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Soul Thieves
by Tamara Lizette Brown Baruti N. KopanoConsiders the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
Soul Train: The Music, Dance, and Style of a Generation
by QuestloveFrom Ahmir “Questlove” Thompson of the award–winning hip-hop group the Roots, comes this vibrant book commemorating the legacy of television’s Soul Train.Foreword by Gladys KnightPreface by Nick CannonSoul Train: The Music, Dance, and Style of a Generation celebrates the television show that was a two-decade cultural phenomenon from the ’70s through the ’90s, launching the careers of artists such as Tina Turner, Stevie Wonder, the Jackson 5, Whitney Houston, Lenny Kravitz, LL Cool J, and Aretha Franklin. Questlove reveals the remarkable story of the captivating program, and his text is paired with more than 350 photographs of the show's most memorable episodes and the larger-than-life characters who defined it: the great host Don Cornelius, the extraordinary musicians, and the people who lived the phenomenon from dance floor.
Soul Woundedness: Spirituality on the Streets of Seattle
by Paul Houston Blankenship-LaiA profound exploration into the spiritual beliefs and practices of Seattle’s unhoused youthSoul Woundedness is an intimate, piercing book about everyday life for young adults living on the streets of Seattle. Based on over five years of research and as a participant-observer, Paul Houston Blankenship-Lai presents the personal experiences of “street kids,” highlighting how their spiritual beliefs and practices offer them comfort, a sense of community, and a feeling of belonging amidst their struggles. They also demonstrate how spirituality on the streets can alienate people from themselves and the world.The stories Blankenship-Lai tells here are about how social wounds go soul deep, and how seemingly antireligious spiritual practices, fashioned in an almost unlivable local world, help people create a life still worth living. By paying deep, sustained attention to what spirituality is like on the streets and what difference it makes, Blankenship-Lai uncovers an important, overlooked dimension in the experience and study of homelessness. They invite us to enter these stories and to question how our own spiritual and otherwise practices can help create “a more loving love.”Aimed at a diverse audience, Soul Woundedness is a book not merely to educate but to transform. It is particularly relevant for those interested in spirituality’s role in addressing social inequities and underscores the importance of spiritual practices in overcoming adversity and promoting social change, making a compelling case for a world where everyone has a place to call home.
Soul by Soul: Life Inside the Antebellum Slave Market
by Walter JohnsonSoul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved. Using recently discovered court records, slaveholders' letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market's slave coffles and showrooms. Traders packaged their slaves by "feeding them up," dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage. Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the "peculiar institution" in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.
Soul by Soul: Life Inside the Antebellum Slave Market
by Walter JohnsonWinner of the Frederick Jackson Turner Award Winner of the John Hope Franklin Prize Winner of the Avery O. Craven Award Soul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved. Using recently discovered court records, slaveholders’ letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market’s slave coffles and showrooms. Traders packaged their slaves by “feeding them up,” dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage. Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the “peculiar institution” in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.
Soul of the Court: The Trailblazing Life of Judge William Benson Bryant Sr. (Margaret Walker Alexander Series in African American Studies)
by Tonya BoldenLegal legend Judge Louis F. Oberdorfer once stated that there were “only two people in the world who really understood the Constitution” and its impact on American lives. One was Hugo Black, deceased Supreme Court justice. The other was William Benson Bryant Sr. (1911–2005), who in the early 1950s became the first Black assistant US attorney to try cases in Washington, DC’s federal court, and became that same court’s first Black chief judge in 1977. Written by award-winning author Tonya Bolden, Soul of the Court: The Trailblazing Life of Judge William Benson Bryant Sr. presents the story of Bryant’s remarkable, pioneering life in the law—one that began in a segregated DC and included many years as an extraordinary criminal defense attorney, most notably as the dogged defender of Andrew Mallory, a young poor Black man sentenced to the electric chair for the 1954 rape of a white woman. Bryant fought for Mallory’s life all the way to the US Supreme Court, chiefly on the grounds that Mallory’s confession—the most damning evidence against him—was the fruit of an illegal detention. The High Court overturned Mallory’s conviction. Mallory v. United States was among the cases that culminated in the landmark 1966 Miranda rule.Appointed to federal judicial service by Lyndon B. Johnson in 1965, Bryant’s forty-year tenure included cases ranging from overturning a corrupted election of the United Mine Workers and unconstitutional conditions at the DC jail. The biography draws upon an array of documents, newspaper articles, and interviews with the judge’s friends, colleagues, and family members, as well as oral histories, including Judge Bryant’s. Bolden beautifully narrates the story of a life of compassion, unparalleled integrity, and unwavering belief in the dignity of every human being.
Soul on Soul: The Life and Music of Mary Lou Williams (Music in American Life)
by Tammy L. KernodleFirst time in paperback and e-book! <P><P> The jazz musician-composer-arranger Mary Lou Williams spent her sixty-year career working in—and stretching beyond—a dizzying range of musical styles. Her integration of classical music into her works helped expand jazz's compositional language. Her generosity made her a valued friend and mentor to the likes of Thelonious Monk, Charlie Parker, and Dizzy Gillespie. Her late-in-life flowering of faith saw her embrace a spiritual jazz oriented toward advancing the civil rights struggle and helping wounded souls. <P><P> Tammy L. Kernodle details Williams's life in music against the backdrop of controversies over women's place in jazz and bitter arguments over the music's evolution. Williams repeatedly asserted her artistic and personal independence to carve out a place despite widespread bafflement that a woman exhibited such genius. Embracing Williams's contradictions and complexities, Kernodle also explores a personal life troubled by lukewarm professional acceptance, loneliness, relentless poverty, bad business deals, and difficult marriages. In-depth and epic in scope, Soul on Soul restores a pioneering African American woman to her rightful place in jazz history.
Soul, Community and Social Change: Theorising a Soul Perspective on Community Practice
by Peter WestobyAt a time when inequalities are growing globally, when the pace of socio-economic transitions is rapid, and when traditional ties of community are under threat of dissolving, 'soul' offers a new way of thinking imaginatively about how people might respond both individually and collectively in social change work. In exploring ideas such as soul, soulful, 'soul of the world' and soul-force, Peter Westoby invites readers to disrupt their taken-for-granted assumptions about community practice and to foreground ethics, quality, being and the aesthetic. Drawing on work of people such as James Hillman, Thomas Moore and 'Bifo' Beradi, he insists on the need to bring more depth into practice, eschewing contemporary trends of soulless analysis, measuring, and technique. Written in dialogue with eight practitioner-scholars from around the world, the book suggests a fresh terrain for community work and social change theorising. Illustrated by images of Australian cartoonist-prophet Michael Leunig, the book also promises to unlock new imaginative spaces for dreaming. A soul perspective will resonate with people searching for both a robust socio-political response to the world and an imaginative, poetic and mindful centring of self, 'other' and the planet to their practice.
Soul, Country, and the USA
by Stephanie ShonekanIn twenty-first century America, soul music and country music hold influential positions as the two central flagships that propel the expression and evolution of American popular culture. From their respective but concentric positions on opposite ends of the perpetual continuum of American racial identity, these musical cultures attract their audiences with their distinctive musical aesthetics and characteristically relatable cultural messages. Applying ethnomusicological tools, this book examines the socio-cultural influences and consequences of these two genres: the perception of and resistance to hegemonic structures from within their respective constituencies, the definition of national identity, and the understanding of the "American Dream. " These genres communicate coded information to their enthusiasts whose experiences and world views are formed and reinforced in this transaction between producers and consumers. Each emerging American reality revolves around a unique sub-culture that is replete with its own highly developed signifiers and undergirded by its own interpretation of identity, space, vernacular, and politics. In the midst of these divergent realities, these two musical cultures are direct descendants of a common ancestor. The southern Americana musical tradition, which emerged from the experience of poverty and working class struggle, serves as the cultural and aesthetic progenitor from which these genres and their associated cultural mores have derived.
SoulStirrers: Black Art and the Neo-Ancestral Impulse
by H. Ike Okafor-NewsumIn SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the "primitive" and "savage" black and African in new terms. Central to the dominant racial framework has always been the conception that the black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate art from life and raised a central question, one that the "soul stirrers" of Cincinnati are engaging in their artistic productions. Okafor-Newsum defines collapsing of the sacred and the profane as a central tendency of African aesthetics, transformed and rearticulated here in the Americas.In this volume, the artistic productions ask readers to consider the role of those creating and viewing this art by attempting to shift the way in which we view the ordinary. The works of these artists, therefore, are not only about the survival of African-derived cultural forms, though such remains a central effect of them. These extraordinary pieces, installations, and movements consistently refer to the cultural reality of the Americas and the need for political and intellectual transformation. They constitute important intellectual interventions that serve as indispensable elements in the redefinition and reinterpretation of our society.Featuring numerous color illustrations and profiles of artists, this volume reveals exciting trends in African American art and in the African diaspora more broadly.
SoulWork: Finding the Work You Love, Loving the Work You Have
by Deborah P Bloch Lee RichmondWhat programs address career development in an holistic way, including issues of meaning and purpose, spirituality, and 'work within a life'? Written for career planners, executive coaches, life change counselors, HR and human services managers and all those interested in employee development, workplace values, life-career assessment and personal transformation, this book helps to connect your career to the spiritual values that give your life meaning.SoulWork: Finding the Work you Love, Loving the Work relates your career to spiritual themes, and aims to provide advice and support to people in working through their personal choices. Updated from 1998, the revised edition places career choices in the context of holistic, personal, spiritual development and internal change. A spiritual approach to integrating work/career with all life issues. This book examines the concept of careers within the context of seven themes, including chapters on: Change, Balance, Energy, Community, Calling, Harmony, Unity, Exercises Each starts with a story and then offers career issues, reflections on various aspects of the chapter theme and a set of applications that includes self-administered questionnaires and exercises. The authors take a systematic approach, use clear language and examples that many people will be able to relate to. The value of this book lies in its practical focus on the issues of matching work life to life in its totality. It offers an opportunity to reassess one's career and connect it to the spiritual values that bring meaning and depth to one's life.SoulWork offers a refreshingly unconventional approach to the quest for satisfying work. Rather than focusing on matching occupations against personality traits as many other books do, this book advocates finding one's ideal job through one's calling. That is, drawing on strengths, life experiences, personal needs, and goals to arrive at meaningful work.
Soulless: The Case Against R. Kelly
by Jim DeRogatisIn November 2000, Chicago journalist and music critic Jim DeRogatis received an anonymous fax that alleged R. Kelly had a problem with "young girls." Weeks later, DeRogatis broke the shocking story, publishing allegations that the R&B superstar and local hero had groomed girls, sexually abused them, and paid them off. DeRogatis thought his work would have an impact. Instead, Kelly's career flourished. <p><p> No one seemed to care: not the music industry, not the culture at large, not the parents of numerous other young girls. But for more than eighteen years, DeRogatis stayed on the story. He was the one who was given the disturbing videotape that led to Kelly's 2008 child pornography trial, the one whose window was shot out, and the one whom women trusted to tell their stories--of a meeting with the superstar at a classroom, a mall, a concert, or a McDonald's that forever warped the course of their lives. <p> Soulless: The Case Against R. Kelly is DeRogatis's masterpiece, a work of tenacious journalism and powerful cultural criticism. It tells the story of Kelly's career, DeRogatis's investigations, and the world in which the two crossed paths, and brings the story up to the moment when things finally seem to have changed. Decades in the making, this is an outrageous, darkly riveting account of the life and actions of R. Kelly, and their horrible impact on dozens of girls, by the only person to tell it.
Souls Looking Back: Life Stories of Growing Up Black
by Andrew Garrod Robert Kilkenny James P. Comer Janie Victoria Ward Tracy L. RobinsonFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Souls in the Kalyug: The Politics and Cosmologies of Migrant Workers in Contemporary India
by Shankar RamaswamiHow migrant workers in contemporary India strive toward, and at times realize, elements of a good lifeThe economic development process in India is one that has induced new difficulties and hardships into the lives of poor and working people despite its alleged achievements. In villages, farming families confront an agrarian crisis, with rising costs of seeds, fertilizers, and pesticides; low prices for crops in the face of grave indebtedness; and ecological damage to the soil, water, and forests. Due to the scarcity of jobs, many migrate to cities for work. Once in the city, migrants take on and must contend with low-paid, insecure, and hazardous work. And in urban neighborhoods, they deal with congested living conditions; poor qualities of air, water, and sanitation; and separation from their families in the village.Souls in the Kalyug introduces readers to migrant workers who are confronting myriad hardships and asks how it is that these workers create lives that can become less injurious than their circumstances might suggest. Anthropologist Shankar Ramaswami proposes a three-part answer. In a metal factory in Delhi, migrant workers engage in resistance and collective struggle against perceived oppression and injustice. In the city and village, they weave connections to one another, building friendships in empathetic closeness and fellowship. In the metaphysical realm, they attempt to resist soul-distorting processes in our present, decivilizing times, or the Kalyug. Through these activities, migrant workers strive toward, and at times realize, elements of a good life.Souls in the Kalyug ultimately presents a nuanced and intimate portrait of migrant workers through a complex study of entanglement and noncooperation in workers’ worlds, and in its analysis of workers’ politics, within and outside of labor unions, interpersonal relationships, and foundational religious and cosmological worldviews.
Souls on Fire: Portraits and Legends of Hasidic Masters
by Elie WieselHassidism, its legends, and masters, has always been a source of mystery and confusion. "Souls on Fire" is a journey through Hassidism. Elie Wiesel travels from the source and further expansion of this unique Jewish religious manifestation.
Sound Design Theory and Practice: Working with Sound
by Leo MurraySound Design Theory and Practice is a comprehensive and accessible guide to the concepts which underpin the creative decisions that inform the creation of sound design. A fundamental problem facing anyone wishing to practice, study, teach or research about sound is the lack of a theoretical language to describe the way sound is used and a comprehensive and rigorous overarching framework that describes all forms of sound. With the recent growth of interest in sound studies, there is an urgent need to provide scholarly resources that can be used to inform both the practice and analysis of sound. Using a range of examples from classic and contemporary cinema, television and games this book provides a thorough theoretical foundation for the artistic practice of sound design, which is too frequently seen as a ‘technical’ or secondary part of the production process. Engaging with practices in film, television and other digital media, Sound Design Theory and Practice provides a set of tools for systematic analysis of sound for both practitioners and scholars.
Sound Experiments: The Music of the AACM
by Paul SteinbeckA groundbreaking study of the trailblazing music of Chicago’s AACM, a leader in the world of jazz and experimental music. Founded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell. Sound Experiments represents a sonic history, spanning six decades, that affords insight not only into the individuals who created this music but also into an astonishing collective aesthetic. This aesthetic was uniquely grounded in nurturing communal ties across generations, as well as a commitment to experimentalism. The AACM’s compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music.
Sound Media: From Live Journalism to Music Recording
by Lars NyreSound Media considers how music recording, radio broadcasting and muzak influence people's daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s. The first part of the book devotes five chapters to contemporary digital media, and presents the internet, the personal computer, digital radio (news and talk) and various types of loudspeaker media (muzak, DJ-ing, clubbing and PA systems). The second part examines the historical accumulation of techniques and sounds in sound media, and presents multitrack music in the 1960s, the golden age of radio in the 1950s and back to the 1930s, microphone recording of music in the 1930s, the experimental phase of wireless radio in the 1910s and 1900s, and the invention of the gramophone and phonograph in the late nineteenth century. Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings.
Sound Objects
by Rey Chow James A. SteintragerIs a sound an object, an experience, an event, or a relation? What exactly does the emerging discipline of sound studies study? Sound Objects pursues these questions while exploring how history, culture, and mediation entwine with sound’s elusive objectivity. Examining the genealogy and evolution of the concept of the sound object, the commodification of sound, acousmatic listening, nonhuman sounds, and sound and memory, the contributors not only probe conceptual issues that lie in the forefront of contemporary sonic discussions but also underscore auditory experience as fundamental to sound as a critical enterprise. In so doing, they offer exciting considerations of sound within and beyond its role in meaning, communication, and information and an illuminatingly original theoretical overview of the field of sound studies itself. Contributors. Georgina Born, Michael Bull, Michel Chion, Rey Chow, John Dack, Veit Erlmann, Brian Kane, Jairo Moreno, John Mowitt, Pooja Rangan, Gavin Steingo, James A. Steintrager, Jonathan Sterne, David Toop
Sound Poetics
by Seán StreetThis book examines sonic signals as something both heard internally and externally, through imagination, memory and direct response. In doing so it explores how the mind 'makes' sound through experience, as it interprets codes on the written page, and creates an internal leitmotif that then interacts with new sounds made through an aural partnership with the external world, chosen and involuntary exposure to music and sound messages, both friendly and antagonistic to the identity of the self. It creates an argument for sound as an underlying force that links us to the world we inhabit, an essential part of being in the same primal sense as the calls of birds and other inhabitants of a shared earth. Street argues that sound as a poetic force is part of who we are, linked to our visualisation and sense of the world, as idea and presence within us. This incredibly interdisciplinary book will be of great interest to scholars of radio, sound, media and literature as well as philosophy and psychology.
Sound Practices in the Global South: Co-listening to Resounding Plurilogues
by Budhaditya ChattopadhyayThis book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West’s predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties.Conversations with: Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcón Díaz, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutiérrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.
Sound Research for Troubling Times: Hope In Crisis
by Jessie L. Beier Owen ChapmanThis edited collection takes the prompt “hope in crisis” as a starting point for investigating sound research as it is situated in these troubling times. The book brings together thinkers from numerous scholarly domains (i.e. communication studies, art education, creative art therapy, psychology and philosophy) to explore the question of hope as it relates to sonic research-creation practices in/and times of crisis. Some of the prompts and provocations explored by the authors within the collection include, but are not limited to: explorations of sonic research-creation practices as they are situated within contemporary convergence of crises; theoretical investigations of the concept of hope as it relates to sonic temporalities, ontologies, and epistemologies; articulations of experimental sonic pedagogies; examinations of hope as it plays out in institutional settings and/or sound and music scenes (i.e. music education, artistic communities, activist communities); investigations of experimental listening practices as they relate to contemporary crises; explorations of post-human, non-human, and inhuman sonic resonances in research-creation practices; and experimental practices that deploy sound and sonic approaches for emergent, collective research both within, but also outside of, academic institutions. Positioned as a material that holds the potential to frustrate common approaches to research, whether through its refusal of occularcentric perspectives, its leaky data protocols or its distortion of future horizons, sound is explored here as that which might counter the default refrains that have pushed hope itself into crisis. Importantly, while sound research is explored in this book in relation to hope, it is not offered up as a better way forward, nor is it presented as a solution. Sound research is instead posed as a question, with each author responding in their own way through experiments with the potentials, but also limits, of and for sonic practices. Central to the project, then, is the question of how to collectively and creatively respond to the increasingly difficult— even untenable—circumstances that have come to limit future possibilities, both within fields of research but also beyond, without falling back on the unquestioned assumption that hope alone will actualize a desired otherworld. The sound research gathered here experiments with such possibilities in order to grapple with how present conditions, including conditions for research, are always contingent—always already in trouble—and thus also subject to change both conceptually and materially.
Sound Tactics: Auditory Power in Political Protests (RSA Series in Transdisciplinary Rhetoric)
by Justin EcksteinFrom call and response chants to the noise of pots and pans, protests are often defined by their sounds. In this book, Justin Eckstein argues that this is not merely the result of catchy slogans; it is due to sound’s ability to hold those in power accountable. Sound Tactics highlights how, in a world grappling with the uncertainty of emergent digital practices, social movements utilize the rhetorical power of sound.Eckstein uses the waveform as a metaphor for the persuasive potential of sound. Examining the case studies of the March for Our Lives protest, Howard University’s HUResist movement, and the Casseroles protest in Montreal, Eckstein demonstrates how changes to the immediacy, intensity, and immersiveness of sound can affect the power of an argument. The collective use of sound in these case studies conveys the unity of the protestors in their demand for change and underlines the strength of their argument to those in power.More than just the written word spoken aloud, sound has unique layers of added meaning—it can convey length of time, demand attention, and signal disapproval. Eckstein’s study unpacks those layers for scholars and students, as well as activists interested in deploying sound for change.
Sound Technology and the American Cinema: Perception, Representation, Modernity (Film and Culture Series)
by James LastraRepresentational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film.Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
Sound Tracks: Popular Music Identity and Place (Critical Geographies)
by Chris Gibson John ConnellSound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.