- Table View
- List View
I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
by Victoria PepeIs feminism still a dirty word? We asked twenty-five of the brightest, funniest, bravest young women what being a feminist in 2015 means to them.We hear from Laura Bates (of the Everyday Sexism Project), Reni Eddo-Lodge (award-winning journalist and author), Yas Necati (an eighteen-year-old activist), Laura Pankhurst, great-great granddaughter of Emmeline Pankhurst and an activist in her own right, comedian Sofie Hagen, engineer Naomi Mitchison and Louise O'Neill, author of the award-winning feminist Young Adult novel Only Ever Yours. Writing about a huge variety of subjects, we have Martha Mosse and Alice Stride on how they became feminists, Amy Annette addressing the body politic, Samira Shackle on having her eyes opened in a hostel for survivors of acid attacks in Islamabad, while Maysa Haque thinks about the way Islam has informed her feminism and Isabel Adomakoh Young insists that women don't have to be perfect. There are twelve other performers, politicians and writers who include Jade Anouka, Emily Benn, Abigail Matson-Phippard, Hajar J. Woodland and Jinan Younis.Is the word feminist still to be shunned? Is feminism still thought of as anti-men rather than pro-human? Is this generation of feminists - outspoken, funny and focused - the best we've had for long while? Has the internet given them a voice and power previously unknown?Rachel Holmes' most recent book is Eleanor Marx: A Life; Victoria Pepe is a literary scout; Amy Annette is a comedy producer currently working on festivals including Latitude; Alice Stride works for Women's Aid and Martha Mosse is a freelance producer and artist.
I Call Myself A Feminist: The View from Twenty-Five Women Under Thirty
by Victoria PepeIs feminism still a dirty word? We asked twenty-five of the brightest, funniest, bravest young women what being a feminist in 2015 means to them.We hear from Laura Bates (of the Everyday Sexism Project), Reni Eddo-Lodge (award-winning journalist and author), Yas Necati (an eighteen-year-old activist), Laura Pankhurst, great-great granddaughter of Emmeline Pankhurst and an activist in her own right, comedian Sofie Hagen, engineer Naomi Mitchison and Louise O'Neill, author of the award-winning feminist Young Adult novel Only Ever Yours. Writing about a huge variety of subjects, we have Martha Mosse and Alice Stride on how they became feminists, Amy Annette addressing the body politic, Samira Shackle on having her eyes opened in a hostel for survivors of acid attacks in Islamabad, while Maysa Haque thinks about the way Islam has informed her feminism and Isabel Adomakoh Young insists that women don't have to be perfect. There are twelve other performers, politicians and writers who include Jade Anouka, Emily Benn, Abigail Matson-Phippard, Hajar J. Woodland and Jinan Younis.Is the word feminist still to be shunned? Is feminism still thought of as anti-men rather than pro-human? Is this generation of feminists - outspoken, funny and focused - the best we've had for long while? Has the internet given them a voice and power previously unknown?Rachel Holmes' most recent book is Eleanor Marx: A Life; Victoria Pepe is a literary scout; Amy Annette is a comedy producer currently working on festivals including Latitude; Alice Stride works for Women's Aid and Martha Mosse is a freelance producer and artist.
I Can Has Cheezburger?: A LOLcat Colleckshun
by Professor Happycat icanhascheezburger.comThe Internet has provided us with many wonders, from skateboarding dogs to Chuck Norris facts. Over the past year, though, one sensation has dominated the Web: LOLcats. Here&’s how it works: First you find a picture of a cat online, and then you add a caption that reflects the cat&’s point of view. Just remember that although cats can speak English, their spelling and grammar is not so hot. Once you&’re done, you have a LOLcat (laugh out loud cat). Since its founding in January 2007, icanhascheezburger .com (named after the most famous LOLcat of all) has been the center of the LOLcat world. I Can Has Cheezburger? collects 200 LOLcats from the enormously popular site, some classic and some new, in glorious and glossy full color. The book also highlights legendary LOLcat forms recognizable to fans everywhere (including &“Do Not Want,&” &“Monorail Cat,&” and &“Oh Noes!&”), and offers a guide to the finer points of LOLspeak. Packed with witty and endearing images and published into a proven cat-egory, I Can Has Cheezburger? is sure to delight feline aficionados and Internet nerds alike.
I Can Hear The Mourning Dove
by James W. BennettGrace tried to kill herself three months after her father died. Grace is trying to put her life back together with the help of a sympathetic therapist and the confidence born of a few new friendships, especially with rebellious Luke Wolfe. At first, Grace fears Luke, but she begins to see beneath his angry surface and the two enter into the first real friendship that either of them has ever had.
I Can Never Forget: Men of the 100th/442nd
by Thelma Chang Franklin Odo Daniel InouyeHere are the voices and stunning images of extraordinary men, Japanese American soldiers of World War II who belonged to the most decorated units of their size in U.S. Army history: the 100th Infantry Battalion and 442nd Regimental Combat Team. Together, the men of the 100th/442nd were an unstoppable force as they blazed through Europe with their "Go For Broke" spirit. Feared by German troops, revered by villagers, the Japanese Americans were at once fierce fighters, gentle liberators and prisoners of war in more ways than one. Now, decades after the war, the usually reserved and silent warriors reveal their innermost thoughts and feelings about this tumultuous time in their lives. We hear from men who volunteered from Hawaii plantations and American-style concentration camps. We discover how the men rose above the binds of war and racism and responded to injustice with an untarnished record of valor.
I Can Read It All by Myself: The Beginner Books Story
by Paul V. AllenIn the late 1950s, Ted Geisel took on the challenge of creating a book using only 250 unique first-grade words, something that aspiring readers would have both the ability and the desire to read. The result was an unlikely children’s classic, The Cat in the Hat. But Geisel didn’t stop there. Using The Cat in the Hat as a template, he teamed with Helen Geisel and Phyllis Cerf to create Beginner Books, a whole new category of readers that combined research-based literacy practices with the logical insanity of Dr. Seuss. The books were an enormous success, giving the world such authors and illustrators as P. D. Eastman, Roy McKie, and Stan and Jan Berenstain, and beloved bestsellers such as Are You My Mother?; Go, Dog. Go!; Put Me in the Zoo; and Green Eggs and Ham. The story of Beginner Books—and Ted Geisel’s role as “president, policymaker, and editor” of the line for thirty years—has been told briefly in various biographies of Dr. Seuss, but I Can Read It All by Myself: The Beginner Books Story presents it in full detail for the first time. Drawn from archival research and dozens of brand-new interviews, I Can Read It All by Myself explores the origins, philosophies, and operations of Beginner Books from The Cat in the Hat in 1957 to 2019’s A Skunk in My Bunk, and reveals the often-fascinating lives of the writers and illustrators who created them.
I Can Take it from Here: A Memoir of Trauma, Prison, and Self-Empowerment (Truth to Power)
by Lisa ForbesAn emotional, page-turning account of unhealed trauma and personal transformation that will break your heart and change your mind, in the tradition of Somebody's Daughter, A Piece of Cake, and Jesmyn Ward's Men We ReapedRiveting, honest, and raw, I Can Take It From Here recounts Lisa Forbes's harrowing journey into darkness — including a fourteen-year-long stint in a maximum-security prison — and her fierce resolve to understand the effects of the trauma she endured, to take personal responsibility for her actions, and to ensure that her history does not dictate her destiny.The youngest of six children, Lisa grew up in a Chicago housing project where she endured sexual, religious, and emotional abuse as a little girl. A voracious reader, she graduated high school at 15 and went to work as a secretary in a downtown insurance office, became pregnant at 16 and, at 19, unexpectedly and uncharacteristically committed a violent act, stabbing and killing the father of her daughter. Providing powerful insights into what we as a society need to learn and confront in the ongoing epidemic of mass re-incarceration, Lisa is a stunning example of an individual who through determination, knowledge, and hard work has been able to reclaim her own life.The book ends with Lisa's rousing call to action to support the people—as well as the shorthanded employers—who need the help, and need each other, more than ever.
I Can't Breathe: A Killing on Bay Street
by Matt TaibbiA work of riveting literary journalism that explores the roots and repercussions of the infamous killing of Eric Garner by the New York City police—from the bestselling author of The Divide “[A] searing exposé . . . What emerges from the author’s superb reporting and vivid writing is a tragically revealing look at a broken criminal justice system geared to serve white citizens while often overlooking or ignoring the rights of others.”—Kirkus Reviews (starred review) On July 17, 2014, a forty-three-year-old black man named Eric Garner died on a Staten Island sidewalk after a police officer put him in what has been described as an illegal chokehold during an arrest for selling bootleg cigarettes. The final moments of Garner’s life were captured on video and seen by millions. His agonized last words, “I can’t breathe,” became a rallying cry for the nascent Black Lives Matter protest movement. A grand jury ultimately declined to indict the officer who wrestled Garner to the pavement. Matt Taibbi’s deeply reported retelling of these events liberates Eric Garner from the abstractions of newspaper accounts and lets us see the man in full—with all his flaws and contradictions intact. A husband and father with a complicated personal history, Garner was neither villain nor victim, but a fiercely proud individual determined to do the best he could for his family, bedeviled by bad luck, and ultimately subdued by forces beyond his control. In America, no miscarriage of justice exists in isolation, of course, and in I Can’t Breathe Taibbi also examines the conditions that made this tragedy possible. Featuring vivid vignettes of life on the street and inside our Kafkaesque court system, Taibbi’s kaleidoscopic account illuminates issues around policing, mass incarceration, the underground economy, and racial disparity in law enforcement. No one emerges unsullied, from the conservative district attorney who half-heartedly prosecutes the case to the progressive mayor caught between the demands of outraged activists and the foot-dragging of recalcitrant police officials. A masterly narrative of urban America and a scathing indictment of the perverse incentives built into our penal system, I Can’t Breathe drills down into the particulars of one case to confront us with the human cost of our broken approach to dispensing criminal justice.“Richly reported and evocative . . . a vivid folk history that should prove useful to anyone who seeks to understand the world Eric Garner inhabited, not just progressives.”—Jill Leovy, bestselling author of Ghettoside
I Confess!: Constructing the Sexual Self in the Internet Age
by Thomas Waugh Brandon ArroyoIn the postwar decades, sexual revolutions – first women's suffrage, flappers, Prohibition, and Mae West; later Alfred Kinsey, Hugh Hefner, and the pill – altered the lifestyles and desires of generations. Since the 1990s, the internet and its cataclysmic cultural and social technological shifts have unleashed a third sexual revolution, crystallized in the acts and rituals of confession that are a staple of our twenty-first-century lives. In I Confess!, a collection of thirty original essays, leading international scholars such as Ken Plummer, Susanna Paasonen, Tom Roach, and Shohini Ghosh explore the ideas of confession and sexuality in moving image arts and media, mostly in the Global North, over the last quarter century. Through self-referencing or autobiographical stories, testimonies, and performances, and through rigorously scrutinized case studies of "gay for pay," gaming, camming, YouTube uploads, and the films Tarnation and Nymph()maniac, the contributors describe a spectrum of identities, desires, and related representational practices. Together these desires and practices shape how we see, construct, and live our identities within this third sexual revolution, embodying both its ominous implications of surveillance and control and its utopian glimmers of community and liberation. Inspired by theorists from Michel Foucault and Gilles Deleuze to Gayle Rubin and José Esteban Muñoz, I Confess! reflects an extraordinary, paradigm-shifting proliferation of first-person voices and imagery produced during the third sexual revolution, from the eve of the internet to today.
I Confess!: Constructing the Sexual Self in the Internet Age
by Thomas Waugh Brandon ArroyoIn the postwar decades, sexual revolutions - first women's suffrage, flappers, Prohibition, and Mae West; later Alfred Kinsey, Hugh Hefner, and the pill - altered the lifestyles and desires of generations. Since the 1990s, the internet and its cataclysmic cultural and social technological shifts have unleashed a third sexual revolution, crystallized in the acts and rituals of confession that are a staple of our twenty-first-century lives. In I Confess!, a collection of thirty original essays, leading international scholars such as Ken Plummer, Susanna Paasonen, Tom Roach, and Shohini Ghosh explore the ideas of confession and sexuality in moving image arts and media, mostly in the Global North, over the last quarter century. Through self-referencing or autobiographical stories, testimonies, and performances, and through rigorously scrutinized case studies of "gay for pay," gaming, camming, YouTube uploads, and the films Tarnation and Nymph()maniac, the contributors describe a spectrum of identities, desires, and related representational practices. Together these desires and practices shape how we see, construct, and live our identities within this third sexual revolution, embodying both its ominous implications of surveillance and control and its utopian glimmers of community and liberation. Inspired by theorists from Michel Foucault and Gilles Deleuze to Gayle Rubin and José Esteban Muñoz, I Confess! reflects an extraordinary, paradigm-shifting proliferation of first-person voices and imagery produced during the third sexual revolution, from the eve of the internet to today.
I Could Tell You But Then You Would Have to Be Destroyed By Me: Emblems from the Pentagon's Black World
by Trevor PaglenUpdated with New Information and Additional Patches. They're on the shoulders of all military personnel: patches showing what a soldier's unit does. But what if that's top secret? "A glimpse of [the Pentagon's] dark world through a revealing lens-patches--the kind worn on military uniforms... The book offers not only clues into the nature of the secret programs, but also a glimpse of zealous male bonding among the presumed elite of the military-industrial complex. The patches often feel like fraternity pranks gone ballistic." -William Broad, The New York Times. I COULD TELL YOU is a bestselling collection of more than seventy military patches representing secret government projects. Here author/photographer/investigator Trevor Paglen explores classified weapons projects and intelligence operations by scrutinizing their own imagery and jargon, disclosing new facts about important military units, which are here known by peculiar names ("Goat Suckers," "Grim Reapers," "Tastes Like Chicken") and illustrated with occult symbols and ridiculous cartoons. The precisely photographed patches--worn by military personnel working on classified missions, such as those at the legendary Area 51--reveal much about a strange and eerie world about which little was previously known. "A fresh approach to secret government." -Steven Aftergood, The Federation of American Scientists. "An impressive collection." -Justin Rood, ABC News. "A fascinating set of shoulder patches." -Stephen Colbert, The Colbert Report. "I was fascinated... [Paglen] has assembled about 40 colorful patch insignia from secret, military 'black' programs that are hardly ever discussed in public. He has plenty of regalia from the real denizens of Area 51." -Alex Beam, The Boston Globe.
I Cover the Waterfront: Stories from the San Diego Shore
by Max Miller"Distinctive, original, fresh in in tone and manner, with a quaint whimsicality of feeling and expression."-The New York TimesLife on the Western waterfront has always fascinated Max Miller, a special reporter for the San Diego Sun. Embraced by all the waterfront folk, he has joined them on their cruises, has learned the mystery of their crafts, and knows them like brothers.Max himself has become a part of the waterfront. Not a fishing boat ties up to the wharf without Max Miller getting the story. Not a submarine comes in nor an airplane soars out over the water without Max Miller's being invited to go. He is one of the first men to climb up the ladder of the Pacific lines, especially when celebrities are aboard.A combination of newspaper reporter, philosopher, and poet, the author writes his charming sketches in his "studio" upstairs in the tugboat office, where he can look out over his domain. But reporting is not simply a job with Max Miller; it is the greatest pleasure of his life. He delights in setting down his impressions of the Western shore, where life is a constant flux and reflux, seasonal, immutable, and yet ever exciting-the departure of the sardine fleet, the hunt for elephant seals for the zoo, the sailing of the California fruit liners.I Cover the Waterfront was first published in the early 1930s and has since gone on to become a classic. It is as memorable for its unique stories as it is for its individual style-so keenly sensitive to the personalities of men and to the romantic environment of the harbor and deep-sea life.
I Dare to Say: African Women Share Their Stories of Hope and Survival
by Hilda TwongyeirweFeaturing the real-life experiences of contemporary African women who tell of atrocities, pain, motherhood, marriage, love, and courage in their daily life, this gripping collection brings greater awareness to a continuing struggle. Denied a voice by their own culture for centuries, these women speak out for the first time, sharing poignant tales of abuse and womanhood robbed, revealing their methods of survival, and divulging their dreams for themselves and their children. A girl describes hiding under a blanket from the Lord's Resistance Army in search of child brides; a woman speaks of her family abuse and rejection followed by the deaths of her child and partner only to learn later that the father of her child was already married with eight children and had AIDS. Dramatic, sometimes heartbreaking, often inspiring, this is the first book to truly show what it means to be a 21st-century African woman.
I Did It to Save My Life
by Catherine E. BoltenUtilizing narratives of seven different people--soldier, rebel, student, trader, evangelist, father, and politician--I Did it To Save My Life provides fresh insight into how ordinary Sierra Leoneans survived the war that devastated their country for a decade. Individuals in the town of Makeni narrate survival through the rubric of love, and by telling their stories and bringing memory into the present, create for themselves a powerful basis on which to reaffirm the rightness of their choices and orient themselves to a livable everyday. The book illuminates a social world based on love, a deep, compassionate relationship based on material exchange and nurturing, that transcends romance and binds people together across space and through time. In situating their wartime lives firmly in this social world, they call into question the government's own narrative that Makeni residents openly collaborated with the rebel RUF during its three-year occupation of the town. Residents argue instead that it was the government's disloyalty to its people, rather than rebel invasion and occupation, which destroyed the town and forced uneasy co-existence between civilians and militants.
I Didn't Get Where I Am Today
by David NobbsAs a small boy David Nobbs survived the Second World War unscathed, until his bedroom ceiling fell on him when the last bomb to be dropped on Britain by the Germans landed near his home. It was the nearest he came to the war, but National Service would later make him one of Britain's most reluctant soldiers. It was an unforgettable and often unpleasant experience.As a struggling writer, David was catapulted into the thrilling world of satire at the BBC when he rang THAT WAS THE WEEK THAT WAS with a joke and got through to David Frost, who sent a taxi for the joke. He never looked back. His greatness as a modern comic writer was confirmed by the publication of THE FALL AND RISE OF REGINALD PERRIN, which he adapted into the immensely successful television series that has entered the fabric of British cultural life, through phrases, images and brilliant humour. A mesmerising, beautifully told tale of life in writing and comedy, I DIDN'T GET WHERE I AM TODAY is the hilarious, poignant and very personal story of David Nobbs' life, which also describes some of the most famous comedians of the last century and captures a golden age of British television.
I Didn't Work This Hard Just to Get Married: Successful Single Black Women Speak Out
by Bella Depaulo Nika BeamonThrough lively and revealing interviews with women from various walks of life, this account speaks directly to the single black woman's experience, addressing unique challenges such as income discrepancies between genders, the high rate of male incarceration, and the "Baby Mama Syndrome." Women discuss the false expectations they face from men, from families, and from friends as well as reevaluate dating, single home ownership, career choices, having children--or not--and caring for aged parents. Their conclusion: singlehood, whether temporary or permanent, and sometimes challenging, is a fulfilling state.
I Do and I Don't: A History of Marriage in the Movies
by Jeanine BasingerFrom one of our leading film historians and interpreters: a brilliantly researched, irresistibly witty, delightfully illustrated examination of "the marriage movie"; what it is (or isn't) and what it has to tell us about the movies--and ourselves.As long as there have been feature movies there have been marriage movies, and yet Hollywood has always been cautious about how to label them--perhaps because, unlike any other genre of film, the marriage movie resonates directly with the experience of almost every adult coming to see it. Here is "happily ever after"--except when things aren't happy, and when "ever after" is abruptly terminated by divorce, tragedy . . . or even murder. With her large-hearted understanding of how movies--and audiences--work, Jeanine Basinger traces the many ways Hollywood has tussled with this tricky subject, explicating the relationships of countless marriages from Blondie and Dagwood to the heartrending couple in the Iranian A Separation, from Tracy and Hepburn to Laurel and Hardy (a marriage if ever there was one) to Coach and his wife in Friday Night Lights. A treasure trove of insight and sympathy, illustrated with scores of wonderfully telling movie stills, posters, and ads.
I Do But I Don't: Why the Way We Marry Matters
by Kamy WicoffA modern womanOCOs look at what it means to be a bride-caught between feminist ideals and the allure of the traditional wedding"
I Do (I Think): Conversations About Modern Marriage
by Allison Raskin"Marriage norms in today&’s society are rapidly changing and it can be hard to keep up. Allison Raskin&’s book unpacks the questions and uncertainties around marriage that so many of us have... a must-read for anyone and everyone that may be curious about the intricacies of modern marriage.&” –Nick Viall, TV Personality, Host of The Viall Files, and Bestselling AuthorFrom Just Between Us cohost and bestselling author Allison Raskin comes a witty, incisive take on modern marriage and how a new generation can navigate its uncertainties and questions.Marriage rates may be on the decline, but that doesn&’t mean marriage is disappearing from society. In fact, as modern relationship norms and structures continue to evolve, the public discourse about marriage has never been louder—or more conflicted. Divorce rates, the appeal of cohabitation, seemingly infinite options for future partners, the patriarchal roots of marriage and gender roles, and economic uncertainty are just a few factors that leave a new generation of single and dating adults wondering. What does marriage even look like now? Why do people still do it? And, most importantly, is it &“for me&”?With conversational wit and compassion, bestselling author Allison Raskin draws on new research, interviews with licensed experts, and the stories of real-life couples to break down the many pieces of today&’s &“marriage conversation&”—and to make the leap of faith a little less scary for Gen Z and millennial adults like herself. What emerges is a thoughtful investigation into our cultural assumptions about commitment, compatibility, divorce, meaningful partnership, the future of marriage—and what it really means to join your bank accounts.
I Do Not Hate the Olympics
by Chuck KlostermanOriginally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Sports, this essay is about the Olympics.
I Don't Do Disability and Other Lies I've Told Myself
by Adelle Purdham“A tender, beautifully written essay collection that is about so much more than parenting a child with a disability.” — Erin Pepler, author of Send Me Into The Woods AloneA raw and intimate portrait of family, love, life, relationships, and disability parenting through the eyes of a mother to a daughter with Down syndrome.With the arrival of her daughter with Down syndrome, Adelle Purdham began unpacking a lifetime of her own ableism. In a society where people with disabilities remain largely invisible, what does it mean to parent such a child? And simultaneously, what does it mean as a mother, a writer, and a woman to truly be seen? The candid essays in I Don’t Do Disability and Other Lies I’ve Told Myself glimmer with humanity and passion, and explore ideas of motherhood, disability, and worth. Purdham delves into grief, rage, injustice, privilege, female friendship, marriage, and desire in a voice that is loudly empathetic, unapologetic, and true. While examining the dichotomies inside of herself, she leads us to consider the flaws in society, showing us the beauty, resilience, chaos, and wild within us all.
I Don't Like the Blues: Race, Place, and the Backbeat of Black Life
by B. Brian FosterHow do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions.In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.
“I Don’t See Color”: Personal and Critical Perspectives on White Privilege
by Bettina Bergo Eula Biss Tracey NichollsWho is white, and why should we care? There was a time when the immigrants of New York City’s Lower East Side—the Irish, the Poles, the Italians, the Russian Jews—were not white, but now “they” are. There was a time when the French-speaking working classes of Quebec were told to “speak white,” that is, to speak English. Whiteness is an allegorical category before it is demographic.This volume gathers together some of the most influential scholars of privilege and marginalization in philosophy, sociology, economics, psychology, literature, and history to examine the idea of whiteness. Drawing from their diverse racial backgrounds and national origins, these scholars weave their theoretical insights into essays critically informed by personal narrative. This approach, known as “braided narrative,” animates the work of award-winning author Eula Biss. Moved by Biss’s fresh and incisive analysis, the editors have assembled some of the most creative voices in this dialogue, coming together across the disciplines. Along with the editors, the contributors are Eduardo Bonilla-Silva, Nyla R. Branscombe, Drucilla Cornell, Lewis R. Gordon, Paget Henry, Ernest-Marie Mbonda, Peggy McIntosh, Mark McMorris, Marilyn Nissim-Sabat, Victor Ray, Lilia Moritz Schwarcz, Louise Seamster, Tracie L. Stewart, George Yancy, and Heidi A. Zetzer.
I Don't Want to Go Home: The Oral History of the Stone Pony
by Nick CorasanitiA captivating oral history of the iconic music venue the Stone Pony and of the rise, fall, and rebirth of Asbury Park, New Jersey—featuring interviews with Bruce Springsteen, Steve Van Zandt, Southside Johnny, members of the E Street Band and Asbury Jukes, the Ramones, the Jonas Brothers, Jack Antonoff, and other legendary musicians.Featuring exclusive, never-before-seen photos from Danny ClinchIn 1970, Asbury Park, New Jersey, was ripped apart by race riots that left the once-proud beach town an hour away from Manhattan smoldering, suffering and left for dead.Four years later, a few miles down the coast in Seaside Heights, two bouncers, Jack Roig and Butch Pielka, tired of the daily grind, dreamt of owning their own place. Under-prepared and minimally funded, the two bought the first bar they considered, in a city where no one wanted to be, without setting one foot in the place. They named it the Stone Pony, and turned it into a rock club that Bruce Springsteen would soon call home and a dying town would call its beating heart.But the bar had to fight to survive. Despite its success in launching and attracting rockers like Stevie Van Zandt, “Southside” Johnny Lyon, and Springsteen, the Stone Pony—like everything in Asbury Park for the past half century—could only weather the drags of a depressed city for so long.How did the Stone Pony beat the odds to survive? How did it become an international rock pilgrimage site, not just for fans of Springsteen, but for punk rockers, jam bands, pop, indie, alternative and many other musicians as well? And how did it continue to inspire and influence a hall-of-fame list of New Jersey and national rock stars? The story of the Stone Pony—thrillingly charted in this detailed oral history—is the chronicle of a proud and unique cultural mecca blooming in a down-but-not-yet-out tough town. As Nick Corasaniti reveals, the stories of Asbury Park and the Stone Pony are that of modern America itself—a place of battered hopes, big dreams, and dogged resilience.
I Don't Want to Talk About It: Overcoming the Secret Legacy of Male Depression
by Terrence RealA bestseller for over 20 years, I Don&’t Want to Talk About It is a groundbreaking and hopeful guide to understanding and destigmatizing male depression, essential not only for men who may be suffering but for the people who love them.Twenty years of experience treating men and their families has convinced psychotherapist Terrence Real that depression is a silent epidemic in men—that men hide their condition from family, friends, and themselves to avoid the stigma of depression’s “un-manliness.” Problems that we think of as typically male—difficulty with intimacy, workaholism, alcoholism, abusive behavior, and rage—are really attempts to escape depression. And these escape attempts only hurt the people men love and pass their condition on to their children. This groundbreaking book is the “pathway out of darkness” that these men and their families seek. Real reveals how men can unearth their pain, heal themselves, restore relationships, and break the legacy of abuse. He mixes penetrating analysis with compelling tales of his patients and even his own experiences with depression as the son of a violent, depressed father and the father of two young sons.