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New Orleans: A Cultural History
by Louise MckinneyFounded in 1718 by two French-Canadian brothers for French King Louis XIV, New Orleans grew from its roots as a Euro-Caribbean port city at the nexus of North, Central and South America. Situated at the bottom of the Mississippi River Delta, the city became "Paris on the Mississippi," the fashionable cultural capital of the American South, home to America's first opera house and birthplace of jazz. Many think of New Orleans, with its antebellum mansions, above-ground cemeteries and ghostly moss-bearded oaks as a haunted place. It is certainly the most un-American of American cities, creating its own laid-back "Big Easy" attitude from the customs of the people who founded it: French and Spanish colonists, gens de couleur libres, Northern adventurers, riverboat men, pirates, and Cajuns. From this eclectic mix of influences has evolved a distinctive Creole culture, expressed in language, architecture and cuisine. Louise McKinney explores the soul of this deeply spiritual and hedonistic place, where every year the pre-Lenten Mardi Gras bursts forth with outrageous excess.
New Orleans: The Underground Guide, 4th Edition
by Michael Patrick Welch Brian Boyles Zack Smith Jonathan TraviesaNew Orleans: The Underground Guide shows visitors how to experience the Big Easy like a local, looking past staples like beignets and Bourbon Street to reveal a city bursting with contemporary and experimental art, genre-busting DJs, international cuisines, and even kid-friendly activities.This fully updated edition offers an expansive collection of alternative recommendations for exploring the city of Mardi Gras, brass bands, and weekly festivals. Featuring over two hundred new entries on local bands, rappers, restaurants with live music, galleries, and more, this guidebook takes readers on a one-of-a-kind journey through New Orleans, giving advice on everything from what thrift stores and bookshops to visit to what bands to catch in concert and what parades to attend.Lead author Michael Patrick Welch provides a detailed guide of the less traditional, more adventurous side of New Orleans, from bars that hold readings of poetry and erotic literature to costume shops that sell handmade masks, party supplies, and all the parade throws you can carry. Drawing on the wisdom of New Orleans celebrities, journalists, artists, and musicians from throughout the Crescent City, the fourth edition of New Orleans: The Underground Guide is an authentic and reliable resource for where locals listen to music, art hop, shop, eat, drink, and let loose.
New Orleans: The Underground Guide, 4th Edition
by Michael Patrick Welch Brian Boyles Zack Smith Jonathan TraviesaRed beans and rice, trad jazz, and second lines are the Big Easy's calling cards, but beyond where the carriage rides take you is a city brimming with genre-defying music, transnational cuisine, and pockets of wild, artistic locals that challenge preconceived notions of what it means to be New Orleans. With a respectful nod to the traditional and a full embrace of the obscure, New Orleans: The Underground Guide is a resource for discovering the city as it really is -- as much brass bands and boas as it is bounce and bicycle tours. From a speakeasy in the Bywater neighborhood to the delightfully sketchy vibe of St. Roch Tavern, lead author Michael Patrick Welch uncovers an unexpected tableau of musicians, venues, and novel ways to pass the bon temps. Contents include but are not limited to: where to get naked, how to make the most of Mardi Gras according to banjo player Geoff Douville, what to order from the delicious Slavic menu at Siberia, where to find the New Orleans Giant Puppet Festival, how to catch a performance by the New Movement comedy troupe, where to rent a kayak, and how to get in on the "bed and beverage" experience at the Royal Street Inn.
New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom
by Justin A. NystromWe often think of Reconstruction as an unfinished revolution. Justin A. Nystrom’s original study of the aftermath of emancipation in New Orleans takes a different perspective, arguing that the politics of the era were less of a binary struggle over political supremacy and morality than they were about a quest for stability in a world rendered uncertain and unfamiliar by the collapse of slavery.Commercially vibrant and racially unique before the Civil War, New Orleans after secession and following Appomattox provides an especially interesting case study in political and social adjustment. Taking a generational view and using longitudinal studies of some of the major political players of the era, New Orleans after the Civil War asks fundamentally new questions about life in the post–Civil War South: Who would emerge as leaders in the prostrate but economically ambitious city? How would whites who differed over secession come together over postwar policy? Where would the mixed-race middle class and newly freed slaves fit in the new order? Nystrom follows not only the period’s broad contours and occasional bloody conflicts but also the coalition building and the often surprising liaisons that formed to address these and related issues. His unusual approach breaks free from the worn stereotypes of Reconstruction to explore the uncertainty, self-doubt, and moral complexity that haunted Southerners after the war. This probing look at a generation of New Orleanians and how they redefined a society shattered by the Civil War engages historical actors on their own terms and makes real the human dimension of life during this difficult period in American history.
New Orleans and the Creation of Transatlantic Opera: 1819–1859 (Opera Lab: Explorations in History, Technology, and Performance)
by Charlotte BentleyA history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world.New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
New Orleans as It Was
by Henry C. CastellanosMore than a century after its publication, New Orleans As It Was still sizzles with all the salient episodes that constitute thecharm of this unique metropolis of the South. Author Henry C. Castellanos notes that some of the incidents described inthis classic volume are so startling, romantic and improbable that, "were they not authenticated by undeniable proof, they might be taken as the vaporings of an exuberant imagination."First published in 1895, New Orleans As It Was vividly records episodes of antebellum Louisiana life. Castellanos believed he was living in a time of important transition�that he was a connecting link between generations. His book written during a period of convalescence�offers accounts of events that he witnessed, as well those unwritten tales he remembered hearing in his boyhood days from his mother and grandmother. Thus, facts, events, and personalities of Castellanos' tales were drawn not only from old records and archives, but from oral recitals and traditions. New Orleans As It Was includes such diverse elements of the Crescent City's heritage as the dramatic and often tragic reminiscences of the Old Parish Prison and successful transition into a new era by Mayor Louis Phillippe Roffignac. This volume is a delightful tribute to the New Orleans history not found in textbooks. Henry C. Castellanos planned on writing a series of books on the unwritten history of Louisiana. Because of ill health, however, he was only able to complete New Orleans As It Was , which endures today as a testament to his genius.
New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920
by Jennifer AtkinsMardi Gras festivities don’t end after the parades roll through the streets; rather, a large part of the celebration continues unseen by the general public. Retreating to theaters, convention centers, and banquet halls, krewes spend the post-parade evening at lavish balls, where members cultivate a sense of fraternity and reinforce the organization’s shared values through pageantry and dance. In New Orleans Carnival Balls, Jennifer Atkins draws back the curtain on the origin of these exclusive soirees, bringing to light unique traditions unseen by outsiders.The oldest Carnival organizations—the Mistick Krewe of Comus, Twelfth Night Revelers, Krewe of Proteus, Knights of Momus, and Rex—emerged in the mid-nineteenth century. These old-line krewes ruled Mardi Gras from the Civil War until World War I, and the traditions of their private balls reflected a need for group solidarity amidst a world in flux. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing. This world was full of possibilities: krewesmen became gods, kings, and knights, while their daughters became queens and maids. As the old-line krewes cultivated a sense of brotherhood, they used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing.Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans. Beyond presenting readers with a new means of thinking about Carnival traditions, Atkins’s work situates dance as a vital piece of historical inquiry and a mode of study that sheds new light on the hidden practices of some of the best-known krewes in the Big Easy.
New Orleans Carnival Krewes: The History, Spirit & Secrets of Mardi Gras
by Rosary O'Neill&“The traditions, the secret societies and the history of how New Orleans and Mardi Gras came to be as integral to each other as red beans and rice&” (Blogcritics). New Orleans is practically synonymous with Mardi Gras. Both evoke the parades, the beads, the costumes, the food—the pomp and circumstance. The carnival krewes are the backbone of this Big Easy tradition. Every year, different krewes put on extravagant parties and celebrations to commemorate the beginning of the Lenten season. Historic krewes like Comus, Rex, and Zulu that date back generations are intertwined with the greater history of New Orleans itself. Today, new krewes are inaugurated and widen a once exclusive part of New Orleans society. Through careful and detailed research of over three hundred sources, including fifty interviews with members of these organizations, author and New Orleans native Rosary O&’Neill explores this storied institution, its antebellum roots and its effects in the twenty-first century. Includes photos! &“[A] spirited and richly illustrated account.&” —New York Theatre Wire
New Orleans Disasters: Firsthand Accounts of Crescent City Tragedy (Disaster)
by Royd AndersonWith more than one thousand books on Hurricane Katrina, somehow not one work examines a collection of Crescent City calamity--until now. Here seven tragedies and their fallout are explored through gripping firsthand interviews, planting readers amid the chaos. Revisit the agony of the Luling ferry disaster, the horror of Pan Am Flight 759 slamming into a Kenner neighborhood and the Mother's Day bus crash on 610 that claimed twenty-two lives. Sift for answers in the unsolved fires of the Rault Center and the UpStairs Lounge. Investigate the Continental Grain elevator explosion and experience the terror of the Howard Johnson's sniper. Join author Royd Anderson on this harrowing journey through New Orleans tragedy.
New Orleans in Golden Age Postcards
by Matthew GriffisNew Orleans in Golden Age Postcards showcases over three hundred vintage postcard images of the city, printed in glorious color. From popular tourist attractions, restaurants, and grand hotels to local businesses, banks, churches, neighborhoods, civic buildings, and parks, the book not only celebrates these cards’ visual beauty but also considers their historic value. After providing an overview of the history of postcards in New Orleans, Matthew Griffis expertly arranges and describes the postcards by subject or theme. Focusing on the period from 1900 to 1920, the book is the first to offer information about the cards’ many publishers. More than a century ago, people sent postcards like we make phone calls today. Many also collected postcards, even trading them in groups or clubs. Adorned with colorized views of urban and rural landscapes, postcards offered people a chance to own images of places they lived, visited, or merely dreamed of visiting. Today, these relics remain one of the richest visual records of the last century as they offer a glimpse at the ways a city represented itself. They now appear regularly in art exhibits, blogs, and research collections. Many of the cards in this book have not been widely seen in well over a century, and many of the places and traditions they depict have long since vanished.
New Orleans in the Atlantic World: Between Land and Sea
by William BoelhowerThe thematic project ‘New Orleans in the Atlantic World’ was planned immediately after hurricane Katrina and focuses on what meteorologists have always known: the city’s identity and destiny belong to the broader Caribbean and Atlantic worlds as perhaps no other American city does. Balanced precariously between land and sea, the city’s geohistory has always interwoven diverse cultures, languages, peoples, and economies. Only with the rise of the new Atlantic Studies matrix, however, have scholars been able to fully appreciate this complex history from a multi-disciplinary, multilingual and multi-scaled perspectivism. In this book, historians, geographers, anthropologists, and cultural studies scholars bring to light the atlanticist vocation of New Orleans, and in doing so they also help to define the new field of Atlantic Studies. This book was published as a special issue of Atlantic Studies.
The New Orleans Jazz Scene, 1970-2000: A Personal Retrospective
by Thomas W. JacobsenIn 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene.Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.
New Orleans, Louisiana, and Saint-Louis, Senegal: Mirror Cities in the Atlantic World, 1659-2000s
by Jessica Marie Johnson Hilary Jones Martin Klein Larissa Kopytoff Marieke Polfliet-Touati Bruce Boyd Raeburn Rebecca Scott Ibra SeneThis book explores the intertwined histories of Saint-Louis, Senegal, and New Orleans, Louisiana. Although separated by an ocean, both cities were founded during the early French imperial expansion of the Atlantic world. Both became important port cities of their own continents, the Atlantic world as a whole, and the African diaspora. The slave trade not only played a crucial role in the demographic and economic growth of Saint-Louis and New Orleans, but also directly connected the two cities. The Company of the Indies ran the Senegambia slave-trading posts and the Mississippi colony simultaneously from 1719 to 1731. By examining the linked histories of these cities over the longue durée, this edited collection shows the crucial role they played in integrating the peoples of the Atlantic world. The essays also illustrate how the interplay of imperialism, colonialism, and slaving that defined the early Atlantic world operated and evolved differently on both sides of the ocean. The chapters in part one, “Negotiating Slavery and Freedom,” highlight the centrality of the institution of slavery in the urban societies of Saint-Louis and New Orleans from their foundation to the second half of the nineteenth century. Part two, “Elusive Citizenship,” explores how the notions of nationality, citizenship, and subjecthood—as well as the rights or lack of rights associated with them—were mobilized, manipulated, or negotiated at key moments in the history of each city. Part three, “Mythic Persistence,” examines the construction, reproduction, and transformation of myths and popular imagination in the colonial and postcolonial cities. It is here, in the imagined past, that New Orleans and Saint-Louis most clearly mirror one another. The essays in this section offer two examples of how historical realities are simplified, distorted, or obliterated to minimize the violence of the cities’ common slave and colonial past in order to promote a romanticized present. With editors from three continents and contributors from around the world, this work is truly an international collaboration.
New Orleans Memories: One Writer's City
by Carolyn KolbCarolyn Kolb provides a delightful and detailed look into the heart of her city, New Orleans. She is a former Times-Picayune reporter and current columnist for New Orleans Magazine, where versions of these essays appeared as “Chronicles of Recent History.” Kolb takes her readers, both those who live in New Orleans and those who love it as visitors, on a virtual tour of her favorite people and places. Divided into sections on food, Mardi Gras, literature, and music, these short essays can be read in one gulp or devoured slowly over time. Either way, the reader will find a welcome companion and guide in Kolb. In bringing her stories up to date, Kolb's writings reflect an ongoing pattern of life in her fascinating city. Since the devastation of Hurricane Katrina in 2005, some of these things remembered will never return. Some of the people whose stories Kolb tells are no longer with us. It is important to her, and to us, that they are not forgotten. Kolb, and her readers, can honor them by sharing and enjoying their stories. As Kolb says, “When things fail, when the lights go out and the roof caves in and the water rises, all that remains, ultimately, is the story.” This collection of such stories was made with love.
New Orleans Pralines: Plantation Sugar, Louisiana Pecans, and the Marketing of Southern Nostalgia
by Anthony J. StanonisThe Creole praline arrived in New Orleans with the migration of formerly enslaved people fleeing Louisiana plantations after the Civil War. Black women street vendors made a livelihood by selling a range of homemade foods, including pralines, to Black dockworkers and passersby. The praline offered a path to financial independence, and even its ingredients spoke of a history of Black ingenuity: an enslaved horticulturist played a key role in domesticating the pecan and creating the grafted tree that would form the basis of Louisiana’s pecan orchards.By the 1880s, however, white New Orleans writers such as Grace King and Henry Castellanos had begun to recast the history of the praline in a nostalgic mode that harkened back to the prewar South. In their telling, the praline was brought to New Orleans by an aristocratic refugee of the French Revolution. Black street vendors were depicted not as innovative entrepreneurs but as loyal servants still faithful to their former enslavers. The rise of cultivated, shelled, and cheaply bought pecans—as opposed to the foraged pecans that early praline sellers had depended on—allowed better-resourced white women to move into the praline-selling market, especially as tourism emerged as a key New Orleans industry after the 1910s.Indeed, the praline became central to the marketing of New Orleans. Conventions often hired Black women to play the “praline mammy” role for out-of-towners, while stores sold pralines with mammy imagery, in boxes designed to look like cotton bales. After World War II, pralines went national with items like praline-flavored ice cream (1950s) and praline liqueur (1980s). Yet as the civil rights struggle persisted, the imagery of the praline mammy was recognized as an offensive caricature.As it uncovers the history of a sweet dessert made of sugar and pecans, New Orleans Pralines tells a fascinating story of Black entrepreneurship, toxic white nostalgia, and the rise of tourism in the Crescent City.
New Orleans Remix (American Made Music Series)
by Jack SullivanSince the 1990s, New Orleans has been experiencing its greatest musical renaissance since Louis Armstrong. Brass band, funk, hip hop, Mardi Gras Indian, zydeco, and other styles are rocking the city in new neighborhood bars far from the Bourbon Street tourist scene. Even "neotraditional" jazz players have emerged in startling numbers, making the old sound new for a younger generation.In this book, Jack Sullivan shines the light on superb artists little known to the general public--Leroy Jones, Shamarr Allen, Kermit Ruffins, Topsy Chapman, Aurora Nealand, the Brass-A-Holics. He introduces as well a surge of female, Asian, and other previously marginalized groups that are making the vibe more inclusive than ever. New Orleans Remix covers artists who have broken into the national spotlight--the Rebirth Brass Band, Trombone Shorty, Jon Batiste--and many creators who are still little known. Based on dozens of interviews and archival documents, this book delivers their perspectives on how they view their present in relation to a vital past.The city of New Orleans has always held fiercely to the old even as it invented the new, a secret of its dynamic success. Marching tunes mingled with jazz, traditional jazz with bebop, Mardi Gras Indian percussion with funk, all producing wonderfully bewildering yet viable fusions. This book identifies the unique catalytic power of the city itself. Why did New Orleans spawn America's greatest vernacular music, and why does its musical fire still burn so fiercely, long after the great jazz eruptions in Chicago, Kansas City, and others declined? How does a tradition remain intensely creative for generations? How has the huge influx of immigrants to New Orleans, especially since Hurricane Katrina, contributed to the city's current musical harmony? This book seeks answers through the ideas of working musicians who represent very different sensibilities in voices often as eloquent as their music.
New Orleans Rhythm and Blues After Katrina: Music, Magic and Myth (Pop Music, Culture and Identity)
by Michael UrbanMusic, magic and myth are elements essential to the identities of New Orleans musicians. The city's singular contributions to popular music around the world have been unrivaled; performing this music authentically requires collective improvisation, taking performers on sonorous sojourns in unanticipated, 'magical' moments; and membership in the city's musical community entails participation in the myth of New Orleans, breathing new life into its storied traditions. On the basis of 56 open-ended interviews with those in the city's musical community, Michael Urban discovers that, indeed, community is what it is all about. In their own words, informants explain that commercial concerns are eclipsed by the pleasure of playing in 'one big band' that disassembles daily into smaller performing units whose rosters are fluid, such that, over time, 'everybody plays with everybody'. Although Hurricane Katrina nearly terminated the city, New Orleans and its music—in no small part due to the sacrifices and labors of its musicians—have come back even stronger. Dancing to their own drum, New Orleanians again prove themselves to be admirably out of step with the rest of America.
New Orleans Voodoo: A Cultural History (American Heritage)
by Rosary O'Neill Rory O'Neill SchmittThe history, altars, art and ceremonies that anchor Voodoo in Crescent City culture are revealed in this authoritative study. The diverse spiritual roots of New Orleans run deep—and they all converge in the practice known as Voodoo. The city's Roman Catholic influence and its French, Spanish, Creole and American Indian traditions blended with the rites and rituals that West Africans brought to Louisiana as enslaved laborers. The resulting Voodoo tradition became a unique and integral part of New Orleans culture and heritage. While 19th century enslaved practitioners held Voodoo dances in designated public areas like Congo Square, they also conducted secret rituals away from the prying eyes of the city. By 1874, some twelve thousand New Orleanians attended Voodoo queen Marie Laveau's St. John's Eve rites on the shores of Lake Pontchartrain. This cultural history traces the Voodoo tradition from its earliest beginnings to its continued practice in the Crescent City today.
New Orleans Women and the Poydras Home: More Durable than Marble
by Pamela TylerA two-hundred-year-old institution, the Poydras Home -- originally the Poydras Asylum -- stands as an exemplar of woman-led charitable organizations. In a thorough and engaging narrative, Pamela Tyler offers the first complete history of this remarkable New Orleans establishment from its founding as an orphanage for young girls to its present-day operation as a retirement community and assisted-living facility. Throughout, Tyler paints a vivid picture of the many women who faced down the challenges of war, disease, natural disaster, social unrest, and restrictive gender ideals to realize the mission of the Poydras Home.Drawing on previously unreleased archival material, Tyler documents how the institution's benefactor, Julien Poydras, used his immense wealth to support a haven for impoverished girls, and how the dedicated women of the Poydras board pursued that ambition through more than just residential services. Tyler reveals that the majority of the Poydras "orphans" had one living parent, and it was dire poverty and a dearth of social services in New Orleans that drove single parents, usually mothers, to place their daughters in the asylum. Further research demonstrates that the Poydras went beyond simply providing a shelter for the children of distressed parents; volunteer managers worked to shape their charges' character through an emphasis on morals, education, and the fundamentals of housewifery. Following the institution from its antebellum origins to Reconstruction, through the Progressive era, and into the obsolescence of children's homes in the mid-twentieth century, Tyler highlights the impacts of both national affairs and daily life on the charity. This rich history winds through the last fifty years as the Poydras Home boldly and successfully changed its mission to provide care for elderly men and women. The result of years of research, New Orleans Women and the Poydras Home is a sweeping social history that recognizes the determination of women caregivers and the thousands of lives they benefited.
The New Our Right to Love: A Lesbian Resource Book
by Ginny VidaThe complete lesbian resource guide, Our Right to Love instantly became a classic when it was first published in 1978. Now fully revised and expanded for the 1990s, this new edition includes over 60 articles and interviews covering the many aspects of lesbian life: relationships, sexuality, health, activism, education and sports, religion and spirituality, the law and legal issues, multi-ethnic lesbian experience, and lesbian culture. A group of essays explores the lesbian experience across cultures (African American, Latina, Asian, Native American) and age groups. Interviews with notable lesbians Martina Navratilova, Melissa Etheridge, Margarethe Cammermeyer, and Minnesota State Representative Karen Clark examine the particular experiences of highly visible out lesbians. An extensive bibliography, resource lists and index make this the complete lesbian reference.
The New Pacific Community: U.s. Strategic Options In Asia
by Martin L LasaterAs the political and economic landscape in the Asian Pacific continues to shift, the United States must re-evaluate its strategy toward the region. In his book, Martin Lasater explores U.S. interests in Asia, considering strategies for attaining U.S. goals in the post-containment era. Citing numerous strategic options for the United States, Lasater recommends a strategy of integration as being best suited for the region through the end of the century.
The New Pacific Community in the 1990s (Research Project / Center For Asia Pacific Studies, Pacific #Vol. 3)
by Young Jeh KimWith the end of the Cold War and the subsequent new regional alignments, American foreign policy and influence in the Asia-Pacific region face a major turning point. In this book ten North American specialists from various disciplines reconceptualize the forces shaping the New Pacific Community: international politics as a by-product of peaceful cooperation; the changing role of the military; the political economy as a determinant of human rights; environmental and demographic issues; and culture as an evolutionary and dynamic phenomenon in the lives of new immigrants as they make their way in American society.
The New Pakistani Middle Class
by Ammara MaqsoodImages of religious extremism and violence in Pakistan—and the narratives that interpret them—inform global events but also twist back to shape local class politics. Ammara Maqsood focuses on life in Lahore, where she untangles these narratives to show how central they are for understanding competition between middle-class groups.
The New Parisienne: The Women & Ideas Shaping Paris
by Lindsey Tramuta“Tramuta sweeps away the tired clichés of the Parisian woman with her vivid profiles of the dynamic and creative ‘femmes’ now powering the French capital.” —Eleanor Beardsley, NPR Paris correspondentThe New Parisienne focuses on one of the city’s most prominent features, its women. Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness” in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.“With stunning photographs and inspiring profiles, Lindsey Tramuta tramples the myths and takes us into the lives of real Parisiennes. Bravo!”—Pamela Druckerman, New York Times–bestselling author of Bringing Up Bébé“Like the subjects of her book, Lindsey Tramuta is a force. The New Parisienne is the go-to chronicle of the joyful, progressive, pioneering women of a city that Tramuta understands with deep intelligence.” —Lauren Collins, New York Times–bestselling author of When in French“Tramuta’s new book posits that Parisian women have been ahead of these radically changing times. But rather than being trendsetters in the stylish sense, they qualify as visionaries and agents of change across spheres of diversity, tech, culture, politics, and more.” —Vogue
New Paths of Development: Perspectives from the Global South (Sustainable Development Goals Series)
by Rahma Bourqia Marcelo SiliThis book discusses the geopolitics of development from the point of view of the Global South. Written by scholars and development experts from Africa, Asia, and Latin America, this volume presents reflections on various historical, current, and future trajectories of development in the contemporary Global South. The book is divided into five parts. Part I focuses on the relationship of development in the Global South to globalization, discussing the diversity of situations across countries in structural terms. Part II critiques and analyzes the concept and paradigms of development, emphasizing alternative discourses and policy models. Part III focuses on the analysis of the relationship between environment and development, showing how environmental conditions have become a key factor in the renewal of development thinking. Part IV examines different cultural strategies and conceptions constituting the basis of development thinking and policy in different fields. Part V addresses the construction of knowledge pertaining to the Global South, revisiting the theoretical trajectory of development models and advocating for the construction of new ideas around the region. Providing a multidimensional look at development in the Global South, this volume will benefit academics, development experts, and postgraduate students interested in having a global vision of the ideas of development in different territorial and cultural fields.