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The Year's Work in Lebowski Studies
by Aaron Jaffe Edward P. ComentaleA massive underground sensation, The Big Lebowski has been hailed as the first cult film of the internet age. In this book, 21 fans and scholars address the film's influences--westerns, noir, grail legends, the 1960s, and Fluxus--and its historical connections to the first Iraq war, boomers, slackerdom, surrealism, college culture, and of course bowling. The Year's Work in Lebowski Studies contains neither arid analyses nor lectures for the late-night crowd, but new ways of thinking and writing about film culture.
The Year's Work in Nerds, Wonks, and Neocons (The\year's Work: Studies In Fan Culture And Cultural Theory Ser.)
by Jonathan P. Eburne Benjamin SchreierWhat happens when math nerds, band and theater geeks, goths, sci-fi fanatics, Young Republican debate poindexters, techies, Trekkies, D&D players, wallflowers, bookworms, and RPG players grow up? And what can they tell us about the life of the mind in the contemporary United States? With #GamerGate in the national news, shows like The Big Bang Theory on ever-increasing numbers of screens, and Peter Orzsag and Paul Ryan on magazine covers, it is clear that nerds, policy wonks, and neoconservatives play a major role in today’s popular culture in America. The Year’s Work in Nerds, Wonks, and Neocons delves into subcultures of intellectual history to explore their influence on contemporary American intellectual life. Not limiting themselves to describing how individuals are depicted, the authors consider the intellectual endeavors these depictions have come to represent, exploring many models and practices of learnedness, reflection, knowledge production, and opinion in the contemporary world. As teachers, researchers, and university scholars continue to struggle for mainstream visibility, this book illuminates the other forms of intellectual excitement that have emerged alongside them and found ways to survive and even thrive in the face of dismissal or contempt.
The Year's Work in Showgirls Studies (The Year's Work: Studies in Fan Culture and Cultural Theory)
by Anna Breckon Kara Keeling Adrian Martin Kieryn McKay Jane Chi Park Zahra Stardust Billy Stevenson Shawna TangThe Year's Work in Showgirls Studies is a fan culture volume that deconstructs how and why Showgirls, a 1995 drama with a female lead bent on becoming a famous performer in Las Vegas, became a much-contested cult film despite being a critical failure when it released. The collection orchestrates a conversation between scholarly essay work and archival documentation offering a magnificent representation of the array of responses generated by the film, its makers, its promoters, and its audience. A multifaceted approach to the film, its popularity, and its social relevance results in a new text for understanding normative social hierarchies of sexuality, race, and gender. The Year's Work in Showgirls Studies engages with the figurative and actual place of sex work and feminized affective labor in our society.
The Year's Work in the Oddball Archive (The Year's Work: Studies in Fan Culture and Cultural Theory)
by Jonathan P. Eburne Judith RoofThe modern age is no stranger to the cabinet of curiosities, the freak show, or a drawer full of odds and ends. These collections of oddities engagingly work against the rationality and order of the conventional archive found in a university, a corporation, or a governmental holding. In form, methodology, and content, The Year's Work in the Oddball Archive offers a counterargument to a more reasoned form of storing and recording the avant-garde (or the post-avant-garde), the perverse, the off, the bent, the absurd, the quirky, the weird, and the queer. To do so, it positions itself within the history of mirabilia launched by curiosity cabinets starting in the mid-fifteenth century and continuing to the present day. These archives (or are they counter-archives?) are located in unexpected places--the doorways of Katrina homes, the cavity of a cow, the remnants of extinct animals, an Internet site--and they offer up "alternate modes of knowing" to the traditional archive.
Yellowstone: Delicious Homestyle Recipes from Character and Real-Life Chef Gabriel "Gator" Guilbeau
by Gabriel "Gator" GuilbeauRecreate recipes with Yellowstone: The Official Dutton Ranch Family Cookbook, featuring delicious dishes from the hit series as prepared by real-life chef and character &“Gator.&”Whether it&’s a hearty breakfast of Rip&’s Fry Bread with Scrambled Eggs (his favorite dish handed down by his mother), a quick week-night dinner with Beth&’s Cheesy Hamburger Mac Casserole (no box needed), or a pick-me-up with Beth&’s Vodka Smoothie (&“two scoops of ice cream and three shots of vodka&”), Yellowstone: The Official Dutton Ranch Family Cookbook compiles over 55 recipes inspired by and featured in the critically acclaimed hit series. Gabriel &“Gator&” Guilbeau—a real-life chef and the set caterer for Yellowstone and fan-favorite character on the show—shares his hearty and delicious recipes from the Dutton Ranch. Learn Gator&’s secrets to making a perfectly barbecued pulled pork (a Bunkhouse staple), an enviable gumbo (a cast favorite), and flawless homestyle biscuits. Whether you're hosting a Yellowstone viewing party or serving up a comforting homestyle meal, wrangle up your ingredients and bring the exciting world of Yellowstone into your kitchen. 55 + RECIPES BY REAL-LIFE CHEF AND CHARACTER "GATOR": Includes more than 55 simple and delicious recipes by real-life chef and beloved character &“Gator&” of the hit series Yellowstone, compiled into one faux leather-bound edition. GEARED FOR ALL OCCASIONS AND SKILLS: Easy-to-follow recipes and everyday ingredients make Yellowstone: The Official Dutton Ranch Family Cookbook perfect for any occasion and skill level—whether a themed dinner party, viewing party, or weeknight meal. FULL-COLOR IMAGES THROUGHOUT: Beautiful, full-color photographs of the cast and Montana landscape complement the recipes, making it the perfect gift for every Yellowstone fan
Yes, I Can Say That: When They Come for the Comedians, We Are All in Trouble
by Judy Gold"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy SchumerFrom award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art.From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy.In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as:Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?"Judy Gold: "Coincidently, right after I met you!" (micro-assault!)In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.
Yes? No! Maybe…: Seductive Ambiguity in Dance
by Emilyn ClaidCovering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Yes Please
by Amy Poehler<P>In a perfect world . . .We'd get to hang out with Amy Poehler, watching dumb movies, listening to music, and swapping tales about our coworkers and difficult childhoods. Because in a perfect world, we'd all be friends with Amy--someone who seems so fun, is full of interesting stories, tells great jokes, and offers plenty of advice and wisdom (the useful kind, not the annoying kind you didn't ask for, anyway). <P>Unfortunately, between her Golden Globe-winning role on Parks and Recreation, work as a producer and director, place as one of the most beloved SNL alumni and cofounder of the Upright Citizens' Brigade, involvement with the website Smart Girls at the Party, frequent turns as acting double for Meryl Streep, and her other gig as the mom of two young sons, she's not available for movie night.Luckily we have the next best thing: Yes Please, Amy's hilarious and candid book. <P>A collection of stories, thoughts, ideas, lists, and haikus from the mind of one of our most beloved entertainers, Yes Please offers Amy's thoughts on everything from her "too safe" childhood outside of Boston to her early days in New York City, her ideas about Hollywood and "the biz," the demon that looks back at all of us in the mirror, and her joy at being told she has a "face for wigs." Yes Please is chock-full of words and wisdom to live by. <P><b>A New York Times Bestseller</b>
Yes, You're Pregnant, But What About Me?
by Kevin NealonAt fifty-three, Kevin Nealon thought he had it all: a massive international celebrity with legions of loyal fans; a fabulous modeling career; hundreds of millions of dollars in the bank; and the most recognizable face on the planet. Nealon had accomplished the impossible: a thirty-year career in show business with only limited trips to rehab. But just like every other celebrity, he felt that was not enough. The perpetually insatiable Nealon wanted more, and for him "more" meant a little addition that drooled, burped, and pooped (no, not a Pomeranian).Now, in his first-ever book, Nealon tells the outrageous story of how he battled through aching joints, Milano cookie cravings, and a rapidly receding hairline to become a first-time dad at an age when most fathers are packing their kids off to college. Offering hysterical commentary about his fickle, often hormonal, road to belated and bloated fatherhood, Nealon guides you through the delivery room and beyond, discussing how his past, his wife, and his neuroses all converged in a montage of side-splitting insecurities during the months leading up to the birth of his son.In Yes, You're Pregnant, But What About Me?, Nealon details his trip through all the emotional stages of pregnancy—uncomfortable, denial, hungry, sleepy, self-conscious, hungrier, confused, cranky, not-quite-as-hungry but still craving something, sweaty, covered in cookie crumbs—all while struggling to keep his blood pressure down and find the time to read the latest issue of the AARP Bulletin. Wrestling with the dilemmas and fears that fathers have been dealing with for centuries (Can I duct-tape a crib together? How often can I reuse a disposable diaper? What if the baby looks like me and not my wife?), Nealon never fails to entertain with the frequent lunacy and inevitable joy that punctuate his story about parenthood.Laugh-out-loud funny and remarkably poignant, Nealon's entertaining perspective and his wealth of sarcasm provide a take on fatherhood that is as fresh as it is universal, always reminding you that half the fun of being a parent is getting there.
Yesterday, Today and Forever
by Maria Von TrappTrue stories of Maria Von Trapp's family and her life.
Yesterday, Today, Tomorrow: My Life
by Sophia LorenIn her first memoir, the Academy Award–winning actress Sophia Loren tells her incredible life story from the struggles of her childhood in war-torn Naples to her life as a screen legend, icon of elegance, and devoted mother.In her acting career spanning more than six decades, Sophia Loren became known for her striking beauty and dramatic roles with famed costars Cary Grant, Frank Sinatra, Marlon Brando, Gregory Peck, Jack Lemmon, and Paul Newman. The luminous Italian movie star was the first artist to win an Oscar for a foreign language performance, after which she continued a vibrant and varied career that took her from Hollywood to Paris to Italy—and back to Hollywood. In Yesterday, Today, and Tomorrow, Loren shares vivid memories of work, love, and family with winning candor.Born in 1934 and growing up in World War II Italy, Loren’s life of glamour and success was preceded by years of poverty and hardship, when she lived in her grandparents’ house with her single mother and sister, and endured near starvation. She shares how she blossomed from a toothpick-thin girl into a beautiful woman seemingly overnight, getting her start by winning a beauty pageant; and how her first Hollywood film, The Pride and the Passion, ignited a high-profile romance with Cary Grant, who would vie with her mentor, friend, frequent producer, and lover Carlo Ponti to become her husband. Loren also reveals her long-held desire to become a mother, the disappointments she suffered, the ultimate joy of having two sons, and her happiness as a mother and grandmother.From trying times to triumphant ones, this scintillating autobiography paints a multi-dimensional portrait of the woman behind the celebrity, beginning each chapter with a letter, photograph, or object that prompts her memories. In Loren’s own words, this is a collection of “unpublished memories, curious anecdotes, tiny secrets told, all of which spring from a box found by chance, a precious treasure trove filled with emotions, experiences, adventures.” Her wise and candid voice speaks from the pages with riveting detail and sharp humor. Yesterday, Today, and Tomorrow is as elegant, entrancing, and memorable as Sophia Loren herself.
Yevgeny Vakhtangov: A Critical Portrait
by Andrei Malaev-BabelYevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language monograph to consider Vakhtangov’s life and work as actor and director, teacher and theoretician. Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait: considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men; reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established; examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot. Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Yiddish Cinema: The Drama of Troubled Communication (SUNY series, Horizons of Cinema)
by Jonah Corne Monika VrečarIn this book, Jonah Corne and Monika Vrečar offer a conceptually innovative reexamination of Yiddish cinema, a crucial yet little-known diasporic phenomenon that enjoyed its "golden age" in the mid- to late 1930s. Yiddish cinema, they argue, exhibits a distinctive fascination with media forms, technologies, and institutions, and with relationality writ large. What stands behind this communication obsession, as it might be understood, is the films' engagement both with Judaic ideals and with a series of Jewish sociohistorical predicaments of troubled communication (immigration, displacement, the breakdown of tradition, and so on) that the films seek to reflect. Accordingly, the authors create a resonant conversation between Yiddish cinema, populated by an endless procession of disconnected characters ardently striving to rejoin the world of communication, and the brilliant yet underappreciated ideas of pioneering Czech-Jewish media theorist Vilém Flusser (1920–1991), who escaped Nazi persecution and built the first part of his intellectual career in Brazil. Indeed, the authors claim that the popular art of Yiddish cinema articulates in dramatic terms a version of the central Flusserian hypothesis that "the structure of communication is the infrastructure of human reality" and, by doing so, embodies a remarkable Jewish media theory "from below." Films discussed include The Wandering Jew (1933), The Dybbuk (1937), Where is My Child? (1937), A Little Letter to Mother (1938), Kol Nidre (1939), Motel the Operator (1939), Tevye (1939), The Living Orphan (1939), and Long Is the Road (1948).
Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy
by Debra CaplanYiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
Yip Harburg: Legendary Lyricist and Human Rights Activist (Music/Interview)
by Harriet Hyman AlonsoKnown as "Broadway's social conscience," E. Y. Harburg (1896-1981) wrote the lyrics to the standards, "Brother, Can You Spare a Dime?," "April in Paris," and "It's Only a Paper Moon," as well as all of the songs in The Wizard of Oz, including "Over the Rainbow." Harburg always included a strong social and political component to his work, fighting racism, poverty, and war. Interweaving close to fifty interviews (most of them previously unpublished), over forty lyrics, and a number of Harburg's poems, Harriet Hyman Alonso enables Harburg to talk about his life and work. He tells of his early childhood on the Lower East Side of Manhattan, his public school education, how the Great Depression opened the way to writing lyrics, and his work on Broadway and Hollywood, including his blacklisting during the McCarthy era. Finally, but most importantly, Harburg shares his commitment to human rights and the ways it affected his writing and his career path. Includes an appendix with Harburg's key musicals, songs, and films.
"Yippee Ki-Yay Moviegoer"
by VernWith the hilarious “instant cult classic”Seagalogy: A Study of the Ass-Kicking Films of Steven Seagal, Vern wrote a book that shook the very foundations of film criticism, broke their wrists, and then threw them through a window. Now he’s back, and this time he’s got all of ‘the films of badass cinema’ in his sights. . . FromDie HardtoThe Discrete Charmof the Bourgeoisie,TransformerstoMary Poppins, Vern has an opinion on everything, and he’s not shy about sharing them. . .
Yo vengo a ofrecer mi corazón: Memorias
by Susana BacaUna viene a este mundo con un acumulado de sueños. Una quiere ser todo: héroe, villana, poderosa, única, sobresaliente, pero, finalmente, la mejor versión de una misma es la que vive y perdura con los pies en su raíz… Susana Baca Yo vengo a ofrecer mi corazón es un recorrido por la vida y obra de Susana Baca contada por su propia protagonista. Se trata de las memorias iniciales de los primeros cincuenta años de una artista que ha llevado su voz -y a través de ella, la cultura peruana- a países y escenarios donde nunca había sonado un cajón o un landó. Tejido con mucho esmero, en este libro la cantante nos relata las barreras que tuvo que superar desde pequeña: por ser mujer, por ser pobre, por ser afroperuana, pero también los sueños que fue cumpliendo gracias al talento construido sobre la base de su personalidad infatigable. Es la historia de la pasión por cantar que se convierte ahora en pasión por contar. Memorias en las que el coraje, la vitalidad, la ternura y la rebeldía se funden en la misma voz que esta vez -como en cada canción- viene a ofrecernos su corazón.
Yogi: It Ain't Over ...
by Yogi Berra Tom HortonToday, Yogi Berra is known for what he said. During his Hall of Fame career, he was also known for what he did--which was to play stellar baseball. Here, the three-time MVP tells readers all about himself and his roller-coaster times in major league baseball.
Yogscast: The Diggy Diggy Book
by The YogscastYogscast is a wildly popular YouTube channel--with more than 4 BILLION views--that is made up of 20+ gamers who create hilarious videos, animations, and songs based on their favorite games.Drop your axe. Lower your sword. And open the ultimate, must-have book for gamers of all ages! The Diggy Diggy Book includes the best (and worst) jokes from the massively successful YouTube creators. Meet the Yogscast, see exclusive look inside YogTowers, become a JaffaQuest cadet, read the tourists guide to Datlof and more, so much more that we don't want to give away. (Yet!) If you've ever watched a Minecraft YouTube video, chances are you know who The Yogscast is. This is THE book for you.
Yokohama Threeway
by Beth LisickPeering into life's cringe-worthy moments, best-selling author Beth Lisick excavates territory that most would rather ignore. Funny, odd, deeply personal, yet somehow universal, these are the kind of memories that haunt us all, the small awful moments of shame and humiliation that we'd rather forget than relive.Beth Lisick has made a career of opening her life to her readers in all of its messy, smart hilarity, but this type of story doesn't usually find its way into a memoir. With her trademark humor and sly intelligence, writing in short flashes the way these episodes tend to pop up in memory, Lisick recounts her most embarrassing moments with gusto. From a trick she played on a neighbor thirty years ago to what she accidentally blurted out at last night's dinner party, she explores the bad judgments and free-floating regrets that keep her up at night, and the result is a daring, candid, and wickedly funny collection of embarrassment embraced, the triumph of humor and perspective over everyday mortification.Writer, performer, and independent film actress Beth Lisick is the author of the New York Times best-selling comic memoir Everybody Into the Pool and the gonzo self-help manifesto Helping Me Help Myself.
You Ain't Got No Easter Clothes
by Laura LoveLaura Love has always had a knack for getting her audiences to listen. Now, for the first time, she has channeled her artistic talents into prose. The story is hers, and this coming-of-age memoir is an enthralling account of resilience and resolve. Laura grew up in Nebraska, where she survived a childhood that was miserable under the best of circumstances and nearly unbearable under the worst. Shuffled among a mentally unstable mother unable to cope with daily life, foster homes, and orphanages, Laura survived, thanks ultimately to her own personal resources and the love and support she received from her sister, from neighbors, and from a few teachers along the way. Those were the best of times. At other times, Laura and her sister lived in dreadfully sordid conditions, struggling to make sense of the emotional turbulence, mental illness, and poverty that shaped life at home--and the racism and racial politics that affected life on the sidewalks and streets, playgrounds and classrooms of Omaha and Lincoln. Despite the odds, the two sisters managed to get by, and in smaller moments, even triumph. As they entered their high school years, they began to assert their independence by creating their own sources of support and income, so as not to be dependent on a mother incapable of caring for them. It was at this time, too, that Laura discovered a secret that her mother had kept from her since birth. Wrenching, shocking, but ultimately hopeful, You Ain't Got No Easter Clothes brings readers a story of growth under the most detrimental of circumstances. Here is a young girl's attempt to make sense of her life and her place in it, and a powerful emotional experience wrought in searing, unadulterated prose.--From the bookjacket
"You Ain't Heard Nothin' Yet": The American Talking Film, History and Memory, 1927-1949 1st Edition
by Andrew SarrisAndrew Sarris has long been one of America's most celebrated writers on film, author of the pioneering work "The American Cinema," and for decades a highly regarded critic. Now comes Sarris's definitive statement on film, in a masterwork that has taken twenty-five years to complete. Here is a sweeping--and highly personal--history of American film, from the birth of the talkies (beginning with "The Jazz Singer "and Al Jolson's memorable line "You ain't heard nothin' yet") to the decline of the studio system. By far the largest section of the book celebrates the great American film directors, with the work of giants such as John Ford, Alfred Hitchcock, Charlie Chaplin, Orson Welles, and Howard Hawks examined film by film. Sarris also offers glowing portraits of major stars, from Garbo and Bogart to Ingrid Bergman, Margaret Sullavan, Spencer Tracy, Katharine Hepburn, Clark Gable, and Carole Lombard. There is a tour of the studios--Metro, Paramount, RKO, Warner Brothers, 20th Century-Fox, Universal--revealing how each left its own particular stamp on film. And in perhaps the most interesting and original section, we are treated to an informative look at film genres--the musical, the screwball comedy, the horror picture, the gangster film, and the western. A lifetime of watching and thinking about cinema has gone into this book. It is the history that film buffs have been waiting for.
You Are The Best Thing Since Sliced Bread
by Samantha Renke'A powerful book on how to live boldly and love your fabulous self' Fearne CottonWe are made to think that what makes us human - our flaws, failures, and heartaches - are things to keep hush-hush. Being unapologetically imperfect is seen as something we should be embarrassed by. But what I've learned is that we all experience the same insecurities. We just aren't talking about it. Well, I'm here to break the silence.For starters, I have way too many nipple hairs. I prefer the company of my pets to other people. And repeatedly I question Am I normal? I was born with brittle bone condition and so far, I've broken my bones 200 times. But most of the hurdles I face don't come from my disability, they come from things we all experience.In this book, I will share the lessons I have learned and why you should embrace your uniqueness as what makes you fabulous. We spend a lot of time living by others' expectations and it's only when you stop, that you start saying yes to life. Irrespective of who you are and the obstacles you might face, you can do whatever you want. Be free and unapologetically you.
You Are Not Alone
by Jermaine JacksonJermaine Jackson--older than Michael by four years--offers a keenly observed memoir tracing his brother's life starting from their shared childhood and extending through the Jackson 5 years, Michael's phenomenal solo career, his loves, his suffering, and his tragic end. It is a sophisticated, no-holds-barred examination of the man, aimed at fostering a true and final understanding of who he was, why he was, and what shaped him. Jermaine knows the real Michael as only a brother can. In this raw, honest, and poignant account, he reveals Michael the private person, not Michael "the King of Pop." Jermaine doesn't flinch from tackling the tough issues: the torrid press, the scandals, the allegations, the court cases, the internal politics, the ill-fated This Is It tour, and disturbing developments in the days leading up to Michael's death. But where previous works have presented only thin versions of a media construct, he provides a rare glimpse into the complex heart, mind, and soul of a brilliant but sometimes troubled entertainer. As a witness to history on the inside, Jermaine is the only person qualified to deliver the real Michael and reveal what made him tick, his private opinions, and unseen emotions through the most headline-making episodes of his life. Filled with keen insight, rich in anecdotes and behind-the-scenes detail, You Are Not Alone is the book for any true Michael Jackson fan and for anyone trying to make sense of the artist whose death was so premature.