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Illusions of Immortality: A Psychology Of Fame And Celebrity
by David GilesWhat drives people to crave fame and celebrity? How does fame affect people psychologically? These issues are frequently discussed by the media but up till now psychologists have shied away from an academic away from an academic investigation of the phenomenon of fame. In this lively, eclectic book David Giles examines fame and celebrity from a variety of perspectives. He argues that fame should be seen as a process rather than a state of being, and that `celebrity' has largely emerged through the technological developments of the last 150 years. Part of our problem in dealing with celebrities, and the problem celebrities have dealing with the public, is that the social conditions produced by the explosion in mass communications have irrevocably altered the way we live. However we know little about many of the phenomena these conditions have produced - such as the `parasocial interaction' between television viewers and media characters, and the quasi-religious activity of `fans'. Perhaps the biggest single dilemma for celebrities is the fact that the vehicle that creates fame for them - the media - is also their tormentor. To address these questions, David Giles draws on research from psychology, sociology, media and communications studies, history and anthropology - as well as his own experiences as a music journalist in the 1980s. He argues that the history of fame is inextricably linked to the emergence of the individual self as a central theme of Western culture, and considers how the desire for authenticity, as well as individual privacy, have created anxieties for celebrities which are best understood in their historical and cultural context.
Illusions Of Safety: Culture And Earthquake Hazard Response In California And Japan
by Risa PalmThis book is based upon work supported by the National Science Foundation under Grant Nos. CMS-9542154 and CMS-9316749. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the National Science Foundation. We wish to acknowledge the collaboration of Professor Shinobu Kitayama of Kyoto University in sharing in the design of the study. Kitayama developed the application of the concepts drawn from "cultural psychology" to the specific research topic of earthquake hazards response, conducted focus groups in Yaizu and Shimizu that resulted in the development of a cross-cultural questionnaire design, was in charge of the survey execution in Japan, and participated in every stage of the analysis of survey results. Professor Mayumi Karasawa of Shirayuri College in Tokyo coordinated the administration of the survey research in Japan. In Japan, an undergraduate, Takahiko Masuda of Kyoto University, managed the data analysis and coordination with the Oregon team. In Oregon, two graduate students in geography participated in the study design and execution: Tom Kochevar, and Daphne Minton.
Illustrated Black History
by George McCalmanA gorgeous collection of 145 original portraits that celebrates Black pioneers—famous and little-known--in politics, science, literature, music, and more—with biographical reflections, all created and curated by an award-winning graphic designer.Illustrated Black History is a breathtaking collection of original portraits depicting black heroes—both famous and unsung—who made their mark on activism, science, politics, business, medicine, technology, food, arts, entertainment, and more. Each entry includes a lush drawing or painting by artist George McCalman, along with an insightful essay summarizing the person’s life story.The 145 entries range from the famous to the little-known, from literary luminary James Baldwin to documentarian Madeline Anderson, who produced “I Am Somebody” about the 1969 strike of mostly female hospital workers; from Aretha Franklin to James and Eloyce Gist, who had a traveling ministry in the early 1900s; from Colin Kaepernick to Guion S. Bluford, the first Black person to travel into space.Beautifully designed with over 300 unique four-color artworks and accessible to readers of all ages, this eye-opening, educational, dynamic, and timely compendium pays homage to Black Americans and their achievements, and showcases the depth and breadth of Black genius.
An Illustrated Book of Loaded Language: Learn To Hear What's Left Unsaid (Bad Arguments #0)
by Ali Almossawi Alejandro Giraldo“This is a book for every thinking person, the perfect antidote to today’s culture wars.”—Hope Jahren The creators of An Illustrated Book of Bad Arguments return with this desperately timely guide to how words can trick us. Learn to “hear” hidden bias, slant, and spin—from an irresistible cast of woodland creatures! Public discourse? More like public discord. The battle cries of our culture wars are rife with “loaded language”—be it bias, slant, or spin. But listen closely, or you’ll miss what Ali Almossawi finds more frightening still: words that erase accountability, history, even identity through what they leave unsaid. Speaking as wise old Mr. Rabbit, Almossawi leads us through a dark forest of rhetoric—aided by Orwell, Baldwin, and a squee-worthy cast of wide-eyed woodland creatures. Here, passive voice can pardon wrongdoers, statistics may be a smokescreen, gaslighting entraps the downtrodden, and irrelevant adjectives cement stereotypes. Emperor Squirrel isn’t naked; he has a clothes-free sartorial style. Mouse’s roof becomes flattened (Elephant’s foot just happens to be there at the time). And when keen-eyed Owl claims a foreign shore, he seems to be overlooking someone . . . Fans of Almossawi’s An Illustrated Book of Bad Arguments couldn’t ask for a better primer on the less logical ways that words can trick us. It takes a long pair of ears to hear what’s left unsaid—but when you’re a rabbit in a badger world, listening makes all the difference.
An Illustrated Dictionary of British Steel Engravers (Routledge Revivals)
by Basil HunnisettFirst published in 1989, An Illustrated Dictionary of British Steel Engravers contains more than 600 entries and an extensive plate section, providing examples of work referenced in the text and adding a clear chronological dimension to the subject. The book makes use of an array of surviving accounts and correspondence of engravers and publishers and adopts a comprehensive and systematic approach to identifying different types and variants of steel engravings over time. Equipped with a detailed introduction to the history of steel engravings, An Illustrated Dictionary of British Steel Engravers will be of great use to those interested in illustration, graphic art, Victorian literature, and the history of printing.
The Illustrated Dictionary of Greek and Roman Mythology
by Michael StapletonAn outstanding reference for mythology study.
The Illustrated Guide to Assistive Technology and Devices: Tools and Gadgets for Living Independently
by Suzanne Robitaille"A Doody's Core Title 2012"This new illustrated guide to assistive technologies and devices chronicles the use of AT/AD - technology used by individuals with disabilities to perform functions that might otherwise be difficult or impossible. This book empowers people to use assistive technologies to overcome some of their physical or mental limitations and have a more equal playing field. It includes real-life examples about how people with disabilities are using assistive technology (AT) to assist them in daily tasks, and discusses emotional issues related to AT/AD.
The Illustrated Guide to Social Science Research
by Divya SharmaThis accessible and engaging textbook helps students to get to grips with key concepts, issues, and practices in social science research through the use of fun and informative illustrations and examples. Written and illustrated by an experienced teacher of research methods in the social sciences, each chapter explains research concepts while using everyday examples and illustrations to make applied research comprehensive to students. It explains the step-by-step process for carrying out research through a range of topics and approaches, including survey research, research ethics, sampling, and experimental research. Chapters also include learning objectives, class activities, key terms, helpful hints, and suggestions for further reading. This book will be essential reading for any undergraduate research methodology class in the social sciences.
The Illustrated Guide to the Content Analysis Research Project
by Patricia SwannThe Illustrated Guide to the Content Analysis Research Project makes mass media research more accessible through an informal and humorous student-centered approach. Author Patricia Swann provides a colorful, step-by-step guide to developing a typical mass media research project using the content analysis method. The fundamental elements of this research method are presented in plainspoken language perfect for undergraduates and new researchers, complete with engaging illustrations and an informal narrative that tackle students’ most common sticking-points when learning and applying research methods. Supplemented by online worksheets for further reflection, this book is an excellent companion to research-centered courses in mass media, communication studies, marketing, and public relations at the introductory level.
The Illustrated Ramayana: The Timeless Epic of Duty, Love, and Redemption
by DKDiscover the Ramayana—one of India&’s most celebrated epics, and a story that transcends time itself.The tale of Rama, the exiled prince of Ayodhya who battles the evil Ravana, the king of Lanka, and rescues his abducted wife, Sita, is about much more than the eternal battle of good versus evil. It is a tale of love, friendship, loyalty, devotion, righteousness, and deliverance. Ramayana and Rama, whose journey is told in the epic, are embedded in India&’s cultural consciousness, but they transcend borders. Various versions of the Ramayana can be found across the Indian subcontinent and in parts of southeast Asia. Created in consultation with distinguished economist, scholar, and translator Dr. Bibek Debroy, The Illustrated Ramayana draws from one of its earliest composers, the celebrated sage and poet Valmiki. It uses a combination of text and stunning images drawn from a variety of sources—historic and contemporary artifacts, paintings, photographs, and performances—to tell Rama&’s story as he walks the path that destiny creates for him.
Illyricum in Roman Politics 229 BC-AD 68
by Danijel DzinoIllyricum, in the western Balkan peninsula, was a strategically important area of the Roman Empire where the process of Roman imperialism began early and lasted for several centuries. Dzino here examines Roman political conduct in Illyricum; the development of Illyricum in Roman political discourse; and the beginning of the process that would integrate Illyricum into the Roman Empire and wider networks of the Mediterranean world. In addition, he also explores the different narrative histories, from the romanocentric narrative of power and Roman military conquest, which dominate the available sources, to other, earlier scholarly interpretations of events.
I'm Afraid of Men
by Vivek Shraya"Emotional and painful but also layered with humour, I'm Afraid of Men will widen your lens on gender and challenge you to do better. This challenge is a necessary one--one we must all take up. It is a gift to dive into Vivek's heart and mind."--Rupi Kaur, bestselling author of The Sun and Her Flowers and Milk and Honey <P><P>A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might reimagine gender for the twenty-first century <P><P>Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. <P><P>Now, with raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. <P><P> I'm Afraid of Men is a journey from camouflage to a riot of colour and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.
I'm Black. I'm Christian. I'm Methodist.
by Justin Coleman F. Willis Johnson Pamela R. Lightsey Lillian C. Smith Erin Beasley Jevon Caldwell-Gross Vance P. Ross Rodney Lorenzo Graves Tori C. ButlerIt’s uncertain that Howard Thurman made the remark often attributed to him, "I have been writing this book all my life," but there is little doubt that he was deeply immersed in reflection on the times that bear an uncanny resemblance to the present day, which give voice to the Black Lives Matter movement. <P><P> Our "life’s book" is filled with sentence upon sentence of marginalization, pages of apartheid, chapters of separate and unequal. Now this season reveals volumes of violence against Blacks in America. <P><P> Ten Black women and men explore life through the lens of compelling personal religious narratives. They are people and leaders whose lives are tangible demonstrations of the power of a divine purpose and evidence of what grace really means in face of hardship, disappointment, and determination. Each of the journeys intersect because of three central elements that are the focus of this book. We’re Black. We’re Christians. We’re Methodists. Each starts with the fact, "I'm Black," but to resolve the conflict of being Christian and Methodist means confronting aspects of White theology, White supremacy, and White racism in order to ground an oppositional experience toward domination over four centuries in America.
I'm Black When I'm Singing, I'm Blue When I Ain't: And Other Plays
by Sonia SanchezSonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez's plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don't Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I'm Black When I'm Singing, I'm Blue When I Ain't (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood's introduction illuminates Sanchez's stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
I'm Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta (American Made Music Series)
by Stephen A. KingIn I’m Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta, Stephen A. King reveals the strategies used by blues promoters and organizers in Mississippi, both African American and white, local and state, to attract the attention of tourists. In the process, he reveals how promotional materials portray the Delta’s blues culture and its musicians. Those involved in selling the blues in Mississippi work to promote the music while often conveniently forgetting the state’s historical record of racial and economic injustice. King’s research includes numerous interviews with blues musicians and promoters, chambers of commerce, local and regional tourism entities, and members of the Mississippi Blues Commission. This book is the first critical account of Mississippi’s blues tourism industry. From the late 1970s until 2000, Mississippi’s blues tourism industry was fragmented, decentralized, and localized, as each community competed for tourist dollars. By 2003–2004, with the creation of the Mississippi Blues Commission, the promotion of the blues became more centralized as state government played an increasing role in promoting Mississippi’s blues heritage. Blues tourism has the potential to generate new revenue in one of the poorest states in the country, repair the state’s public image, and serve as a vehicle for racial reconciliation.
I'm Just Dead, I'm Not Gone (American Made Music Series)
by Jim DickinsonI'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941–2009) describes his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording. The blues, Elvis, and early rock 'n' roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Phillips, Furry Lewis, Will Shade, and Howlin' Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler. Dickinson is a member of the Mississippi Music Hall of Fame and an inaugural inductee of the Memphis Music Hall of Fame. He has received the Lifetime Achievement Award for Engineering and Production from the Americana Music Association, a Brass Note on the Beale Street Walk of Fame in Memphis, and a Heritage Marker on the Mississippi Blues Trail. This memoir recounts a love affair with Memphis, the blues, and rock 'n' roll through Dickinson's captivating blend of intelligence, humor, and candor.
I'm Just Saying: A Guide to Maintaining Civil Discourse in an Increasingly Divided World
by Milan KordestaniA straightforward look at the history and the art of maintaining courteous communication in an increasingly divided world.Have you ever been in a conversation that, after volleying back and forth, ended with the words, &“I&’m just saying . . .&”? Usually, this signals frustration, that the discussion has reached a dead end, that you haven&’t made your point, and may even leave you feeling that your relationship with the other person has changed for the worse. Digital interactions, devoid of nuance and understanding, further complicate discussion. We may believe that we are superior because our opinions are the &“right&” ones, and in the future avoid conversations with those whose opinions differ from ours, sending us into a never-ending echo chamber. In I&’m Just Saying, author Milan Kordestani shows us that although challenging conversations can be unpleasant, they can also help us grow. Sometimes, people inspire us to change how we speak, making us better communicators in the process as we search to find common ground with those with whom we disagree. Kordestani uses contemporary case studies and personal experience to teach readers how to have constructive conversations by engaging in civil discourse—the idea that good-faith actors can reach consensus on any opinion-based disagreement. He discusses influential leaders and reflects on his successes and failures in creating The Doe, an online publication focused on civil discourse. He addresses the challenges that digital media consumption presents when seeking common ground—especially when people are only digitally connected. Civil discourse, an essential part of democracy, is becoming rare in today's digital age. I&’m Just Saying examines discourse's successes and the ways to rebuild it. Drawing from history, popular culture, and personal anecdotes, the book promotes effective civil discourse by providing practical advice and strategies for respect. Through story, I&’m Just Saying offers insight and tools for politeness in a divided world.
Im Kwon-Taek: The Making of a Korean National Cinema
by Kyung Hyun Kim David E. JamesKorean cinema was virtually unavailable to the West during the Japanese colonial period (1910-1945), and no film made before 1943 has been recovered even though Korea had an active film-making industry that produced at least 240 films. For a period of forty years, after Korea was liberated from colonialism, a time where Western imports were scarce, Korean cinema became an innovative force reflecting a society whose social and cultural norms were becoming less conservative. Im Kwon-Taek: The Making of a Korean National Cinema is a colleciton of essays written about Im Kwon-Taek, better know as the father of New Korean Cinema, that takes a critical look at the situations of filmmakers in South Korea. Written by leading Koreanists and scholars of Korean film in the United States, Im Kwon-Taek is the first scholarly treatment of Korean cinema. It establishes Im Kwon-Taek as the only major Korean director whose life's work covers the entire history of South Korea's military rule (1961-1992). It demonstrates Im's struggles with Korean cinema's historical contradictions and also shows how Im rose above political discord. The book includes an interview with Im, a chronology of Korean cinema and Korean history showing major dynastic periods and historical and political events, and a complete filmography. Im Kwon-Taek is timely and makes a significant contribution to our understanding of Korean cinema. These essays situate Im Kwon-Taek within Korean filmmaking, placing him in industrial, creative, and social contexts, and closely examine some of his finest films. Im Kwon-Taek will interest students and scholars of film studies, Korean studies, religious studies, postcolonial studies, and Asian studies.
I'm Mostly Here to Enjoy Myself: One Woman's Pursuit of Pleasure in Paris
by Glynnis MacNicolWhen you&’re a woman of a certain age, you are only promised that everything will get worse. But what if everything you&’ve been told is a lie?Come to Paris, August 2021, when the City of Lights was still empty of tourists and a thirst for long-overdue pleasure gripped those who wandered its streets.After New York City emptied out in March 2020, Glynnis MacNicol, aged forty-six, unmarried with no children, spent sixteen months alone in her tiny Manhattan apartment. The isolation was punishing. A year without touch. Women are warned of invisibility as they age, but this was an extreme loneliness no one can prepare you for. When the opportunity to sublet a friend&’s apartment in Paris arose, MacNicol jumped on it. Leaving felt less like a risk than a necessity.What follows is a decadent, joyful, unexpected journey into one woman&’s pursuit of radical enjoyment.The weeks in Paris are filled with friendship and food and sex. There is dancing on the Seine; a plethora of gooey cheese; midnight bike rides through empty Paris; handsome men; afternoons wandering through the empty Louvre; nighttime swimming in the ocean off a French island. And yes, plenty of nudity.In the spirit of Nora Ephron and Deborah Levy (think Colette . . . if she&’d had access to dating apps), I&’m Mostly Here to Enjoy Myself is an intimate, insightful, powerful, and endlessly pleasurable memoir of an intensely lived experience whose meaning and insight expand far beyond the personal narrative. MacNicol is determined to document the beauty, excess, and triumph of a life that does not require permission.The pursuit of enjoyment is a political act, both a right and a responsibility. Enjoying yourself—as you are—is not something the world tells you is possible, but it is.Here&’s the proof.
I'm Neither Here Nor There: Mexicans' Quotidian Struggles with Migration and Poverty
by Patricia ZavellaI'm Neither Here nor There explores how immigration influences the construction of family, identity, and community among Mexican Americans and migrants from Mexico. Based on long-term ethnographic research, Patricia Zavella describes how poor and working-class Mexican Americans and migrants to California's central coast struggle for agency amid the region's deteriorating economic conditions and the rise of racial nativism in the United States. Zavella also examines tensions within the Mexican diaspora based on differences in legal status, generation, gender, sexuality, and language. She proposes "peripheral vision" to describe the sense of displacement and instability felt by Mexican Americans and Mexicans who migrate to the United States as well as by their family members in Mexico. Drawing on close interactions with Mexicans on both sides of the border, Zavella examines migrant journeys to and within the United States, gendered racialization, and exploitation at workplaces, and the challenges that migrants face in forming and maintaining families. As she demonstrates, the desires of migrants to express their identities publicly and to establish a sense of cultural memory are realized partly through Latin American and Chicano protest music, and Mexican and indigenous folks songs played by musicians and cultural activists.
"I'm Not a Racist, But . . .": The Moral Quandary of Race
by Lawrence BlumNot all racial incidents are racist incidents, Lawrence Blum says. "We need a more varied and nuanced moral vocabulary for talking about the arena of race. We should not be faced with a choice of 'racism' or nothing." Use of the word "racism" is pervasive: An article about the NAACP's criticism of television networks for casting too few "minority" actors in lead roles asks, "Is television a racist institution?" A white girl in Virginia says it is racist for her African-American teacher to wear African attire. Blum argues that a growing tendency to castigate as "racism" everything that goes wrong in the racial domain reduces the term's power to evoke moral outrage. In "I'm Not a Racist, But . . .", Blum develops a historically grounded account of racism as the deeply morally-charged notion it has become. He addresses the question whether people of color can be racist, defines types of racism, and identifies debased and inappropriate usages of the term. Though racial insensitivity, racial anxiety, racial ignorance and racial injustice are, in his view, not "racism," they are racial ills that should elicit moral concern. Blum argues that "race" itself, even when not serving distinct racial malfeasance, is a morally destructive idea, implying moral distance and unequal worth. History and genetic science reveal both the avoidability and the falsity of the idea of race. Blum argues that we can give up the idea of race, but must recognize that racial groups' historical and social experience has been shaped by having been treated as if they were races.
I'm Not Like Everybody Else: Biopolitics, Neoliberalism, and American Popular Music (Provocations)
by Jeffrey T. NealonDespite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop’s music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant “disciplinary” mode of power to a “biopolitical” mode, Nealon argues that the modes of musical “resistance” need to be completely rethought and that a commitment to musical authenticity or meaning—saying “no” to the mainstream—is no longer primarily where we might look for music to function against the grain. Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the “attention capitalism” that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between “keepin’ it real” and “sellin’ out.”
I'm OK! Building Resilience through Physical Play
by Jarrod GreenChildren must learn to pick themselves up, brush themselves off, and bounce back. How do you allow for the physicality required to build resilience why you are tasked with children's safety? This guide provides the tools and strategies for creating a culture of resilience, including families in the process, and keeping safety front-of-mind.Examine common safety concerns and how to address and prepare for themLearn how to work with families and build a trusting relationship around children's physical development Consider legal concerns regarding licensing and liabilityDiscover practical approaches to working with children to find their appropriate level of physical risk-taking and how to respond to a child's risky behaviorJarrod Green is an early childhood educator with over a decade of experience in early childhood education. His teaching practice centers around an emergent, project-based approach to curriculum, with an emphasis on learning through play, developing relationships with communities, and building self-regulation and resilience. Green also presents at many professional conferences, including NAEYC's Professional Development Institute.
(Im)possible Worlds to Conquer: A Critical Reading of Dr. B. R. Ambedkar’s Waiting for Visa
by Mrunal ChavdaWith multidisciplinary examination, this book explores Waiting for Visa, Ambedkar's autobiographical writing. This investigation ranges from Dalit Studies to Discourse analysis. It aims to provide the reader with in-depth knowledge of Ambedkar's unexplored autobiographical memoir and supplement a range of generalized works. The issues addressed in this book are essential to Ethnic and Race studies in general, to which Dalit Studies is but one contributing discipline. The Dalit Studies already have many texts. These texts are primarily concerned with Dalit identity politics, socio-mythological explorations, and Ambedkarian thoughts on economics, politics, and racial-religious discriminations. These are not discussed with Ambedkar's life stories narrated by himself. This book bridges the gap between Dalit Studies and Ambedkar Studies to project how Ambedkar attempted to forge into an impregnable South Asian social, educational, and political fabric. This reference book aims to attract academics and students of Asian, South Asian, and Dalit Studies. The book appeals to educators, policymakers, and comparative literary scholars.
I'm Right and Youre an Idiot: The Toxic State of Public Discourse and How to Clean it Up
by James HogganThe most pressing environmental problem we face today is not climate change. It is pollution in the public square, where a smog of adversarial rhetoric, propaganda, and polarization stifles discussion and debate, creating resistance to change and thwarting our ability to solve our collective problems.In I'm Right and You're an Idiot, author and David Suzuki Foundation chair James Hoggan grapples with this critical issue, conducting interviews with outstanding thinkers from the Himalayas to the House of Lords. Drawing on the wisdom of such notables as Thich Nhat Hanh, Noam Chomsky, and the Dalai Lama, his comprehensive analysis explores: How trust is undermined and misinformation thrives in today's public dialogue Why facts alone fail - the manipulation of language and the silencing of dissent The importance of reframing our arguments with empathy and values to create compelling narratives and spur action. Our species' greatest survival strategy has always been foresight and the ability to leverage our intelligence to overcome adversity. For too long now this capacity has been threatened by the sorry state of our public discourse. Focusing on proven techniques to foster more powerful and effective communication, this book will appeal to readers looking for both deep insights and practical advice.James Hoggan is president of the Vancouver PR firm Hoggan & Associates, chair of the David Suzuki Foundation board, and founder of the influential website DeSmogBlog. He is author of Climate Cover-Up and Do the Right Thing.