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Kierkegaard's Writings, VI, Volume 6: Fear and Trembling/Repetition (Kierkegaard's Writings #20)
by Søren KierkegaardPresented here in a new translation, with a historical introduction by the translators, Fear and Trembling and Repetition are the most poetic and personal of Søren Kierkegaard's pseudonymous writings. Published in 1843 and written under the names Johannes de Silentio and Constantine Constantius, respectively, the books demonstrate Kierkegaard's transmutation of the personal into the lyrically religious. Each work uses as a point of departure Kierkegaard's breaking of his engagement to Regine Olsen--his sacrifice of "that single individual." From this beginning Fear and Trembling becomes an exploration of the faith that transcends the ethical, as in Abraham's willingness to sacrifice his son Isaac at God's command. This faith, which persists in the face of the absurd, is rewarded finally by the return of all that the faithful one is willing to sacrifice. Repetition discusses the most profound implications of unity of personhood and of identity within change, beginning with the ironic story of a young poet who cannot fulfill the ethical claims of his engagement because of the possible consequences of his marriage. The poet finally despairs of repetition (renewal) in the ethical sphere, as does his advisor and friend Constantius in the aesthetic sphere. The book ends with Constantius' intimation of a third kind of repetition--in the religious sphere.
Kierkegaard's Writings, VII, Volume 7: Philosophical Fragments, or a Fragment of Philosophy/Johannes Climacus, or De omnibus dubitandum est. (Two books in one volume) (Kierkegaard's Writings #22)
by Søren KierkegaardThis volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings. The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by "means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life. . . . Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so. . . . Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy." A note by Kierkegaard suggests how he might have finished the work: "Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!."
Kierkegaard's Writings, VIII, Volume 8: Concept of Anxiety: A Simple Psychologically Orienting Deliberation on the Dogmatic Issue of Hereditary Sin (Kierkegaard's Writings #18)
by Søren KierkegaardThis edition replaces the earlier translation by Walter Lowrie that appeared under the title The Concept of Dread. Along with The Sickness unto Death, the work reflects from a psychological point of view Søren Kierkegaard's longstanding concern with the Socratic maxim, "Know yourself." His ontological view of the self as a synthesis of body, soul, and spirit has influenced philosophers such as Heidegger and Sartre, theologians such as Jaspers and Tillich, and psychologists such as Rollo May. In The Concept of Anxiety, Kierkegaard describes the nature and forms of anxiety, placing the domain of anxiety within the mental-emotional states of human existence that precede the qualitative leap of faith to the spiritual state of Christianity. It is through anxiety that the self becomes aware of its dialectical relation between the finite and the infinite, the temporal and the eternal.
Kierkegaard's Writings, X: Three Discourses on Imagined Occasions
by Edna H. Hong Howard V. Hong Søren KierkegaardThree Discourses on Imagined Occasions was the last of seven works signed by Kierkegaard and published simultaneously with an anonymously authored companion piece. Imagined Occasions both complements and stands in contrast to Kierkegaard's pseudonymously published Stages on Life's Way. The two volumes not only have a chronological relation but treat some of the same distinct themes. The first of the three discourses, "On the Occasion of a Confession," centers on stillness, wonder, and one's search for God--in contrast to the speechmaking on erotic love in "In Vino Veritas," part one of Stages. The second discourse, "On the Occasion of a Wedding," complements the second part of Stages, in which Judge William delivers a panegyric on marriage. The third discourse, "At a Graveside," sharpens the ethical and religious earnestness implicit in Stages's "'Guilty'/'Not Guilty'" and completes this collection.
Kierkegaard's Writings, X
by Søren Kierkegaard Edna H. Hong Howard V. HongThree Discourses on Imagined Occasions was the last of seven works signed by Kierkegaard and published simultaneously with an anonymously authored companion piece. Imagined Occasions both complements and stands in contrast to Kierkegaard's pseudonymously published Stages on Life's Way. The two volumes not only have a chronological relation but treat some of the same distinct themes. The first of the three discourses, "On the Occasion of a Confession," centers on stillness, wonder, and one's search for God--in contrast to the speechmaking on erotic love in "In Vino Veritas," part one of Stages. The second discourse, "On the Occasion of a Wedding," complements the second part of Stages, in which Judge William delivers a panegyric on marriage. The third discourse, "At a Graveside," sharpens the ethical and religious earnestness implicit in Stages's "'Guilty'/'Not Guilty'" and completes this collection.
Kierkegaard's Writings, XI, Volume 11: Stages on Life's Way (Kierkegaard's Writings #27)
by Søren KierkegaardStages on Life's Way, the sequel to Either/Or, is an intensely poetic example of Kierkegaard's vision of the three stages, or spheres, of existence: the esthetic, the ethical, and the religious. With characteristic love for mystification, he presents the work as a bundle of documents fallen by chance into the hands of "Hilarius Bookbinder," who prepared them for printing. The book begins with a banquet scene patterned on Plato's Symposium. (George Brandes maintained that "one must recognize with amazement that it holds its own in this comparison.") Next is a discourse by "Judge William" in praise of marriage "in answer to objections." The remainder of the volume, almost two-thirds of the whole, is the diary of a young man, discovered by "Frater Taciturnus," who was deeply in love but felt compelled to break his engagement. The work closes with a letter to the reader from Taciturnus on the three "existence-spheres" represented by the three parts of the book. Stages on Life's Way not only repeats themes, characters, and pseudonymous authors of the earlier works but also goes beyond them and points to further development of central ideas in Concluding Unscientific Postscript. ?
Kierkegaard's Writings, XII, Volume I: Concluding Unscientific Postscript to Philosophical Fragments
by Søren Kierkegaard Howard V. Hong Edna H. HongIn Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is away from speculative thought. Kierkegaard intended Postscript to be his concluding work as an author. The subsequent "second authorship" after The Corsair Affair made Postscript the turning point in the entire authorship. Part One of the text volume examines the truth of Christianity as an objective issue, Part Two the subjective issue of what is involved for the individual in becoming a Christian, and the volume ends with an addendum in which Kierkegaard acknowledges and explains his relation to the pseudonymous authors and their writings. The second volume contains the scholarly apparatus, including a key to references and selected entries from Kierkegaard's journals and papers.
Kierkegaard's Writings, XII, Volume II: Concluding Unscientific Postscript to Philosophical Fragments (Kierkegaard's Writings #39)
by Søren KierkegaardIn Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is away from speculative thought. Kierkegaard intended Postscript to be his concluding work as an author. The subsequent "second authorship" after The Corsair Affair made Postscript the turning point in the entire authorship. Part One of the text volume examines the truth of Christianity as an objective issue, Part Two the subjective issue of what is involved for the individual in becoming a Christian, and the volume ends with an addendum in which Kierkegaard acknowledges and explains his relation to the pseudonymous authors and their writings. The second volume contains the scholarly apparatus, including a key to references and selected entries from Kierkegaard's journals and papers.
Kierkegaard's Writings, XIII: The "Corsair Affair" and Articles Related to the Writings
by Edna H. Hong Howard V. Hong Søren KierkegaardThe Corsair affair has been called the "most renowned controversy in Danish literary history." At the center is Søren Kierkegaard, whose pseudonymous Stages on Life's Way occasioned a frivolous and dishonorable review by Peder Ludvig Møller. Møller was associated with The Corsair, a publication notorious for gossip and caricature. The editor was Meïr Goldschmidt, an acquaintance of Kierkegaard's and an admirer of his early work. Kierkegaard struck back at not only Møller and Goldschmidt but at the paper as a whole. The present volume contains all of the documents relevant to this dispute, plus a historical introduction that recapitulates the sequence of events surrounding the controversy. Parts I (Article) and II (Addenda) contain articles both signed by and attributed to Kierkegaard in response to the affair. A supplement includes writings pertaining to the Corsair affair by Goldschmidt and Møller, as well as unpublished pieces by Kierkegaard from his journals and papers. Although the immediate occasion was literary, for Kierkegaard the issues as well as the consequences were ethical, social, philosophical, and religious. Howard Hong argues that the most important consequence was wholly unexpected and unintended: the second phase of Kierkegaard's authorship.
Kierkegaard's Writings, XIV: "The Age of Revolution" and the "Present Age" A Literary Review
by Edna H. Hong Howard V. Hong Søren KierkegaardAfter deciding to terminate his authorship with the pseudonymous Concluding Unscientific Postscript, Kierkegaard composed reviews as a means of writing without being an author. Two Ages, here presented in a definitive English text, is simultaneously a review and a book in its own right. In it, Kierkegaard comments on the anonymously published Danish novel Two Ages, which contrasts the mentality of the age of the French Revolution with that of the subsequent epoch of rationalism. Kierkegaard commends the author's shrewdness, and his critique builds on the novel's view of the two generations. With keen prophetic insight, Kierkegaard foresees the birth of an impersonal cultural wasteland, in which the individual will either be depersonalized or obliged to find an existence rooted in "equality before God and equality with all men." This edition, like all in the series, contains substantial supplementary material, including a historical introduction, entries from Kierkegaard's journals and papers, and the preface and conclusion of the original novel.
Kierkegaard's Writings, XIV
by Søren Kierkegaard Edna H. Hong Howard V. HongAfter deciding to terminate his authorship with the pseudonymous Concluding Unscientific Postscript, Kierkegaard composed reviews as a means of writing without being an author. Two Ages, here presented in a definitive English text, is simultaneously a review and a book in its own right. In it, Kierkegaard comments on the anonymously published Danish novel Two Ages, which contrasts the mentality of the age of the French Revolution with that of the subsequent epoch of rationalism. Kierkegaard commends the author's shrewdness, and his critique builds on the novel's view of the two generations. With keen prophetic insight, Kierkegaard foresees the birth of an impersonal cultural wasteland, in which the individual will either be depersonalized or obliged to find an existence rooted in "equality before God and equality with all men." This edition, like all in the series, contains substantial supplementary material, including a historical introduction, entries from Kierkegaard's journals and papers, and the preface and conclusion of the original novel.
Kierkegaard's Writings, XIX, Volume 19: Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening (Kierkegaard's Writings #19)
by Søren KierkegaardA companion piece to The Concept of Anxiety, this work continues Søren Kierkegaard's radical and comprehensive analysis of human nature in a spectrum of possibilities of existence. Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher. In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where--in contact with the eternal--anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis--the infinite and the finite--do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.
Kierkegaard's Writings, XVI, Volume 16: Works of Love (Kierkegaard's Writings #47)
by Søren KierkegaardThe various kinds and conditions of love are a common theme for Kierkegaard, beginning with his early Either/Or, through "The Diary of the Seducer" and Judge William's eulogy on married love, to his last work, on the changelessness of God's love. Works of Love, the midpoint in the series, is also the monumental high point, because of its penetrating, illuminating analysis of the forms and sources of love. Love as feeling and mood is distinguished from works of love, love of the lovable from love of the unlovely, preferential love from love as the royal law, love as mutual egotism from triangular love, and erotic love from self-giving love. This work is marked by Kierkegaard's Socratic awareness of the reader, both as the center of awakened understanding and as the initiator of action. Written to be read aloud, the book conveys a keenness of thought and an insightful, poetic imagination that make such an attentive approach richly rewarding. Works of Love not only serves as an excellent place to begin exploring the writings of Kierkegaard, but also rewards many rereadings.
Kierkegaard's Writings, XVII: The Crisis and a Crisis in the Life of an Actress.
by Edna H. Hong Howard V. Hong Søren KierkegaardFirst published in 1848, Christian Discourses is a quartet of pieces written and arranged in contrasting styles. Parts One and Three, "The Cares of the Pagans" and "Thoughts That Wound from Behind--for Upbuilding," serve as a polemical overture to Kierkegaard's collision with the established order of Christendom. Yet Parts Two and Four, "Joyful Notes in the Strife of Suffering" and "Discourses at the Communion on Fridays," are reassuring affirmations of the joy and blessedness of Christian life in a world of adversity and suffering. Written in ordinary language, the work combines simplicity and inwardness with reflection and presents crucial Christian concepts and presuppositions with unusual clarity. Kierkegaard continued in the pattern that he began with his first pseudonymous esthetic work, Either/Or, by pairing Christian Discourses with The Crisis, an unsigned esthetic essay on contemporary Danish actress Joanne Luise Heiberg.
Kierkegaard's Writings, XVIII: Without Authority
by Edna H. Hong Howard V. Hong Søren Kierkegaard"Without authority," a phrase Kierkegaard repeatedly applied to himself and his writings, is an appropriate title for this volume of five short works that in various ways deal with the concept and practice of authority. The Lily in the Field and the Bird of the Air contemplates the teaching authority of these creatures based on three different passages in the Gospels. The first of Two Ethical-Religious Essays mediates on the ethics of Jesus' martyrdom; the second contrasts the authority of the genius with that of the apostle. The remaining works--Three Discourses at the Communion on Fridays (1849), An Upbuilding Discourse (1850), and Two Discourses at the Communion on Fridays (1851)--are meditations on sin, forgiveness, and the power of love.
Kierkegaard's Writings, XX: Practice in Christianity
by Søren Kierkegaard Howard V. Hong Edna H. HongOf the many works he wrote during 1848, his "richest and most fruitful year," Kierkegaard specified Practice in Christianity as "the most perfect and truest thing." In his reflections on such topics as Christ's invitation to the burdened, the imitatio Christi, the possibility of offense, and the exalted Christ, he takes as his theme the requirement of Christian ideality in the context of divine grace. Addressing clergy and laity alike, Kierkegaard asserts the need for institutional and personal admission of the accommodation of Christianity to the culture and to the individual misuse of grace. As a corrective defense, the book is an attempt to find, ideally, a basis for the established order, which would involve the order's ability to acknowledge the Christian requirement, confess its own distance from it, and resort to grace for support in its continued existence. At the same time the book can be read as the beginning of Kierkegaard's attack on Christendom. Because of the high ideality of the contents and in order to prevent the misunderstanding that he himself represented that ideality, Kierkegaard writes under a new pseudonym, Anti-Climacus.
Kierkegaard's Writings, XXI: For Self-Examination / Judge For Yourself!
by Søren Kierkegaard Howard V. Hong Edna H. HongFor Self-Examination and its companion piece Judge for Yourself! are the culmination of Søren Kierkegaard's "second authorship," which followed his Concluding Unscientific Postscript. Among the simplest and most readily comprehended of Kierkegaard's books, the two works are part of the signed direct communications, as distinguished from his earlier pseudonymous writings. The lucidity and pithiness, and the earnestness and power, of For Self-Examination and Judge for Yourself! are enhanced when, as Kierkegaard requested, they are read aloud. They contain the well-known passages on Socrates' defense speech, how to read, the lover's letter, the royal coachman and the carriage team, and the painter's relation to his painting. The aim of awakening and inward deepening is signaled by the opening section on Socrates in For Self-Examination and is pursued in the context of the relations of Christian ideality, grace, and response. The secondary aim, a critique of the established order, links the works to the final polemical writings that appear later after a four-year period of silence.
Kierkegaard's Writings, XXII: The Point of View
by Edna H. Hong Howard V. Hong Søren KierkegaardAs a spiritual autobiography, Kierkegaard's The Point of View for My Work as an Author stands among such great works as Augustine's Confessions and Newman's Apologia pro Vita Sua. Yet Point of View is neither a confession nor a defense; it is an author's story of a lifetime of writing, his understanding of the maze of greatly varied works that make up his oeuvre. Upon the imminent publication of the second edition of Either/Or, Kierkegaard again intended to cease writing. Now was the time for a direct "report to history" on the authorship as a whole. In addition to Point of View, which was published posthumously, the present volume also contains On My Work as an Author, a contemporary substitute, and the companion piece Armed Neutrality.
Kierkegaard's Writings, XXII
by Søren Kierkegaard Edna H. Hong Howard V. HongAs a spiritual autobiography, Kierkegaard's The Point of View for My Work as an Author stands among such great works as Augustine's Confessions and Newman's Apologia pro Vita Sua. Yet Point of View is neither a confession nor a defense; it is an author's story of a lifetime of writing, his understanding of the maze of greatly varied works that make up his oeuvre. Upon the imminent publication of the second edition of Either/Or, Kierkegaard again intended to cease writing. Now was the time for a direct "report to history" on the authorship as a whole. In addition to Point of View, which was published posthumously, the present volume also contains On My Work as an Author, a contemporary substitute, and the companion piece Armed Neutrality.
Kierkegaard's Writings, XXIII
by Edna H. Hong Howard V. Hong Søren KierkegaardKierkegaard, a poet of ideals and practitioner of the indirect method, also had a direct and polemical side. He revealed this in several writings throughout his career, culminating in The Moment, his attack against the established ecclesiastical order. Kierkegaard was moved to criticize the church by his differences with Bishop Mynster, Primate of the Church of Denmark. Although Mynster saw in Kierkegaard a complement to himself and his outlook, Kierkegaard challenged Mynster to acknowledge the emptying and estheticizing of Christianity that had occurred in modern Christendom. For three years Kierkegaard was silent, waiting. When Mynster died, he was memorialized as "an authentic truth-witness" in the "holy chain of truth-witnesses that stretches through the ages from the days of the apostles." This struck Kierkegaard as blasphemous and inspired him to write a series of articles in Fædrelandet, which he followed with ten numbers of the pamphlet The Moment. This volume includes the articles from Fædrelandet, all numbers of The Moment, and several other late pieces of Kierkegaard's writing.
Kierkegaard's Writings, XXV
by Henrik Rosenmeier Søren KierkegaardThis volume provides the first English translation of all the known correspondence to and from Søren Kierkegaard, including a number of his letters in draft form and papers pertaining to his life and death. These fascinating documents offer new access to the character and lifework of the gifted philosopher, theologian, and psychologist. Kierkegaard speaks often and openly about his desire to correspond, and the resulting desire to write for a greater audience. He consciously recognizes letter-writing as an opportunity to practice composition. Unlike most correspondence, Kierkegaard's letters expressly "do not require a reply"--he insists on this as a principle, while he clearly and earnestly yearns for a response to his efforts. Among his other principles are purposefulness, directness, and the equality of a letter to a visit with a friend (Kierkegaard preferred the former to the latter). Perhaps more than anything else in print, Kierkegaard's Letters and Documents reveal his love affair with the written word.
The Kiev Killings: A Novel
by G. K. GeorgeTwo Russian police detectives work hard to solve a daunting murder case in this historical thriller set during the Kiev pogrom of 1881.This is the sequel to To Kill a Tsar. Another thrilling adventure of eccentric Inspector Vasiliev, who this time takes the readers to Kiev, a city gripped in the horror of the 1881 pogroms against the Jews. “In this second, marvelous installment of their adventures, Alfred Rieber takes the remarkable Russian detective duo of Vasiliev and Serov to Kiev, a city gripped in the horror of the 1881 pogroms against the Jews. There they struggle to solve a murder that is shrouded in the fog of ethnic violence, government corruption, terrorist plots of revolutionaries, and the strivings of Polish and Ukrainian nationalists. In glorious, vibrant detail, Rieber brings to life the world of Kiev: from its distinctive neighborhoods to the outlying Jewish shtetls, from the fancy balls of the high officials to the sweaty taverns of smugglers, from the bucolic escapes of city parks to the bustling, hardscrabble world of Russia’s burgeoning industrialization and railway building. This is historical fiction at its best.” —Nicholas Breyfogle, Associate Professor of History, The Ohio State University“In The Kiev Killings, Alfred Rieber intermingles multiple subcultures, from ex-convicts embittered by Siberian exile to Jewish radicals avenging pogrom victims to officials eager only for gain and glory. The city of Kiev in 1881, populated by these types and many more, comes alive in this book with remarkable detail and density. Rieber’s skillful plotting keeps us in suspense as we follow Inspector Vasiliev following leads that take him to unexpected corners of a cultural crossroads tense with upheaval.” —Carol Avins, Associate Professor, Department of Germanic, Russian and East European Languages and Literatures, Rutgers University“The Kiev Killings, which deals with the “Pogrom Year” of 1881, is a great thriller, a real page turner written with zest and panache. Its many and diverse characters engage the readers’ interest because they are three-dimensional human beings, trying (some of them, at least) to do the right thing in impossible circumstances. Moreover, the novel is informed by the author’s profound knowledge of the historical context in which the events of 1881 take place—the failed policies of the declining imperial regime, the tragic position of the Jews (here recounted with great empathy and insight), and the conflicting claims of Russians, Jews, and Ukrainians to one of Russia’s greatest Imperial centers in a period of economic growth and bitter internal strife.” —Ezra Mendelsohn, Professor Emeritus at the Institute of Contemporary Jewry and in Russian and East European Studies, Hebrew University
Kiki Finds Her Voice: Be True to You and Embrace Your God-Given Gifts
by Kierra Sheard-KellyWhen the school talent show creates an issue between her and her friends, little Kiki learns what it means to follow your heart and be a leader. Based on a true story from the life of Grammy-nominated singer and actress Kierra Sheard-Kelly, this inspiring picture book helps kids discover how to best use their God-given gifts and what it means to be true to yourself even when it&’s not the popular thing to do.The school talent show is a big deal, and Kiki is thrilled when the popular girls ask her to perform with them. But when the song her new friends choose turns out to be one Kiki&’s parents don&’t want her singing, she must decide if it&’s more important to be popular and please her friends or speak up and do what she knows is right for her. Kiki Finds Her Voice helps children ages 4-8:Learn how to stand up to peer pressureEmbrace their differences and love what makes them uniqueBetter understand how their faith plays a part in their everyday lives In addition, Kiki Finds Her Voice is ideal for:birthday, back-to-school, Christmas, and holiday giftsbedtime and story time readingencouraging faith development, and building character and self-confidence
Kiki Kallira Breaks a Kingdom (Kiki Kallira #1)
by Sangu MandannaFor fans of the Aru Shah and Serpent's Secret series, this action-packed fantasy-adventure sees a girl's drawings of Indian mythology spring to vivid life--including the evil god who seeks to enter the real world and destroy it.Kiki Kallira has always been a worrier. Did she lock the front door? Is there a terrible reason her mom is late? Recently her anxiety has been getting out of control, but one thing that has always soothed her is drawing. Kiki's sketchbook is full of fanciful doodles of the rich Indian myths and legends her mother has told her over the years. One day, her sketchbook's calming effect is broken when her mythological characters begin springing to life right out of its pages. Kiki ends up falling into the mystical world she drew, which includes a lot of wonderful discoveries like the band of rebel kids who protect the kingdom, as well as not-so-great ones like the ancient deity bent on total destruction. As the one responsible for creating the evil god, Kiki must overcome her fear and anxiety to save both worlds--the real and the imagined--from his wrath. But how can a girl armed with only a pencil defeat something so powerful?
Kiki Kallira Breaks a Kingdom
by Sangu MandannaKiki Kallira is more of a worrier than a warrior - but today she will learn to be a hero. The mythical beasts she loves to draw have come to life, and she is the only one who can defeat them. A middle-grade fantasy inspired by Hindu legends about anxiety, creativity and finding your own strengths. For 8+ fans of Abi Elphistone and The Land of Roar.Kiki Kallira has always been a worrier. Did she lock the front door? Is there a terrible reason her mum is late? Recently her anxiety has been getting out of control, but one thing that has always soothed her is drawing. Kiki's sketchbook is full of fantastical doodles of the Hindu myths and legends her mother has told her since she was tiny. One day, her sketchbook's calming effect is broken when her mythological characters begin springing to life and Kiki is pulled into the mystical world she drew. There, she discovers the band of rebel kids who protect the kingdom, as well as an ancient, monstrous god bent on total destruction. Kiki must overcome her fear and anxiety to save both worlds - the real and the imagined - from his wrath. But how can a girl armed with only a pencil defeat something so powerful?'A fast-paced, vivid and exciting adventure story with real heart, I couldn't stop reading!' - Robin Stevens, author of the Murder Most Unladylike series