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I Still Believe Anita Hill: Three Generations Discuss the Legacies of Speaking Truth to Power
by Amy Richards and Cynthia GreenbergA searing collection of essays looks back at the 1991 Supreme Court confirmation hearings that ignited a national debate about workplace sexual harassment. In the fall of 1991, Anita Hill captured the country&’s attention when she testified before the U.S. Senate Judiciary Committee describing sexual harassment by Clarence Thomas, who had been her boss and was about to ascend to the Supreme Court. We know what happened next: she was challenged, disbelieved, and humiliated; he was given a lifelong judicial appointment. What is less well-known is how many women and men were inspired by Anita Hill&’s bravery, how her testimony changed the feminist movement, and how she singlehandedly brought public awareness to the issue of sexual harassment. Twenty years later, this collection brings together three generations to witness, respond to, and analyze Hill&’s impact, and to present insights in law, politics, and the confluence of race, class, and gender. With original contributions by Anita Hill, Melissa Harris-Perry, Catharine MacKinnon, Patricia J. Williams, Eve Ensler, Ai Jen Poo, Kimberly Crenshaw, Lynn Nottage, Gloria Steinem, Lani Guinier, Lisa Kron, Mary Oliver, Edwidge Danticat, Kevin Powell, and many others. &“These timely essays show us how those historic hearings brought sexual harassment (especially in the workplace) into the public eye, while also revealing what still hasn&’t changed, and reminding us of the intersection of race, class, gender, and power that underlies this contentious issue.&” —Publishers Weekly
I Swear I Saw This: Drawings in Fieldwork Notebooks, Namely My Own
by Michael TaussigI Swear I Saw This records visionary anthropologist Michael Taussig’s reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs’s surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in I Swear I Saw This as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of afterthoughts leads to ruminations on Freud’s analysis of dreams, Proust’s thoughts on the involuntary workings of memory, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes childhood memories with startling ease. I Swear I Saw This exhibits Taussig’s characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, “drawing is thus a depicting, a hauling, an unraveling, and being impelled toward something or somebody. ” Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.
I Swear I Saw This: Drawings in Fieldwork Notebooks, Namely My Own
by Michael TaussigI Swear I Saw This records visionary anthropologist Michael Taussig’s reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs’s surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in I Swear I Saw This as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of afterthoughts leads to ruminations on Freud’s analysis of dreams, Proust’s thoughts on the involuntary workings of memory, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes childhood memories with startling ease. I Swear I Saw This exhibits Taussig’s characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, “drawing is thus a depicting, a hauling, an unraveling, and being impelled toward something or somebody.” Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.
I Think, Therefore I Draw: Understanding Philosophy Through Cartoons
by Daniel Klein Thomas CathcartWhat makes you think you know what you think you know? What if your right is my wrong? Is it now yet? Like the best comedians, the best cartoonists address philosophy&’s Big Questions. Covering topics as diverse as religion, gender, knowledge, morality and the meaning of life (or the lack thereof), I Think, Therefore I Draw is a joyous introduction to the major debates in philosophy through history and the present. Wittgenstein once said that a serious and good philosophical work could be written that would consist entirely of jokes. Let&’s put that to the test…
I Tried to Change So You Don't Have To: True Life Lessons
by Loni LoveAn inspiring, hilarious memoir about learning to resist the pressures of conformity, love yourself for who you are, embrace your flaws, and unlock your true potential.Now cohost of Fox's The Real and SiriusXM's Café Mocha, Loni Love hasn't taken the typical path to becoming America's favorite straight-talking girlfriend and comedian. She was not the child of Hollywood legends and she never wore a size 00. Rather, she grew up in housing projects in Detroit, more worried about affording her next meal than going on a diet. When she moved to Hollywood after graduating college with an engineering degree, seeking to break out in the entertainment world, there was nothing that would convince her to eat the kale salads and quinoa bowls that her colleagues introduced her to, which looked to Love like "weeds my grandma used to pay me a dollar to pull from her yard."Still, despite the differences that set her apart in the status-driven world of entertainment where being thin, young, blond, and bubbly is sometimes considered a talent, Love spent years trying to fit in -- trying to style her hair just so, dieting, dating the men she thought she was supposed to be with. In this book, she tells the uproariously funny story of how she overcame the trap of self-improvement and instead learned to embrace who she was. As Love writes, "There's a saying a lot of people live by: 'Fake it till you make it.' For me, it's always been 'fake it, and then have the whole thing blow up in your face.'" I Tried to Change So You Don't Have To explores all of the embarrassing mistakes, terrifying challenges, and unexpected breakthroughs that taught her how, by committing ourselves to our own path, we can take control of our destiny.
I Used to Have a Plan: But Life Had Other Ideas
by Alessandra OlanowBalm for the soul—Alessandra Olanow offers advice, inspiration, and encouragement for anyone who needs a shoulder to lean on during a difficult time.“I Know This Too Shall Pass. (But It Would Be Helpful to Know When).”After a series of events left her a divorced single mother questioning herself, her relationships, and basically, everything she thought was true about her “picture-perfect” life, Alessandra Olanow began drawing and posting illustrations on Instagram that reflected her feelings and struggles to right her life. She chronicled her journey of healing, expressing the shock, delusion, denial, self-pity, and self-doubt she experienced and the self-empathy and forgiveness that ultimately helped her regain a sense of self—but stronger, more fearless, and more hopeful than before. Her charming illustrations and keen, memorable observations—struck a chord. Within a year, her audience grew dramatically, from 9,500 to 157,000 followers, including celebrities Katie Couric, Jennifer Garner, Elise Loehnen (chief content officer at Goop), the poet Joao Doederlein, and Joanna Goddard (founder of A Cup of Jo). I Used to Have a Plan brings Olanow’s soothing sensibility to a wider audience, featuring new drawings and ideas that touch upon the universal experiences of unexpected change and loss. Divided into five parts—“I Didn’t See That Coming,” “It’s OK That You’re Not OK,” “Where’d I Go,” “The Only Way Out Is Through,” and “I Like It Here, Can I Stay a While?”—the book beautifully encapsulates the experience of encountering difficulty, processing it and healing from it, and becoming stronger and with a better sense of self. Full of advice, commiseration, empathy, and wit that is comforting, helpful, direct, and remarkable in its truth, I Used to Have a Plan helps everyone through the painful yet ultimately uplifting process of healing.I Used to Have a Plan includes 75-100 illustrations.
I Wanna Get Free
by Chuck KlostermanOriginally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Living and Society, this essay is about revolution.
I Want It Now
by Donna Bee-GatesIn today's world of mega-stores and unbridled materialism, people are spending more money than ever in an attempt to find fulfillment in themselves-and children are no exception. In her compelling and inspiring exploration of kids and consumerism, Donna Bee-Gates helps us all understand how a culture of instant gratification influences spending habits and erodes self-worth. She argues that placating kids with material rewards is detrimental to social and psychological development. Similarly, she reveals that kids often seek out material goods as emotional compensation and fall prey to corporate strategies that lure them in as loyal consumers at an early age. Bee-Gates brings together cutting-edge research and interviews to show that a healthy childhood sometimes means a simpler one--one that values good communication and interaction with peers and family. She highlights strategies to counter materialism and foster stronger identities in our children as they navigate a complex world, and discusses ways that we can help build self-awareness in children and encourage skills that will help them become adults with strong character and integrity.
I Want My MTV: The Uncensored Story of the Music Video Revolution
by Rob Tannenbaum Craig MarksNamed One of the Best Books of 2011 by NPR - Spin - USA Today - CNBC - Pitchfork - The Onion - The Atlantic - The Huffington Post - VEVO - The Boston Globe - The San Francisco Chronicle For fans of VJ: The Unplugged Adventures of MTV's First Wave Remember the first time you saw Michael Jackson dance with zombies in "Thriller"? Diamond Dave karate kick with Van Halen in "Jump"? Tawny Kitaen turning cartwheels on a Jaguar to Whitesnake's "Here I Go Again"? The Beastie Boys spray beer in "(You Gotta) Fight for Your Right (To Party)"? Axl Rose step off the bus in "Welcome to the Jungle"? Remember When All You Wanted Was Your MTV? It was a pretty radical idea-a channel for teenagers, showing nothing but music videos. It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined. I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business. Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever. .
I Want Those Shoes
by Paola Jacobbi"Shoes possess magical properties," writes Italian journalist and shoe fanatic Paola Jacobbi. The allure of shoes is so powerful that they have become her fashion obsession, one she shares with millions of women, from Imelda Marcos to Sarah Jessica Parker to Joan Crawford. Here Jacobbi indulges that obsession by embarking on a witty and highly opinionated journey through the styles and cultural significance of women's footwear and our attachment to it. Jacobbi pontificates (sandals are the bikini of footwear); psychoanalyzes (the relationship between shoes and sex); has fiery beliefs (ankle boots are quite simply a no-no); and speculates (there's a little Imelda in all of us). She also offers plenty of sage advice: how to choose the right heel for your physique, how to keep shoes lasting long, why to avoid mules at all costs, and how to judge a man by his footwear. Charming, sassy, and irresistible, I Want Those Shoes! will be a perfect fit for every woman who has ever coveted, rearranged her closet to accommodate, or maxed out her credit card for one more absolutely-gotta-have-it pair of shoes.
I Want To Be A Cowboy
by Dan LiebmanThe I Want to Be... series gives young children a realistic insight into the working day of adults. Easy-to-read captions and color photographs of women and men from different cultures help children understand what's involved in each occupation. Young readers learn to respect the importance of doing a job well and appreciate the contributions these workers make to our life and the world around us. These books are perfect for reading alone or in group story times. They are certain to spark questions and encourage dialogue and prompt children to learn more about these occupations.
I Want to Go Home Forever: Stories of Becoming and Belonging in South Africa’s Great Metropolis
by Loren B Landau Tanya PampaloneThirteen true stories about xenophobia and belonging in Johannesburg. Generations of people from across Africa, Europe and Asia have turned metal from the depths of the earth into Africa’s wealthiest, most dynamic and most diverse urban centre, a mega-city where post-apartheid South Africa is being made. Yet for newcomers as well as locals, the golden possibilities of Gauteng are tinged with dangers and difficulties. Chichi is a hairdresser from Nigeria who left for South Africa after a love affair went bad. Azam arrived from Pakistan with a modest wad of cash and a dream. Estiphanos trekked the continent escaping political persecution in Ethiopia, only to become the target of the May 2008 xenophobic attacks. Nombuyiselo is the mother of 14-year-old Simphiwe Mahori, shot dead in 2015 by a Somalian shopkeeper in Snake Park, sparking a further wave of anti-foreigner violence. After fighting white oppression for decades, Ntombi has turned her anger towards African foreigners, who, she says are taking jobs away from South Africans and fuelling crime. Papi, a freedom fighter and activist in Katlehong, now dedicates his life to teaching the youth in his community that tolerance is the only way forward. These are some of the thirteen stories that make up this collection. They are the stories of South Africans, some Gauteng-born, others from neighbouring provinces, striving to realise the promises of democracy. They are also the stories of newcomers, from neighbouring countries and from as far afield as Pakistan and Rwanda, seeking a secure future in those very promises. The narratives, collected by researchers, journalists and writers, reflect the many facets of South Africa’s post-apartheid decades. Taken together they give voice to the emotions and relations emanating from a paradoxical place of outrage and hope, violence and solidarity. They speak of intersections between people and their pasts, and of how, in the making of selves and the other they are also shaping South Africa. Underlying these accounts is a nostalgia for an imagined future that can never be realised. These are stories of forever seeking a place called ‘home’.
I Was Born a Slave: An Anthology of Classic Slave Narratives (The Library of Black America series #1)
by Charles Johnson Yuval TaylorBetween 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. <P><P>I Was Born a Slave collects the 20 most significant "slave narratives." They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. <P><P>Many of the narratives--such as those of Frederick Douglass and Harriet Jacobs--have achieved reputations as masterpieces; but some of the lesser-known narratives are equally brilliant. This unprecedented anthology presents them unabridged, providing each one with helpful introductions and annotations, to form the most comprehensive volume ever assembled on the lives and writings of the slaves. <P><P>Volume One (1770-1849) includes the narratives of James Albert Ukawsaw Gronniosaw, Olaudah Equiano (Gustavus Vassa), William Grimes, Nat Turner, Charles Ball, Moses Roper, Frederick Douglass, Lewis & Milton Clarke, William Wells Brown, and Josiah Henson.
I Was Born a Slave: An Anthology of Classic Slave Narratives (The Library of Black America series #2)
by Charles Johnson Yuval TaylorBetween 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. I Was Born a Slave collects the 20 most significant "slave narratives." They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. Many of the narratives--such as those of Frederick Douglass and Harriet Jacobs--have achieved reputations as masterpieces; but some of the lesser-known narratives are equally brilliant. This unprecedented anthology presents them unabridged, providing each one with helpful introductions and annotations, to form the most comprehensive volume ever assembled on the lives and writings of the slaves. Volume Two (1849-1866) includes the narratives of Henry Bibb, James W. C. Pennington, Solomon Northup, John Brown, John Thompson, William and Ellen Craft, Harriet Jacobs (Linda Brent), Jacob D. Green, James Mars, and William Parker.
I Was A Doctor In Auschwitz (Lexington Studies in Jewish Literature Series)
by Gisella Perl Phyllis Lassner Danny M. Cohen Eva HoffmanGisella Perl’s memoir is the extraordinarily candid account of women’s extreme efforts to survive Auschwitz. With writing as powerful as that of Charlotte Delbo and Ruth Kluger, her story individualizes and therefore humanizes a victim of mass dehumanization. Perl accomplished this by representing her life before imprisonment, in Auschwitz and other camps, and in the struggle to remake her life. It is also the first memoir by a woman Holocaust survivor and establishes the model for understanding the gendered Nazi policies and practices targeting Jewish women as racially poisonous. Perl’s memoir is also significant for its inclusion of the Nazis’ Roma victims as well as in-depth representations of Nazi women guards and other personnel. Unlike many important Holocaust memoirs, Perl’s writing is both graphic in its horrific detail and eloquent in its emotional responses. One of the memoir’s major historical contributions is Perl’s account of being forced to work alongside Dr. Josef Mengele in his infamous so-called clinic and using her position to save the lives of other women prisoners. These efforts including infanticide and abortion, topics that would remain silenced for decades and, unfortunately, continue to be marginalized from all too many Holocaust accounts. After decades out of print, this new edition will ensure the crucial place of Perl’s testimony on Holocaust memory and education.
I Was Never Alone, or Oporniki: An Ethnographic Play on Disability in Russia (Teaching Culture: UTP Ethnographies for the Classroom)
by Cassandra HartblayI Was Never Alone or Oporniki presents an original ethnographic stage play, based on fieldwork conducted in Russia with adults with disabilities. The core of the work is the script of the play itself, which is accompanied by a description of the script development process, from the research in the field to rehearsals for public performances. In a supporting essay, the author argues that both ethnography and theatre can be understood as designs for being together in unusual ways, and that both practices can be deepened by recognizing the vibrant social impact of interdependency animated by vulnerability, as identified by disability theorists and activists.
I Was Their American Dream: A Graphic Memoir
by Malaka GharibI Was Their American Dream is at once a coming-of-age story and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children. The daughter of parents with unfulfilled dreams themselves, Malaka navigated her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid. <P><P> Malaka Gharib's triumphant graphic memoir brings to life her teenage antics and illuminates earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka's story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream. <P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
I Was Told to Come Alone: My Journey Behind The Lines Of Jihad
by Souad Mekhennet“I was told to come alone. I was not to carry any identification, and would have to leave my cell phone, audio recorder, watch, and purse at my hotel. . . .”For her whole life, Souad Mekhennet, a reporter for The Washington Post who was born and educated in Germany, has had to balance the two sides of her upbringing – Muslim and Western. She has also sought to provide a mediating voice between these cultures, which too often misunderstand each other.In this compelling and evocative memoir, we accompany Mekhennet as she journeys behind the lines of jihad, starting in the German neighborhoods where the 9/11 plotters were radicalized and the Iraqi neighborhoods where Sunnis and Shia turned against one another, and culminating on the Turkish/Syrian border region where ISIS is a daily presence. In her travels across the Middle East and North Africa, she documents her chilling run-ins with various intelligence services and shows why the Arab Spring never lived up to its promise. She then returns to Europe, first in London, where she uncovers the identity of the notorious ISIS executioner “Jihadi John,” and then in France, Belgium, and her native Germany, where terror has come to the heart of Western civilization.Mekhennet’s background has given her unique access to some of the world’s most wanted men, who generally refuse to speak to Western journalists. She is not afraid to face personal danger to reach out to individuals in the inner circles of Al Qaeda, the Taliban, ISIS, and their affiliates; when she is told to come alone to an interview, she never knows what awaits at her destination.Souad Mekhennet is an ideal guide to introduce us to the human beings behind the ominous headlines, as she shares her transformative journey with us. Hers is a story you will not soon forget.
I Wasn't Ready to Say Goodbye: Surviving, Coping and Healing After the Sudden Death of a Loved One
by Brook Noel Pamela BlairThe most helpful grief book to read when you're ready to start healing after the loss of a loved one.Discover the transformative power of healing and hope with this top-rated grief book and compassionate guide for those navigating the challenging journey of grief and loss.Written with profound wisdom and heartfelt empathy, I Wasn't Ready to Say Goodbye gently walks readers through the stages of grief, providing practical tools and empowering strategies to cope with the pain and confusion that accompany the loss of a loved one. Whether you've experienced the recent passing of a family member, friend, or even a pet, this book offers solace and guidance to help you navigate your unique grieving process.Features include:Practical Guidance: Learn effective coping strategies and practical tools to navigate the grieving process.Empathy and Understanding: Feel understood and supported through heartfelt anecdotes and relatable experiences.Personal Growth: Find solace and meaning in your grief journey as you embark on a path of healing and personal growth.Comprehensive Resource: Access a comprehensive guide that addresses various aspects of grief, including anticipatory grief, sudden loss, and long-term complicated grief.Hope and Inspiration: Embrace a message of hope and inspiration, knowing that healing is possible even in the face of profound loss.Whether you are at the beginning of your grief journey or further along the path, this book will help you find the strength to heal, honor your loved one's memory, and rediscover joy and purpose in your life.Praise for I Wasn't Ready to Say Goodbye:"I highly recommend this book, not only to the bereaved, but to friends and counselors as well."— Helen Fitzgerald, author of The Grieving Child, The Mourning Handbook, and The Grieving Teen"This book, by women who have done their homework on grief... can hold a hand and comfort a soul through grief's wilderness. Outstanding references of where to see other help."— George C. Kandle, Pastoral Psychologist"Finally, you have found a friend who can not only explain what has just occurred, but can take you by the hand and lead you to a place of healing and personal growth…this guide can help you survive and cope, but even more importantly... heal."— The Rebecca Review"For those dealing with the loss of a loved one, or for those who want to help someone who is, this is a highly recommended read."—Midwest Book ReviewNamed a Best Book on Losing a Parent for 2022 by Choosing Therapy.
I Wasn't Supposed to Be Here: Finding My Voice, Finding My People, Finding My Way
by Jonathan ConyersAs seen on Humans of New York, Jonathan Conyers introduces us to the teachers, his debate coach, a homeless man, and a boy named Diego who changed his life. Booklist calls it &“a moving story about finding your supporters and building your future.&” Everybody was rooting for Jonathan Conyers after seeing his profile on Humans of New York went viral and sparked millions in donations to the Brooklyn Debate League. The kid who went from struggling to read to being a breakout star on his high school debate team, thanks to a life-changing friendship with his transgender debate coach, captured the heart of America. Jonathan&’s story highlights the important role teachers play in opening up worlds of opportunity for the most vulnerable students. In I Wasn&’t Supposed to Be Here, Jonathan shares the full story of his incredible journey escaping the precarious circumstances he was born into, and the teachers, mentors, and guides who helped him along the way. Born into a family crippled by addiction and homelessness, Jonathan &“failed&” kindergarten and was told he would never succeed academically. But instead, Jonathan found ways to defy the limited expectations placed upon him by building a village to save his own life, and realize his dream to get into medical school. Throughout this heartwarming memoir, we meet the unique and diverse cast of characters who made up Jonathan&’s village and helped him change the trajectory of his life.
I Wear the Black Hat: Grappling with Villains (Real and Imagined)
by Chuck KlostermanOne-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine).Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.
I Will Find You
by Joanna Connors"This is it. My rape. I knew it was coming. Every woman knows. And now here it is. My turn. " When Joanna Connors was thirty years old on assignment for the Cleveland Plain Dealer to review a play at a college theater, she was held at knife point and raped by a stranger who had grown up five miles away from her. Once her assailant was caught and sentenced, Joanna never spoke of the trauma again, until 21 years later when her daughter was about to go to college. She resolved then to tell her children about her own rape so they could learn and protect themselves, and she began to realize that the man who assaulted her was one of the formative people in her life. Setting out to uncover the story of her attacker, Connors embarked on a journey to find out who he was, where he came from, who his friends were and what his life was like. What she discovers stretches beyond one violent man's story and back into her own, interweaving a narrative about strength and survival with one about rape culture and violence in America. I Will Find You is a brave, timely consideration of race, class, education and the families that shape who we become, by a reporter and a survivor.
I Will Find You: Solving Killer Cases from My Life Fighting Crime
by Joe Kendap.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times; -webkit-text-stroke: #000000} li.li1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} span.s2 {font: 14.0px Baskerville; font-kerning: none} ul.ul1 {list-style-type: disc} Detective Lt. Joe Kenda, star of Homicide Hunter, shares his deepest, darkest, and never before revealed case files from his 19 years as a homicide detective.Are you horrified yet fascinated by abhorrent murders? Do you crave to know the gory details of these crimes, and do you seek comfort in the solving of the most gruesome? In I WILL FIND YOU, the star of Homicide Hunter: Lt. Joe Kenda shares his deepest, darkest, and never-before-revealed case files from his two decades as a homicide detective and reminds us that crimes like these are very real and can happen even in our own backyards. Gruesome, macabre, and complex cases. Joe Kenda investigated 387 murder cases during his 23 years with the Colorado Springs Police Department and solved almost all of them. And he is ready to detail the cases that are too gruesome to air on television, cases that still haunt him, and the few cases where the killer got away. These cases are horrifyingly real, and the detail is so mesmerizing you won't be able to look away. The tales in I WILL FIND YOU will shock you like the best horror stories-divulging insights into the actions, motivations, and proclivities of nature's most dangerous species. Don't mind the blood.
I Will Go With You Into The Dark: Short Stories of the Alaska State Trooper Chaplaincy
by Debra WaltmanThe Waltmans are both tireless advocates for the chaplaincy program, and I thank them for the open communication and supporting efforts they have continuously demonstrated over the years. Major D. Casanovas, Deputy Director, Alaska State Troopers, Anchorage, Alaska *** The example set by Chaplains Boyd and Debra Waltman brings great credit to themselves and the Alaska State Troopers. Investigator Sherry Ferno, Alaska Bureau of Investigation, Alaska State Troopers, Anchorage, Alaska *** Chaplains Boyd and Debra Waltman demonstrated compassion and unwavering dedication and are true testaments of service to others before self. Casandra Byrne, former Executive Secretary to the Commissioner of Public Safety, Anchorage, Alaska *** In Alaska's cache of treasures, AST Chaplains Boyd and Debra Waltman and the AST Chaplaincy Program are shining gems, lifting up Alaska's finest law enforcement officers, their families, partner agencies, and the communities they serve. Jennifer Burkmire, Executive Director, The Children's Place CAC, Retired, Wasilla, Alaska *** Anyone desiring to serve as a law enforcement chaplains should read this book. Chaplain Boyd Waltman, Advisor Alaska State Trooper Chaplaincy
I Will Live for Both of Us: A History of Colonialism, Uranium Mining, and Inuit Resistance (Contemporary Studies on the North #9)
by Jack Hicks Joan Scottie Warren BernauerBorn at a traditional Inuit camp in what is now Nunavut, Joan Scottie has spent decades protecting the Inuit hunting way of life, most famously with her long battle against the uranium mining industry. Twice, Scottie and her community of Baker Lake successfully stopped a proposed uranium mine. Working with geographer Warren Bernauer and social scientist Jack Hicks, Scottie here tells the history of her community’s decades-long fight against uranium mining. Scottie's I Will Live for Both of Us is a reflection on recent political and environmental history and a call for a future in which Inuit traditional laws and values are respected and upheld. Drawing on Scottie’s rich and storied life, together with document research by Bernauer and Hicks, their book brings the perspective of a hunter, Elder, grandmother, and community organizer to bear on important political developments and conflicts in the Canadian Arctic since the Second World War. In addition to telling the story of her community’s struggle against the uranium industry, I Will Live for Both of Us discusses gender relations in traditional Inuit camps, the emotional dimensions of colonial oppression, Inuit experiences with residential schools, the politics of gold mining, and Inuit traditional laws regarding the land and animals. A collaboration between three committed activists, I Will Live for Both of Us provides key insights into Inuit history, Indigenous politics, resource management, and the nuclear industry.