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The Song Machine: Inside The Hit Factory
by John Seabrook“An utterly satisfying examination of the business of popular music.” —Nathaniel Rich, The Atlantic Over the last two decades a new type of hit song has emerged, one that is almost inescapably catchy. Pop songs have always had a "hook," but today’s songs bristle with them: a hook every seven seconds is the rule. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are highly processed products. Like snack-food engineers, modern songwriters have discovered the musical "bliss point." And just like junk food, the bliss point leaves you wanting more. In The Song Machine, longtime New Yorker staff writer John Seabrook tells the story of the massive cultural upheaval that produced these new, super-strength hits. Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. Journeying from New York to Los Angeles, Stockholm to Korea, Seabrook visits specialized teams composing songs in digital labs with new "track-and-hook" techniques. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. Going beyond music to discuss money, business, marketing, and technology, The Song Machine explores what the new hits may be doing to our brains and listening habits, especially as services like Spotify and Apple Music use streaming data to gather music into new genres invented by algorithms based on listener behavior. Fascinating, revelatory, and original, The Song Machine will change the way you listen to music.
Song of Brooklyn: An Oral History of America's Favorite Borough
by Marc EliotA captivating oral portrait of America's favorite borough, in the words of those who know Brooklyn best -- Mel Brooks, Spike Lee, Arthur Miller, Joan Rivers, Norman Mailer, Cousin Brucie, Maria Bartiromo, Pete Hamill, and many other current and former inhabitants. Gathers the oral testimony of 100 Brooklynites past and present, famous and unknown, about a mythic borough that is also an indisputably real place. They speak eloquently of what it was like back then, when the Dodgers played in Ebbets Field; later, when the borough fell on hard times; and now, when it has come back on the tracks of a real-estate boom, giving it celebrity chic and hipster cred. The story of Brooklyn is one of the great and still ongoing chapters of the American urban experience.
Song of My Life: A Biography of Margaret Walker
by Carolyn J. BrownMargaret Walker (1915–1998) has been described as “the most famous person nobody knows.” This is a shocking oversight of an award-winning poet, novelist, essayist, educator, and activist as well as friend and mentor to many prominent African American writers. Song of My Life reintroduces Margaret Walker to readers by telling her story, one that many can relate to as she overcame certain obstacles related to race, gender, and poverty. Walker was born in 1915 in Birmingham, Alabama, to two parents who prized education above all else. Obtaining that education was not easy for either her parents or herself, but Walker went on to earn both her master's and doctorate degrees from the University of Iowa. Walker's journey to become a nationally known writer and educator is an incredible story of hard work and perseverance. Her years as a public figure connected her to Richard Wright, Langston Hughes, Alex Haley, and a host of other important literary and historical figures. This biography opens with her family and those who inspired her—her parents, her grandmother, her most important teachers and mentors—all significant influences on her reading and writing life. Chapters trace her path over the course of the twentieth century as she travels to Chicago and becomes a member of the South Side Writers' Group with Richard Wright. Then she is accepted into the newly created Master of Fine Arts Program at the University of Iowa. Back in the South, she pursued and achieved her dream of becoming a writer and college educator as well as wife and mother. Walker struggled to support herself, her sister, and later her husband and children, but she overcame financial hardships, prejudice, and gender bias and achieved great success. She penned the acclaimed novel Jubilee, received numerous lifetime achievement awards, and was a beloved faculty member for three decades at Jackson State University in Jackson, Mississippi.
The Song of Our Scars: The Untold Story of Pain
by Haider WarraichA doctor&’s personal and unsparing account of how modern medicine&’s failure to understand pain has made care less effectiveIn The Song of Our Scars, physician Haider Warraich offers a bold reexamination of the nature of pain, not as a simple physical sensation, but as a cultural experience.Warraich, himself a sufferer of chronic pain, considers the ways our notions of pain have been shaped not just by science but by politics and power, by whose suffering mattered and whose didn&’t. He weaves a provocative history from the Renaissance, when pain transformed into a medical issue, through the racial legacy of pain tolerance, to the opiate epidemics of both the nineteenth and twenty-first centuries, to the cutting edge of present-day pain science. The conclusion is clear: only by reckoning with both pain&’s complicated history and its biology can today&’s doctors adequately treat their patients&’ suffering.Trenchant and deeply felt, The Song of Our Scars is an indictment of a broken system and a plea for a more holistic understanding of the human body.
The Song of Songs: A Biography (Lives of Great Religious Books #46)
by Ilana PardesAn essential history of the greatest love poem ever writtenThe Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the Song as a poem on divine love to celebrations of its exuberant account of human love. With a refreshingly nuanced approach, she reveals how allegorical and literal interpretations are inextricably intertwined in the Song's tumultuous life. The body in all its aspects—pleasure and pain, even erotic fervor—is key to many allegorical commentaries. And although the literal, sensual Song thrives in modernity, allegory has not disappeared. New modes of allegory have emerged in modern settings, from the literary and the scholarly to the communal.Offering rare insights into the story of this remarkable poem, Pardes traces a diverse line of passionate readers. She looks at Jewish and Christian interpreters of late antiquity who were engaged in disputes over the Song's allegorical meaning, at medieval Hebrew poets who introduced it into the opulent world of courtly banquets, and at kabbalists who used it as a springboard to the celestial spheres. She shows how feminist critics have marveled at the Song's egalitarian representation of courtship, and how it became a song of America for Walt Whitman, Herman Melville, and Toni Morrison. Throughout these explorations of the Song's reception, Pardes highlights the unparalleled beauty of its audacious language of love.
Song of the Brook
by Matilda NordtvedtIn this fascinating sequel to Secret in the Maple Tree we follow Hilda and her family from their home on a Minnesota farm to a country place near Bellingham, Washington. Hilda becomes envious of the grandeur of their relatives' home and life style until she realizes how satisfying her simple joys are: listening to the brook, talking to God by her window, exploring the woods with John, and doing something original for the closing program at school.
Song of the Caged Bird
by Marcello Di CintioFor political readers and anyone invested in the Israeli-Palestinian conflict, Marcello Di Cintio's Song of the Caged Bird is a refreshing look at Palestinian resistance--through literature and the power of books. When Marcello Di Cintio began teaching at the Palestine Writing Workshop in Ramallah, he avoided making reference to the occupation in his assignments at first--to see if his students addressed it on their own--and he soon learned that it touches all aspects of Palestinian life. Curious how Palestinian literature could operate with its people so tied to a single narrative, Di Cintio began a journey through the Palestinian world of books: from the monument to the poet Mahmoud Darwish to the volumes in the Nablus Prisoners' library; from one of the West Bank's most successful bookshops to a century-old library in Jerusalem run by a family with a lineage in that city many centuries older. What he found is a world of identity and resistance that is considerably more complex--and potentially more hopeful--than what we see splashed across our screens.
The Song of the Cell: An Exploration of Medicine and the New Human
by Siddhartha MukherjeeWinner of the 2023 PROSE Award for Excellence in Biological and Life Sciences and the 2023 Chautauqua Prize! Named a New York Times Notable Book and a Best Book of the Year by The Economist, Oprah Daily, BookPage, Book Riot, the New York Public Library, and more! In The Song of the Cell, the extraordinary author of the Pulitzer Prize–winning The Emperor of All Maladies and the #1 New York Times bestseller The Gene &“blends cutting-edge research, impeccable scholarship, intrepid reporting, and gorgeous prose into an encyclopedic study that reads like a literary page-turner&” (Oprah Daily).Mukherjee begins this magnificent story in the late 1600s, when a distinguished English polymath, Robert Hooke, and an eccentric Dutch cloth-merchant, Antonie van Leeuwenhoek looked down their handmade microscopes. What they saw introduced a radical concept that swept through biology and medicine, touching virtually every aspect of the two sciences, and altering both forever. It was the fact that complex living organisms are assemblages of tiny, self-contained, self-regulating units. Our organs, our physiology, our selves—hearts, blood, brains—are built from these compartments. Hooke christened them &“cells.&” The discovery of cells—and the reframing of the human body as a cellular ecosystem—announced the birth of a new kind of medicine based on the therapeutic manipulations of cells. A hip fracture, a cardiac arrest, Alzheimer&’s dementia, AIDS, pneumonia, lung cancer, kidney failure, arthritis, COVID pneumonia—all could be reconceived as the results of cells, or systems of cells, functioning abnormally. And all could be perceived as loci of cellular therapies. Filled with writing so vivid, lucid, and suspenseful that complex science becomes thrilling, The Song of the Cell tells the story of how scientists discovered cells, began to understand them, and are now using that knowledge to create new humans. Told in six parts, and laced with Mukherjee&’s own experience as a researcher, a doctor, and a prolific reader, The Song of the Cell is both panoramic and intimate—a masterpiece on what it means to be human. &“In an account both lyrical and capacious, Mukherjee takes us through an evolution of human understanding: from the seventeenth-century discovery that humans are made up of cells to our cutting-edge technologies for manipulating and deploying cells for therapeutic purposes&” (The New Yorker).
Song of the Stubborn One Thousand: The Watsonville Canning Strike, 1985-87
by Peter ShapiroOn September 9, 1985, one thousand mainly Mexican women workers in Watsonville, California, the "frozen food capital of the world," were forced out on strike in response to an attempt by Watsonville Canning owner, Mort Console, to break their union. They returned to work eighteen months later. Not one had crossed the picket line. A moribund union has been revitalized, and Watsonville's Latino majority emerged as a major force in local politics.At a time when organized labor was in headlong retreat, the Watsonville Canning strike was a dramatic show of the power of women workers, whose struggle became a rallying point for the Chicano movement.Apart from its sheer drama, the strikers' story illuminates the challenges facing a group of ordinary working people who waged a protracted and ultimately successful struggle against seemingly insurmountable odds.
Song Walking: Women, Music, and Environmental Justice in an African Borderland (Chicago Studies in Ethnomusicology)
by Angela ImpeySong Walking explores the politics of land, its position in memories, and its foundation in changing land-use practices in western Maputaland, a borderland region situated at the juncture of South Africa, Mozambique, and Swaziland. Angela Impey investigates contrasting accounts of this little-known geopolitical triangle, offsetting textual histories with the memories of a group of elderly women whose songs and everyday practices narrativize a century of borderland dynamics. Drawing evidence from women’s walking songs (amaculo manihamba)—once performed while traversing vast distances to the accompaniment of the European mouth-harp (isitweletwele)—she uncovers the manifold impacts of internationally-driven transboundary environmental conservation on land, livelihoods, and local senses of place. This book links ethnomusicological research to larger themes of international development, environmental conservation, gender, and local economic access to resources. By demonstrating that development processes are essentially cultural processes and revealing how music fits within this frame, Song Walking testifies to the affective, spatial, and economic dimensions of place, while contributing to a more inclusive and culturally apposite alignment between land and environmental policies and local needs and practices.
Song Without Words: Discovering My Deafness Halfway through Life
by Gerald Shea<P>Much has been written about the profoundly deaf, but the lives of the nearly 30 million partially deaf people in the United States today remain hidden. Song without Words tells the astonishing story of a man who, at the age of thirty-four, discovered that he had been deaf since childhood, yet somehow managed to navigate his way through Andover, Yale, and Columbia Law School, and to establish a prestigious international legal career. <P>Gerald Shea's witty and candid memoir of how he compensated for his deafness--through sheer determination and an amazing ability to translate the melody of vowels. His experience gives fascinating new insight into the nature and significance of language, the meaning of deafness, the fierce controversy between advocates of signing and of oral education, and the longing for full communication that unites us all.
Songbook: How Lyrics Became Poetry in Medieval Europe
by Marisa GalvezToday we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category “poetry”: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
The Songlines (Picador Bks.)
by Bruce ChatwinBruce Chatwin, author of In Patagonia, ventures into the desolate land of Outback Australia to learn the meaning of the Aboriginals' ancient "Dreaming-tracks." Along these timeless paths, amongst the fortune hunters and redneck Australians, racist policemen and mysterious Aboriginal holy men, he discovers a wondrous vision of man's place in the world. A blend of travelogue, memoir, history, philosophy, science, meditation, and commonplace book... Chatwin's astonishing style captures the metamorphoses of his own 'Walkabout' He takes the travel genre beyond exoticism and the simple picturesque into the metaphysical.
Songquest: The Journals of Great Lakes Folklorist Ivan H. Walton (Great Lakes Books Series)
by Joe Grimm Laurie Sommers Ivan H WaltonIvan H. Walton was a pioneering folklorist who collected the songs and stories of aging sailors living along the shores of the Great Lakes in the 1930s. His collection is unique in the annals of Great Lakes folklore. It began as a search for songs but broadened into a collection of weather signs, shipboard beliefs, greenhorn tales, and stories of the intense rivalry between sailors and the steamboat men who replaced them. Edited by Joe Grimm, Songquest: The Journals of Great Lakes Folklorist Ivan H. Walton is a selection from the daily journals Walton wrote during his travels as a folklore collector. <P><P> It is clear that Walton, a professor of English at the University of Michigan, both admired the sailors of the Great Lakes for what they had done during their working years and worried about them as they entered the twilight of their lives. Walton went beyond the songs he set out to find and captured the pitch and roll of the Great Lakes alive with white-winged schooners. His writings provide a clear picture of the colorful individuals he met and interviewed-captains, cabin boys, tugmen, chandlers, boardinghouse owners, dredgers, and light keepers. Walton also documented the methods he used and recorded his personal thoughts about his nomadic life and the events going on around him during the 1930s, including the Great Depression, Franklin D. Roosevelt's election, and the end of Prohibition. <P><P> Songquest is a companion volume to Windjammers: Songs of the Great Lakes Sailors (Wayne State University Press, 2002), which contains the lyrics from more than a hundred of Walton's collected songs, as well as musical scores, sketches, and a compact disc of field recordings.
Songs for Dead Parents: Corpse, Text, and World in Southwest China
by Erik MuegglerIn a society that has seen epochal change over a few generations, what remains to hold people together and offer them a sense of continuity and meaning? In Songs for Dead Parents, Erik Mueggler shows how in contemporary China death and the practices surrounding it have become central to maintaining a connection with the world of ancestors, ghosts, and spirits that socialism explicitly disavowed. Drawing on more than twenty years of fieldwork in a mountain community in Yunnan Province, Songs for Dead Parents shows how people view the dead as both material and immaterial, as effigies replace corpses, tombstones replace effigies, and texts eventually replace tombstones in a long process of disentangling the dead from the shared world of matter and memory. It is through these processes that people envision the cosmological underpinnings of the world and assess the social relations that make up their community. Thus, state interventions aimed at reforming death practices have been deeply consequential, and Mueggler traces the transformations they have wrought and their lasting effects.
Songs from Sweden: Shaping Pop Culture in a Globalized Music Industry (Geographies of Media)
by Ola JohanssonSongs from Sweden shows how Swedish songwriters and producers are the creative forces behind much of today’s international pop music. As Ola Johansson reveals, the roots of this “music miracle” can be found in Sweden’s culture, economy, and thriving music industry, concentrated in Stockholm. While Swedish writer-producers developed early global recognition for making commercially successful pop music, new Swedish writer-producers have continuously emerged during the last two decades. Global artists travel to Stockholm to negotiate, record, and co-write songs. At the same time, Swedish writer-producers are part of a global collaborative network that spans the world. In addition to concrete commercial accomplishments, the Swedish success is also a result of the acquisition of reputational capital gained through positive associations that the global music industry holds about Swedish music. Ultimately, pop songs from Sweden exhibit a form of cultural hybridity, drawing from both local and global cultural expressions.
Songs from the Loom: A Navajo Girl Learns to Weave
by Susan BraineIn this unique series, Native American authors examine their cultural traditions, from Navajo rug weaving in the Southwest to wild rice gathering in northern Minnesota. Each book describes these customs as they are seen through the eyes of the participants and discusses how Native American people maintain their cultural identities in contemporary society.
Songs in Black and Lavender: Race, Sexual Politics, and Women's Music
by Eileen M. Hayes Linda TilleryDrawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.
Songs in the Key of Black Life: A Rhythm and Blues Nation
by Mark Anthony NealIn Songs in the Key of Black Life, acclaimed cultural critic Mark Anthony Neal turns his attention to Rhythm and Blues. He argues that R&B-often dismissed as just a bunch of love songs, yet the second most popular genre in terms of sales-can tell us much about the dynamic joys, apprehensions, tensions, and contradictions of contemporary black life, if we listen closely. With a voice as heartfelt and compelling as the best music, Neal guides us through the work of classic and contemporary artists ranging from Marvin Gaye to Macy Gray. In the first section of the book, Rhythm, he uses the music of Meshell N'degeocello, Patti Labelle, Jill Scott, Alicia Keys, and others as guideposts to the major concerns of contemporary black life-issues such as gender, feminist politics, political activism, black masculinity, celebrity, and the fluidity of racial and sexual identity. The second part of the book, Blues, uses the improvisational rhythms of black music as a metaphor to examine currents in black life including the public dispute between Cornel West and Harvard President Lawrence Summers and the firing of BET's talk-show host Tavis Smiley. Songs in the Key of Black Life is a remarkable contribution to the study of black popular music, and valuable reading for anyone interested in how race is lived in America.
Songs of America: Patriotism, Protest, and the Music That Made a Nation
by Jon Meacham Tim McGrawThrough all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. <P><P>From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. <P><P>Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. <P><P>Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more.Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be. <P><b>A New York Times Bestseller</b>
Songs of Earth: Aesthetic and Social Codes in Music
by Anna L. WoodBased upon Cantometrics: An Approach to the Anthropology of Music (1976), by Alan Lomax, Songs of Earth: Aesthetic and Social Codes in Music is a contemporary guide to understanding and exploring Cantometrics, the system developed by Lomax and Victor Grauer for analyzing the formal elements of music related to human geography and sociocultural patterning. This carefully constructed cross-cultural study of world music revealed deep-rooted performance patterns and aesthetic preferences and their links with environmental factors and ancient socioeconomic practices. This new and updated edition is for anyone wishing to understand and more deeply appreciate the forms and sociocultural contexts of the musics of the world’s peoples, and it is designed to be used by both scholars and laypeople.Part One of the book consists of a practical guide to using the Cantometrics system, a course with musical examples to test one’s understanding of the material, a theoretical framework to put the methodology in context, and an illustration of the method used to explore the roots of popular music. Part Two includes guides to four other analytical systems that Lomax developed, which focus on orchestration, phrasing and breath management, vowel articulation, instrumentation, and American popular music. Part Three provides resources for educators who wish to use the Cantometrics system in their classrooms, a summary of the findings and hypotheses of Lomax’s original research, and a discussion of Cantometrics’ criticisms, applications, and new approaches, and it includes excerpts of Lomax’s original writings about world song style and cultural equity.
Songs of Innocence: The Story of British Childhood
by Fran AbramsAs recently as 100 years ago British children existed in ways now unthinkable; boys as young as eight worked grueling hours in unlit factories; girls were sold into sexual slavery with dolls still in their grasp; and boys at schools like Rugby and Harrow were brutally trained for their future at the helm of Britain's vast red empire. This book charts the transformation of childhood in the UK from early Victorian disagreements about childrearing to the Scouts' very direct involvement in World War I. Poignant first-hand accounts of poverty and deprivation as well as innocent pleasures carry the reader through a Dickensian landscape of urchins and Fauntleroys, the cosseted lives of Edwardian children to the self-sufficient charges of Baden-Powell. Fran Abrams draws distinctions along class lines and divisions such as town and country, Romantic and conservative, to achieve a historical perspective shows the progression of the idea of childhood through a century of massive social change brought about by urbanization, war, and medico-psychological advances. Songs of Innocence employs searing personal testimony and immaculate research to provide a fascinating exposition of the past and a mirror for the present.
Songs of Profit, Songs of Loss: Private Equity, Wealth, and Inequality (Anthropology of Contemporary North America)
by Daniel Scott SoulelesSince the early 1980s, private equity investors have heralded and shepherded massive changes in American capitalism. From outsourcing to excessive debt taking, private equity investment helped normalize once-taboo business strategies while growing into an over $3 trillion industry in control of thousands of companies and millions of workers. Daniel Scott Souleles opens a window into the rarefied world of private equity investing through ethnographic fieldwork on private equity financiers. Songs of Profit, Songs of Loss documents how and why investors buy, manage, and sell the companies that they do; presents the ins and outs of private equity deals, management, and valuation; and explains the historical context that gave rise to private equity and other forms of investor-led capitalism. In addition to providing invaluable ethnographic insight, Songs of Profit, Songs of Loss is also an anthropological study of inequality as Souleles connects the core components of financial capitalism to economic disparities. Souleles uses local ideas of “value” and “time” to frame the ways private equity investors comprehend their work and to show how they justify the prosperity and poverty they create. Throughout, Souleles argues that understanding private equity investors as contrasted with others in society writ large is essential to fully understanding private equity within the larger context of capitalism in the United States.
Songs of Seoul
by Nicholas HarknessSongs of Seoul is an ethnographic study of voice in South Korea, where the performance of Western opera, art songs, and choral music is an overwhelmingly Evangelical Christian enterprise. Drawing on fieldwork in churches, concert halls, and schools of music, Harkness argues that the European-style classical voice has become a specifically Christian emblem of South Korean prosperity. By cultivating certain qualities of voice and suppressing others, Korean Christians strive to personally embody the social transformations promised by their religion: from superstition to enlightenment; from dictatorship to democracy; from sickness to health; from poverty to wealth; from dirtiness to cleanliness; from sadness to joy; from suffering to grace. Tackling the problematic of voice in anthropology and across a number of disciplines, Songs of Seoul develops an innovative semiotic approach to connecting the materiality of body and sound, the social life of speech and song, and the cultural voicing of perspective and personhood.
Songs of Slavery and Emancipation (Margaret Walker Alexander Series in African American Studies)
by Mat CallahanThroughout the history of slavery, enslaved people organized resistance, escape, and rebellion. Sustaining them in this struggle was their music, some examples of which are sung to this day. While the existence of slave songs, especially spirituals, is well known, their character is often misunderstood. Slave songs were not only lamentations of suffering or distractions from a life of misery. Some songs openly called for liberty and revolution, celebrating such heroes as Gabriel Prosser and Nat Turner, and, especially, celebrating the Haitian Revolution.The fight for freedom also included fugitive slaves, free Black people, and their white allies who brought forth a set of songs that were once widely disseminated but are now largely forgotten, the songs of the abolitionists. Often composed by fugitive slaves and free Black people, and first appearing in the eighteenth century, these songs continued to be written and sung until the Civil War. As the movement expanded, abolitionists even published song books used at public meetings. Mat Callahan presents recently discovered songs composed by enslaved people explicitly calling for resistance to slavery, some originating as early as 1784 and others as late as the Civil War. He also presents long-lost songs of the abolitionist movement, some written by fugitive slaves and free Black people, challenging common misconceptions of abolitionism. Songs of Slavery and Emancipation features the lyrics of fifteen slave songs and fifteen abolitionist songs, placing them in proper historical context and making them available again to the general public. These songs not only express outrage at slavery but call for militant resistance and destruction of the slave system. There can be no doubt as to their purpose: the abolition of slavery, the emancipation of African American people, and a clear and undeniable demand for equality and justice for all humanity.