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Sembrar y cultivar (¡Arriba la Lectura!, Level E #26)
by Ken O’Donoghue Gail RileyNIMAC-sourced textbook
Semilla a semilla: La leyenda y el legado de John “Appleseed” Chapman (¡Arriba la Lectura! Read Aloud Module 5 #1)
by Lynne Perkins Esmé CodellNIMAC-sourced textbook
Sendas literarias 2
by Aída Walqui-Van Lier Ruth A. Barraza Mary Ann DellingerA Spanish literature textbook
Sendas literarias 2
by Aída Walqui-Van Lier Ruth A. Barraza Mary Ann DellingerThis highly praised two-level literature and language series taps the natural potential of heritage learners, building their listening, speaking, reading, and writing skills as it celebrates and validates their rich cultural heritage. The varied learning strategies, study skills, and activities are specifically designed to meet the diverse needs and ability levels of native Spanish speakers.
Senderos: Estándares comunes [Grade 2, Volume 1]
by Alma Flor Ada F. Isabel CampoyNIMAC-sourced textbook
Senderos: Estándares comunes [Grade 2, Volume 2]
by Alma Flor Ada F. Isabel CampoyNIMAC-sourced textbook
Senderos: Estándares Comunes [Grade 3, Volume 1]
by Alma Flor Ada F. Isabel CampoyNIMAC-sourced textbook
Senderos: Estándares Comunes [Grade 4] (Senderos Estándares Comunes Ser.)
by Alma Flor Ada F. Isabel CampoyNIMAC-sourced textbook
Senderos 1: Spanish for a Connected World
by José A. Blanco Philip Redwine DonleyNIMAC-sourced textbook
Senderos 2: Spanish for a Connected World
by José A. Blanco Philip Redwine DonleyNIMAC-sourced textbook
Senior Biology 1 Fourth Edition
by Tracey Greenwood Richard Allan Lyn ShepherdThis is the fourth edition of Senior Biology 1. It is designed to meet the needs of students undertaking biology at grades 11 and 12 or equivalent. It is particularly well suited to students taking Advanced Placement (AP), Honors Biology, or International Baccalaureate courses.
Seniority & Promotion
by Muthuswamy BrindaThe rules and orders on Seniority, Promotion, Confidential Reports and allied matters, are at present found in numerous instructions, decisions and clarifications, most of them not codified so far. This volume brings in one place all of them, presented in our usual masterly style.
El señor Lawson tiene razón (¡Arriba la Lectura!, Level T #83)
by Pamela Rushby Nathalie OrtegaNIMAC-sourced textbook
Sensation and Perception (Mindtap for Psychology)
by E. Goldstein James BrockmoleE. Bruce Goldstein's SENSATION AND PERCEPTION has helped a myriad of students understand perceptual research and how the results of this research relate to everyday experience. A key strength of this text has always been its ability to illustrate concepts through examples and visuals. Dr. Goldstein and new co-author Dr. James Brockmole take students on an intriguing journey through the senses with both clarity and thoroughness, combining their extensive classroom experience and the most innovative research to create a visual, colorful text.
Sensation and Perception
by John HarrisSensation and Perception covers in detail the perceptual processes related to vision and hearing, taste and smell, touch and pain as well as the vestibular and proprioceptive systems. Individual chapters cover separate topics including the fast-developing areas of perception of emotions and attractiveness and recognition of faces, plus newer topics not seen regularly in other textbooks, for example changes in perception throughout the lifespan and pathologies of perception.<P><P> Key features:<P> * Chapters begin with summaries of key topics and questions to aid learning <P> * Includes key points, spotlights on research, and 'Thinking about Research' sections, designed to encourage students to design their own studies <P> * Chapters close with 'Test Yourself' questions, a review of key terms and annotated further readings <P> A Companion Website offers additional resources for lecturers and students available on publication at: www.sagepub.co.uk/harris
Sensation and Perception (Eighth Edition)
by E. Bruce GoldsteinSeeing and reading this sentence may seem like a "no brainer"--but your perception is just a tiny part of what is happening in your brain and body right now (both are much busier than you might think). SENSATION AND PERCEPTION has helped many students like you understand the ties between how we sense the world and how the body interprets these senses. A key strength of this text has always been the ability to illustrate concepts through examples and visuals. Dr. Goldstein walks you through an intriguing journey of the senses, combining clear writing, his extensive classroom experience, and innovative research to create a visual, colorful text. Complemented by nearly 500 illustrations and photographs, this text has also been sharpened to make it more readable than ever, based on feedback from 2,000 student users. The accompanying VIRTUAL LAB media exercises (available on CD-ROM and online) offer a wide array of interactive animations and examples designed to stimulate your understanding of difficult concepts.
Sense and Nonsense About Crime, Drugs, and Communities
by Samuel WalkerSamuel Walker's SENSE AND NONSENSE ABOUT CRIME, DRUGS, AND COMMUNITIES was one of the first books to challenge common misconceptions about crime, and the new Eighth Edition remains uniquely effective at doing so. Described as a masterful critique of American policies on everything from crime control, to guns, to drugs, this incisive text cuts through popular myths and political rhetoric to confront both conservative and liberal propositions in the context of current research and proven practice. The result is a lucid, research-based work that stimulates critical thinking and enlivens class discussions. This engaging text captures the full complexity of the administration of justice while providing students with a clear sense of its key principles and general patterns.
The Sense of Music
by Victor ZuckerkandlThis book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training. Unlike the usual listener's guide, which begins with a discussion of the elementary materials of music, this book starts with the elementary experiences of listening.
