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"That the People Might Live": Loss and Renewal in Native American Elegy

by Arnold Krupat

The word "elegy" comes from the Ancient Greek elogos, meaning a mournful poem or song, in particular, a song of grief in response to loss. Because mourning and memorialization are so deeply embedded in the human condition, all human societies have developed means for lamenting the dead, and, in "That the People Might Live" Arnold Krupat surveys the traditions of Native American elegiac expression over several centuries.Krupat covers a variety of oral performances of loss and renewal, including the Condolence Rites of the Iroquois and the memorial ceremony of the Tlingit people known as koo'eex, examining as well a number of Ghost Dance songs, which have been reinterpreted in culturally specific ways by many different tribal nations. Krupat treats elegiac "farewell" speeches of the eighteenth and nineteenth centuries in considerable detail, and comments on retrospective autobiographies by Black Hawk and Black Elk.Among contemporary Native writers, he looks at elegiac work by Linda Hogan, N. Scott Momaday, Gerald Vizenor, Sherman Alexie, Maurice Kenny, and Ralph Salisbury, among others. Despite differences of language and culture, he finds that death and loss are consistently felt by Native peoples both personally and socially: someone who had contributed to the People's well-being was now gone. Native American elegiac expression offered mourners consolation so that they might overcome their grief and renew their will to sustain communal life.

That Used to Be Us: How America Fell Behind in the World It Invented and How We Can Come Back

by Thomas L. Friedman Michael Mandelbaum

America is in trouble. We face four major challenges on which our future depends, and we are failing to meet them -- and if we delay any longer, soon it will be too late for us to pass along the American dream to future generations. In That Used to Be Us, Thomas L. Friedman, one of our most influential columnists, and Michael Mandelbaum, one of our leading foreign policy thinkers, offer both a wake-up call and a call to collective action. They analyze the four challenges we face -- globalization, the revolution in information technology, the nation's chronic deficits, and our pattern of excessive energy consumption -- and spell out what we need to do now to sustain the American dream and preserve American power in the world. They explain how the end of the Cold War blinded the nation to the need to address these issues seriously, and how China's educational successes, industrial might, and technological prowess remind us of the ways in which "that used to be us. " They explain how the paralysis of our political system and the erosion of key American values have made it impossible for us to carry out the policies the country urgently needs. And yet Friedman and Mandelbaum believe that the recovery of American greatness is within reach. They show how America's history, when properly understood, offers a five-part formula for prosperity that will enable us to cope successfully with the challenges we face. They offer vivid profiles of individuals who have not lost sight of the American habits of bold thought and dramatic action. They propose a clear way out of the trap into which the country has fallen, a way that includes the rediscovery of some of our most vital traditions and the creation of a new thirdparty movement to galvanize the country. That Used to Be Us is both a searching exploration of the American condition today and a rousing manifesto for American renewal.

Thatcher

by Clare Beckett

Margaret Thatcher was Britain's first woman prime minister and the longest serving head of government in the 20th century (1979-90). She was also the only one to be removed from office in peacetime by pressure from within her own party. Her victory in the general election of 1979 began an era that became stamped with her name. 'Thatcherism' and 'Thatcherite' became part of the language, referring to her own brand of aggressive 'conviction' politics which rejected the broad consensus (characteristic of British attitudes since World War II), promoting instead the free play of market forces and dismantling the restrictive practices of the trade unions. She was rescued from early unpopularity by her determined handling of the Falklands War in 1982. Two years later her response to the miners' strike (1984-5) gave another boost to her reputation for toughness, earning her the title 'The Iron Lady'.

Thatcherism in the 21st Century: The Social and Cultural Legacy

by Stephen Farrall David Jeffery Antony Mullen

This collection examines the social and cultural legacy of Thatcherism in the 21st century. Drawing upon perspectives from a range of disciplines, it considers how Thatcherism manifests itself today and how we can assess its long-term impact. The book is divided into four sections, which offer different ways of conceptualising and addressing questions of legacy: the ideological impact of Thatcherism on the Conservative Party and on the country; the long-term impact of Thatcherism across different parts of the UK; how Thatcherism has altered social attitudes to everything from welfare spending to Europe; and how popular historical accounts of Thatcherism have become embedded in different parts of contemporary British culture. The essays in this volume draw upon newly available archival materials, oral histories, social attitudes surveys and parliamentary debates to provide a well-rounded perspective on Thatcherism today.

Thatcher’s Grandchildren?

by Stephen Wagg Jane Pilcher

Thatcher's Grandchildren explores sociological and political issues about childhood that have that have become increasingly significant in the twenty first century within a political landscape framed by neo-liberalism. Issues addressed include child protection and abuse, the media, education and schooling, and poverty.

That's Not English

by Erin Moore Lynne Truss

An expat's witty and insightful exploration of English and American cultural differences through the lens of language that will leave readers gobsmackedIn That's Not English, the seemingly superficial differences between British and American English open the door to a deeper exploration of a historic and fascinating cultural divide. In each of the thirty chapters, Erin Moore explains a different word we use that says more about us than we think. For example, "Quite" exposes the tension between English reserve and American enthusiasm; in "Moreish," she addresses our snacking habits. In "Partner," she examines marriage equality; in "Pull," the theme is dating and sex; "Cheers" is about drinking; and "Knackered" covers how we raise our kids. The result is a cultural history in miniature and an expatriate's survival guide. American by birth, Moore is a former book editor who specialized in spotting British books--including Eats, Shoots & Leaves--for the US market. She's spent the last seven years living in England with her Anglo American husband and a small daughter with an English accent. That's Not English is the perfect companion for modern Anglophiles and the ten million British and American travelers who visit one another's countries each year.

That's Not English: Britishisms, Americanisms, and What Our English Says About Us

by Lynne Truss Erin Moore

An expat's witty and insightful exploration of English and American cultural differences through the lens of language that will leave readers gobsmackedIn That's Not English, the seemingly superficial differences between British and American English open the door to a deeper exploration of a historic and fascinating cultural divide. In each of the thirty chapters, Erin Moore explains a different word we use that says more about us than we think. For example, "Quite" exposes the tension between English reserve and American enthusiasm; in "Moreish," she addresses our snacking habits. In "Partner," she examines marriage equality; in "Pull," the theme is dating and sex; "Cheers" is about drinking; and "Knackered" covers how we raise our kids. The result is a cultural history in miniature and an expatriate's survival guide. American by birth, Moore is a former book editor who specialized in spotting British books--including Eats, Shoots & Leaves--for the US market. She's spent the last seven years living in England with her Anglo American husband and a small daughter with an English accent. That's Not English is the perfect companion for modern Anglophiles and the ten million British and American travelers who visit one another's countries each year.

That's Not Funny: How the Right Makes Comedy Work for Them

by Matt Sienkiewicz

A rousing call for liberals and progressives to pay attention to the emergence of right-wing comedy and the political power of humor. "Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take readers––particularly self-described liberals––on a tour of contemporary conservative comedy and the "right-wing comedy complex." In That's Not Funny, "complex" takes on an important double meaning. On the one hand, liberals have developed a social-psychological complex—it feels difficult, even dangerous, to acknowledge that their political opposition can produce comedy. At the same time, the right has been slowly building up a comedy-industrial complex, utilizing the humorous, irony-laden media strategies of liberals such as Jon Stewart, Samantha Bee, and John Oliver to garner audiences and supporters. Right-wing comedy has been hiding in plain sight, finding its way into mainstream conservative media through figures ranging from Fox News's Greg Gutfeld to libertarian podcasters like Joe Rogan. That's Not Funny taps interviews with conservative comedians and observations of them in action to guide readers through media history, text, and technique. You will find many of these comedians utterly appalling, some surprisingly funny, and others just plain weird. They are all, however, culturally and politically relevant—the American right is attempting to seize spaces of comedy and irony previously held firmly by the left. You might not like this brand of humor, but you can't ignore it.

That's Revolting!: Queer Strategies for Resisting Assimilation

by Bernstein Sycamore Mattilda

As the gay mainstream prioritizes the attainment of straight privilege over all else, it drains queer identity of any meaning, relevance, or cultural value, writes Matt Bernstein Sycamore, aka Mattilda, editor of That's Revolting! . This timely collection shows what the new queer resistance looks like. Intended as a fistful of rocks to throw at the glass house of Gaylandia, the book challenges the commercialized, commodified, and hyperobjectified view of gay/queer identity projected by the mainstream (straight and gay) media by exploring queer struggles to transform gender, revolutionize sexuality, and build community/family outside of traditional models. Essays include "Dr. Laura, Sit on My Face,” "Gay Art Guerrillas,” "Legalized Sodomy Is Political Foreplay,” and "Queer Parents: An Oxymoron or Just Plain Moronic?”

That's the Way It Was: Stories of Struggle, Survival and Self-Respect in Twentieth-Century Black St. Louis

by Vida Goldman Prince

13 Black Americans share their everyday experiences with racism in twentieth-century St. Louis.Segregation was a way of life in St. Louis, aptly called “the most southern city in the North.” These thirteen oral histories describe the daily struggle that pervasive racism demanded but also share the tradition of self-respect that the African-American community of St. Louis sought to build on its own terms.

That's What She Said: Wise Words from Influential Women

by Kimothy Joy

An artist and activist committed to the empowerment of women and girls has created a gorgeous illustrated volume, blending watercolor and short biography to showcase the contributions of more than fifty influential female leaders whose words and actions are a passionate call to arms.Distraught by the results of the 2016 election and the realization that the nation was not ready for its first female president, Kimothy Joy found herself poring over the biographies of brave women throughout history—those who persisted in the face of daunting circumstances—to learn from their experiences.Turning to art, Joy channeled her feelings to the canvas, bringing these strong women to life in bold watercolor portraits surrounded by inspirational hand-lettered quotes. With each creation, Joy found catharsis and hope. She shared her watercolors with her online community and encouraged everyone to raise their own voices and recharge for the battles ahead.Now, in this beautiful gift book, Joy has gathered her stunning illustrations and quotes and paired them with surprising, illuminating biographies of her subjects to inspire women of all ages, races, and backgrounds. That’s What She Said honors a powerful and diverse group of over fifty women—from Maya Angelou, Gloria Steinem, and Virginia Woolf to Sojourner Truth, Malala Yousafzai, and Ruth Bader Ginsburg—role models whose words and insights remind us that we must never give up the fight for a more just and equitable society.Reclaiming the derogatory cultural barb "that’s what she said," this stunning book celebrates strong female leadership throughout history and empowers current and future generations to find their voices and inspire change in their communities.

That's What She Said: What Men Need to Know (and Women Need to Tell Them) About Working Together

by Joanne Lipman

A FINANCIAL TIMES BUSINESS BOOK OF THE MONTH'Urgently needed' Charles Duhigg, bestselling author of THE POWER OF HABIT and SMARTER'Attention, good guys: this book is for you' Adam Grant, bestselling author of ORIGINALS and OPTION B with Sheryl Sandberg 'I know what you're thinking: 'Not another career guide-cum-manifesto, telling us to "woman up" and demand more money.' But that isn't what Lipman says. Instead, she uses data, reams of it, to expose how the system is rigged against women. She then calls for men to join the fight to make the workplace more equal' SUNDAY TIMES STYLE MAGAZINEWomen spend their working lives adapting to an environment set up for men, by men: from altering the way they speak to changing the clothes they wear to power posing. But still the gender gap persists. And once you see it - women being overlooked, interrupted, their ideas credited to men - it's impossible to ignore. But it needn't be this way.Diving deep into the wide range of government initiatives, corporate experiments and social science research Joanne Lipman offers fascinating new revelations about the way men and women work culled from the Enron scandal, from brain research, from transgender scientists and from Iceland's campaign to 'feminise' an entire nation. Packed with fascinating and entertaining examples - from the woman behind the success of Tupperware to how Google reinvented its hiring process - That's What She Said is a rallying cry to both men and women to finally take real steps towards closing the gender gap.Previously published as WIN WIN: When Business Works for Women, It Works for Everyone

That's What She Said: What Men Need to Know (and Women Need to Tell Them) About Working Together

by Joanne Lipman

LEAN IN meets FREAKONOMICS. How men and women can close the gender gap in the workplace.We all agree that men and women think and behave differently. Here, at last, is a book that shows both sides what to do about it.When Joanne Lipman wrote the article 'Women at Work: A Guide for Men' for Wall Street Journal, it immediately went viral. When the response continued to grow, she realised just how crucial an element was missing from the gender equality debate in the workplace: without men participating in the conversation, women can lean in all they want . . . but all they'll do is fall over. Lipman was contacted by scores of corporations and businesses around the world, where men (yes, men!) were eager for the playbook on how to work better with women, and how to make their companies work better for women. As she began speaking on the topic and continued to delve into the science, Lipman realised that there was an awful lot to say to men about women at work.In That's What She Said: What Men Need to Know and Women Need to Tell Them About Working Together, Lipman takes a 'no shame, no blame' approach to this thorny topic. Diving deep into the wide range of government initiatives, corporate experiments and social science research (and a few ongoing lawsuits along the way) she offers new revelations culled from the Enron scandal, from brain research, from transgender scientists, and from Iceland's campaign to 'feminise' an entire nation. Packed with fascinating and entertaining examplers, including how Google reinvented their hiring process after their famed open-ended questions ('How many piano tuners are there in the entire world?') produced, to their surprise and dismay, an overwhelmingly male work force; and how the latest research on the significant differences between how men and women email, That's What She Said is a rallying cry, for both men and women to finally take real steps towards closing the gender gap at work.(P)2018 Hodder & Stoughton Limited

That's What They Want You to Think: Conspiracies Real, Possible, and Paranoid

by Paul Simpson

An analysis of twenty-nine of the most famous theories, featuring assassinations, military operations, aliens, secret societies, and government conspiracies.Conspiracies. They happen every day. All it takes is a couple of people and a secret, nefarious plan. But then there are big conspiracy theories—the assassinations, cover-ups, and shadow governments that are endlessly debated on talk radio and the Internet. Are they real? Are they even possible? Or are they just plain paranoid?Paul Simpson has researched a wide variety of conspiracies, from those historically accepted to those that spark accusations of “being a part of it” if you disagree with their supporters. In reviewing these famous (and, in some cases, infamous) theories, That’s What They Want You to Think does not start from the position of a believer or a debunker. In each case, Simpson makes up his own mind based on the evidence of primary documents—and some of his conclusions may surprise even the most dedicated conspiracy researcher.Straightforward and engaging, That’s What They Want You to Think provides food for thought for both conspiracy buffs and skeptics. Novices and veteran researchers alike will debate the latest evidence and fresh takes on long-standing theories. Covering topics as diverse as the JFK assassination and faked moon landings, from the bombing of Pearl Harbor to Area 51 and the New World Order, Simpson makes you wonder if what you believe is real, possible, or paranoid.Praise for That’s What They Want You to Think“This lively book looks at a variety of conspiracy theories—many well-known, others not so much—from a historical, investigative point of view. . . . Well worthwhile.” —Booklist

The Thaw

by Denis Kozlov Eleonory Gilburd

The period from Stalin's death in 1953 to the end of the 1960s marked a crucial epoch in Soviet history. Though not overtly revolutionary, this era produced significant shifts in policies, ideas, language, artistic practices, daily behaviours, and material life. It was also during this time that social, cultural, and intellectual processes in the USSR began to parallel those in the West (and particularly in Europe) as never before.This volume examines in fascinating detail the various facets of Soviet life during the 1950s and 1960s, a period termed the 'Thaw.' Featuring innovative research by historical, literary, and film scholars from across the world, this book helps to answer fundamental questions about the nature and ultimate fortune of the Soviet order - both in its internal dynamics and in its long-term and global perspectives.

THE 2000 CENSUS: Interim Assessment

by Panel to Review the 2000 Census

This volume contains the full text of two reports: one is an interim review of major census operations, which also assesses the U.S. Census bureau's recommendation in March 2001 regarding statistical adjustment of census data for redistricting. It does not address the decision on adjustment for non-redistricting purposes. <P><P>The second report consists of a letter sent to William Barron, acting director of the Census Bureau. It reviews the new set of evaluations prepared by the Census Bureau in support of its October decision. The two reports are packaged together to provide a unified discussion of statistical adjustment and other aspects of the 2000 census that the authoring panel has considered to date.

THE 2000 CENSUS: Counting Under Adversity

by Panel to Review the 2000 Census

The decennial census was the federal government&rsquo;s largest and most complex peacetime operation. This report of a panel of the National Research Council's Committee on National Statistics comprehensively reviews the conduct of the 2000 census and the quality of the resulting data. The panel's findings cover the planning process for 2000, which was marked by an atmosphere of intense controversy about the proposed role of statistical techniques in the census enumeration and possible adjustment for errors in counting the population. <P><P>The report addresses the success and problems of major innovations in census operations, the completeness of population coverage in 2000, and the quality of both the basic demographic data collected from all census respondents and the detailed socioeconomic data collected from the census long-form sample (about one-sixth of the population). The panel draws comparisons with the 1990 experience and recommends improvements in the planning process and design for 2010. <P><P>The 2000 Census: Counting Under Adversity will be an invaluable resource for users of the 2000 data and for policymakers and census planners. It provides a trove of information about the issues that have fueled debate about the census process and about the operations and quality of the nation's twenty-second decennial enumeration.

the big book of women's trivia

by Alicia Alvrez

The Big Book of Women's Trivia spans history, crosses cultures, ranges from the silly to the salacious to the truly useful and back again. Organized into ten chapters: Women and Their Wardrobes, The Body Beautiful-and Not So, Ladies' Matters of Love, In the Ladies' Room, Ladies Look at the Animal Kingdom, Women Doing It for Themselves, Saintly Manifestations and Royal Subjects, Women's Sporting Life, Celebrity Sightings of the Female Variety, and finally, Final Feminine Facts You Absolutely Can't Live Without. The Big Book of Women's Trivia will teach ladies little known facts about the history, fame, fortunes, fashions, and fictions of the female species - enough to impress their mother and their boss, to win arguments with their boyfriends and husbands, and to generally know more about their fabulous female selves. "Women's matters are anything but trivial. " (Anon (who was a woman))

THE DOOR IN THE DREAM: conversations with eminent women in science

by National Research Council

While much has been written about barriers to women in science, very little work celebrates the wisdom and insights of the women who have risen to the top of their chosen scientific profession. In this remarkable book, the author gathers the personal stories of the select few women scientists who have achieved the honor of election to the prestigious National Academy of Sciences.Including several Nobel laureates, the group is elite--yet their career profiles and personal interviews have much to say to everyone struggling to overcome obstacles. From their passionate love of research to their struggle to balance the demands of home and career, these women share a great deal. At the same time, these intimate portraits offer widely different insights about how being female has affected their careers.In these chapters, readers will discover the importance of such factors as persistence, good mentoring, talent, and plain luck. Often, there is a critical moment at which, but for a serendipitous event, even these dedicated women could easily have been diverted from their career paths. The Door in the Dream offers an intimate glimpse into the lives of these inspiring women, providing readers the opportunity to benefit from their personal insights and anecdotes.In an informal and engaging manner, the author provides a fascinating window into the changing status and representation of women in science in the 20th century. Among the eminent women interviewed: Mary Ellen AveryMay R. BerenbaumMary K. GaillardMargaret KidwellJudith P. KlinmanNancy KopellMarian KoshlandJane LubchencoPamela MatsonCathleen MorawetzMyriam SarachikJoan SteitzSusan TaylorThis book will be helpful to anyone concerned about women: educators, employers, university administrators, career counselors, scholarship funders, scientific professional groups, established women scientists, and--perhaps most important --young women aspiring to a science career, their parents, and their advisors.

The The Ironies of Affirmative Action: Politics, Culture, and Justice in America (Morality and Society Series)

by John D. Skrentny

Affirmative action has been fiercely debated for more than a quarter of a century, producing much partisan literature, but little serious scholarship and almost nothing on its cultural and political origins. The Ironies of Affirmative Action is the first book-length, comprehensive, historical account of the development of affirmative action. Analyzing both the resistance from the Right and the support from the Left, Skrentny brings to light the unique moral culture that has shaped the affirmative action debate, allowing for starkly different policies for different citizens. He also shows, through an analysis of historical documents and court rulings, the complex and intriguing political circumstances which gave rise to these controversial policies. By exploring the mystery of how it took less than five years for a color-blind policy to give way to one that explicitly took race into account, Skrentny uncovers and explains surprising ironies: that affirmative action was largely created by white males and initially championed during the Nixon administration; that many civil rights leaders at first avoided advocacy of racial preferences; and that though originally a political taboo, almost no one resisted affirmative action. With its focus on the historical and cultural context of policy elites, The Ironies of Affirmative Action challenges dominant views of policymaking and politics.

The Lizard and the Sun / La Lagartija y el Sol: A Folktale In English And Spanish

by Alma Flor Ada Felipe Dávalos Rosa Zubizarreta

Once, a long, long time ago, the sun disappeared from the sky. Everything was dark for many days. All the animals went to search for the sun in the rivers and lakes, through the fields and forests, but the sun was nowhere to be found. Little by little all the animals gave up, except for the faithful lizard. Finally one day she found a strange glowing rock and discovered the sun fast asleep. But no one could persuade the sun to wake up. Then the emperor organized a great feast, with the finest dancers and musicians, so the sun would wake up and never fall asleep again. Since that day, all lizards love to lie in the sun, to remember the day when one of their own brought light and warmth back to the world.

the new black (Wesleyan Poetry Series)

by Evie Shockley

Winner of the Hurston/Wright Legacy Award (2012)Smart, grounded, and lyrical, Evie Shockley’s the new black integrates powerful ideas about "blackness," past and present, through the medium of beautifully crafted verse. the new black sees our racial past inevitably shaping our contemporary moment, but struggles to remember and reckon with the impact of generational shifts: what seemed impossible to people not many years ago—for example, the election of an African American president—will have always been a part of the world of children born in the new millennium. All of the poems here, whether sonnet, mesostic, or deconstructed blues, exhibit a formal flair. They speak to the changes we have experienced as a society in the last few decades—changes that often challenge our past strategies for resisting racism and, for African Americans, ways of relating to one another. The poems embrace a formal ambiguity that echoes the uncertainty these shifts produce, while reveling in language play that enables readers to "laugh to keep from crying." They move through nostalgia, even as they insist on being alive to the present and point longingly towards possible futures. Check for the online reader’s companion at http://http://thenewblack.site.wesleyan.edu.

the terrible stories (American Poets Continuum #Vol. 38)

by Lucille Clifton

The long-awaited tenth collection of poetry from the Shelley Memorial Prize-winning poet Lucille Clifton.

Thea Bowman: In My Own Words

by Thea Bowman Maurice J. Nutt

Sister Thea Bowman spread the Gospel of Jesus Christ as only an African American born in 1937 in Yazoo City, Mississippi, could. Throughout her adult life, she embraced Catholicism and religious life and never abandoned the beautiful gift of her "blackness. " It was her life's mission to share her rich cultural heritage and spirituality in song, prayer, teaching, and preaching. As a child, Thea Bowman converted to Catholicism, and as an adult chose a life as a Franciscan Sister of Perpetual Adoration. As a black religious sister in a predominantly white world, Sister Thea was able to cross cultural boundaries and share her cultural and spiritual gifts while learning and uplifting the cultural gifts of others. This book joyfully expounds the thoughts, memories, and reflections of this devoted Franciscan woman, a proud maiden of Mississippi, a prophetic preacher, and a tenacious teacher.

Theater and Crisis: Myth, Memory, and Racial Reckoning in America, 1964-2020

by Patrice D. Rankine

Racial reckoning was a recurrent theme throughout the summer of 2020, a response to George Floyd’s murder and the unprecedented impact of COVID on marginalized groups. Theater and Crisis proposes a literary and theatrical study of how Floyd's killing could possibly happen in the aftermath of the Civil Rights era, and in the supposedly post-racial era following the election of Barack Obama. In the days and months following Floyd's death, there were nightly protests in streets across the United States and broader world. At the same time, theater performances were forced to shift online to video conferencing platforms and to find new ways to engage audiences. In each case, groups made shared meaning through storytelling and narrative, a liberatory process of myth-making and reverence that author Patrice D. Rankine calls “epiphanic encoding.” Rather than approaching the problem of racial reckoning through history, where periodization and progress are dominant narratives, Theater and Crisis argues that myth and memory allow for better theorization about recurring events from the past, their haunting, and what these apparent ghosts ask of us. Building on the study of myth as active, processual storytelling, Rankine acknowledges that it grounds and orients groups toward significant events. Theater and Crisis aligns narratives about Emmett Till, Trayvon Martin, and George Floyd, among others, with ancient, mythic figures such as Christ, Dionysus, Oedipus, and Moses. As living and verbal visitations, these stories performed on stage encode the past through their epiphanies in the present, urging audiences toward shared meaning. Rankine traces the cyclical hauntings of race through the refiguring of mythic stories across the past 75 years in the plays of James Baldwin, Ntozake Shange, Antoinette Nwandu, and many more, and in response to flashpoints in US racial history, such as the 1955 lynching of Emmett Till, the upheavals of the 1960s and 1970s, the wars on drugs and crime, and the continued violence against and disenfranchisement of Black people into the twenty-first century. Theater and Crisis explores the appearance of myth on the American stage and showcases the ongoing response by the theatrical establishment to transform the stage into a space for racial reckoning. This timely book is essential reading for scholars of theater studies, classics, and American studies.

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