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Television Personalities: Stardom and the Small Screen

by James Bennett

Television Personalities offers an exciting, engaging approach to studying and understanding the most prominent and popular performers in television and celebrity culture. It is an original, indispensable guide for undergraduate and postgraduate students of media, television and celebrity studies, as well as those interested in digital culture more widely.

Television Producers (Communication and Society)

by Jeremy Tunstall

Covering all the major areas of television production, this in-depth work highlights the widely varying influences, difficulties and opportunities at work in the industry. Each kind of producer across the seven areas here examined faces the same practical issues of budget, talent and equipment resources, and end-product expectations; however, the self-image of the producers and the creative environment in which they work can differ greatly from one programming sector to the next, and whilst their careers may run parallel they are usually cut off from one another ideologically. Based on interviews from over two hundred and fifty producers working across a selection of British television channels as well as producers of a number of high-profile American shows, this book takes in a panoramic view of production models at work today and concludes with some insightful suggestions for the future.

Television Production in Transition: Independence, Scale, Sustainability and the Digital Challenge (Palgrave Global Media Policy and Business)

by Gillian Doyle Richard Paterson Kenny Barr

Focusing on the growing power of transnational media corporations in an increasingly globalized environment for distribution of television content, and on the effects of mergers and acquisitions involving local and independent television production companies, this book examines how current and recent re-structurings in ownership across the television industry reflect changing business models, how they affect creativity and diversity of television output, and to what extent they call for new approaches to regulation and policy. Based on a major study of the UK production sector as a case study, it offers a unique analysis of wider transformations in ownership affecting the television production industry worldwide and of their economic, socio-cultural and policy implications.

Television Publics in South Asia: Mediated Politics and Culture

by S.M. Shameem Reza and Ratan Kumar Roy

Television has a prime role to play in the formation of discursive domains in the everyday life of South Asian publics. This book explores various television media practices, social processes, mediated political experiences and everyday cultural compositions from Afghanistan, Bangladesh, India, Nepal, Pakistan and Sri Lanka. With the help of country specific case studies, it captures broad range of themes which foreground the publics and their real-life experiences of television in the region. The essays in this book discuss gendered television spaces; women seeking solace from television in pandemic; the taboo in digital tv dramas; television viewership and localizing publics; changing viewership from television to OTT; news and public perception of death; re-defining ‘the national’; theatrical television; and post truth television news, among other key issues. Rich in ethnographic case studies, this volume will be a useful resource for scholars and researchers of media and communication studies, journalism, digital media, South Asian studies, cultural studies, sociology and social anthropology.

Television, Regulation and Civil Society in Asia

by Philip Kitley

This highly topical book exposes the tensions between state policies of broadcasting regulation and practices of civil society in the Asian region which is struggling with its incorporation into a new globalised, electronic information and entertainment world. Kitley critically compares Western principles of broadcasting, civil society and cultural regulation with alternative 'Asian' practices of regulation and organisation. Over the past forty years Asian states have used television as a normative cultural force in nation building, but more recently many states have deregulated their television sectors and introduced national commercial and international satellite services. As Asian states wrestle with a perceived loss of cultural control and identity through deregulation, this book considers their viewpoints and the question of whether the television public sphere offers space for the representation of popular sovereignty, and transversal concerns about human rights, press freedom, gender, environmental and world trade issues.

Television Regulation and Media Policy in China (Routledge Contemporary China Series)

by Yik-Chan Chin

Since the late 1990s, there has been a crucial and substantial transformation in China’s television system involving institutional, structural and regulatory changes. Unravelling the implications of these changes is vital for understanding the politics of Chinese media policy-making and regulation, and thus a comprehensive study of this history has never been more essential. This book studies the transformation of the policy and regulation of the Chinese television sector within a national political and economic context from 1996 to the present day. Taking a historical and sociological approach, it engages in the theoretical debates over the nature of the transformation of media in the authoritarian Chinese state; the implications of the ruling party’s political legitimacy and China’s central-local conflicts upon television policy-making and market structure; and the nature of the media modernisation process in a developing country. Its case studies include broadcasting systems in Shanghai and Guangdong, which demonstrate that varied polices and development strategies have been adopted by television stations, reflecting different local circumstances and needs. Arguing that rather than being a homogenous entity, China has demonstrated substantial local diversity and complex interactions between local, national and global media, this book will be of interest to students and scholars of Chinese media, politics and policy, and international communications.

Television Sitcom and Cultural Crisis (Routledge Advances in Television Studies)

by Holly Willson Holladay Chandler L. Classen

This volume demonstrates that television comedies are conduits through which we might resist normative ways of thinking about cultural crises.By drawing on Gramscian notion of crisis and the understanding that crises are overlapping, interconnected, and mutually constitutive, the essays in this collection demonstrate that situation comedies do more than make us laugh; they also help us understand the complexities of our social world’s moments of crisis. Each chapter takes up the televisual representation of a modern cultural crisis in a contemporary sitcom and is grounded in the extensive body of literature that suggests that levity is a powerful mechanism to make sense of and cope with these difficult cultural experiences.Divided into thematic sections that highlight crises of institutions and systems, identity and representation, and speculation and futurism, this book will interest scholars of media and cultural studies, political economy, communication studies, and humor studies.

Television Studies: The Key Concepts (Routledge Key Guides)

by Ben Calvert Neil Casey Bernadette Casey Liam French Justin Lewis

Television Studies: The Key Concepts is the definitive reference guide to an area of rapidly expanding academic interest. Among those aspects of television studies covered in this comprehensive and up-to-date guide are: theoretical perspectives which have shaped the study of television - Marxism; semiology; feminism concepts which have shaped the study of television - narrative; representation; bias television genres - soap opera; news; science fiction methods used for understanding television - content analysis; audience research relevant social, economic and political phenomena - ownership; social policy.

Television Studies: The Basics (The Basics)

by Toby Miller

Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates surrounding production and reception over the years and considers both the role and future of television. Topics covered include: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television.

Television Studies After TV: Understanding Television in the Post-Broadcast Era

by Graeme Turner Jinna Tay

Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed. Television Studies after TV leads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets – such as Asia and Latin America — in order to accurately reflect the wide variety of structures, forms and content which now organise television around the world.

Television Studies in Queer Times

by F. Hollis Griffin

This timely collection of accessible essays interrogate queer television at the start of the twenty- first century. The complex political, cultural, and economic milieu requires new terms and conceptual frameworks to study television and media through a queer lens. Gathering a range of well-known scholars, the book takes on the relationship between sexual identity, desire, and television, breaking new ground in a context where existing critical vocabularies and research paradigms used to study television no longer hold sway in the ways they used to. The anthology sets out to confound conventional categories used to organize queer television scholarship, like “programming,” “industry,” “audience,” “genre,” and “activism.” Instead, the anthology offers four interpretive frames – historicity, temporal play, ideological limitation and industrial contextualization – in the interest of creating new queer tools for studying digital television in the contemporary age. This collection is suitable for scholars and students studying queer media studies, television studies, gender studies, and sexuality studies.

Television Style

by Jeremy G. Butler

Style matters. Television relies on style—setting, lighting, videography, editing, and so on—to set moods, hail viewers, construct meanings, build narratives, sell products, and shape information. Yet, to date, style has been the most understudied aspect of the medium. In this book, Jeremy G. Butler examines the meanings behind television’s stylstic conventions. Television Style dissects how style signifies and what significance it has had in specific television contexts. Using hundreds of frame captures from television programs, Television Style dares to look closely at television. Miami Vice, ER, soap operas, sitcoms, and commercials, among other prototypical television texts, are deconstructed in an attempt to understand how style functions in television. Television Style also assays the state of style during an era of media convergence and the ostensible demise of network television. This book is a much needed introduction to television style, and essential reading at a moment when the medium is undergoing radical transformation, perhaps even a stylistic renaissance. Discover additional examples and resources on the companion website: www.tvstylebook.com.

Television Talk Shows: Discourse, Performance, Spectacle (Routledge Communication Series)

by Andrew Tolson

The "talk show" has become a ubiquitous feature of American and European television. The various examples have been frequently discussed by academic commentators, as well as journalists in an attempt to place them in a cultural setting. Ultimately, the conclusion is reached by both academics and non-academics that talk shows matter because they are a focus for considerable public debate and are crucial to the landscape of popular television. All the variations of talk shows, from chat shows to celebrity interviews, have key elements in common: They all feature groups of guests, not individual interviewees, and they all involve audience participation. The studio audience is not only visible, but is given the opportunity to comment and intervene. Other books have applied academic analysis to the phenomenon of these shows, but this is the first to analyze the actual "talk" of the talk shows, and in that sense it is closer to discourse analysis than to other forms of analysis. This book provides a systematic empirical study of the broadcast talk in talk shows and maps out the range of formats that appear in the major American and British television shows. The contributors are members of an international network of researchers interested in the study of broadcast talk.

Television’s Streaming Wars (Routledge Advances in Television Studies)

by Arienne Ferchaud Jennifer M. Proffitt

This volume addresses contemporary debates and trends regarding the production and distribution, content, and audience engagement with the television streaming industry. The book interrogates the economics and structure of the industry, questions the types and diversity of content perpetuated on streaming services, and addresses how audiences engage with content from US and global perspectives and within various research paradigms. Chapters address television streaming wars, including the debates and trends in terms of its production and competition, diversity and growth of programming, and audience consumption, focusing on multiple platforms, content, and users. This timely and creative volume will interest students and scholars working in television studies, media industry studies, popular culture studies, audience studies, media psychology, critical cultural studies and media economics.

Televisuality: Style, Crisis, and Authority in American Television (Communications, Media, and Culture Series)

by John T Caldwell

Although the "decline" of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and "loss-leader" event-status programming (War and Remembrance) to lower "trash" and "tabloid" forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how "import-auteurs" like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of "high theory."

The Tell: The Little Clues That Reveal Big Truths about Who We Are

by Matthew Hertenstein

Every day we make predictions based on limited information, in business and at home. Will this company’s stock performance continue? Will the job candidate I just interviewed be a good employee? What kind of adult will my child grow up to be? We tend to dismiss our predictive minds as prone to bias and mistakes, but in The Tell, psychologist Matthew Hertenstein reveals that our intuition is surprisingly good at using small clues to make big predictions, and shows how we can make better decisions by homing in on the right details. Just as expert poker players use their opponents’ tells to see through their bluffs, Hertenstein shows that we can likewise train ourselves to read physical cues to significantly increase our predictive acumen. By looking for certain clues, we can accurately call everything from election results to the likelihood of marital success, IQ scores to sexual orientation--even from flimsy evidence, such as an old yearbook photo or a silent one-minute video. Moreover, by understanding how people read our body language, we can adjust our own behavior so as to ace our next job interview or tip the dating scales in our favor. Drawing on rigorous research in psychology and brain science, Hertenstein shows us how to hone our powers of observation to increase our predictive capacities. A charming testament to the power of the human mind, The Tell will, to paraphrase Sherlock Holmes, show us how to notice what we see.

Tell All The Children Our Story: Memories and Mementos of Being Young and Black in America

by Tonya Bolden

In a warm, personal voice, Tonya Bolden explores what it has meant to be young and black in America. From the first recorded birth of a black child in Jamestown, through the Revolution, the Civil War, Reconstruction, and the fight for civil rights, right on up to our own time, Bolden brings to light how black children have worked and played, suffered and rejoiced.

Tell el-Borg II: Excavations in North Sinai

by James K. Hoffmeier

This is the second and final volume of scientific and interdisciplinary reports on the excavations and research conducted at Tell el-Borg, north Sinai, between 1998 and 2008, written by the scholars and specialists who worked on the site under the direction of Professor James K. Hoffmeier.This volume focuses on the cemetery areas, which yield more than a dozen tombs, typically made of mud brick, some of which were constructed for a single occupant and some of which were larger tombs that accommodated multiple family members. Included is a treatment of an area of “public” space featuring a temple and a well, among other things, and a study of the geological results of the nearby ancient Ballah Lakes that offers new data on the history of the Nile distributary that flowed by Tell el-Borg. The balance of the work deals with specialty reports, including the faunal and botanical remains, the clay coffins, and elite stones. A concluding chapter offers a synthesis of the decade of work and ties together the finds published in both volumes.In addition to the editor, the contributors to this volume include Stephen Moshier, Bahaa Gayed, Gregory D. Mumford, Scott D. Haddow, Mark Janzen, Thomas W. Davis, Rexine Hummel, Hesham M. Hussein, Carole McCartney, Michelle A. Loyet, Louise Bertini, and Salima Ikram.

Tell el-Borg II: Excavations in North Sinai

by James K. Hoffmeier

This is the second and final volume of scientific and interdisciplinary reports on the excavations and research conducted at Tell el-Borg, north Sinai, between 1998 and 2008, written by the scholars and specialists who worked on the site under the direction of Professor James K. Hoffmeier.This volume focuses on the cemetery areas, which yield more than a dozen tombs, typically made of mud brick, some of which were constructed for a single occupant and some of which were larger tombs that accommodated multiple family members. Included is a treatment of an area of “public” space featuring a temple and a well, among other things, and a study of the geological results of the nearby ancient Ballah Lakes that offers new data on the history of the Nile distributary that flowed by Tell el-Borg. The balance of the work deals with specialty reports, including the faunal and botanical remains, the clay coffins, and elite stones. A concluding chapter offers a synthesis of the decade of work and ties together the finds published in both volumes.In addition to the editor, the contributors to this volume include Stephen Moshier, Bahaa Gayed, Gregory D. Mumford, Scott D. Haddow, Mark Janzen, Thomas W. Davis, Rexine Hummel, Hesham M. Hussein, Carole McCartney, Michelle A. Loyet, Louise Bertini, and Salima Ikram.

Tell Everyone

by Alfred Hermida

Ideas and stories that would once only reach a handful of people can now reverberate across the world, amplifying the power of individuals, informing our choices, and changing how we receive and react to the news. Tell Everyone explores and explains a more open, vibrant and diverse media Every day more than 500 million messages are sent on Twitter, 800 million people share four billion stories, links, photographs and videos on Facebook. Every minute, 100 hours of video is uploaded to YouTube. And the flow is ever-increasing. In this new era of media saturation, what do we mean by "the news"? Is "the most trusted name in news" today a veteran anchor on television or an undergraduate tweeting from Tahrir Square in Cairo? The day before yesterday, news and information was scarce, coming from a few newspapers or broadcasters. Now, not only are we able to connect and collaborate to create our own media, but for the first time have access to a global audience. Together we can help to bring down governments or chasten international corporations. We can hasten the spread of gossip, rumour and lies. We can market our products more widely and efficiently than ever--if we take the trouble to discover why people share and to whom. In this groundbreaking work, online news pioneer and social media maven Alfred Hermida examines how our ability to create and share news is shaping the information we receive and depend on to make informed decisions, from choosing politicians to doing business. Drawing on historical examples, real-world experiences and leading research, he equips us with the knowledge and insight to navigate successfully the social streams of information that shape how we view the world.--a more open, vibrant and diverse media.

Tell Everyone on This Train I Love Them

by Maeve Higgins

Deeply funny, moving, and urgent writing about a country that can feel broken into pieces and the light that shines through the cracks, from Irish comedian Maeve Higgins, author of Maeve in America. As an eternally curious outsider, Maeve Higgins can see that the United States is still an experiment. Some parts work well and others really don&’t, but that doesn't stop her from loving the place and the people that make it. With piercing political commentary in a sweet and salty tone, these essays unearth answers to the questions we all have about this country we call home; the beauty of it all and the dark parts too. Maeve attends the 2020 Border Security Expo to better understand the future of our borders, and finds herself at The Alamo surrounded by queso and homemade rifles. A chance encounter with a statue of a teenage horseback rider causes her to interrogate the purpose of monuments, this sends her hurtling through the past, connecting Ireland&’s revolutionary history with the struggles of Black Americans today. And after mistaking edibles for innocent candies, Maeve gets way too high at Paper Source. Most of all, Maeve wants to leave this country and this planet better than she found it. That may well be impossible, but it certainly means showing love. Lots of it, even when it's difficult to do so. Threaded through these pieces is love for strangers, love for friends who show up right on time, love for trees, love for Tom Hardy, love for those with differing opinions, love for the glamorous older women of Brighton Beach with tattooed eyeliner and gold jewelry, love for everybody on this train.

Tell it to the Dead: Memories of a War

by Donald Kirk

This work reports on the Vietnam war as seen by the GI in the jungles. It discusses current attitudes, views from Saigon, Hanoi and Phnom Penh, and other locales in the countryside.

Tell It to the Mafia

by Wyn Hope Joe Donato

"Your Honor, we, the people of the State of California intend to ask the death penalty in the trial of Joseph Daniel Donato, accused of murder in the first degree." This is the story of how Joe Donato became a born-again Christian.

Tell It to Women: An Epic Drama for Women

by Ngugi Wa Thiong’o Osonye Tess Onwueme

Using the magic of movement, dance, and drama, and the devices of humor and metaphor, Osonye Tess Onwueme has created a post-feminist epic drama that transcends current feminist theories. An ideologically and politically powerful work, Tell It to Women offers a critical discourse on the western feminist movement from an African traditional perspective, focusing attention on the often silenced issues of intra-gender politics and class inequities.

Tell Me (American Poets Continuum)

by Kim Addonizio

In this new collection by the author of the award-winning The Philosopher's Club, Kim Addonizio takes the grist of the world and transforms it into poems of transcendent beauty. The dual themes of love and loss are pervasive in Addonizio's poems, made poignant by her keen eye and wise observations.

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