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The Comic Self: Toward Dispossession (Thinking Theory)
by Grant Farred Timothy C. CampbellA provocative and unconventional call to dispossess the self of itself Challenging the contemporary notion of &“self-care&” and the Western mania for &“self-possession,&” The Comic Self deploys philosophical discourse and literary expression to propose an alternate and less toxic model for human aspiration: a comic self. Timothy Campbell and Grant Farred argue that the problem with the &“care of the self,&” from Foucault onward, is that it reinforces identity, strengthening the relation between I and mine. This assertion of self-possession raises a question vital for understanding how we are to live with each other and ourselves: How can you care for something that is truly not yours?The answer lies in the unrepresentable comic self. Campbell and Farred range across philosophy, literature, and contemporary comedy—engaging with Socrates, Burke, Hume, Hegel, Marx, Nietzsche, Heidegger, Derrida, Deleuze, and Levinas; Shakespeare, Cervantes, Woolf, Kafka, and Pasolini; and Stephen Colbert, David Chappelle, and the cast of Saturday Night Live. They uncover spaces where the dispossession of self and, with it, the dismantling of the regime of self-care are possible. Arguing that the comic self always keeps a precarious closeness to the tragic self, while opposing the machinations of capital endemic to the logic of self-possession, they provide a powerful and provocative antidote to the tragic self that so dominates the tenor of our times.
The Comic Strip Art of Jack B. Yeats (Palgrave Studies in Comics and Graphic Novels)
by Michael ConnertyThis monograph seeks to recover and assess the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for various British publications, including Comic Cuts, The Funny Wonder, and Puck, between 1893 and 1917. It situates the work in relation to late-Victorian and Edwardian media, entertainment and popular culture, as well as to the evolution of the British comic during this crucial period in its development. Yeats’ recurring characters, including circus horse Signor McCoy, detective pastiche Chubblock Homes, and proto-superhero Dicky the Birdman, were once very well-known, part of a boom in cheap and widely distributed comics that Alfred Harmsworth and others published in London from 1890 onwards. The repositioning of Yeats in the context of the comics, and the acknowledgement of the very substantial corpus of graphic humour that he produced, has profound implications for our understanding of his artistic career and of his significant contribution to UK comics history. This book, which also contains many examples of the work, should therefore be of value to those interested in Comics Studies, Irish Studies, and Art History.
The Comics World: Comic Books, Graphic Novels, and Their Publics
by Benjamin Woo and Jeremy StollContributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.
The Comics of Alison Bechdel: From the Outside In (Critical Approaches to Comics Artists Series)
by Janine UtellContributions by Michelle Ann Abate, Leah Anderst, Alissa S. Bourbonnais, Tyler Bradway, Natalja Chestopalova, Margaret Galvan, Judith Kegan Gardiner, Katie Hogan, Jonathan M. Hollister, Yetta Howard, Katherine Kelp-Stebbins, Don L. Latham, Vanessa Lauber, Katherine Parker-Hay, Anne N. Thalheimer, Janine Utell, and Susan R. Van Dyne Alison Bechdel is both a driver and beneficiary of the welcoming of comics into the mainstream. Indeed, the seemingly simple binary of outside/inside seems perpetually troubled throughout the career of this important comics artist, known for Fun Home, Are You My Mother?, and Dykes to Watch Out For. This volume extends the body of scholarship on her work from a range of interdisciplinary perspectives. In a definitive collection of original essays, scholars cover the span of Bechdel’s career, placing her groundbreaking early work within the context of her more well-known recent projects. The contributors provide new insights on major themes in Bechdel’s work, such as gender performativity, masculinity, lesbian politics and representation, trauma, life writing, and queer theory. Situating Bechdel among other comics artists, this book charts possible influences on her work, probes the experimental traits of her comics in their representations of kinship and trauma, combs archival materials to gain insight into Bechdel’s creative process, and analyzes her work in community building and space making through the comics form. Ultimately, the volume shows that Bechdel’s work consists of performing a series of selves—serializing the self, as it were—each constructed and refracted across and within her chosen artistic modes and genres.
The Comics of Charles Schulz: The Good Grief of Modern Life (Critical Approaches to Comics Artists Series)
by Jared Gardner and Ian GordonWith contributions by Leonie Brialey, MJ Clarke, Roy T. Cook, Joseph J. Darowski, Ian Gordon, Gene Kannenberg Jr., Christopher P. Lehman, Anne C. McCarthy, Ben Owen, Lara Saguisag, Ben Saunders, Jeffrey O. Segrave, and Michael TisserandThe Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics.Schulz's Peanuts ran for a half century, during which time he drew the strip and its characters to express keen observations on postwar American life and culture. As Peanuts' popularity grew, Schulz had opportunities to shape the iconography, style, and philosophy of modern life in ways he never could have imagined when he began the strip in 1950. Edited by leading scholars Jared Gardner and Ian Gordon, this volume ranges over a spectrum of Schulz's accomplishments and influence, touching on everything from cartoon aesthetics to the marketing of global fast food. Philosophy, ethics, and cultural history all come into play. Indeed, the book even highlights Snoopy's global reach as American soft power.As the broad interdisciplinary range of this volume makes clear, Peanuts offers countless possibilities for study and analysis. From many perspectives--including childhood studies, ethnic studies, health and exercise studies, as well as sociology--The Comics of Charles Schulz offers the most comprehensive and diverse study of the most influential cartoonist during the second half of the twentieth century.
The Comics of Chris Ware: Drawing Is a Way of Thinking
by David M. Ball Martha B. KuhlmanWith contributions by David M. Ball, Georgiana Banita, Margaret Fink Berman, Jacob Brogan, Isaac Cates, Joanna Davis-McElligatt, Shawn Gilmore, Matt Godbey, Jeet Heer, Martha B. Kuhlman, Katherine Roeder, Peter R. Sattler, Marc Singer, Benjamin Widiss, and Daniel WordenThe Comics of Chris Ware: Drawing Is a Way of Thinking brings together contributions from established and emerging scholars about the comics of Chicago-based cartoonist Chris Ware (b. 1967). Both inside and outside academic circles, Ware's work is rapidly being distinguished as essential to the developing canon of the graphic novel. Winner of the 2001 Guardian First Book Prize for the genre-defining Jimmy Corrigan: The Smartest Kid on Earth, Ware has received numerous accolades from both the literary and comics establishment. This collection addresses the range of Ware's work from his earliest drawings in the 1990s in The ACME Novelty Library and his acclaimed Jimmy Corrigan, to his most recent works-in-progress, “Building Stories” and “Rusty Brown.”
The Comics of Hergé: When the Lines Are Not So Clear (Critical Approaches to Comics Artists Series)
by Joe Sutliff SandersContributions by Jônathas Miranda de Araújo, Guillaume de Syon, Hugo Frey, Kenan Koçak, Andrei Molotiu, Annick Pellegrin, Benjamin Picado, Vanessa Meikle Schulman, Matthew Screech, and Gwen Athene Tarbox As the creator of Tintin, Hergé (1907–1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the “clear line” in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. The book opens with Hergé’s aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of action. Broad views of his career describe how Hergé navigated changing ideas of air travel, while precise accounts of his life during Nazi occupation explain how the demands of the occupied press transformed his understanding of what a comics page could do. The next section considers a subject with which Hergé was himself consumed: the fraught lines between high and low art. By reading the late masterpieces of the Tintin series, these chapters situate his artistic legacy. A final section considers how the clear line style has been reinterpreted around the world, from contemporary Francophone writers to a Chinese American cartoonist and on to Turkey, where Tintin has been reinvented into something meaningful to an audience Hergé probably never anticipated. Despite the attention already devoted to Hergé, no multi-author critical treatment of his work exists in English, the majority of the scholarship being in French. With contributors from five continents drawing on a variety of critical methods, this volume’s range will shape the study of Hergé for many years to come.
The Comics of Joe Sacco: Journalism in a Visual World (Critical Approaches to Comics Artists Series)
by Daniel WordenNamed a Notable Scholarly Publication of 2015 by the Comics Studies SocietyContributions by Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Øyvind VågnesThe Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I.First in the series, Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today.Sections focus on how Sacco's comics journalism critiques and employs the standard of objectivity in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important--and necessary--comics today, by one of the most acclaimed journalist-artists of our time.
The Comics of Julie Doucet and Gabrielle Bell: A Place inside Yourself (Critical Approaches to Comics Artists Series)
by Tahneer Oksman and Seamus O’MalleyWinner of the 2020 Comics Studies Society Edited Book PrizeContributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Køhlert, Tahneer Oksman, Seamus O’Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet’s and Gabrielle Bell’s comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O’Malley regard Doucet’s and Bell’s art as actively feminist, not only because they offer women’s perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet’s and Bell’s comics together in this volume housed in a series devoted to single-creator studies, the book shows how, despite the importance of finding “a place inside yourself” to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.
The Comics of R. Crumb: Underground in the Art Museum (Critical Approaches to Comics Artists Series)
by Daniel WordenContributions by José Alaniz, Ian Blechschmidt, Paul Fisher Davies, Zanne Domoney-Lyttle, David Huxley, Lynn Marie Kutch, Julian Lawrence, Liliana Milkova, Stiliana Milkova, Kim A. Munson, Jason S. Polley, Paul Sheehan, Clarence Burton Sheffield Jr., and Daniel Worden From his work on underground comix like Zap and Weirdo, to his cultural prominence, R. Crumb is one of the most renowned comics artists in the medium’s history. His work, beginning in the 1960s, ranges provocatively and controversially over major moments, tensions, and ideas in the late twentieth and early twenty-first centuries, from the counterculture and the emergence of the modern environmentalist movement, to racial politics and sexual liberation. While Crumb’s early work refined the parodic, over-the-top, and sexually explicit styles we associate with underground comix, he also pioneered the comics memoir, through his own autobiographical and confessional comics, as well as in his collaborations. More recently, Crumb has turned to long-form, book-length works, such as his acclaimed Book of Genesis and Kafka. Over the long arc of his career, Crumb has shaped the conventions of underground and alternative comics, autobiographical comics, and the “graphic novel.” And, through his involvement in music, animation, and documentary film projects, Crumb is a widely recognized persona, an artist who has defined the vocation of the cartoonist in a widely influential way. The Comics of R. Crumb: Underground in the Art Museum is a groundbreaking collection on the work of a pioneer of underground comix and a fixture of comics culture. Ranging from art history and literary studies, to environmental studies and religious history, the essays included in this volume cast Crumb's work as formally sophisticated and complex in its representations of gender, sexuality, race, politics, and history, while also charting Crumb’s role in underground comix and the ways in which his work has circulated in the art museum.
The Comics of Rutu Modan: War, Love, and Secrets (Great Comics Artists Series)
by Kevin HaworthBest known for her Eisner Award–winning graphic novels, Exit Wounds and The Property, Rutu Modan’s richly colored compositions invite readers into complex Israeli society, opening up a world too often defined only by news headlines. Her strong female protagonists stick out in a comics scene still too dominated by men, as she combines a mystery novelist’s plotting with a memoirist’s insights into psychology and trauma. The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children’s stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today. Based on new interviews with Modan (b. 1966) and other comics artists, Haworth indicates the key role of Actus Tragicus, the collective that changed Israeli comics forever and launched her career. Haworth shows how Modan’s work grew from experimental minicomics to critically acclaimed graphic novels, delving into the creative process behind Exit Wounds and The Property. He analyzes how the recurring themes of family secrets and absence weave through her stories and how she adapts the famous clear line illustration style to her morally complex tales. Though still relatively young, Modan has produced a remarkably varied oeuvre. Identifying influences from the United States and Europe, Haworth illustrates how Modan’s work is global in its appeal, even as it forms a core of the thriving Israeli cultural scene.
The Coming Draft: The Crisis in Our Military and Why Selective Service Is Wrong for America
by Philip GoldA frustrating war and an endless occupation. The very real prospect of more conflict overseas. A military stretched beyond its breaking point. The stage is set for the resumption of the draft. Now, in an explosive and provocative book, Philip Gold, a former Marine and a disaffected conservative, reveals why selective service should never come to pass but might.
The Coming Global Superstorm
by Art Bell Whitley StrieberKiller tornadoes. Violent tropical storms. Devastating temperatures. Are these just the prelude to an unprecedented environmental disaster in our near future? Two of America's leading investigators of unexplained phenomena -- Art Bell, the top-rated late-night radio talk-show host, and Whitley Strieber, No. 1 New York Times bestselling author of Communion and the legendary Nature's End -- have made a shocking discovery based on years of research with top scientists and archaeologists from around the world. Now, they reveal what powerful interests are trying to keep hidden: rapid changes in the atmosphere caused by greenhouse gases have set humanity on an incredibly dangerous course toward a catastrophic change in climate in the immediate future. It will begin with a massive, unprecedented storm that will devastate the Northern Hemisphere. This will be followed by floods unlike anything ever seen before -- or perhaps a new Ice Age. They also unearth evidence that this has happened in the past -- in fact, that it has occurred regularly throughout geologic history, but so infrequently that our only record of the last such storm is contained in ancient myths and flood legends. From El Niño to the African droughts, to the shrinking of the polar ice caps, Bell and Strieber identify the warning signs to those willing to see. They point out that the Earth's regulatory system is like a rubber band: you can stretch it just so far before it snaps back -- with a vengeance. Since 1995, each successive year has set new records for violent weather. In 1999 a major climatological study predicted that the Earth will soon be warmer than it has been in millions of years. Bell and Strieber tell us why they believe a rebound is imminent -- a rapid and violent cooling that will cover the Northern Hemisphere in a sheath of choking ice and snow. But it's not too late to reverse our destiny. No mere harbinger of an inevitable doomsday, The Coming Global Superstorm is instead a spirited call to action that offers a wealth of viable solutions to this mammoth challenge to humankind. Through a careful and impressively researched dissection of the myths and legends of ancient cultures and an insightful examination of the best of modern environmental science, Bell and Strieber guide us on an intellectual journey as dark as the murky origins of man and as bright as the promise of an interstellar future.
The Coming Man from Canton: Chinese Experience in Montana, 1862–1943 (Historical Archaeology of the American West)
by Christopher W. MerrittIn The Coming Man from Canton Christopher W. Merritt mines the historical and archaeological record of the Chinese immigrant experience in Montana to explore new questions and perspectives. During the 1860s Chinese immigrants arrived by the thousands, moving into the Rocky Mountain West and tenaciously searching for prosperity in the face of resistance, restriction, racism, and armed hostility from virtually every ethnic group in American society. As second-class citizens, Chinese immigrants remained largely insular and formed their own internal governments as well as labor and trade networks, typically establishing communities apart from the main towns. Chinese miners, launderers, restaurant keepers, gardeners, railroad laborers, and other workers became a separate but integral part of the American experience in the Intermountain West. Although Chinese immigrants constituted more than 10 percent of the Montana Territory’s total population by 1870, the historical records provide a biased and narrow perspective, as they were generally written by European American community members. Merritt uses the statewide Montana context to show the diversity of Chinese settlements that has often been neglected by archival studies. His research highlights how the legacy of the Chinese in Montana is, or is not, reflected in modern Montana identity and how scholars, educators, professionals, and the public can alter the existing perception of this population as the “other” and perceive it instead an integral part of Montana’s past.
The Coming Population Crash and Our Planet's Surprising Future
by Fred PearceA leading environmental writer looks at the unexpected effects—and possible benefits—of a shrinking, graying population. Over the last century, the world’s population quadrupled and fears of overpopulation flared, with baby booms blamed for genocide and terrorism, and overpopulation singled out as the primary factor driving global warming. Yet, surprisingly, it appears that the population explosion is past its peak—by mid-century, the world’s population will be declining for the first time in over seven hundred years. In The Coming Population Crash, veteran environmental writer Fred Pearce reveals the dynamics behind this dramatic shift and describes the environmental, social, and economic effects of our surprising demographic future.
The Coming Race Wars: A Cry for Justice, from Civil Rights to Black Lives Matter
by William PannellIn the wake of the 1992 Los Angeles riots, Fuller Seminary theologian William Pannell decried the sentiment among white evangelicals that racism was no longer an urgent matter. In The Coming Race Wars? he meticulously unpacked reasons why our nation—and the church—needed to come to terms with our complicity in America's racial transgressions before we face a more dire reckoning. Pannell was among a small number of Black evangelical leaders at the time who called the evangelical church to account on issues of racial justice. Now, nearly thirty years later, his words are as timely as ever. Some would even argue that the "race war" he predicted has arrived. In The Coming Race Wars: A Cry for Justice, from Civil Rights to Black Lives Matter, Pannell revisits his provocative book with an expanded edition that connects its message to current events. With a new introduction by bestselling historian Jemar Tisby and a new afterword by Pannell, this compelling, heartfelt plea to the church will help today's readers take a deeper look at the complexities of institutional racism and the unjust systems that continue to confound us. This new edition of The Coming Race Wars will inspire you to open your eyes wider, discover a more holistic view of Christ's gospel, and become an active participant in addressing America's racial injustices.
The Coming Storm: A Journey into the Heart of the Conspiracy Machine
by Gabriel GatehouseIs this how democracy dies?Based on his smash hit podcast, The Coming Storm is Gabriel Gatehouse's brilliant exploration of the roots of Q Anon and the rise of the extreme right in the US. It's a story that reaches back decades, showing how a dark fantasy embedded itself in the American consciousness, threatening to derail its democracy - and it continues to unfold today. Gatehouse's riveting book takes you down a rabbit hole - one that both the US as a nation and he as a journalist fell through - to unpack an epochal shift in political culture that starts in the earliest years of the Clinton administration and reaches a crescendo on 6 January 2021 with the storming of the US Capitol. But that event wasn't the wild finale of a chaotic Trump presidency many hoped for - it was only the beginning.A compelling mix of reportage and personal experience, The Coming Storm gets under the skin of these conspiracy theories to show us a radical new kind of politics emerging, a movement that has coalesced around a loose alliance of white supremacists, men's rights activists, tech bros, and radically disenchanted leftists. As we approach the 2024 US presidential election, and perhaps the most perilous moment in the history of American democracy, Gatehouse's book tells us some dark truths about our present, and provides clues about our future. It marks the debut of a major new voice in political journalism.
The Coming Wave: AI, Power, and Our Future
by Mustafa SuleymanNEW YORK TIMES BESTSELLER • An urgent warning of the unprecedented risks that AI and other fast-developing technologies pose to global order, and how we might contain them while we have the chance—from a co-founder of the pioneering artificial intelligence company DeepMind and current CEO of Microsoft AI&“A fascinating, well-written, and important book.&”—Yuval Noah Harari &“Essential reading.&”—Daniel Kahneman&“My favorite book on AI.&”—Bill Gates, GatesNotesA Best Book of the Year: CNN, Economist, Bloomberg, Politico Playbook, Financial Times, The Guardian, CEO Magazine, Semafor • Winner of the Inc. Non-Obvious Book Award • Finalist for the Porchlight Business Book Award and the Financial Times and Schroders Business Book of the Year Award We are approaching a critical threshold in the history of our species. Everything is about to change. Soon you will live surrounded by AIs. They will organize your life, operate your business, and run core government services. You will live in a world of DNA printers and quantum computers, engineered pathogens and autonomous weapons, robot assistants and abundant energy. None of us are prepared. As co-founder of the pioneering AI company DeepMind, part of Google, Mustafa Suleyman has been at the center of this revolution. The coming decade, he argues, will be defined by this wave of powerful, fast-proliferating new technologies. In The Coming Wave, Suleyman shows how these forces will create immense prosperity but also threaten the nation-state, the foundation of global order. As our fragile governments sleepwalk into disaster, we face an existential dilemma: unprecedented harms on one side, the threat of overbearing surveillance on the other. How do we ensure the flourishing of humankind? How do we maintain control? How do we navigate the narrow path to a successful future? This groundbreaking book from the ultimate AI insider establishes &“the containment problem&”—the task of maintaining control over powerful technologies—as the essential challenge of our age.
The Coming of Age of Urban Agriculture (Contemporary Urban Design Thinking)
by Rob RoggemaFor a long time, urban agriculture initiatives have been explored and novel policy and planning practices have been investigated. With the global food crisis the role urban agriculture has to play becomes more and more urgent. The potentials are large: it brings social justice, it limits climate change, it provides a healthy urban condition, it stimulates biodiversity and gives disadvantaged people an economic opportunity. After 15 years in the making, the time is ripe to see whether the growing of food has established a prominent position in urban planning and policies, food productivity, safety and security, social well-being, the arts, and human health. In this volume several aspects of growing food in the city are explored. Urban Agriculture plays a significant role in society. Nevertheless, it did not become a mainstream topic in day-to-day practice. This book provides concrete solutions and clues how to give urban food production a crucial role in the future planning of urban environments.
The Coming of Lilith
by Judith Plaskow Donna BermanThis first collection of Judith Plaskow's essays and short writings traces her scholarly and personal journey from her early days as a graduate student through her pioneering contributions to both feminist theology and Jewish feminism to her recent work in sexual ethics.Accessibly organized into four sections, the collection begins with several of Plaskow's foundational essays on feminist theology, including one previously unavailable in English. Section II addresses her nuanced understanding of oppression and includes her important work on anti-Judaism in Christian feminism. Section III contains a variety of short and highly readable pieces that make clear Plaskow's central role in the creation of Jewish feminism, including the essential "Beyond Egalitarianism." Finally, section IV presents her writings on the significance of sexual ethics to the larger project of transforming Judaism.Intelligently edited with the help of Rabbi Donna Berman, and including pieces never before published, The Coming of Lilith is indispensable for religious studies students, fans of Plaskow's work, and those pursuing a Jewish education.
The Coming of Sound
by Douglas GomeryThe coming of sound to film was an event whose importance can hardly be overestimated; sound transformed not only the Hollywood film industry but all of world cinema as well. As economic and film historian Douglas Gomery explains, the business of film became not only bigger but much more complex. As sound spread its power, the talkies became an agent of economic and social change through the globe, extending America's reach in ways that had never before been imaginable.This is an essential work for anyone interested in early film, film history and economics, and the history of the American media.
The Coming of the Holocaust
by Peter KenezThe Coming of the Holocaust aims to help readers understand the circumstances that made the Holocaust possible. Peter Kenez demonstrates that the occurrence of the Holocaust was not predetermined as a result of modern history but instead was the result of contingencies. He shows that three preconditions had to exist for the genocide to take place: modern anti-Semitism, meaning Jews had to become economically and culturally successful in the post-French Revolution world to arouse fear rather than contempt; an extremist group possessing a deeply held, irrational, and profoundly inhumane worldview had to take control of the machinery of a powerful modern state; and the context of a major war with mass killings. The book also discusses the correlations between social and historical differences in individual countries regarding the success of the Germans in their effort to exterminate Jews.
The Comintern and the Global South: Global Designs/Local Encounters (Ideas beyond Borders)
by Anne Garland MahlerThe Comintern and the Global South: Global Designs/Local Encounters studies the relations and productive tensions between the Third International, intellectual histories of racial justice and anti-imperialism, as well as other forms of internationalism. Building on extant institutional histories of the Third International, it moves in new directions by focusing on the points of intersection – often conflictual and short-lived – with anti-imperialist, anti-racist, and nationalist organizing, making the Third International a site of encounter between a global political project and more local and regional contexts. Due to the broad range of geographic and linguistic expertise of the contributors, this book traces routes of exchange that are often elided in existing studies of the Third International. The chapters address how actors from Global South contexts shaped key debates on, for example, the role of Black, Indigenous, and migrant labor, the "Islamic question," and the "peasant question," which challenged Bolshevik epistemological frameworks. All such "questions" involved political subjectivities that the Comintern tried to reductively frame within a global revolution driven by Moscow, resulting in the Comintern’s ultimate disintegration. Nevertheless, this juncture between the Comintern’s global designs and its local encounters left a significant legacy that would later be reconfigured in mid-century anticolonial movements.
The Commander's Dilemma: Violence and Restraint in Wartime
by Amelia Hoover GreenWhy do some military and rebel groups commit many types of violence, creating an impression of senseless chaos, whereas others carefully control violence against civilians? A classic catch-22 faces the leaders of armed groups and provides the title for Amelia Hoover Green’s book. Leaders need large groups of people willing to kill and maim—but to do so only under strict control. How can commanders control violence when fighters who are not under direct supervision experience extraordinary stress, fear, and anger? The Commander’s Dilemma argues that discipline is not enough in wartime. Restraint occurs when fighters know why they are fighting and believe in the cause—that is, when commanders invest in political education.Drawing on extraordinary evidence about state and nonstate groups in El Salvador, and extending her argument to the Mano River wars in Liberia and Sierra Leone, Amelia Hoover Green shows that investments in political education can improve human rights outcomes even where rational incentives for restraint are weak—and that groups whose fighters lack a sense of purpose may engage in massive violence even where incentives for restraint are strong. Hoover Green concludes that high levels of violence against civilians should be considered a "default setting," not an aberration.
The Commandments of Islam: A Qur’anic Summary
by Simon LeitchThe Qur'an is one of the most important and controversial books ever written, yet the vast majority of people have never read it. Is it the work of a dangerous radical, a divine message from the God of Abraham, or a liberal and peaceful doctrine worthy of all humanity? In this short, concise volume the fundamental commandments of Islam have been extracted from the Qur'an, and useful annotations explain the contemporary context and purpose of those commandments. Also containing a helpful introduction to Muhammad and life in medieval Arabia, The Commandments of Islam is an excellent starting point for those wishing to understand the beginnings of this complex religious tradition. In a field beset by polarised political debates, this volume takes viewers directly to the laws as written by Muhammad nearly fifteen hundred years ago, without having to wade through the broader Qur'anic text, and allows the readers to make up their own minds about the Qur'an's author, his times, and his extraordinary book.