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Spectacle of Empire
by Jerry WassermanArguably the first North American play, this edition includes the original French script of Marc Lescarbot's Theatre of Neptune in New France, two twentieth-century English translations, Ben Jonson's Masque of Blackness, and an extensive historical and critical introduction by Jerry Wasserman.
The Spectacle of Expertise: Why Financial Analysts Perform in the Media
by Alex PredaFinancial experts have become ubiquitous on television, radio, and social media. They provide investment advice, interpret market movements, and explain the implications of political events, wielding a great deal of power and influence through their media presence. How do these experts acquire their authority, and what makes displays of financial expertise persuasive to their audiences?Alex Preda provides an ethnographic exploration of how financial expertise is performed and produced in the media, analyzing its features and how audiences react to it. He examines how analysts, anchors, and producers collaborate in manufacturing financial talk that circulates around the world. Preda emphasizes the significance of talk—as opposed to the written word—in finance, as the fabric of many transactions and a means of capturing capital. Analysts and media figures understand financial talk as requiring a skill set distinct from conducting research or representing facts. Preda demonstrates that analysts and media professionals deploy expertise when they engage with audiences in ways that make it difficult to contest the claims conveyed in their talk.The Spectacle of Expertise is based on close observations of TV and radio studios in Hong Kong, a global financial center and a crucial gateway to China, including interviews with audience members and financial analysts who appear as regular guests. It offers new and global perspectives on the relationship between financial expertise and the media, the making of public-expert talk, and how expertise is used to legitimize financialization.
The Spectacle of Isolation in Horror Films: Dark Parades
by Carl Royer B Lee CooperGo behind the scenes with an insightful look at horror films-and the directors who create them The Spectacle of Isolation in Horror Films: Dark Parades examines the work of several of the genre&’s most influential directors and investigates how traditional themes of isolation, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by Alfred Hitchcock that place his work squarely in the horror (rather than suspense) genre, discuss avant-garde cinema&’s contributions to mainstream horror, explore films that use the apartment setting as the "cell of horror," and analyze how angels and aliens function as the supernatural "Other." A unique resource for film students and film buffs alike, the book also examines Sam Raimi&’s Evil Dead trilogy and the fusion of science, technology, and quasi-religious themes in David Cronenberg&’s films. Instead of presenting a general overview of the horror genre or an analysis of a specific sub-genre, actor, or director, The Spectacle of Isolation in Horror Films offers an imaginative look at classic and contemporary horror cinema. The book examines Surrealist films such as Un Chien Andalou and Freaks, the connections among the concepts of voyeurism, paranoia, and alienation in films like Rear Window, Rosemary&’s Baby, Blue Velvet, and The Blair Witch Project; the use of otherworldly creatures in films such as The Prophecy, Dogma, and The Day The Earth Stood Still; and the films of directors George Romero, John Waters, and Darren Aronofsky, to name just a few. This unique book also includes an extensive A-to-Z filmography and a bibliography of writings on, and about, horror cinema from filmmakers, film critics, and film historians. The Spectacle of Isolation in Horror Films examines: "Body Doubles and Severed Hands"-the common ancestry of avant-garde "art" films and exploitation horror B-movies "And I Brought You Nightmares"-recurring themes of psychological terror in Alfred Hitchcock&’s films "Horror, Humor, Poetry"-Sam Raimi&’s transformation of "drive-in" horror cinema "Atheism and 'The Death of Affect'"-David Cronenberg&’s obsessions, interests, and cautionary messages in films ranging from Videodrome to Dead Ringers to eXistenZ and much more!The Spectacle of Isolation in Horror Films: Dark Parades is a unique resource of critical analysis for academics working in film and popular culture, film historians, and anyone interested in horror cinema.
The Spectacle of Violence: Homophobia, Gender and Knowledge (Writing Corporealities Ser.)
by Gail MasonDrawing on in-depth interviews with women reflecting a range of experiences of verbal hostility, physical violence and sexual violence, Spectacle of Violence explores the issues surrounding violence and hostility towards lesbians and gay men. Challenging current thinking, Gail Mason highlights the ways in which different identities, bodes and systems of through interact, and asks fundamental questions: * Where does violence come from?* What effects does it have?* How do lesbians and gay men manage the risk of violence?* What is the relationship between violence and power?She argues for the importance of thinking about homophobic violence in the context of other core issues such as gender and race. Focusing on 'real life' experiences of violence, The Spectacle of Violence is an important contribution to current thought about violence. Moving beyond issues of causation and prevention, it offers new ways of theorizing the relationship between identity, knowledge and power.
Spectacles of Death in Ancient Rome
by Donald G. KyleThe elaborate and inventive slaughter of humans and animals in the arena fed an insatiable desire for violent spectacle among the Roman people. Donald G. Kyle combines the words of ancient authors with current scholarly research and cross-cultural perspectives, as he explores* the origins and historical development of the games* who the victims were and why they were chosen* how the Romans disposed of the thousands of resulting corpses* the complex religious and ritual aspects of institutionalised violence* the particularly savage treatment given to defiant Christians.This lively and original work provides compelling, sometimes controversial, perspectives on the bloody entertainments of ancient Rome, which continue to fascinate us to this day.
Spectacles of Waste
by Warwick AndersonThe modern bathroom is an ingenious compilation of locked doors, smooth porcelain, 4-ply tissue and antibacterial hand soap, but despite this miracle of indoor plumbing, we still can’t bear the thought that anyone else should know that our bodies produce waste. Why must we live by the rules of this intense scatological embarrassment? In Spectacles of Waste, leading historian of medicine Warwick Anderson reveals how human excrement has always complicated humanity’s attempts to become modern. From wastewater epidemiology and sewage snooping to fecal transplants and excremental art, he argues that our insistence on separating ourselves from our bodily waste has fundamentally shaped our philosophies, social theories, literature and art—even the emergence of high-tech science as we understand it today. Written with verve and aplomb, Anderson’s expert analysis reveals how in recent years, humanity has doubled down on abstracting and datafying our most abject waste, and unconsciously underlined its biopolitical signature across our lives.
Spectacular Bodies: Gender, Genre and the Action Cinema (Comedia)
by Yvonne TaskerWhile films such as Rambo, Thelma and Louise and Basic Instinct have operated as major points of cultural reference in recent years, popular action cinema remains neglected within contemporary film criticism.Spectacular Bodies unravels the complexities and pleasures of a genre often dismissed as `obvious' in both its pleasure and its politics, arguing that these controversial films should be analysed and understood within a cinematic as well as a political context.Yvonne Tasker argues that today's action cinema not only responds to the shifts in gendered, sexual and racial identities which took place during the 1980s, but reflects the influences of other media such as the new video culture. Her detailed discussion of the homoeroticism surrounding the muscleman hero, the symbolic centrality of blackness within the crime narrative, and the changing status of women within the genre, addresses the constitution of these identities through the shifting categories of gender, class, race, sex, sexuality and nation. Spectacular Bodies also examines the ambivalence of supposedly secure categories of popular cinema, questioning the existing terms of film criticism in this area and addressing the complex pleasures of this neglected form.
The Spectacular City: Violence and Performance in Urban Bolivia
by Daniel M. GoldsteinSince the Bolivian revolution in 1952, migrants have come to the city of Cochabamba, seeking opportunity and relief from rural poverty. They have settled in barrios on the city's outskirts only to find that the rights of citizens--basic rights of property and security, especially protection from crime--are not available to them. In this ethnography, Daniel M. Goldstein considers the significance of and similarities between two kinds of spectacles--street festivals and the vigilante lynching of criminals--as they are performed in the Cochabamba barrio of Villa Pagador. By examining folkloric festivals and vigilante violence within the same analytical framework, Goldstein shows how marginalized urban migrants, shut out of the city and neglected by the state, use performance to assert their national belonging and to express their grievances against the inadequacies of the state's official legal order. During the period of Goldstein's fieldwork in Villa Pagador in the mid-1990s, residents attempted to lynch several thieves and attacked the police who tried to intervene. Since that time, there have been hundreds of lynchings in the poor barrios surrounding Cochabamba. Goldstein presents the lynchings of thieves as a form of horrific performance, with elements of critique and political action that echo those of local festivals. He explores the consequences and implications of extralegal violence for human rights and the rule of law in the contemporary Andes. In rich detail, he provides an in-depth look at the development of Villa Pagador and of the larger metropolitan area of Cochabamba, illuminating a contemporary Andean city from both microethnographic and macrohistorical perspectives. Focusing on indigenous peoples' experiences of urban life and their attempts to manage their sociopolitical status within the broader context of neoliberal capitalism and political decentralization, The Spectacular City highlights the deep connections between performance, law, violence, and the state.
The Spectacular City, Mexico, and Colonial Hispanic Literary Culture
by Stephanie MerrimThe Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture--cities, festivals and wonder--from the sixteenth to the seventeenth century, from the Old World to the New and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.
The Spectacular Favela
by Erika Mary Robb LarkinsIn Rio de Janeiro's favelas, traffickers assert power through conspicuous displays of wealth and force, brandishing high-powered guns, gold jewelry, and piles of cash and narcotics. Police, for their part, conduct raids reminiscent of action films or video games, wearing masks and riding in enormous armored cars called "big skulls." Images of these spectacles circulate constantly in local, national, and global media, masking everyday forms of violence, prejudice, and inequality. The Spectacular Favela offers a rich ethnographic examination of the political economy of spectacular violence in Rocinha, Rio's largest favela. Based on more than two years of residence in the community, the book explores how entangled forms of violence shape everyday life and how that violence is, in turn, connected to the market economy. Erika Robb Larkins shows how favela violence is produced as a marketable global brand. While this violence is projected in disembodied form through media, the favela is also sold as an embodied experience through the popular practice of favela tourism. The commodification of the favela becomes a form of violence itself; favela violence is transformed into a commercially viable byproduct of a profit-driven war on drugs, which serves to keep the poor marginalized. This book tells the story of how traffickers, police, cameras, tourists, and even anthropologists come together to create what the author calls the "spectacular favela."
The Spectacular Few: Prisoner Radicalization and the Evolving Terrorist Threat (Alternative Criminology #13)
by Mark S. HammThe Madrid train bombers, shoe-bomber Richard Reid, al-Qaeda in Iraq, and the 9/11 attacks—all were led by men radicalized behind bars. By their very nature, prisons are intended to induce transformative experiences among inmates, but today’s prisons are hotbeds for personal transformation toward terrorist beliefs and actions due to the increasingly chaotic nature of prison life caused by mass incarceration. In The Spectacular Few, Mark Hamm demonstrates how prisoners use criminal cunning, collective resistance and nihilism to incite terrorism against Western targets. A former prison guard himself, Hamm knows the realities of day-to-day prison life and understands how prisoners socialize, especially the inner-workings and power of prison gangs—be they the Aryan Brotherhood or radical Islam. He shows that while Islam is mainly a positive influence in prison, certain forces within the prison Muslim movement are aligned with the efforts of al-Qaeda and its associates to inspire convicts in the United States and Europe to conduct terrorist attacks on their own. Drawing from a wide range of sources—including historical case studies of prisoner radicalization reaching from Gandhi and Hitler to Malcolm X, Bobby Sands and the detainees of Guantanamo; a database of cases linking prisoner radicalization with evolving terrorist threats ranging from police shootouts to suicide bombings; interviews with intelligence officers, prisoners affiliated with terrorist groups and those disciplined for conducting radicalizing campaigns in prison—The Spectacular Few imagines the texture of prisoners’ lives: their criminal thinking styles, the social networks that influenced them, and personal “turning points” that set them on the pathway to violent extremism. Hamm provides a broad understanding of how prisoners can be radicalized, arguing that in order to understand the contemporary landscape of terrorism, we must come to terms with how prisoners are treated behind bars.
The Spectacular Generic: Pharmaceuticals and the Simipolitical in Mexico (Critical Global Health: Evidence, Efficacy, Ethnography)
by Cori HaydenIn The Spectacular Generic, Cori Hayden examines how generic drugs have transformed public health politics and everyday experiences of pharmaceutical consumption in Latin America. Focusing on the Mexican pharmacy chain Farmacias Similares and its proprietor, Víctor González Torres, Hayden shows how generics have become potent commodities in a postpatent world. In the early 2000s, González Torres, a.k.a. “Dr. Simi,” capitalized on the creation of new markets for generic medicines, selling cheaper copies of leading-brand drugs across Latin America. But Dr. Simi has not simply competed with the transnationals; his enterprise has also come to compete with the Mexican state, reorganizing the provision of medicine and basic health care for millions of people. Hayden juxtaposes this story with Dr. Simi’s less successful efforts in Argentina, where he confronted a radically different configuration of pharmaceutical politics. Building from these diverging trajectories, Hayden illuminates the politics of generic substitution as a question that goes beyond substituting one drug for another. Generic politics can radically reshape the relations among consumers, states, and pharmaceutical markets, even as they have yet to resolve the problems of cost and access.
Spectacular Girls: Media Fascination and Celebrity Culture
by Sarah ProjanskyWinner of the 2015 Bonnie Ritter Book Award from the National Communication Association As an omnipresent figure of the media landscape, girls are spectacles. They are ubiquitous visual objects on display at which we are incessantly invited to look. Investigating our cultural obsession with both everyday and high-profile celebrity girls, Sarah Projanskyuses a queer, anti-racist feminist approach to explore the diversity of girlhoods in contemporary popular culture.The book addresses two key themes: simultaneous adoration and disdain for girls and the pervasiveness of whiteness and heteronormativity. While acknowledging this context, Projansky pushes past the dichotomy of the “can-do” girl who has the world at her feet and the troubled girl who needs protection and regulation to focus on the variety of alternative figures who appear in media culture, including queer girls, girls of color, feminist girls, active girls, and sexual girls, all of whom are present if we choose to look for them.Drawing on examples across film, television, mass-market magazines and newspapers, live sports TV, and the Internet, Projansky combines empirical analysis with careful, creative, feminist analysis intent on centering alternative girls. She undermines the pervasive “moral panic” argument that blames media itself for putting girls at risk by engaging multiple methodologies, including, for example, an ethnographic study of young girls who themselves critique media. Arguing that feminist media studies needs to understand the spectacularization of girlhood more fully, she places active, alternative girlhoods right in the heart of popular media culture.
Spectacular Nature: Corporate Culture and the Sea World Experience
by Susan G. DavisThis is the story of Sea World, a theme park where the wonders of nature are performed, marketed, and sold. With its trademark star, Shamu the killer whale—as well as performing dolphins, pettable sting rays, and reproductions of pristine natural worlds—the park represents a careful coordination of shows, dioramas, rides, and concessions built around the theme of ocean life. Susan Davis analyzes the Sea World experience and the forces that produce it: the theme park industry; Southern California tourism; the privatization of urban space; and the increasing integration of advertising, entertainment, and education. The result is an engaging exploration of the role played by images of nature and animals in contemporary commercial culture, and a precise account of how Sea World and its parent corporation, Anheuser-Busch, succeed. Davis argues that Sea World builds its vision of nature around customers' worries and concerns about the environment, family relations, and education.While Davis shows the many ways that Sea World monitors its audience and manipulates animals and landscapes to manufacture pleasure, she also explains the contradictions facing the enterprise in its campaign for a positive public identity. Shifting popular attitudes, animal rights activists, and environmental laws all pose practical and public relations challenges to the theme park. Davis confronts the park's vast operations with impressive insight and originality, revealing Sea World as both an industrial product and a phenomenon typical of contemporary American culture. Spectacular Nature opens an intriguing field of inquiry: the role of commercial entertainment in shaping public understandings of the environment and environmental problems.
Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships
by Brett FarmerThe image of the movie-obsessed gay man is a widely circulating and readily recognizable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this clich to develop an innovative exploration of gay spectatorship. The result, Spectacular Passions, reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance"--in this case, the production of specifically queer identities, practices, and pleasures. Building on the psychoanalytic concept of the fantasmatic, Farmer works to depathologize gay male subjectivity. While discussing such films as Kiss of the Spider Woman, The Pirate, Suddenly Last Summer, and Sunset Boulevard, and stars ranging from Mae West to Montgomery Clift, Farmer argues that the particularities of gay men's social and psychic positionings motivate unique receptions of and investments in film. The Hollywood musical, gay camp readings of the extravagant female star, and the explicit homoeroticism of the cinematic male body in gay fanzines are further proof, says Farmer, of how the shifting libidinal profiles of homosexual desire interact with the fantasy scenarios of Hollywood film to produce a range of variable queer meanings. This fascinating and provocative study makes a significant new contribution to discussions of cinema, spectatorship, and sexuality. As such, it will be welcomed by those in the fields of film theory, queer theory, and cultural studies.
A Spectacular Secret: Lynching in American Life and Literature
by Jacqueline GoldsbyThis incisive study takes on one of the grimmest secrets in America's national life—the history of lynching and, more generally, the public punishment of African Americans. Jacqueline Goldsby shows that lynching cannot be explained away as a phenomenon peculiar to the South or as the perverse culmination of racist politics. Rather, lynching—a highly visible form of social violence that has historically been shrouded in secrecy—was in fact a fundamental part of the national consciousness whose cultural logic played a pivotal role in the making of American modernity. To pursue this argument, Goldsby traces lynching's history by taking up select mob murders and studying them together with key literary works. She focuses on three prominent authors—Ida B. Wells-Barnett, Stephen Crane, and James Weldon Johnson—and shows how their own encounters with lynching influenced their analyses of it. She also examines a recently assembled archive of evidence—lynching photographs—to show how photography structured the nation's perception of lynching violence before World War I. Finally, Goldsby considers the way lynching persisted into the twentieth century, discussing the lynching of Emmett Till in 1955 and the ballad-elegies of Gwendolyn Brooks to which his murder gave rise. An empathic and perceptive work, A Spectacular Secret will make an important contribution to the study of American history and literature.
A Spectacular Secret: Lynching in American Life and Literature
by Jacqueline GoldsbyThis incisive study takes on one of the grimmest secrets in America's national life—the history of lynching and, more generally, the public punishment of African Americans. Jacqueline Goldsby shows that lynching cannot be explained away as a phenomenon peculiar to the South or as the perverse culmination of racist politics. Rather, lynching—a highly visible form of social violence that has historically been shrouded in secrecy—was in fact a fundamental part of the national consciousness whose cultural logic played a pivotal role in the making of American modernity. To pursue this argument, Goldsby traces lynching's history by taking up select mob murders and studying them together with key literary works. She focuses on three prominent authors—Ida B. Wells-Barnett, Stephen Crane, and James Weldon Johnson—and shows how their own encounters with lynching influenced their analyses of it. She also examines a recently assembled archive of evidence—lynching photographs—to show how photography structured the nation's perception of lynching violence before World War I. Finally, Goldsby considers the way lynching persisted into the twentieth century, discussing the lynching of Emmett Till in 1955 and the ballad-elegies of Gwendolyn Brooks to which his murder gave rise. An empathic and perceptive work, A Spectacular Secret will make an important contribution to the study of American history and literature.
A Spectacular Secret: Lynching in American Life and Literature
by Jacqueline GoldsbyThis incisive study takes on one of the grimmest secrets in America's national life—the history of lynching and, more generally, the public punishment of African Americans. Jacqueline Goldsby shows that lynching cannot be explained away as a phenomenon peculiar to the South or as the perverse culmination of racist politics. Rather, lynching—a highly visible form of social violence that has historically been shrouded in secrecy—was in fact a fundamental part of the national consciousness whose cultural logic played a pivotal role in the making of American modernity. To pursue this argument, Goldsby traces lynching's history by taking up select mob murders and studying them together with key literary works. She focuses on three prominent authors—Ida B. Wells-Barnett, Stephen Crane, and James Weldon Johnson—and shows how their own encounters with lynching influenced their analyses of it. She also examines a recently assembled archive of evidence—lynching photographs—to show how photography structured the nation's perception of lynching violence before World War I. Finally, Goldsby considers the way lynching persisted into the twentieth century, discussing the lynching of Emmett Till in 1955 and the ballad-elegies of Gwendolyn Brooks to which his murder gave rise. An empathic and perceptive work, A Spectacular Secret will make an important contribution to the study of American history and literature.
The Spectacular State: Culture and National Identity In Uzbekistan
by Laura L. AdamsLaura L. Adams offers unique insight into nation building in Central Asia during the post-Soviet era through an exploration of Uzbekistan's production of national culture in the 1990s. As she explains, after independence the Uzbek government maintained a monopoly over ideology, exploiting the remaining Soviet institutional and cultural legacies. The state expressed national identity through tightly controlled mass spectacles, including theatrical and musical performances. Adams focuses on these events, particularly the massive outdoor concerts the government staged on the two biggest national holidays, Navro'z, the spring equinox celebration, and Independence Day. Her analysis of the content, form, and production of these ceremonies shows how Uzbekistan's cultural and political elites engaged in a highly directed, largely successful program of nation building through culture. Adams draws on her observations and interviews conducted with artists, intellectuals, and bureaucrats involved in the production of Uzbekistan's national culture. These elites used globalized cultural forms such as Olympics-style spectacle to showcase local, national, and international aspects of official culture. While these state-sponsored extravaganzas were intended to be displays of Uzbekistan's ethnic and civic national identity, Adams found that cultural renewal in the decade after Uzbekistan's independence was not so much a rejection of Soviet power as it was a re-appropriation of Soviet methods of control and ideas about culture. The public sphere became more restricted than it had been in Soviet times, even as Soviet-era ideas about ethnic and national identity paved the way for Uzbekistan to join a more open global community.
Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film
by Laura WilsonFocusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in the viewer's body. Combining close textual analyses with theoretical approaches, and traversing a number of national cinemas, Wilson draws upon psychoanalytic, phenomenological and feminist theories of film and spectatorship to explore specific aspects of this often overlooked group of films, aspects such as the assault narrative sequence, the use of extreme frequencies, and haptic sounds and images.
The Spectatorship of Suffering
by Lilie Chouliaraki`The work is on an important topic that has been oft debated but rarely systematically studied - the political, cultural, and moral effects of distant news coverage of suffering. [The book] is extremely well steeped in the relevant literature, including semiotics, discourse analysis, media and social theory and makes a fresh methodological contribution by looking at the codes and formats of news about suffering. It has a fresh vision and answer to some of the stickiest moral and media problems of our time... and deserves to find its place among important books about the moral aspects of media and society in our times' - John D Peters, F. Wendell Miller Distinguished Professor, University of Iowa `Lilie Chouliaraki grounds her sophisticated arguments in meticulous research. The result is a work of important scholarship that might even make us think about the world and its mediation in profoundly new ways' - Roger Silverstone, Professor of Media and Communications, The London School of Economics and Political Science `Few intellectuals command this scope from classical rhetoric to the cutting edge of contemporary social theory as [Lillie Chouliaraki] is doing in her new book The Spectatorship of Suffering. This book is destined, in my mind, to be foundational for our understanding of not just the media but of the highly complex social process of mediation' - Ron Scollon, Professor of Linguistics, Georgetown University This book is about the relationship between the spectators in countries of the west, and the distant sufferer on the television screen; the sufferer in Somalia, Nigeria, Bangladesh, India, Indonesia, but also from New York and Washington DC. How do we relate to television images of the distant sufferer? This question touches on the ethical role of the media in public life today. It addresses the issue of whether the media can cultivate a disposition of care for and engagement with the far away other; whether television can create a global public with a sense of social responsibililty towards the distant sufferer.
The Specter and the Speculative: Afterlives and Archives in the African Diaspora
by Mae G. Henderson Jeanne Scheper Emily Ruth Rutter Danielle Fuentes Morgan Fernando Gabriel Pagnoni Berns Gene Melton Diana Arterian Christopher Giroux Stella Setka Meina Yates-Richard Luis Omar Ceniceros Shamika Ann Mitchell Andrew R. Belton Kim White Sheila Smith McKoy Pekka Kilpeläinen Emiliano Aguilar Juan Ignacio Juvé Kajsa K. Henry McKinley E. MeltonThe Specter and the Speculative: Afterlives and Archives in the African Diaspora engages in a critical conversation about how historical subjects and historical texts within the African Diaspora are re-fashioned, re-animated, and re-articulated, as well as parodied, nostalgized, and defamiliarized, to establish an “afterlife” for African Atlantic identities and narratives. These essays focus on transnational, transdisciplinary, and transhistorical sites of memory and haunting—textual, visual, and embodied performances—in order to examine how these “living” archives circulate and imagine anew the meanings of prior narratives liberated from their original context. Individual essays examine how historical and literary performances—in addition to film, drama, music, dance, and material culture—thus revitalized, transcend and speak across temporal and spatial boundaries not only to reinstate traditional meanings, but also to motivate fresh commentary and critique. Emergent and established scholars representing diverse disciplines and fields of interest specifically engage under explored themes related to afterlives, archives, and haunting.
A Specter Haunting Europe: The Myth of Judeo-Bolshevism
by Paul HanebrinkIn the 20th century, Europe was haunted by a specter of its own imagining: Judeo-Bolshevism. Fear of a Jewish Bolshevik plot to destroy the nations of Europe took hold during the Russian Revolution and spread across the continent. Paul Hanebrink shows that the myth of ethno-religious threat is still alive today, in Westerners’ fear of Muslims.
The Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus
by Petrus LiuIn recent years, queer theory appears to have made a materialist turn away from questions of representation and performativity to those of dispossession, precarity, and the differential distribution of life chances. Despite this shift, queer theory finds itself constantly reabsorbed into the liberal project of diversity management. This theoretical and political weakness, Petrus Liu argues, stems from an incomplete understanding of capitalism’s contemporary transformations, of which China has been at the center. In The Specter of Materialism Liu challenges key premises of classic queer theory and Marxism, turning to an analysis of the Beijing Consensus—global capitalism’s latest mutation—to develop a new theory of the political economy of sexuality. Liu explores how relations of gender and sexuality get reconfigured to meet the needs of capital in new regimes of accumulation and dispossession, demonstrating that evolving US-Asian economic relations shape the emergence of new queer identities and academic theories. In so doing, he offers a new history of collective struggles that provides a transnational framework for understanding the nexus between queerness and material life.
The Specter of the Indian: Race, Gender, and Ghosts in American Seances, 1848-1890
by Kathryn TroyThe Specter of the Indian unveils the centrality of Native American spirit guides during the emergent years of American Spiritualism. By pulling together cultural and political history; the studies of religion, race, and gender; and the ghostly, Kathryn Troy offers a new layer of understanding to the prevalence of mystically styled Indians in American visual and popular culture. The connections between Spiritualist print and contemporary Indian policy provide fresh insight into the racial dimensions of social reform among nineteenth-century Spiritualists. Troy draws fascinating parallels between the contested belief of Indians as fading from the world, claims of returned apparitions, and the social impetus to provide American Indians with a means of existence in white America. Rather than vanishing from national sight and memory, Indians and their ghosts are shown to be ever present. This book transports the readers into dimly lit parlor rooms and darkened cabinets and lavishes them with detailed séance accounts in the words of those who witnessed them. Scrutinizing the otherworldly whisperings heard therein highlights the voices of mediums and those they sought to channel, allowing the author to dig deep into Spiritualist belief and practice. The influential presence of Indian ghosts is made clear and undeniable.