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The New Mutants: Superheroes and the Radical Imagination of American Comics (Postmillennial Pop #1)
by Ramzi Fawaz2017 The Association for the Studies of the Present Book PrizeFinalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies AssociationWinner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT StudiesHow fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions.In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes.In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
The New NHS: A Guide
by Alison Talbot-Smith Allyson M. PollockDr Alison Talbot-Smith, an experienced doctor and researcher, and Professor Allyson M. Pollock, one of the UKs leading authorities on the NHS, give a lucid and incisive account of the new NHS – which has emerged from a far-reaching programme of market-oriented changes. Providing an authoritative and accessible overview of the new NHS, the book describes: the structures and functions of the new organizations in each of the devolved countries the funding of NHS services, education, training and research and resource allocation the regulation of the new NHS systems and workforce the relationships between the NHS, the Department of Health, local authorities and regulatory bodies, and between the NHS and the private sector the future implications of current policies. This is an indispensable resource for those working in healthcare today as clinicians, academics, researchers and managers. It will also be essential reading for academics, students, and researchers in related fields, as well as the general public.
The New Nancy: Flexible and Relatable Daily Comics in the Twenty-First Century (Encapsulations: Critical Comics Studies)
by Jeff KarnickyIn The New Nancy Jeff Karnicky explores how today&’s successful daily comic strips are flexible and relatable, and he uses Olivia Jaimes&’s 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture. Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers&’ attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience. Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous. Jaimes cultivates a relatable persona in connection with longtime readers and new fans. Nancy finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy&’s role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Jaimes&’s comic strip has something to say about comics, contemporary culture, and the intersection of the two.
The New Narcissus in the Age of Reality Television: Losing Sight Of Ourselves (Classical and Contemporary Social Theory)
by Megan CollinsThis book explores the emergence and encouragement of the new narcissus in our society and the ways in which this is portrayed in reality television. Through studies of well-known reality shows, including Toddlers and Tiaras, Hoarders, Sister Wives, Catfish: The TV Show, Celebrity Rehab with Dr. Drew and The Real Housewives, the author examines the combined effects of narcissism and consumerism, shedding light on the ways in which people are pushed to focus on their own biographies and self-promotion to the point of creating a false self within the individual and the development of a sense of dissatisfaction, dis-ease and unhappiness. Applying Freud’s concept of narcissism and tracing it through the work of key social theorists including Durkheim, Lasch, Goffman, Riesman, Baudrillard and Giddens, The New Narcissus in the Age of Reality Television constitutes an insightful analysis of the modern ideology of greatness, perfection or ‘being the best’, that permeates society – an ideology that overwhelms and ultimately drives the individual to dissemble and project an artificial self. A compelling argument for the importance of understanding the persistence of a powerful and dangerous trait in modern society, this book will appeal to scholars of sociology, social theory and cultural and media studies with interests in reality television, celebrity culture and modern narcissism.
The New Negro
by Alain LockeFrom the man known as the father of the Harlem Renaissance comes a powerful, provocative, and affecting anthology of writers who shaped the Harlem Renaissance movement and who help us to consider the evolution of the African American in society.With stunning works by seminal black voices such as Zora Neale Hurston, Countee Cullen, and W.E.B. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.
The New Negro Aesthetic: Selected Writings
by Alain LockePulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imaginationA Penguin ClassicFor months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a "being-in-the-world" that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.
The New Negro in the Old South
by Gabriel A. BriggsStandard narratives of early twentieth-century African American history credit the Great Migration of southern blacks to northern metropolises for the emergence of the New Negro, an educated, upwardly mobile sophisticate very different from his forebears. Yet this conventional history overlooks the cultural accomplishments of an earlier generation, in the black communities that flourished within southern cities immediately after Reconstruction. In this groundbreaking historical study, Gabriel A. Briggs makes the compelling case that the New Negro first emerged long before the Great Migration to the North. The New Negro in the Old South reconstructs the vibrant black community that developed in Nashville after the Civil War, demonstrating how it played a pivotal role in shaping the economic, intellectual, social, and political lives of African Americans in subsequent decades. Drawing from extensive archival research, Briggs investigates what made Nashville so unique and reveals how it served as a formative environment for major black intellectuals like Sutton Griggs and W. E. B. Du Bois. The New Negro in the Old South makes the past come alive as it vividly recounts little-remembered episodes in black history, from the migration of Colored Infantry veterans in the late 1860s to the Fisk University protests of 1925. Along the way, it gives readers a new appreciation for the sophistication, determination, and bravery of African Americans in the decades between the Civil War and the Harlem Renaissance.
The New Negro in the Old South
by Gabriel A. BriggsStandard narratives of early twentieth-century African American history credit the Great Migration of southern blacks to northern metropolises for the emergence of the New Negro, an educated, upwardly mobile sophisticate very different from his forebears. Yet this conventional history overlooks the cultural accomplishments of an earlier generation, in the black communities that flourished within southern cities immediately after Reconstruction. In this groundbreaking historical study, Gabriel A. Briggs makes the compelling case that the New Negro first emerged long before the Great Migration to the North. The New Negro in the Old South reconstructs the vibrant black community that developed in Nashville after the Civil War, demonstrating how it played a pivotal role in shaping the economic, intellectual, social, and political lives of African Americans in subsequent decades. Drawing from extensive archival research, Briggs investigates what made Nashville so unique and reveals how it served as a formative environment for major black intellectuals like Sutton Griggs and W.E.B. Du Bois. The New Negro in the Old South makes the past come alive as it vividly recounts little-remembered episodes in black history, from the migration of Colored Infantry veterans in the late 1860s to the Fisk University protests of 1925. Along the way, it gives readers a new appreciation for the sophistication, determination, and bravery of African Americans in the decades between the Civil War and the Harlem Renaissance.
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938
by Henry Louis Gates, Jr. & Gene Andrew JarrettWhen African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.
The New Negro: The Life of Alain Locke
by Jeffrey C. StewartWinner of the 2018 National Book Award for Nonfiction. <P><P>A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro -- the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. <P><P>In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. <P><P>Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became -- in the process -- a New Negro himself.
The New Nobility: The Restoration of Russia's Security State and the Enduring Legacy of the KGB
by Soldatov Andrei Borogan IrinaA penetrating investigation into how the KGB rose from the ashes of the Soviet Union and reinvented itself at the heart of the Russian state during Vladimir PutinOCOs rule
The New Noir: Race, Identity, and Diaspora in Black Suburbia
by Orly ClergeThe expansion of the Black American middle class and the unprecedented increase in the number of Black immigrants since the 1960s have transformed the cultural landscape of New York. In The New Noir, Orly Clerge explores the richly complex worlds of an extraordinary generation of Black middle class adults who have migrated from different corners of the African diaspora to suburbia. The Black middle class today consists of diverse groups whose ongoing cultural, political, and material ties to the American South and Global South shape their cultural interactions at work, in their suburban neighborhoods, and at their kitchen tables. Clerge compellingly analyzes the making of a new multinational Black middle class and how they create a spectrum of Black identities that help them carve out places of their own in a changing 21st-century global city. Paying particular attention to the largest Black ethnic groups in the country, Black Americans, Jamaicans, and Haitians, Clerge’s ethnography draws on over 80 interviews with residents to examine the overlooked places where New York’s middle class resides in Queens and Long Island. This book reveals that region and nationality shape how the Black middle class negotiates the everyday politics of race and class.
The New North-West
by Carl DawsonIn 1944 the Canadian Social Science Research Council, with the financial support of the Rockefeller Foundation, organized a series of studies of northern Canada to stimulate public interest in the development of the region and to provide a background for more extensive investigation. In The New North-West, this series of articles and others dealing with northwestern Canada have been brought together in one volume, and the result is a comprehensive description and analysis of the western half of the Canadian northland. The book contains twelve parts. They discuss respectively: administration, Mackenzie and Yukon domesdays (two parts describing in detail the geographical setting and plan of settlements in these areas), mineral industry, fur production, northern agriculture, transportation, health conditions and services, education, the Eskimos and the new north-west. The last section is a bibliography which covers the whole of northern Canada and lists about four hundred selected titles in alphabetical order. It will be of interest to both American and Canadian readers.
The New Odyssey: The Story of the Twenty-First Century Refugee Crisis
by Patrick KingsleyIn the humane tradition of Katherine Boo’s Behind the Beautiful Forevers comes a searing account of the international refugee crisis. On the day of his son’s fourteenth birthday, Hashem al-Souki lay somewhere in the Mediterranean, crammed in a wooden dinghy. His family was relatively safe—at least for the time being—in Egypt, where they had only just settled after fleeing their war-torn Damascus home three years prior. Traversing these unforgiving waters and the treacherous terrain that would follow was worth the slim chance of securing a safe home for his children in Sweden. If he failed, at least he would fail alone.? Hashem’s story is tragically common, as desperate victims continue to embark on deadly journeys in search of freedom. Tracking the harrowing experiences of these brave refugees, The New Odyssey finally illuminates the shadowy networks that have facilitated the largest forced exodus since the end of World War II. The Guardian’s first-ever migration correspondent, Patrick Kingsley has traveled through seventeen countries to put an indelible face on this overwhelming disaster. Embedding himself alongside the refugees, Kingsley reenacts their flight with hundreds of people across the choppy Mediterranean in the hopes of better understanding who helps or hinders their path to salvation. From the starving migrants who push through sandstorms with children strapped to their backs to the exploitive criminals who prey on them, from the smugglers who dangerously stretch the limits of their cargo space to the volunteers who uproot their own lives to hand out water bottles—what emerges is a kaleidoscope of humanity in the wake of tragedy. By simultaneously tracing the narrative of Hashem, who endured the trek not once but twice, Kingsley memorably creates a compassionate, visceral portrait of the mass migration in both its epic scope and its heartbreaking specificity. Exposing the realities of this modern-day odyssey as well as the moral shortcomings evident in our own indifference, the result is a crucial call to arms and an unprecedented exploration of a world we too often choose not to know.
The New Orleans Jazz Scene, 1970-2000: A Personal Retrospective
by Thomas W. JacobsenIn 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene.Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.
The New Our Right to Love: A Lesbian Resource Book
by Ginny VidaThe complete lesbian resource guide, Our Right to Love instantly became a classic when it was first published in 1978. Now fully revised and expanded for the 1990s, this new edition includes over 60 articles and interviews covering the many aspects of lesbian life: relationships, sexuality, health, activism, education and sports, religion and spirituality, the law and legal issues, multi-ethnic lesbian experience, and lesbian culture. A group of essays explores the lesbian experience across cultures (African American, Latina, Asian, Native American) and age groups. Interviews with notable lesbians Martina Navratilova, Melissa Etheridge, Margarethe Cammermeyer, and Minnesota State Representative Karen Clark examine the particular experiences of highly visible out lesbians. An extensive bibliography, resource lists and index make this the complete lesbian reference.
The New Pacific Community in the 1990s (Research Project / Center For Asia Pacific Studies, Pacific #Vol. 3)
by Young Jeh KimWith the end of the Cold War and the subsequent new regional alignments, American foreign policy and influence in the Asia-Pacific region face a major turning point. In this book ten North American specialists from various disciplines reconceptualize the forces shaping the New Pacific Community: international politics as a by-product of peaceful cooperation; the changing role of the military; the political economy as a determinant of human rights; environmental and demographic issues; and culture as an evolutionary and dynamic phenomenon in the lives of new immigrants as they make their way in American society.
The New Pacific Community: U.s. Strategic Options In Asia
by Martin L LasaterAs the political and economic landscape in the Asian Pacific continues to shift, the United States must re-evaluate its strategy toward the region. In his book, Martin Lasater explores U.S. interests in Asia, considering strategies for attaining U.S. goals in the post-containment era. Citing numerous strategic options for the United States, Lasater recommends a strategy of integration as being best suited for the region through the end of the century.
The New Pakistani Middle Class
by Ammara MaqsoodImages of religious extremism and violence in Pakistan—and the narratives that interpret them—inform global events but also twist back to shape local class politics. Ammara Maqsood focuses on life in Lahore, where she untangles these narratives to show how central they are for understanding competition between middle-class groups.
The New Parisienne: The Women & Ideas Shaping Paris
by Lindsey Tramuta“Tramuta sweeps away the tired clichés of the Parisian woman with her vivid profiles of the dynamic and creative ‘femmes’ now powering the French capital.” —Eleanor Beardsley, NPR Paris correspondentThe New Parisienne focuses on one of the city’s most prominent features, its women. Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness” in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.“With stunning photographs and inspiring profiles, Lindsey Tramuta tramples the myths and takes us into the lives of real Parisiennes. Bravo!”—Pamela Druckerman, New York Times–bestselling author of Bringing Up Bébé“Like the subjects of her book, Lindsey Tramuta is a force. The New Parisienne is the go-to chronicle of the joyful, progressive, pioneering women of a city that Tramuta understands with deep intelligence.” —Lauren Collins, New York Times–bestselling author of When in French“Tramuta’s new book posits that Parisian women have been ahead of these radically changing times. But rather than being trendsetters in the stylish sense, they qualify as visionaries and agents of change across spheres of diversity, tech, culture, politics, and more.” —Vogue
The New Patriarchs of Digital Capitalism: Celebrity Tech Founders and Networks of Power
by Ben Little Alison WinchThis book offers an original critique of the billionaire founders of US West Coast tech companies, addressing their collective power, influence, and ideology, their group dynamics, and the role they play in the wider sociocultural and political formations of digital capitalism. Interrogating not only the founders’ political and economic ambitions, but also how their corporations are omnipresent in our everyday lives, the authors provide robust evidence that a specific kind of patriarchal power has emerged as digital capitalism’s mode of command. The ‘New Patriarchs’ examined over the course of the book include: Sergey Brin and Larry Page of Google, Elon Musk of Tesla, Jeff Bezos of Amazon, Mark Zuckerberg of Facebook, and Peter Thiel. We also include Sheryl Sandberg. The book analyses how these (mostly) men legitimate their rapidly acquired power, tying a novel kind of socially awkward but ‘visionary’ masculinity to exotic forms of shareholding. Drawing on a ten million word digital concordance, the authors intervene in feminist debates on patriarchy, masculinity, and postfeminism, locating the power of the founders as emanating from a specifically racialised structure of oppression tied to imaginaries of the American frontier, the patriarchal household, and settler colonialism. This is an important interdisciplinary contribution suitable for researchers and students across Digital Media, Media and Communication, and Gender and Cultural Studies.
The New Peoples: Being and Becoming Métis (Manitoba Studies in Native History #1)
by Jacqueline Peterson Jennifer S.H.BrownLeading Canadian and American scholars explore the dimension and meaning of the intermingling of European and Native American peoples.
The New Phase of Global Terrorism
by Binneh S. Minteh, James Bacigalupo, Kevin Borgeson, and Robin Maria ValeriThe New Phase of Global Terrorism explores the nuances of the shift in the organization, strategy, and operation of terrorist groups into smaller and more robust terror groups in both the United States and international levels. To develop efficient counterterrorism measures, both domestically and globally, an understanding of the changing nature of terrorist group structure and strategy is essential. In this edited collection, authoritative scholars use relevant theories of sociology and psychology, as well as evidence from leading counterterrorism agencies such as the FBI, to support analysis, examples, and explanations of the landscape of terrorism around the world.Part I discusses the evolution, theories, and psychology of terrorism. In this part, the authors outline the rationale of the book, capturing how terrorism has changed over the years. In Part II, the book explores the new phase of domestic terrorism, drawing on left-wing extremism, right-wing extremism, and jihadist attackers in the United States with a focus on their use of lone actor attacks and decentralized networks. Part III focuses on the new phase of international terrorism and discusses operational organization and strategies of international terror groups and their capabilities in the form of combat operations and small group operatives in Sub-Saharan Africa, the Middle East, and South-East Asia. Part IV covers terrorists' use of technology for propaganda, recruitment, training, and operations, with examples from the use of technology in recruiting and training by Al-Qaeda and Islamic State in Iraq and Syria (ISIS). Part V brings this information together and analyzes the criminal justice response, including building partnerships with counterterrorism agencies, intelligence sharing, and the use of courts to bring terrorist actors to justice.Ideal as a text in terrorism, counterterrorism, and homeland security courses, this book is highly readable for criminal justice, psychology, and sociology students and professors, as well as policymakers and practitioners concerned with countering terrorism at home and abroad.
The New Philanthropists
by Charles HandyWho are the new philanthropists? And how is their philanthropy 'new'?In this remarkable and inspiring book, the eminent management writer Charles Handy and his wife Elizabeth, a portrait photographer, have collaborated to portray a new generation of practical philanthropists, men and women who have made their own fortunes and decided to move on from financial success to try to help those in need. They are doing so not simply by giving their money away to charities and agencies but by helping actively, working on the spot with the very people who need their aid, ensuring that the initiatives are sustainable in the longer term.As in their acclaimed The New Alchemists, the Handys have both interviewed and photographed their subjects in order to tell their inspiring stories; from the Sydney restaurateur Jeff Gambin, who personally helps to cook hot and cold menus for homeless people; to Niall Mellon, a young Irish property developer who is replacing the shacks with breeze-block homes in a South African township; and Sara Davenport, who sold her art gallery and set up the breast-cancer care centre the Haven Trust to offer integrated and holistic treatment and support. This striking book of words and photographs reveals the energy and inspiration of these new ways of using wealth, revealing the motivations and satisfactions of such direct action.
The New Police in the Nineteenth Century (The\history Of Policing Ser. #2)
by Paul LawrenceThe period 1829-1856 witnessed the introduction of the 'New Police' to Great Britain and Ireland. Via a series of key legislative acts, traditional mechanisms of policing were abolished and new, supposedly more efficient, forces were raised in their stead. Subsequently, the introduction of the 'New Police' has been represented as a watershed in the development of the systems of policing we know today. But just how sweeping were the changes made to the maintenance of law and order during the nineteenth century? The articles collected in this volume (written by some of the foremost criminal justice historians) show a process which, while cumulatively dramatic, was also at times protracted and acrimonious. There were significant changes to the way in which Britain and Ireland were policed during the nineteenth century, but these changes were by no means as straightforward or as progressive as they have at times been represented.