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Representing Abortion (Interdisciplinary Research in Gender)
by Johnston Hurst, Rachel AlphaRepresenting Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion. This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts. The collection is organized into sections around seeing (and not seeing) abortion; fetal materiality; abortion storytelling and memoir; and representations for new arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks. This is an innovative and challenging collection that will be of key interest for scholars studying reproductive rights and reproductive justice, as well as women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way.
Representing Acts of Violence in Comics (Routledge Advances in Comics Studies)
by Ian Hague Ian Gordon Nina MickwitzThis book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in different texts, genres, cultures and contexts. Representing Acts of Violence in Comics raises questions about depiction and the act of showing violence, and discusses the ways in which individual moments of violence develop, and are both represented and embodied in comics and graphic novels. Contributors consider the impact of gendered and sexual violence, and examine the ways in which violent acts can be rendered palatable (for example through humour) but also how comics can represent trauma and long lasting repercussions for both perpetrators and victims. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.
Representing Black Men
by Marcellus Blount George P. CunninghamRepresenting Black Men focuses on gender, race and representation in the literary and cultural work of black men.
Representing Calcutta: Modernity, Nationalism and the Colonial Uncanny (Asia's Transformations/Asia's Great Cities #2)
by Swati ChattopadhyayRepresenting Calcutta is a spatial history of the colonial city, and addresses the question of modernity that haunts our perception of Calcutta. The book responds to two inter-related concerns about the city. First is the image of Calcutta as the worst case scenario of a Third World city -- the proverbial 'city of dreadful nights.' Second is the changing nature of the city’s public spaces -- the demise of certain forms of urban sociality that has been mourned in recent literature as the passing of Bengali modernity. By examining architecture, city plans, paintings, literature, and official reports through the lens of postcolonial, feminist, and spatial theory, the book explores the conditions of colonialism and anti-colonial nationalism that produced the city as a modern artefact. At the centre of this exploration resides the problem of 'representing' the city, representation understood as description and narration, as well as political representation. In doing so, Chattopadhyay questions the very idea of colonial cities as creations of the colonizers, and the model of colonial cities as dual cities, split in black and white areas, in favour of a more complicated view of the topography.
Representing China on the Historical London Stage: From Orientalism to Intercultural Performance (Routledge Advances in Theatre & Performance Studies)
by Dongshin ChangThis book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Representing Death in the News
by Folker HanuschThis new study maps and synthesizes existing research on the ways in which journalism deals with death. Folker Hanusch provides a historical overview of death in the news, looks at the conditions of production, content and reception, and also analyzes emerging trends in the representation of death online.
Representing Disability in an Ableist World: Essays on Mass Media
by Beth A. HallerTowson University journalism professor Beth A. Haller's 20 years of research into disability and mass media inform this one-of-a-kind collection on advertising, news, entertainment television, film and Internet new media. Ideal for disability studies students and researchers as well as disability activists.
Representing Enslavement and Abolition in Museums: Ambiguous Engagements (Routledge Research in Museum Studies)
by Ross Wilson Geoffrey Cubitt Laurajane Smith Kalliopi FousekiThe year 2007 marked the bicentenary of the Act abolishing British participation in the slave trade. Representing Enslavement and Abolition on Museums- which uniquely draws together contributions from academic commentators, museum professionals, community activists and artists who had an involvement with the bicentenary - reflects on the complexity and difficulty of museums' experiences in presenting and interpreting the histories of slavery and abolition, and places these experiences in the broader context of debates over the bicentenary's significance and the lessons to be learnt from it. The history of Britain’s role in transatlantic slavery officially become part of the National Curriculum in the UK in 2009; with the bicentenary of 2007, this marks the start of increasing public engagement with what has largely been a ‘hidden’ history. The book aims to not only critically review and assess the impact of the bicentenary, but also to identify practical issues that public historians, consultants, museum practitioners, heritage professionals and policy makers can draw upon in developing responses, both to the increasing recognition of Britain’s history of African enslavement and controversial and traumatic histories more generally.
Representing Gender-Based Violence: Global Perspectives
by Caroline Williamson Sinalo Nicoletta MandoliniThis book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline. The volume will appeal to scholars working on gender and violence from diverse fields.
Representing God: Christian Legal Activism in Contemporary England
by Méadhbh McIvorHow evangelical activism in England contributes to the secularizing forces it seeks to challengeOver the past two decades, a growing number of Christians in England have gone to court to enforce their right to religious liberty. Funded by conservative lobby groups and influenced by the legal strategies of their American peers, these claimants—registrars who conscientiously object to performing the marriages of same-sex couples, say, or employees asking for exceptions to uniform policies that forbid visible crucifixes—highlight the uneasy truce between law and religion in a country that maintains an established Church but is wary of public displays of religious conviction.Representing God charts the changing place of public Christianity in England through the rise of Christian political activism and litigation. Based on two years of fieldwork split between a conservative Christian lobby group and a conservative evangelical church, Méadhbh McIvor explores the ideas and contested reception of this ostensibly American-inspired legal rhetoric. She argues that legal challenges aimed at protecting “Christian values” ultimately jeopardize those values, as moralities woven into the fabric of English national life are filtered from their quotidian context and rebranded as the niche interests of a cultural minority. By framing certain moral practices as specifically Christian, these activists present their religious convictions as something increasingly set apart from broader English culture, thereby hastening the secularization they seek to counter.Representing God offers a unique look at how Christian politico-legal activism in England simultaneously responds to and constitutes the religious life of a nation.
Representing Hip Hop Histories, Politics and Practices in Australia
by Sudiipta Dowsett Lucas Marie Dianne Rodger Grant Leigh SaundersThis long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across 11 chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip Hop in Australia, including Emceeing/ music production, Graffiti and Breaking.The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters, while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music, youth culture and First Nations Studies.It will prove essential reading for students, academics, and practitioners interested in Hip Hop, social justice, popular culture, music and dance in Australia.
Representing Islam: Hip-Hop of the September 11 Generation (Framing the Global)
by Kamaludeen Mohamed NasirHow do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.
Representing Mass Violence: Conflicting Responses to Human Rights Violations in Darfur
by Joachim J. SavelsbergA free ebook version of this title is available through Luminos, University of California Press' new open access publishing program for monographs. Visit www.luminosoa.org to learn more. How do interventions by the UN Security Council and the International Criminal Court influence representations of mass violence? What images arise instead from the humanitarianism and diplomacy fields? How are these competing perspectives communicated to the public via mass media? Zooming in on the case of Darfur, Joachim J. Savelsberg analyzes more than three thousand news reports and opinion pieces and interviews leading newspaper correspondents, NGO experts, and foreign ministry officials from eight countries to show the dramatic differences in the framing of mass violence around the world and across social fields. Representing Mass Violence contributes to our understanding of how the world acknowledges and responds to violence in the Global South.
Representing Medieval Genders and Sexualities in Europe: Construction, Transformation, and Subversion, 600–1530
by Elizabeth L’Estrange Alison MoreTranscending both academic disciplines and traditional categories of analysis, this collection illustrates the ways genders and sexualities could be constructed, subverted and transformed. Focusing on areas such as literature, hagiography, history, and art history, from the Anglo-Saxon period to the early sixteenth century, the contributors examine the ways men and women lived, negotiated, and challenged prevailing conceptions of gender and sexual identity. In particular, their papers explore textual constructions and transformations of religious and secular masculinities and femininities; visual subversions of gender roles; gender and the exercise of power; and the role sexuality plays in the creation of gender identity. The methodologies which are used in this volume are relevant both to specialists of the Middle Ages and early modern periods, and to scholars working more broadly in fields that draw on contemporary gender studies.
Representing Place and Territorial Identities in Europe: Discourses, Images, and Practices (GeoJournal Library #127)
by Tiziana Banini Oana-Ramona IlovanThis book provides insight into the topic of place and territorial identity, which involves both the dimension of collective belonging and the politics of territorial planning and enhancement. It considers the social, economic and political effects of territorial identity representations among others in terms of mystification, spatial fetishism, and the creation of place and territorial stereotypes. A mixed methodology is employed to research case studies at diverse territorial scales which are relevant to the impact of a variety of factors on place/territorial identity processes such as migration, political and economic changes, natural disasters, land use changes, etc. Visual imagery, constructing visual discourses and living within visual cultures are placed in the foreground and refer to among others the changes and challenges introduced by the Internet and social networks in place/territory representations and self-representations; identity politics and its impact on place/territorial identity representations; discourses in shaping representations and self-representations of territorial/place-based identities related to collective memory, cultural heritage, invented tradition, imagined communities and other key notions.
Representing Talent: Hollywood Agents & the Making of Movies
by Violaine RousselAudiences love the glitz and glamour of Hollywood, but beyond the red carpet and behind the velvet curtain exists a legion of individuals who make showbiz work: agents. Whether literary, talent, or indie film, agents are behind the scenes brokering power, handling mediation, and doing the deal-making that keeps Hollywood spinning. In Representing Talent, Violaine Roussel explores the little-known but decisive work of agents, turning the spotlight on how they help produce popular culture. The book takes readers behind the scenes to observe the day-to-day activities of agents, revealing their influence on artistic careers and the prospects of Hollywood’s forthcoming projects. Agents are crucial to understanding how creative and economic power are intertwined in Hollywood today. They play a key role in the process by which artistic worth and economic value are evaluated and attributed to people and projects. Roussel’s fieldwork examines what “having relationships” really means for agents, and how they perform the relationship work that’s at the heart of their professional existence and success. Representing Talent helps us to understand the players behind the definition of entertainment itself, as well as behind its current transformations.
Representing the Advantaged
by Daniel M. ButlerPolitical inequality is a major issue in American politics, with racial minorities and low-income voters receiving less favorable representation. Scholars argue that this political inequality stems largely from differences in political participation and that if all citizens participated equally we would achieve political equality. Daniel M. Butler shows that this common view is incorrect. He uses innovative field and survey experiments involving public officials to show that a significant amount of bias in representation traces its roots to the information, opinions, and attitudes that politicians bring to office and suggests that even if all voters participated equally, there would still be significant levels of bias in American politics because of differences in elite participation. Butler's work provides a new theoretical basis for understanding inequality in American politics and insights into what institutional changes can be used to fix the problem.
Representing the Black Female Subject in Western Art (Routledge Studies on African and Black Diaspora)
by Charmaine A. NelsonThis book offers the first concentrated examination of the representation of the black female subject in Western art through the lenses of race/color and sex/gender. Charmaine A. Nelson poses critical questions about the contexts of production, the problems of representation, the pathways of circulation and the consequences of consumption. She analyzes not only how, where, why and by whom black female subjects have been represented, but also what the social and cultural impacts of the colonial legacy of racialized western representation have been. Nelson also explores and problematizes the issue of the historically privileged white artistic access to black female bodies and the limits of representation for these subjects. This book not only reshapes our understanding of the black female representation in Western Art, but also furthers our knowledge about race and how and why it is (re)defined and (re)mobilized at specific times and places throughout history.
Representing the Body of the Slave
by Thomas Wiedemann Jane GardnerFrom the ancient world through to modern times the bodies of slaves have been represented in literature, documentary and personal narrative writing, and in art. This volume presents evidence of the past sins of mankind in both art and literature.
Representing the Environment (Routledge Introductions to Environment: Environment and Society Texts)
by John R. Gold George RevillThe development of the environmental movement has relied heavily upon written and visual imagery. Representing the Environment offers an introductory guide to representations of the environment found in the media, literature, art and everyday life encounters. Featuring case studies from Europe, the Americas and Australia, Representing the Environment provides practical guidance on how to study environmental representations from a cultural and historic perspective, and places the reader in the role of active interpreter. The book argues that studying representations provides an important lens on the development of environmental attitudes, values and decision-making.
Representing the Experience of War and Atrocity: Interdisciplinary Explorations in Visual Criminology (Palgrave Studies in Crime, Media and Culture)
by Ronnie Lippens Emma MurrayThis book explores how the experience of war and related atrocities tend to be visually expressed and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity and thus they contribute to the burgeoning field of the "criminology of war". Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.
Representing the Nation: Heritage, Museums, National Narratives, and Identity in the Arab Gulf States (Routledge Research in Museum Studies)
by Pamela Erskine-Loftus Mariam Ibrahim Al-Mulla Victoria HightowerThe 1970s saw the emergence and subsequent proliferation across the Arabian Peninsula of ‘national museums’, institutions aimed at creating social cohesion and affiliation to the state within a disparate population. Representing the Nation examines the wide-ranging use of exhibitionary forms of national identity projection via consideration of their motivations, implications (current and future), possible historical backgrounds, official and unofficial meanings, and meanings for both the user/visitor and the multiple creators. The book responds to, due to the importance placed on tradition, heritage and national identity across all the states of the Peninsula, and the growth of re-imagined and new museums, the need for far greater discussion and research in these areas.
Representing the Other in Modern Japanese Literature: A Critical Approach (The University of Sheffield/Routledge Japanese Studies Series)
by Mark Williams Rachael HutchinsonRepresenting the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity. Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan. Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.
Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism (Routledge Research in Art History)
by Matthew C. PotterThis edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism, and Internationalism (Routledge Research in Art History)
by Matthew C. PotterThis edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.