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Somebody’s Children: The Politics of Transnational and Transracial Adoption
by Laura BriggsIn Somebody's Children, Laura Briggs examines the social and cultural forces--poverty, racism, economic inequality, and political violence--that have shaped transracial and transnational adoption in the United States during the second half of the twentieth century and the first decade of the twenty-first. Focusing particularly on the experiences of those who have lost their children to adoption, Briggs analyzes the circumstances under which African American and Native mothers in the United States and indigenous and poor women in Latin America have felt pressed to give up their children for adoption or have lost them involuntarily.The dramatic expansion of transracial and transnational adoption since the 1950s, Briggs argues, was the result of specific and profound political and social changes, including the large-scale removal of Native children from their parents, the condemnation of single African American mothers in the context of the civil rights struggle, and the largely invented "crack babies" scare that inaugurated the dramatic withdrawal of benefits to poor mothers in the United States. In Guatemala, El Salvador, and Argentina, governments disappeared children during the Cold War and then imposed neoliberal economic regimes with U.S. support, making the circulation of children across national borders easy and often profitable. Concluding with an assessment of present-day controversies surrounding gay and lesbian adoptions and the struggles of immigrants fearful of losing their children to foster care, Briggs challenges celebratory or otherwise simplistic accounts of transracial and transnational adoption by revealing some of their unacknowledged causes and costs.
Somebody's Daughter: A Memoir
by Ashley C. FordOne of the most prominent voices of her generation debuts with an extraordinarily powerful memoir: the story of a childhood defined by the looming absence of her incarcerated father. <P><P>Through poverty, adolescence, and a fraught relationship with her mother, Ashley Ford wishes she could turn to her father for hope and encouragement. There are just a few problems: he’s in prison, and she doesn’t know what he did to end up there. She doesn’t know how to deal with the incessant worries that keep her up at night, or how to handle the changes in her body that draw unwanted attention from men. <P><P>In her search for unconditional love, Ashley begins dating a boy her mother hates. When the relationship turns sour, he assaults her. Still reeling from the rape, which she keeps secret from her family, Ashley desperately searches for meaning in the chaos. <P><P>Then, her grandmother reveals the truth about her father’s incarceration . . . and Ashley’s entire world is turned upside down. Somebody’s Daughter steps into the world of growing up a poor Black girl in Indiana with a family fragmented by incarceration, exploring how isolating and complex such a childhood can be. <P><P>As Ashley battles her body and her environment, she embarks on a powerful journey to find the threads between who she is and what she was born into, and the complicated familial love that often binds them. <P><P><b>A New York Times Bestseller</b>
Somebody's Knocking at Your Door: AIDS and the African-American Church
by Harold G Koenig Carole B Weatherford Ronald J WeatherfordExamining the black church’s response to AIDS, Somebody’s Knocking at Your Door: AIDS and the African-American Church analyzes sexual ethics and homophobia in the black church to provide pastors, social workers, and health professionals with intervention strategies for parishioners or members of the community who have AIDS. By discussing the church’s historic and successful activism and its relationship to the community, along with AIDS statistics, relevant theologies, and other AIDS ministries, this book suggests the benefits of increased church involvement versus other agencies or organizations. Somebody’s Knocking at Your Door will help you develop prevention education and pastoral care programs that will alert individuals to the risks of AIDS and will offer people with AIDS the comfort and assistance they need in coping with the disease.Through the voices of leading clergy, AIDS advocates, and people living with AIDS (PLWAs), this book calls on the African-American church to become more involved in helping communities deal with the disease. Somebody’s Knocking at Your Door offers you ideas on how to improve the lives of individuals with AIDS through the church, including: welcoming PLWAs into the church through announcements by local media, church newsletters, and Sunday bulletins offering AIDS support groups at the church or loaning office space, equipment, or clerical assistance to AIDS organizations recognizing the power of intercessory prayer for PLWAs caring for PLWAs by delivering meals to their homes, preparing meals at the church, and developing a transportation network that will take parishioners to doctor appointments, church, or on recreational outings preparing meals, running errands, housekeeping, handling paperwork, negotiating legal issues, and offering friendship-- possible components of volunteer “buddy programs” for homebound PLWAs training pastors, clergy, and Sunday school teachers to educate ministries on AIDS in the African- American community, sexual intimacy, intravenous drug use and needle sharing, monogamy, community resources, and condom useSince some clergy still believe that AIDS is a “gay” disease, Somebody’s Knocking at Your Door discusses the issue of homosexuality within the church. By analyzing passages from the Bible, the authors refute the belief that homosexuals were neglected by God and undeserving of care and love. This belief, according to the authors, inhibits some churches and individuals from discussing HIV/AIDS because of fear they would also be acknowledging homosexuality. Highlighting AIDS ministries throughout the United States, Somebody’s Knocking at Your Door encourages the African-American church to confront the issue of AIDS and understand that the disease can affect anyone. This book will give you the necessary strategies for starting and implementing AIDS ministries and intervention programs that will educate and support your community.
Someone: The Pragmatics of Misfit Sexualities, from Colette to Hervé Guibert
by Michael LuceyImagine trying to tell someone something about yourself and your desires for which there are no words. What if the mere attempt at expression was bound to misfire, to efface the truth of that ineluctable something? In Someone, Michael Lucey considers characters from twentieth-century French literary texts whose sexual forms prove difficult to conceptualize or represent. The characters expressing these “misfit” sexualities gravitate towards same-sex encounters. Yet they differ in subtle but crucial ways from mainstream gay or lesbian identities—whether because of a discordance between gender identity and sexuality, practices specific to a certain place and time, or the fleetingness or non-exclusivity of desire. Investigating works by Simone de Beauvoir, Colette, Jean Genet, and others, Lucey probes both the range of same-sex sexual forms in twentieth-century France and the innovative literary language authors have used to explore these evanescent forms. As a portrait of fragile sexualities that involve awkward and delicate maneuvers and modes of articulation, Someone reveals just how messy the ways in which we experience and perceive sexuality remain, even to ourselves.
Someone Has To Fail: The Zero-sum Game Of Public Schooling
by David F. Labaree<P>What do we really want from schools?<P> Only everything, in all its contradictions. <P>Most of all, we want access and opportunity for all children—but all possible advantages for our own. <P>So argues historian David Labaree in this provocative look at the way “this archetype of dysfunction works so well at what we want it to do even as it evades what we explicitly ask it to do.”
Someone Is Out to Get Us: A Not So Brief History of Cold War Paranoia and Madness
by Brian BrownFrom UFOs to Dr. Strangelove, LSD experiments to Richard Nixon, author Brian Brown investigates the paranoid, panicked history of the Cold War.In Someone Is Out to Get Us, Brian T. Brown explores the delusions, absurdities, and best-kept secrets of the Cold War, during which the United States fought an enemy of its own making for over forty years -- and nearly scared itself to death in the process. The nation chose to fear a chimera, a rotting communist empire that couldn't even feed itself, only for it to be revealed that what lay behind the Iron Curtain was only a sad Potemkin village.In fact, one of the greatest threats to our national security may have been our closest ally. The most effective spy cell the Soviets ever had was made up of aristocratic Englishmen schooled at Cambridge. Establishing a communist peril but lacking proof, J. Edgar Hoover became our Big Brother, and Joseph McCarthy went hunting for witches. Richard Nixon stepped into the spotlight as an opportunistic, ruthless Cold Warrior; his criminal cover-up during a dark presidency was exposed by a Deep Throat in a parking garage.Someone Is Out to Get Us is the true and complete account of a long-misunderstood period of history during which lies, conspiracies, and paranoia led Americans into a state of madness and misunderstanding, too distracted by fictions to realize that the real enemy was looking back at them in the mirror the whole time. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; min-height: 15.0px}
Someone Other Than a Mother: Flipping the Scripts on a Woman's Purpose and Making Meaning beyond Motherhood
by Erin S. LaneTheologian Erin S. Lane overturns dominant narratives about motherhood and inspires women to write their own stories.Is it possible to do something more meaningful than mothering? As a young Catholic girl who grew up in the American Midwest on white bread and Jesus, Erin S. Lane was given two options for a life well-lived: Mother or Mother Superior. She could marry a man and mother her own children, or she could marry God, so to speak, and mother the world&’s children. Both were good outcomes for someone else&’s life. Neither would fit the shape of hers. Interweaving Lane&’s story with those of other women—including singles and couples, stepparents and foster parents, the infertile and the ambivalent—Someone Other Than a Mother challenges the social scripts that put moms on an impossible pedestal and shame childless women and nontraditional families for not measuring up. You may have heard these lines before: • &“Motherhood is the toughest job.&” This script diminishes the work of non-moms and pressures moms to make parenting their full-time gig. • &“It&’ll be different with your own.&” This script underestimates the love of nonbiological kin and pushes unfair expectations onto nuclear families. • &“Family is the greatest legacy.&” This script turns children into the ultimate sign of a woman&’s worth and discounts the quieter ways we leave our mark. With candor and verve, Someone Other Than a Mother tears up the shaming social scripts that are bad for moms and non-moms alike and rewrites the story of a life well-lived, one in which purpose is bigger than body parts, identity is fuller than offspring, and legacy is so much more than DNA.
Someone To Lend a Helping Hand: Women Growing Old in Rural America
by D. ShenkBy providing descriptions of the experiences of thirty rural Minnesota women, often in their own words, this timely and topical book examines the expectations, beliefs and values of the women as they grow old in rural America. A lifecourse perspective fosters a better understanding of the aging process in terms of an individual's life experiences within the context of a cultural environment. To show how various elements shaped the women's lives in later years, and to give the fullest possible descriptions, the study combines both qualitative and quantitative research of the rural elderly in Minnesota. Through their stories, the women stress the cultural, familial and personal issues that continue to be important to them as they age. They explore the elements of continuity, as well as those of change, as a part of the lifecourse. Also detailed are their insights and experiences concerning interactions with different formal and informal support networks, as well as the more general topics.
Someone To Talk To: How Networks Matter In Practice
by Mario Luis SmallWhen people are facing difficulties, they often feel the need for a confidant. How do they decide on whom to rely? In Someone To Talk To, Mario Luis Small follows a group of graduate students as they cope with stress, overwork, self-doubt, failure, relationships, children, health care, and poverty. He unravels how they decide whom to turn to for support. And he then confirms his findings based on representative national data on adult Americans. Small shows that rather than consistently relying on their "strong ties," Americans often take pains to avoid close friends and family, as these relationships are both complex and fraught with expectations. In contrast, they often confide in "weak ties," as the need for understanding or empathy trumps their fear of misplaced trust. In fact, people may find themselves confiding in acquaintances and even strangers unexpectedly, without having reflected on the consequences. Amid a growing wave of big data and large-scale network analysis, Small returns to the basic questions of whom we connect with, how, and why, upending decades of conventional wisdom on how we should think about and analyze social networks.
Someplace Like America
by Bruce Springsteen Michael S. Williamson Dale MaharidgeIn Someplace Like America, writer Dale Maharidge and photographer Michael S. Williamson take us to the working-class heart of America, bringing to life--through shoe leather reporting, memoir, vivid stories, stunning photographs, and thoughtful analysis--the deepening crises of poverty and homelessness. The story begins in 1980, when the authors joined forces to cover the America being ignored by the mainstream media--people living on the margins and losing their jobs as a result of deindustrialization. Since then, Maharidge and Williamson have traveled more than half a million miles to investigate the state of the working class (winning a Pulitzer Prize in the process). In Someplace Like America, they follow the lives of several families over the thirty-year span to present an intimate and devastating portrait of workers going jobless. This brilliant and essential study--begun in the trickle-down Reagan years and culminating with the recent banking catastrophe--puts a human face on today's grim economic numbers. It also illuminates the courage and resolve with which the next generation faces the future.
Somerset Folk Tales (Folk Tales: United Kingdom)
by Sharon JackstiesThese Somerset tales, newly collected or retold with a strong sense of the land and the waters that shaped them, reflect our enduring interest in the natural landscape. Let these stories from the Summer Lands take you on a journey: across wind-wild moors that plummet to treacherous tides traversed by sea morgans; on a scramble from gorges shaped by the Devil’s spite to caves dwelled in by bitter witches. Discover ancient mines and dragons’ haunts, and emerge into forests and fields to be befriended by bees or bedevilled by fairies; then stroll beside ancient waterways, where willows walk and orchards talk. From Gwyn ap Neath to Joseph of Arimathea, your travelling companions will meet you from legend, history and living memory – from the places where they were once known best. Sharon Jacksties has a sharp eye for the landscape of Somerset and the seen and unseen stories that it holds, a sympathetic ear for the dialect of the South West, and a playful wit that brings this collection of tales to vivid and delightful life.
Somerset Homecoming
by Dorothy Spruill RedfordIn 1860, Somerset Place was one of the most successful plantations in North Carolina--and its owner one of the largest slaveholders in the state. More than 300 slaves worked the plantation's fields at the height of its prosperity; but nearly 125 years later, the only remembrance of their lives at Somerset, now a state historic site, was a lonely wooden sign marked "Site of Slave Quarters."Somerset Homecoming, first published in 1989, is the story of one woman's unflagging efforts to recover the history of her ancestors, slaves who had lived and worked at Somerset Place. Traveling down winding southern roads, through county courthouses and state archives, and onto the front porches of people willing to share tales handed down through generations, Dorothy Spruill Redford spent ten years tracing the lives of Somerset's slaves and their descendants. Her endeavors culminated in the joyous, nationally publicized homecoming she organized that brought together more than 2,000 descendants of the plantation's slaves and owners and marked the beginning of a campaign to turn Somerset Place into a remarkable resource for learning about the history of both African Americans and whites in the region.
Something All Our Own: The Grant Hill Collection of African American Art
by Alvia Wardlaw Grant HillSince 1990, Grant Hill has thrilled sports fans with his artistry on the basketball court, first as an All-American player at Duke University and then as a six-time NBA All-Star for the Detroit Pistons and the Orlando Magic. During these years, Hill has amassed a collection of art by African Americans that he now shares with the public through this book, which accompanies a traveling exhibition. The forty-six pieces documented here include thirteen works that span the career of the great Romare Bearden, from his 1941 gouache painting Serenade to the important collages of the 1980s. Hill's fascination with artists' depiction of women is represented in Elizabeth Catlett's lithographs, many of them from the 1992 series "For My People," and her sculptures in stone, bronze, and onyx. In addition to these two giants of twentieth-century art, the Hill Collection features pieces by Phoebe Beasley, Arthello Beck Jr., John Biggers, Malcolm Brown, John Coleman, Edward Jackson, and Hughie Lee Smith. Hill began collecting art in the early 1990s after learning from his parents to appreciate artworks not only as objects of beauty but as expressions of heritage and culture. According to the internationally known curator Alvia J. Wardlaw, he is part of an emerging group of young African American collectors who have "raised the bar for others." Hill writes, "Getting to know yourself means understanding your background and appreciating those who have come before you. My father has a saying he uses in speeches: 'To be ignorant of your past is to remain a boy. 'The interest in my heritage as an African American is reflected in this collection." Something All Our Own features Wardlaw's essay on the history of African American collecting. It also features articles about Bearden and Catlett by the scholars Elizabeth Alexander and Beverly Guy-Sheftall and reflections about Hill by the historian John Hope Franklin, Duke's basketball coach Mike Krzyzewski, and the sportswriter William C. Rhoden. Hill and his father, the NFL great Calvin Hill, contribute a dialogue that explores their motivations for collecting art. At the heart of the book are the exquisite color photographs of the forty-six artworks included in the exhibition, with commentary by Wardlaw and by Hill himself. As a star athlete, Grant Hill is well aware that African Americans who excel in sports and entertainment are more broadly recognized than their counterparts in artistic fields. He strives to inspire young people to explore their heritage and broaden their concept of excellence by learning more about African American art. By sharing his artworks with collectors and fans, Hill reminds us that while the jump shot is ephemeral, art is enduring.
Something for Nothing: Luck in America
by Jackson LearsPrizewinning historian Jackson Lears has now written the most important, most wide-ranging, and most original book of his career. In Something for Nothing Lears documents how America's culture of control is inextricably entwined with its culture of chance. <P> Conventional wisdom has it that the Protestant ethic of hard work and self-control is what made America great, but a deep, seldom acknowledged reverence for luck runs through our history as well. Americans have embraced the seductive whims of chance, from African fortune-telling to Puritan folk superstitions right up to the current resurgence of casinos and lotteries. Drawing on a vast body of research, Lears ranges through the entire sweep of American history as he uncovers the hidden influence of risk taking, conjuring, soothsaying, and sheer dumb luck on our culture, politics, social lives, and economy. <P> Written with impressive clarity and authority, Something for Nothing will be compared to Louis Menand's bestselling The Metaphysical Club and Ann Douglas's Terrible Honesty: Mongrel Manhattan in the 1920s. This is cultural history at its best-challenging, eye opening, deeply learned, and as surprising as it is illuminating.
Something Happened: A Political and Cultural Overview of the Seventies
by Edward BerkowitzIn both the literal and metaphorical senses, it seemed as if 1970s America was running out of gas. The decade not only witnessed long lines at gas stations but a citizenry that had grown weary and disillusioned. High unemployment, runaway inflation, and the energy crisis, caused in part by U.S. dependence on Arab oil, characterized an increasingly bleak economic situation. As Edward D. Berkowitz demonstrates, the end of the postwar economic boom, Watergate, and defeat in Vietnam led to an unraveling of the national consensus. During the decade, ideas about the United States, how it should be governed, and how its economy should be managed changed dramatically. Berkowitz argues that the postwar faith in sweeping social programs and a global U.S. mission was replaced by a more skeptical attitude about government's ability to positively affect society.From Woody Allen to Watergate, from the decline of the steel industry to the rise of Bill Gates, and from Saturday Night Fever to the Sunday morning fervor of evangelical preachers, Berkowitz captures the history, tone, and spirit of the seventies. He explores the decade's major political events and movements, including the rise and fall of détente, congressional reform, changes in healthcare policies, and the hostage crisis in Iran. The seventies also gave birth to several social movements and the "rights revolution," in which women, gays and lesbians, and people with disabilities all successfully fought for greater legal and social recognition. At the same time, reaction to these social movements as well as the issue of abortion introduced a new facet into American political life-the rise of powerful, politically conservative religious organizations and activists.Berkowitz also considers important shifts in American popular culture, recounting the creative renaissance in American film as well as the birth of the Hollywood blockbuster. He discusses how television programs such as All in the Family and Charlie's Angels offered Americans both a reflection of and an escape from the problems gripping the country.
Something in This Book Is True, Second Edition: The Official Companion to Nothing in This Book Is True, But It's Exactly How Things Are
by Bob FrissellA training manual for navigating a future full of danger and hope, this book considers earth changes, pole shifts, Hopi prophecies, the secret government, and much more. Written in Bob Frissell's warm, personal style with updated commentary, Something in This Book Is True is both an account of Frissell's journey to inner discovery and empowerment and a most unusual reader's guide. Delving into topics as eclectic as polarity consciousness, emotional body clearing, and higher selves, Frissell affirms that humanity is composed of spiritual beings having human experiences--not vice versa. This new edition incorporates photos and illustrations into Frissell's engaging text.From the Trade Paperback edition.
Something Inside So Strong: Life in Pursuit of Choice, Courage, and Change (Willie Morris Books in Memoir and Biography)
by Mildred Pitts WalterIn 1922, Mildred Pitts Walter was born in DeRidder, Louisiana, to a log cutter and a midwife/beautician. She became the first member of her family to go to college, graduating in 1940. Walter moved to California, where she worked as an elementary school teacher. After being encouraged by a publisher to write books for and about African American children, Walter went on to become a pioneer of African American children's literature. Most notably, she wrote Justin and the Best Biscuits in the World, which bent preconceptions with tales of black cowboys and men doing “women’s work.” She was also a contributing book reviewer to the Los Angeles Times. In Something Inside So Strong: Life in Pursuit of Choice, Courage, and Change, Walter recollects major touchstones in her life. The autobiography, divided into three parts, “Choice,” “Courage,” and “Change,” covers Walter’s life beginning with her childhood in the 1920s and moving to the present day. In “Choice,” Walter describes growing up in a deeply segregated Louisiana and includes memories of school, rural home life, World War II, and participating in neighborhood activities like hog killing and church revivals. “Courage” documents her adjustment to living away from family, her experiences teaching in Los Angeles, and her extensive work with her husband for the Los Angeles chapter of the Congress of Racial Equality. The final section, “Change,” shows how Walter’s writing and activism merged, detailing her work as an education consultant and as an advocate for nonviolent resistance to racism. It also reveals how her world travels expanded her personal inquiry into Christianity and African spirituality. Something Inside So Strong is one woman’s journey to self-discovery.
Something Like the Gods: A Cultural History of the Athlete from Achilles to LeBron
by Stephen AmidonA lively, literary exploration of one of the West's most iconic cultural figures—the athlete Why is the athlete so important to us? Few public figures can dominate the public imagination with such power and authority. Even in our cynical times, when celebrities can be debunked at the speed of light, many still look to athletes as models for our moral and emotional lives. An aging fastballer goes for a few last wins in his final season, and he becomes an exemplar for our daily struggles against time. A top golfer cheats on his wife, and his behavior sparks a symposium on marital fidelity more wideranging than if the lapse had come from a politician or religious leader. Drawing from art, literature, politics, and history, Something Like the Gods explores the powerful grip the athlete has always held on the Western imagination. Amidon examines the archetype of the competitor as it evolved from antiquity to the present day, from athlete-warriors such as Achilles and Ulysses to global media icons like Ali, Jordan, and Tiger Woods. Above all, Something Like the Gods is a lyrical study that will appeal to anyone who has ever imagined themselves in the spikes, boots, or sneakers of our greatest athletes—or wondered why people do.
Something New In Sandwiches
by WhiteFirst published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Something Out of Place: Women & Disgust
by Eimear McBrideIn her blistering non-fiction debut, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture, and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surround us today.In this subversive essay, McBride asks - are women still damned if we do, damned if we don't? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward?
Something to Declare
by Julia AlvarezThe book is a collection of twenty-four autobiographical essays of the author. In the book she describes her beautiful childhood in the Dominican Republic and her difficulties when she grew up.
Something to Say
by Lily Prince Richard Klin"Klin is an insightful interviewer and a marvelous writer. We were delighted to have the opportunity to publish the interview with Howard Zinn from Something to Say."-The Bloomsbury ReviewThe fusion of art and politics is axiomatic in much of the world. In America, their relationship is erratic. What is art in the service of social justice? Is an artist obligated to address the political? This book profiles, in words and photos, disparate creative forces who offer thoughts on their point of engagement with the political sphere. In the words of Pete Seeger, art "may save the world. Visual arts, dancing, acting arts, cooking arts. . . . Joe DiMaggio reaching for a fly ball-that was great dancing!"Profiles in Something to Say:The late Howard ZinnPete SeegerYoko OnoScreenwriter Ron NyswanerPalestinian American standup comedian Maysoon ZayidPoet Quincy TroupeDominican American painter Freddy RodríguezFilmmaker Gini RetickerSlowpoke cartoonist Jen SorensenPerformance and installation artist Sheryl OringChildren's writer Jacqueline WoodsonChef and food activist Didi EmmonsChinese American poet and art critic John YauPunk-rock activist Franklin Stein of the band BlowbackKlezmer fiddler Alicia SvigalsRichard Klin's writing has appeared in the Brooklyn Rail, Forward, The Bloomsbury Review, Parabola, The Rambler, and other media.Lily Prince has exhibited in over fifty national and international exhibitions and has been awarded commissions by numerous hotels and the NYC Department of Cultural Affairs. She is an associate professor of art at William Paterson University. Her work has appeared in The New York Times, New York Magazine, Newark Star-Ledger, New American Paintings, San Francisco Weekly, and other media.
Something Torn and New: An African Renaissance
by Ngugi Wa Thiong'ONovelist Ngugi wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. In Something Torn and New, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory. Seeking to remember language in order to revitalize it, Ngugi's quest is for wholeness. Wide-ranging, erudite, and hopeful, Something Torn and New is a cri de coeur to save Africa's cultural future.
Something Wonderful Right Away: The Birth of Second City—America's Greatest Comedy Theater
by Jeffrey SweetDiscover the behind-the-scenes story of how The Second City theater created a generation of world class great actors, directors, and writers. In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Building scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don&’t Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers of the empire that transformed American comedy. This new edition tells even more of the story. Included for the first time is an interview with Viola Spolin, the genius who invented theater games that were the foundation of improvisational theater. Also included are dozens of follow-up stories about Mike Nichols, Barbara Harris, Del Close, Joan Rivers, Alan Arkin, and Gilda Radner, plus &“You Only Shoot the Ones You Love,&” the story of how this book&’s author, playwright Jeffrey Sweet, became so involved in the community he covered that he was captured by it.
Sometime Kin: Layers of Memory, Boundaries of Ethnography
by Sandra WallmanIn Sometime Kin Sandra Wallman paints the portrait of an Alpine settlement – its history, economy and culture, and its unusual resistance to outsiders and modernization. Against this, journal extracts show the villagers embracing her four small children and acting as participant observers in the two-way process of research. This project happened more than forty years ago and involved a uniquely large fieldwork family, but its insights have wider significance. The book argues that the intrusion of observation inevitably distorts the ordinary life observed; that the challenges of multi-vocality and “truth” are always with us; and that memory is the bedrock of every ethnographic enterprise.