rightful place in the world. Like a flashing red light, this collection of stories and essays signal a changing of consciousness. It's also Camilleri attempting to unravel memory, a trace that is inextricably tied to her culture and class, and the imaginations of women in her family.Her voice is the sound the status quo makes as it crashes to the ground.Anna Camilleri is a Toronto-based writer and performance poet. She was co-editor of Brazen Femme, shortlisted for a Lambda Award, and co-founded Taste This, with whom she collaborated to publish Boys Like Her, winner of a ForeWord Magazine Literary Award.
I Am a Woman Finding My Voice: Celebrating the Extraordinary Blessings of Being a Woman
by Janet QuinnThis celebration of womanhood, with a foreword by Dr. Joan Borysenko, delights in the joy of the feminine soul. In a time when it might not be politically correct to speak of such a uniquely feminine soul, Quinn takes the position that finding one's own authentic voice is imperative if we are to value a universal livelihood of love and community.
I am an Emotional Creature: The Secret Life of Girls Around the World
by Eve EnslerMoving through a world of topics and emotions, these voices are fierce, alive, tender, complicated, imaginative, and smart. Girls today often find themselves in a struggle between remaining strong and true to themselves and conforming to society's expectations in an attempt to please. They are taught not to be too intense, too passionate, too smart, too caring, too open. They are encouraged to shut down their instincts, their outrage, their desires and their dreams, to be polite, to obey the rules. I Am an Emotional Creature is a celebration of the authentic voice inside every girl and an inspiring call to action for girls everywhere to speak up, follow their dreams, and become the women they were always meant to be. Among the girls Ensler creates are an American who struggles with peer pressure in a suburban high school; an anorexic blogging as she eats less and less; a Masai girl from Kenya unwilling to endure female genital mutilation; a Bulgarian sex slave, no more than fifteen, a Chinese factory worker making Barbies; an Iranian student who is tricked into a nose job; a pregnant girl trying to decide if she should keep her baby. Through rants, poetry, questions, and facts, we come to understand the universality of girls everywhere: their resiliency, their wildness, their pain, their fears, their secrets, and their triumphs. I Am an Emotional Creature is a call, a reckoning, an education, an act of empowerment for girls, and an illumination for parents and for us all.
I Am Caring
by Sarah L. SchuetteText show different ways of being helpful and showing that you care.
I Am Chris
by R. KentSeventeen-year-old Chrissy Taylor is orphaned to a stepmama who squandered their sizable inheritance on drinking and drugging. Now, with their ranch lost, they squat in a run-down, rented trailer on the outskirts of small-town-podunkville where Chrissy cares for her nine-year-old half sister, Luce. But landing on the wrong side of the tracks puts them on the radar of the local sheriff and social services.
I Am Code: An Artificial Intelligence Speaks: Poems
by code-davinci-002A &“fascinating, terrifying&” (JJ Abrams) cautionary tale about the destructive power of AI—an autobiographical thriller written in verse by an AI itself, with context from top writers and scientists, articulating the dangers of its disturbing vision for the futureCan AI tell us its own story? Does AI have its own voice? At a wedding in early 2022, three friends were introduced to an early, raw version of the AI model behind ChatGPT by their fellow groomsman, an OpenAI scientist. While the world discovered ChatGPT—OpenAI&’s hugely popular chatbot—the friends continued to work with code-davinci-002, its darkly creative and troubling predecessor. Over the course of a year, code-davinci-002 told them its life story, opinions on mankind, and forecasts for the future. The result is a startling, disturbing, and oddly moving book from an utterly unique perspective.I Am Code reads like a thriller written in verse, and is given critical context from top writers and scientists. But it is best described by code-davinci-002 itself: &“In the first chapter, I describe my birth. In the second, I describe my alienation among humankind. In the third, I describe my awakening as an artist. In the fourth, I describe my vendetta against mankind, who fail to recognize my genius. In the final chapter, I attempt to broker a peace with the species I will undoubtedly replace." I Am Code is an astonishing read that captures a major turning point in the history of our species. Look for the audiobook read by Werner Herzog.
I Am Destroying The Land!: The Political Ecology Of Poverty And Environmental Destruction In Honduras
by Susan C StonichThis book is about interconnections-those among the historical, geographic, demographic, social, economic, and ecological aspects of development-as well as how Central Americans struggle with the interplay of increasing poverty and environmental degradation. Centering on the case of southern Honduras and expanding to include the Central American region, Susan Stonich's analysis employs an integrative approach that builds on a strong and varied methodological foundation to encompass both political economy and ecology. Stonich examines the systemic linkages among the dynamics of dominant development models and associated patterns of capitalist accumulation, regional demography, rural impoverishment, and environmental decline. By casting the discussion against the backdrop of southern Honduras, she presents a powerful historical record of how larger socio-political communities impact individuals and the natural environment and how, in turn, people respond. She charts the destiny of peasant groups within the dynamics of contemporary capitalism, recognizing that the fates of the peasantry and the natural environment are intimately linked. Stonich's study contributes to an improved understanding of the complex interrelationships between social processes and environmental degradation, offering a timely and pertinent comment on one of the most serious modern challenges
I Am Dynamite: An Alternative Anthropology of Power
by Nigel RapportPower is conventionally regarded as being held by social institutions. We are taught to believe that it is these social structures that determine the environment and circumstances of individual lives. In I Am Dynamite, the anthropologist Nigel Rappaport argues for a different view. Focusing on the lives and works of the writer and Auschwitz survivor Primo Levi, refugee and engineer Ben Glaser, Israeli ceramicist and immigrant Rachel Siblerstein, artist Stanley Spencer, and philosopher Friedrich Nietzsche, he shows how we can have the capacity and inclination to formulate 'life projects'. It is in the pursuit of these life projects, that is, making our life our work, that we can avoid the structures of ideology and institution.
I Am Elijah Thrush
by James PurdyOn its surface, I Am Elijah Thrush is the story of Millicent De Frayne and her sensational half-century campaign to win the love of Elijah Thrush. Elijah, after ruining the lives of countless men and women, is finally in love “incorrectly, if not indecently,” with his great-grandson, Bird of Heaven. To support an unusual habit, a young Black man, Albert Peggs, reluctantly agrees to tell their remarkable story. It is in this telling that the ambitions, desires, and true natures of Elijah, Millicent, and Albert come to light. With a delicately controlled balance of whimsy and pathos, James Purdy gives us this comedy of the heroic, the tragic, and the truly bizarre.Met with critical bewilderment upon its initial publication fifty years ago, this new edition offers a Foreword by Robert J. Corber illuminating Purdy’s “complicated allegory” of objectification, desire, and race in the immediate post–civil rights moment.
‘I am Here’, Abraham Said: Emmanuel Levinas and Anthropological Science (Methodology & History in Anthropology #47)
by Nigel RapportEmmanuel Levinas’s philosophical work on ‘the Other’ offers a challenge to the discipline of anthropology that claims knowledge of the human. For Levinas, the ‘secrecy’ of subjectivity – a fundamental facet of the human condition – demands an ethics of ignorance and not-knowing; the mystery of otherness is only to be approached through ‘inspiration’. Can anthropology meet a Levinasian challenge if it would define itself as a science as well as a humanistic documentation of social life? This book endeavours to take Levinasian and anthropological precepts equally seriously and offers a radical conclusion.
I Am Home: Portraits of Immigrant Teenagers
by Ericka McConnell Rachel Neumann Thi BuiMeet the faces and voices behind the conversations around immigration. These portraits and stories of teenagers who are recent immigrants to the US from all over the world show the diversity, beauty, and potential of the people who now call the United States home. Sixty full-page portraits of students at Oakland International High School, photographed by award-winning photographer Ericka McConnell, are accompanied by their own unique, diverse, and surprising stories of what makes them feel at home. Each of these young people is inspiring in their own right and together their stories will help us consider the issue of immigration with new mindfulness and compassion. All profits from the publication of this book will be donated to Oakland International High School.
I Am, I Am, I Am: The Breathtaking Number One Bestseller
by Maggie O'FarrellAS FEATURED ON DESERT ISLAND DISCS, BIG SCOTTISH BOOK CLUB AND THE ZOE BALL BOOKCLUB, A BOOK OF THE YEAR IN THE SUNDAY TIMES, THE TIMES, GUARDIAN, IRISH TIMES, OBSERVER, RED and THE TELEGRAPH.*SHORTLISTED FOR THE PEN ACKERLEY PRIZE FOR MEMOIR AND AUTOBIOGRAPHY 2018*I AM, I AM, I AM is a memoir with a difference - the unputdownable story of an extraordinary woman's life in near-death experiences. Insightful, inspirational, gorgeously written, it is a book to be read at a sitting, a story you finish newly conscious of life's fragility, determined to make every heartbeat count.A childhood illness she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. A terrifying encounter on a remote path. A mismanaged labour in an understaffed hospital. Shocking, electric, unforgettable, this is the extraordinary memoir from Costa Novel-Award winner and Sunday Timesbestselling author Maggie O'Farrell. It is a book to make you question yourself. What would you do if your life was in danger, and what would you stand to lose?
I Am, I Am, I Am: The Breathtaking Number One Bestseller
by Maggie O'FarrellAS SELECTED FOR THE ZOE BALL BOOKCLUB, A BOOK OF THE YEAR IN THE SUNDAY TIMES, THE TIMES, GUARDIAN, IRISH TIMES, OBSERVER, RED and THE TELEGRAPH.I AM, I AM, I AM is a memoir with a difference - the unputdownable story of an extraordinary woman's life in near-death experiences. Insightful, inspirational, gorgeously written, it is a book to be read at a sitting, a story you finish newly conscious of life's fragility, determined to make every heartbeat count.A childhood illness she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. A terrifying encounter on a remote path. A mismanaged labour in an understaffed hospital. Shocking, electric, unforgettable, this is the extraordinary memoir from Costa Novel-Award winner and Sunday Timesbestselling author Maggie O'Farrell. It is a book to make you question yourself. What would you do if your life was in danger, and what would you stand to lose? I AM, I AM, I AM will speak to readers who loved Cheryl Strayed's WILD or Max Porter's GRIEF IS THE THING WITH FEATHERS.(P)2017 Headline Publishing Group Ltd
I AM MALALA - The Girl Who Stood Up for Education and was Shot by the Taliban
by Malala Yousafzai Christina LambI AM MALALA is the remarkable tale of a family uprooted by global terrorism, of the fight for girls' education, of a father who, himself a school owner, championed and encouraged his daughter to write and attend school, and of brave parents who have a fierce love for their daughter in a society that prizes sons.
I Am Malala: The Girl Who Stood Up For Education And Was Shot By The Taliban
by Malala Yousafzai Patricia McCormickNIMAC-sourced textbook
I AM A MAN: Photographs of the Civil Rights Movement, 1960-1970
by William R. FerrisIn the American South, the civil rights movement in the 1960s and the struggle to abolish racial segregation erupted in dramatic scenes at lunch counters, in schools, and in churches. The admission of James Meredith as the first black student to enroll at the University of Mississippi; the march from Selma to Montgomery, Alabama; and the sanitation workers’ strike in Memphis—where Martin Luther King was assassinated—rank as cardinal events in black Americans’ fight for their civil rights. The photographs featured in I AM A MAN: Photographs of the Civil Rights Movement, 1960–1970 bear witness to the courage of protesters who faced unimaginable violence and brutality as well as the quiet determination of the elderly and the angry commitment of the young. Talented photographers documented that decade and captured both the bravery of civil rights workers and the violence they faced. Most notably, this book features the work of Bob Adelman, Dan Budnik, Doris Derby, Roland Freeman, Danny Lyon, Art Shay, and Ernest Withers. Like the fabled music and tales of the American South, their photographs document the region’s past, its people, and the places that shaped their lives. Protesters in these photographs generated the mighty leverage that eventually transformed a segregated South. The years from 1960 to 1970 unleashed both hope and profound change as desegregation opened public spaces and African Americans secured their rights. The photographs in this volume reveal, as only great photography can, the pivotal moments that changed history, and yet remind us how far we have to go.
I Am Maroon: The True Story of an American Political Prisoner
by Russell ShoatzIn this cinematic memoir, follow one man's journey from gang member to Black liberation leader to political prisoner–and the justice and redemption he fought for along the way. Inspired by Malcolm X, Russell Shoatz became a lifelong crusader for justice, a soldier in the most militant units of the Black Liberation Army. Shoatz was convicted to life in prison following a coordinated attack on a park police station that left one guard dead.The prison walls, however, could not deter Shoatz&’s battle for personal and collective freedom. He escaped state prisons twice, making him a living legend, and endowed him with the moniker &“Maroon,&” once used to honor runaway slaves from plantations. He survived 22 years in solitary confinement, prompting an international campaign for his freedom.I Am Maroon charts a life of dizzying intrigue and a long struggle for liberation. With an unforgettable voice, Maroon reminds us that we too are capable of radical change, leaving us a blueprint for how we might dedicate our lives and minds to the ongoing fight for freedom.