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I'm Right and Youre an Idiot: The Toxic State of Public Discourse and How to Clean it Up
by James HogganThe most pressing environmental problem we face today is not climate change. It is pollution in the public square, where a smog of adversarial rhetoric, propaganda, and polarization stifles discussion and debate, creating resistance to change and thwarting our ability to solve our collective problems.In I'm Right and You're an Idiot, author and David Suzuki Foundation chair James Hoggan grapples with this critical issue, conducting interviews with outstanding thinkers from the Himalayas to the House of Lords. Drawing on the wisdom of such notables as Thich Nhat Hanh, Noam Chomsky, and the Dalai Lama, his comprehensive analysis explores: How trust is undermined and misinformation thrives in today's public dialogue Why facts alone fail - the manipulation of language and the silencing of dissent The importance of reframing our arguments with empathy and values to create compelling narratives and spur action. Our species' greatest survival strategy has always been foresight and the ability to leverage our intelligence to overcome adversity. For too long now this capacity has been threatened by the sorry state of our public discourse. Focusing on proven techniques to foster more powerful and effective communication, this book will appeal to readers looking for both deep insights and practical advice.James Hoggan is president of the Vancouver PR firm Hoggan & Associates, chair of the David Suzuki Foundation board, and founder of the influential website DeSmogBlog. He is author of Climate Cover-Up and Do the Right Thing.
Im Sinne der Medien – Textverständlichkeit im Nachrichtenauswahlkontext
by Claudia ThomsKann Verständlichkeit zum Erfolg der Presse- und Medienarbeit beitragen? Oder anders gefragt: Welche Rolle spielt Verständlichkeit bei der journalistischen Nachrichtenauswahl? Ausgehend vom Konzept der Mediatisierung argumentiert die Studie, dass die Beachtung grundlegender Verständlichkeitsregeln als ein strategisches Mittel zur Beeinflussung der medialen Aufmerksamkeit angesehen werden kann. Denn Verständlichkeit als journalistisches Qualitätskriterium ist Teil der Medienlogik. Wer diese Medienlogik bei der Gestaltung der eigenen Kommunikation berücksichtigt, schreibt im Sinne der Medien und entspricht journalistischen Vorstellungen darüber, was überhaupt berichterstattenswert ist und wie über entsprechende Ereignisse zu berichten ist. Grundlage zur empirischen Überprüfung dieser Annahme ist eine input-output-analytische Untersuchung von Pressemitteilungen DAX-notierter Unternehmen sowie der daraus resultierenden Berichterstattung in ausgewählten Medien. Mit einer Kombination manueller und automatisierter Formen der Inhaltsanalyse wird dabei die sprachliche Komplexität der Pressemitteilungen bestimmt und die Wirkung dieser Komplexität auf den journalistischen Umgang mit den Pressemitteilungen untersucht.
I'm Sorry for My Loss: An Urgent Examination of Reproductive Care in America
by Rebecca Little Colleen LongA must-read investigation of reproductive health under fire in Post-Roe America.More than a million people lose a pregnancy each year, whether through miscarriage, stillbirth, or termination for medical reasons. For most, the experience often casts a shadow of isolation, shame, and blame. In the aftermath of the 2022 decision to overturn Roe v Wade, 25 million people of childbearing age live in states with laws that restrict access to abortion, including for those who never wanted to end their pregnancies. How did we get here?Rebecca Little and Colleen Long, childhood friends who grew up to be journalists, both experienced late-term loss, and together they take an incisive, deeply reported look at the issue, working to shatter taboos that have made so many pregnant people feel ashamed and alone. They trace the experience of pregnancy loss and reproductive care from America's founding to the present day, exposing the deep impact made by a dangerous tangle of laws, politics, medicine, racism, and misogyny. Combining powerful personal narratives with exhaustive research, I'm Sorry for My Loss is a comprehensive examination on how pregnancy loss came to be so stigmatized and politicized, and why a system of more compassionate care is critical for everyone.
Im Spannungsverhältnis zwischen Selbst- und Fremdverstehen: Globale Herausforderungen und deutsch-chinesische Kulturbeziehungen
by Chunchun Hu Odila Triebel Thomas ZimmerDieser Open-Access-Sammelband hinterfragt, wie sich internationale Kulturzusammenarbeit zwischen Ländern unterschiedlicher Kultursysteme und -traditionen erreichen lässt. In Deutschland ist Auswärtige Kulturpolitik von dem Gedanken geleitet, dass globale Herausforderungen Multilateralismus erfordern. Im chinesischen Diskurs dagegen finden andere Kernbegriffe wie z.B. „Tianxia“ Verwendung, die im nicht-chinesischen Kontext einer Interpretation bedürfen. Um der Differenz – aber auch den Gemeinsamkeiten – auf den Grund zu gehen, untersuchen Wissenschaftler*innen und Praktiker*innen aus China und Deutschland Selbst- und Fremdwahrnehmungen sowie Kooperationen in kulturellen Begegnungen. Auf diese Weise sollen Grundlagen für ein besseres gegenseitiges Verständnis sowie für kulturelle Kooperation zwischen beiden Ländern ermöglicht werden.
I'm Special: And Other Lies We Tell Ourselves
by Ryan O'Connell<P>This hilarious part-memoir, part-manifesto reveals what sets apart the latest generation of young people coming of age in an all-wired, overeducated, and underemployed world. <P>People are obsessed with Ryan O'Connell's blogs. With tens of thousands reading his pieces on Thought Catalog and Vice, watching his videos on YouTube, and hanging on to each and every #dark tweet, Ryan has established himself as a unique young voice who's not afraid to dole out some real talk. He's that candid, snarky friend you consult when you fear you're spending too much time falling down virtual k-holes stalking your ex on Facebook or when you've made the all-too-common mistake of befriending a psycho while wasted at last night's party and need to find a way to get rid of them the next morning. But Ryan didn't always have the answers to these modern day dilemmas. <P>Growing up gay and disabled with cerebral palsy, he constantly felt like he was one step behind everybody else. Then the rude curveball known as your twenties happened and things got even more confusing. Ryan spent years as a Millennial cliché: he had dead-end internships; dabbled in unemployment; worked in his pajamas as a blogger; communicated mostly via text; looked for love online; spent hundreds on "necessary" items, like candles, while claiming to have no money; and even descended into aimless pill-popping. But through extensive trial and error, Ryan eventually figured out how to take his life from bleak to chic and began limping towards adulthood. <P>Sharp and entertaining, I'm Special will educate twentysomethings (or other adolescents-at-heart) on what NOT to do if they ever want to become happy fully functioning grown ups with a 401k and a dog.
I'm Starting To Walk - I Can Use A Cane!: Introducing Orientation And Mobility Skills To Very Young Children Who Are Blind Or Have Low Vision
by Bronwen ScottThis booklet describes techniques used by the author to introduce orientation and mobility (O&M) skills to very young children who are blind or have low vision. Skills covered include guiding, independent travel skills, early introduction of the long cane and the promotion of independence.
I'm Still Here: Black Dignity in a World Made for Whiteness
by Austin Channing BrownFrom a powerful new voice on racial justice, an eye-opening account of growing up Black, Christian, and female in middle-class white America. <P><P>Austin Channing Brown's first encounter with a racialized America came at age 7, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. <P><P>Growing up in majority-white schools, organizations, and churches, Austin writes, "I had to learn what it means to love blackness," a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker and expert who helps organizations practice genuine inclusion.In a time when nearly all institutions (schools, churches, universities, businesses) claim to value "diversity" in their mission statements, I'm Still Here is a powerful account of how and why our actions so often fall short of our words. <P><P>Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice, in stories that bear witness to the complexity of America's social fabric--from Black Cleveland neighborhoods to private schools in the middle-class suburbs, from prison walls to the boardrooms at majority-white organizations. <P><P>For readers who have engaged with America's legacy on race through the writing of Ta-Nehisi Coates and Michael Eric Dyson, I'm Still Here is an illuminating look at how white, middle-class, Evangelicalism has participated in an era of rising racial hostility, inviting the reader to confront apathy, recognize God's ongoing work in the world, and discover how blackness--if we let it--can save us all. <P><P><b>A New York Times Bestseller</b>
I'm Still Here: A bestselling Reese's Book Club pick by 'a leading voice on racial justice' LAYLA SAAD, author of ME AND WHITE SUPREMACY
by Austin Channing BrownA REESE'S BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'An example of how one woman can change the world by telling the truth about her life with unflinching, relentless courage' GLENNON DOYLEAustin Channing Brown's first encounter with racism in America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and neighbourhoods, Austin 'had to learn what it means to love Blackness,' a journey that led to her becoming a writer, speaker and expert helping organisations practice genuine inclusion. In this bestselling memoir, she writes beautifully and powerfully about her journey to self-worth and how we can all contribute to racial justice. 'A leading new voice on racial justice' LAYLA F SAAD, author of ME AND WHITE SUPREMACY'Most people say, "that books has legs"; I measure the impact of a book by how often I throw it across the room. [Austin's book] has serious wings. It broke me open' BRENE BROWN'A deeply personal celebration of blackness that simultaneously sheds new light on racial injustice and inequality while offering hope for a better future' SHONDALAND
I'm Still Here (Adapted for Young Readers): Loving Myself in a World Not Made for Me
by Austin Channing BrownAn adaptation of the powerful New York Times bestselling account of growing up Black and female in America, completely rewritten with new stories for young readersAustin Channing Brown&’s first encounter with race in America came at age seven, when she discovered that her parents had named her Austin to trick future employers into thinking she was a white man. Growing up in majority-white schools and churches, Channing Brown writes, &“I had to learn what it means to love Blackness,&” a journey that led to a lifetime spent navigating America&’s racial divide as a writer, speaker, and expert helping organizations practice genuine inclusion.In this adaptation of her bestselling and critically acclaimed memoir, she explores how America&’s racial dynamics show up in the classrooms, friend groups, and conversations kids inhabit every day. &“I love being a Black girl,&” she writes. &“And sometimes being a Black girl in America is hard.&” Covering topics like representation, self-love, allyship, and being Black in public, Brown helps kids nourish their identity and make sense of how they fit into the world.For students navigating a time of racial hostility, and for the adults and educators who care for them, I&’m Still Here is an empowering look at the experiences of young Black kids, inviting the reader to confront apathy, find their voice, and discover how Blackness—if we let it—can save us all.
I'm Still Here: 'A leading new voice on racial justice' LAYLA SAAD, author of ME AND WHITE SUPREMACY
by Austin Channing Brown'A leading new voice on racial justice' LAYLA SAAD, author of ME AND WHITE SUPREMACYA REESE'S BOOK CLUB X HELLO SUNSHINE BOOK PICK * THE NEW YORK TIMES BESTSELLERThis book is my story about growing up in a Black girl's body. It's about surviving in a world not made for me. Austin Channing Brown's first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, 'I had to learn what it means to love Blackness,' a journey that led to a lifetime spent navigating America's racial divide as a writer, speaker and expert helping organisations practice genuine inclusion. In a time when nearly every institution (schools, churches, universities, businesses) claims to value diversity in its mission statement, Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice. Her stories bear witness to the complexity of America's social fabric and invite the reader to confront apathy, recognise God's ongoing work in the world and discover how Blackness-if we let it-can save us all.'An example of how one woman can change the world by telling the truth about her life with unflinching, relentless courage' GLENNON DOYLE, author of UNTAMED'Most people say, "that books has legs"; I measure the impact of a book by how often I throw it across the room. [Austin's book] has serious wings. It broke me open' BRENE BROWN
I’m Sure I Speak For Many Others…: Unpublished letters to the BBC
by Colin Shindler'Dear Mr. Adam, I am writing on behalf of the Central Watch and Social Problems Committee of the Mothers' Union to ask whether you have a programme in mind on the moral issue of venereal disease.''Sir, Where are the B.B.C's censors? We do not care for the language that was inflicted on us Tuesday night in "The Battle of Britain". Don't retort, 'You need not listen if you don't want to'. We did not know it was coming.''Dear Mr. Frost, Let me start by saying how much I enjoy your programme & that I was among those many who felt almost that they had lost a blowsy old friend when dear & vulgar, but nonetheless thought-provoking and funny TW3 went off the air.'For anyone who regularly feels tempted to put pen to paper, I'm Sure I Speak For Many Others is an alternative history of the BBC, from its triumphant broadcast of the coronation in 1953, to that Tynan moment, the controversial That Was The Week That Was, and the groundbreaking Grange Hill.Stretching across over forty years of programming, these never before seen letters represent the joy, the fury and the wit of the nation.
I'm with Stupid: One Woman. One Man. 10,000 Years of Misunderstanding Between the Sexes Cleared Right Up
by Gene Weingarten Gina BarrecaIs God male or female? Why do women, but not men, flush public toilets with their feet? Why are men, but not women, obsessed with parallel parking? Why do women, but not men, leave eleven-minute messages on answering machines? Why do men feel guilty about nothing, and women feel guilty about everything? Was Marilyn Monroe...fat? These philosophical quandaries, and more, are finally debated in I'm with Stupid, an uproariously funny dialogue between Gene Weingarten, the gleefully misogynistic Washington Post humor columnist, and Gina Barreca, the gleefully feminist University of Connecticut professor. The first significant book about men and women actually written by a man and a woman, I'm with Stupid is privy to the dark secrets of both sexes. It's not a lecture, but an extended argument, a combustion of viewpoints that winds up unearthing startling truths. In the words of Gene and Gina: "Our Mars and Venus breach their orbits and collide in a screaming fireball from Hell." The subject matter spans art and expression, science and technology, politics and history, spirituality and religion, sex and sexuality, as well as the complex etiology, sociology, and etymology of dirty jokes. Men: Learn at last how to know for sure when you are having a fight. Women: Learn what he really means when he says "I'm sorry." Take sides as Gene and Gina face off in a haggling challenge in which the winner manages to get the lowest price for a Mercedes S500. Or just take in the show. I'm with Stupid is the book that finally establishes, conclusively, that women are funnier than men. And vice versa.
I'm Writing You from Tehran: A Granddaughter's Search for Her Family's Past and Their Country's Future
by Delphine MinouiA lucid, moving view into an often obscured part of our world, exploring notions of democracy, identity, and the resilience of the human spiritIn the wake of losing her beloved grandfather, Delphine Minoui decided to visit Iran for the first time since the revolution. It was 1998. She was twenty-two and a freshly minted journalist. She would stay for ten years.Quickly absorbed into the everyday life of the city, Minoui attends secret dance parties that are raided by the morality police and dines in the home of a young couple active in the Basij—the fearsome militia. She befriends veteran journalists battling government censorship, imprisoned student poets, and her own grandmother (a woman who is discovering the world of international affairs through her contraband satellite TV).And so it is all the more crushing when the political situation falters. Minoui joins street protests teeming with students hungry for change and is interrogated by the secret police; she sees a mirrored rise in the love of country—the yearning patriotism of the left, the militant nationalism of the right. Friends disappear; others may be tracking her movements. She finds love, loses her press credentials, marries, and is separated from her husband by erupting global conflict. Through it all, her love for Iran and its people deepens. In her family’s past she discovers a mission that will shape her entire future.Framed as a letter to her grandfather and filled with disarming characters in momentous times, I’m Writing You from Tehran is a remarkable blend of global history, family memoir, and the making of a reporter, told by someone both insider and outsider—a child of the diaspora who is a world-class political journalist.
Image and Myth: A History of Pictorial Narration in Greek Art
by Luca Giuliani translated by Joseph O'DonnellOn museum visits, we pass by beautiful, well-preserved vases from ancient Greece but how often do we understand what the images on them depict? In "Image and Myth," Luca Giuliani tells the stories behind the pictures, exploring how artists of antiquity had to determine which motifs or historical and mythic events to use to tell an underlying story while also keeping in mind the tastes and expectations of paying clients. Covering the range of Greek style and its growth between the early Archaic and Hellenistic periods, Giuliani describes the intellectual, social, and artistic contexts in which the images were created. He reveals that developments in Greek vase painting were driven as much by the times as they were by tradition the better-known the story, the less leeway the artists had in interpreting it. As literary culture transformed from an oral tradition, in which stories were always in flux, to the stability of written texts, the images produced by artists eventually became nothing more than illustrations of canonical works. At once a work of cultural and art history, "Image and Myth" builds a new way of understanding the visual culture of ancient Greece. "
Image and Pilgrimage in Christian Culture (Columbia Classics in Religion #Vol. 11)
by Victor Turner Edith TurnerFirst published in 1978, Image and Pilgrimage in Christian Culture is a classic work examining the theological doctrines, popular notions, and corresponding symbols and images promoting and sustaining Christian pilgrimage. The book examines two major aspects of pilgrimage practice: the significance of context, or the theological conditions giving rise to pilgrimage and the folk traditions enabling worshippers to absorb the meaning of the event; and the images and symbols embodying the experience of pilgrimage and transmitting its visions in varying ways. Retelling its own tales of "mere mortals" confronted by potent visions, such as the man Juan Diego who found redemption with the Lady of Guadalupe and the poor French shepherdess Bernadette whose encounter with the Lady at Lourdes inspired Christians across the globe, this text treats religious visions as both paradox and empowering phenomena, tying them explicitly to the times in which they occurred. Offering vivid vignettes of social history, it extends their importance beyond the realm of the religious to our own conceptions of reality.Extensively revised throughout, this edition includes a new introduction by the theologian Deborah Ross situating the book within the work of Victor and Edith Turner and among the movements of contemporary culture. She addresses the study's legacy within the discipline, especially its hermeneutical framework, which introduced a novel method of describing and interpreting pilgrimage. She also credits the Turners with cementing the link between mysticism, popular devotion, and Christian culture, as well as their recognition of the relationship between pilgrimage and the deep spiritual needs of human beings. She concludes with various critiques of the Turners' work and suggests future directions for research.
Image, Art and Virtuality: Towards an Aesthetics of Relation
by Roberto DiodatoThis book investigates the ontological state of relations in a unique way. Starting with the notion of system, it shows that the system can be understood as a relational structure, and that relations can be assessed within themselves, with no need to transform relations in elements. “Relations” are understood in contrast to “relational property”: without a relation there is no identity, therefore no existence. What allows us to do that without hypostatizing the relation, and without immediately taking it simply as a causal relation, can be better grasped, possibly, in reference to a few entities that make best display of their systemic nature, for example images, works of art, and virtual bodies.This book shows how virtual bodies are ontological hybrids representing a type of entity that has never appeared in the world before. This entity becomes a phenomenon in interactivity and evades the dichotomy between “external” and “internal”; it is neither a cognitive product of the consciousness, nor an image of the mind. The user is well aware of experiencing anotherreality, also in the sense of a paradoxical reduplication of perceptual synthesis. The virtual body-environment is therefore simultaneously external and internal, with virtual bodies-environments to be seen as artificial windows to an intermediary world. In this intermediary world, the space itself is the result of interactivity; the world takes place in the sense or feeling of immersion experienced by the user; and the body, perceived as “other”, takes upon itself the sense of its reality, of its effectiveness, as an imaginary and pathic incision, as a production of desire and emotion, to the point that the feeling of reality conveyed by a virtual environment will rely significantly on how this environment produces emotions in the users.
Image-based Sexual Abuse: A Study on the Causes and Consequences of Non-consensual Nude or Sexual Imagery
by Nicola Henry Clare McGlynn Asher Flynn Kelly Johnson Anastasia Powell Adrian J. ScottThis book investigates the causes and consequences of image-based sexual abuse in a digital era. Image-based sexual abuse refers to the taking or sharing of nude or sexual photographs or videos of another person without their consent. It includes a diversity of behaviours beyond that of "revenge porn", such as the secret trading of nude or sexual images online; "upskirting", "downblousing" and other "creepshots"; blackmail or "sextortion" scams; the use of artificial intelligence to construct "deepfake" pornographic videos; threats to distribute photographs and videos without consent; and the taking or sharing of sexual assault imagery. This book investigates the pervasiveness and experiences of these harms, as well as the raft of legal and non-legal measures that have been introduced to better respond to and prevent image-based sexual abuse. The book draws on groundbreaking empirical research, including surveys in three countries with over 6,000 respondents and over 100 victim-survivor and stakeholder interviews. Guided by theoretical frameworks from gender studies, sociology, criminology, law and psychology, the authors argue that image-based sexual abuse is more commonly perpetrated by men than women, and that perpetration is higher among some groups, including younger and sexuality minority men. Although the motivations of perpetrators vary, a dominant theme to emerge was that of power and control. The gendered nature of the abuse means that it is best understood as a "continuum of sexual violence" because victim-survivors often experience it as part of a broader pattern of gendered harassment, violence and abuse. Written in a clear and direct style, this book will appeal to students and scholars of criminology, sociology, law and psychology. Image-based Sexual Abuse is also an essential resource for activists, legal and policy practitioners, technology companies and victim-survivors seeking to understand the deeply complex nature of intimate-image sharing in a digital era.
Image Control: Art, Fascism, and the Right to Resist
by Patrick NathanSusan Sontag meets Hanif Abdurraqib in this fascinating exploration of the unexpected connections between how we consume images and the insidious nature of Fascism.Images come at us quickly, often without context. A photograph of Syrian children suffering in the wake of a chemical attack segues into a stranger&’s pristine Instagram selfie. Before we can react to either, a new meme induces a laugh and a share. While such constant give and take might seem innocent, even entertaining, this barrage of content numbs our ability to examine critically how the world, broken down into images, affects us. Images without context isolate us, turning everything we experience into mere transactions. It is exactly this alienation that leaves us vulnerable to fascism—a reactionary politics that is destroying not only our lives and our nations, but also the planet&’s very ability to sustain human civilization. Who gets to control the media we consume? Can we intervene, or at least mitigate the influence of constant content? Mixing personal anecdotes with historical and political criticism, Image Control explores art, social media, photography, and other visual mediums to understand how our culture and our actions are manipulated, all the while building toward the idea that if fascism emerges as aesthetics, then so too can anti-fascism. Learning how to ethically engage with the world around us is the first line of defense we have against the forces threatening to tear that world apart.
An Image Darkly Forming: Women and Initiation (Psychology Revivals)
by Bani ShorterOriginally published in 1987, a well-known Jungian analyst, the late Bani Shorter writes here about how women are initiated into becoming themselves. Her book was an important contribution to the field of analytical psychology at the time, as well as to the increasingly popular study of women’s spirituality. In former times transitions from one stage of life to another were prepared for and marked by ritual initiation; in modern times this necessity is overlooked and women’s natural development is made more difficult as a consequence. Through working in close therapeutic relationships with women, Bani Shorter found that when challenged by crises and transitions in their lives, today’s women instinctively create rituals nevertheless to mark their journey towards maturation, wholeness and meaning. In this process they discover something of who they are and recognise dimensions of themselves which have been previously repressed and undreamed of. The stories unfolded here can be a guide for all women through their own rites of passage.
Image-Makers: The Social Context of a Hunter-Gatherer Ritual (Codhill Press Ser.)
by David Lewis-WilliamsRock art images around the world are often difficult for us to decipher as modern viewers. Based on authentic records of the beliefs, rituals and daily life of the nineteenth-century San peoples, and of those who still inhabit the Kalahari Desert, this book adopts a new approach to hunter-gatherer rock art by placing the process of image-making within the social framework of production. Lewis-Williams shows how the San used this imagery not simply to record hunts and the animals that they saw, but rather to sustain the social network and status of those who made them. By drawing on such rich and complex records, the book reveals specific, repeated features of hunter-gatherer imagery and allows us insight into social relations as if through the eyes of the San themselves.
Image-Making-India: Visual Culture, Technology, Politics
by Paolo FaveroImage-Making-India explores the evolving meaning of images in a digital landscape from the vantage point of contemporary India. Building upon long-term ethnographic research among image-makers in Delhi, Mumbai and other Indian cities, the author interrogates the dialogue between visual culture, technology and changing notions of political participation. The book explores selected artistic experiences in documentary and fiction film, photography, contemporary art and digital curation that have in common a desire to engage with images as tools for social intervention. These experiences reveal images’ capacity not only to narrate and represent but also to perform, do and affect. Particular attention is devoted to the 'digital', a critical landscape that offers an opportunity to re-examine the significance of images and visual culture in a rapidly changing India. This volume will be of particular interest to scholars of visual and digital anthropology and cultures as well as South Asian studies.
Image Matters: Archive, Photography, and the African Diaspora in Europe
by Tina M. CamptIn Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.
Image Objects: An Archaeology of Computer Graphics
by Jacob GabouryHow computer graphics transformed the computer from a calculating machine into an interactive medium, as seen through the histories of five technical objects.Most of us think of computer graphics as a relatively recent invention, enabling the spectacular visual effects and lifelike simulations we see in current films, television shows, and digital games. In fact, computer graphics have been around as long as the modern computer itself, and played a fundamental role in the development of our contemporary culture of computing. In Image Objects, Jacob Gaboury offers a prehistory of computer graphics through an examination of five technical objects--an algorithm, an interface, an object standard, a programming paradigm, and a hardware platform--arguing that computer graphics transformed the computer from a calculating machine into an interactive medium. Gaboury explores early efforts to produce an algorithmic solution for the calculation of object visibility; considers the history of the computer screen and the random-access memory that first made interactive images possible; examines the standardization of graphical objects through the Utah teapot, the most famous graphical model in the history of the field; reviews the graphical origins of the object-oriented programming paradigm; and, finally, considers the development of the graphics processing unit as the catalyst that enabled an explosion in graphical computing at the end of the twentieth century. The development of computer graphics, Gaboury argues, signals a change not only in the way we make images but also in the way we mediate our world through the computer--and how we have come to reimagine that world as computational.
The Image of God and the Psychology of Religion
by Richard L Dayringer David OlerWhat are the implications of a client&’s image of God?Improve your confidence-and your practice skills-by enhancing your knowledge of how individuals are likely to perceive God, and of how those perceptions impact the way they function as human beings. Theologians have long speculated and theorized about how humans imagine God to be. This book merges theology with science, presenting empirical research focused on perceptions of God in a variety of populations living in community and mental health settings. Each chapter concludes with references that comprise an essential reading list, and the book is generously enhanced with tables that make data easy to access and understand. "Liberating Images of God" discusses the constriction and impoverishment of God images due to the traditional restrictions of God images to those that are male and personified. This chapter examines the potential for the client and counselor&’s co-creation of images of God which embrace the feminine as well as the masculine, the nurturer as well as the warrior, and the natural world in all its dimensions as well as the human world, to liberate, enrich, sustain, and transform the client&’s relationships with God and with him/herself. "Attachment, Well-Being, and Religious Participation Among People with Severe Mental Disorders" examines the relationship between attachment states of mind and religious participation among people diagnosed with severe mental illness. "Concepts of God and Therapeutic Alliance Among People with Severe Mental Disorders" explores the transferential aspects of God representation among severely mentally ill adults. It highlights research on the relationship between a patient&’s image of God and that patient&’s working relationship with his/her case manager, and discusses the implications for clinical practice of those findings. "The Subjective Experience of God" presents a theory about the psychological basis for the experience of God that argues that this experience is essentially a form of projection and as such is an internal event that does not exist independent of an individual&’s psyche. This chapter draws a distinction between faith in a particular belief-namely, faith in the existence of a loving, omnipotent God-and an attitude of faith, which is the basis for experiences of transcendence. "Relationship of Gender Role Identity and Attitudes" presents the results of a study in which nearly 300 Catholic attendees at three university Catholic centers completed the Bern Sex Role Inventory, the Attitudes Toward Women Scale, and the Perceptions of God Checklist. This chapter looks at images of God as masculine or feminine, and at the connection for people between the way they perceive God and the way they relate towards men and women. "Reflections on a Study in a Mental Hospital," brings you groundbreaking new research on perceptions of God in an inpatient population. This chapter examines the positive effects (as opposed to the negative effects previously portrayed by the psychological community) of religious belief and practice for residential care patients in a psychiatric hospital.
The Image of God in an Image Driven Age: Explorations in Theological Anthropology (Wheaton Theology Conference Series)
by Beth Felker Jones Jeffrey W. BarbeauThe Image of God in an Image Driven Agetheosis