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Women Filmmakers: Refocusing
by Jacqueline Levitin Judith Plessis Valerie RaoulThis wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital
Women Filmmakers in Contemporary Hindi Cinema: Looking through their Gaze
by Aysha Iqbal ViswamohanThis book is a comprehensive anthology comprising essays on women film directors, producers and screenwriters from Bollywood, or the popular Hindi film industry. It derives from the major theories of modernity, postmodern feminism, semiotics, cultural production, and gender performativity in globalized times. The collection transcends the traditional approaches of looking at films made by women filmmakers as ‘feminist’ cinema, and focuses on an extraordinary group of women filmmakers like Ashwini Iyer Tiwari, Bhavani Iyer, Farah Khan, Mira Nair Vijaya Mehta, and Zoya Akthar. The volume will be of interest to academics and theorists of gender and Hindi cinema, as well as anybody interested in contemporary Hindi films in their various manifestations.
Women Filmmakers in Early Hollywood (Studies in Industry and Society)
by Karen Ward MaharWomen Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations.In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root.Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.
Women Filmmakers in Early Hollywood (Studies in Industry and Society)
by Karen Ward MaharA study of how and why women in early twentieth-century Hollywood went from having plenty of filmmaking opportunities to very few.Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar&’s study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate &“big business&” of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.&“With meticulous scholarship and fluid writing, Mahar tells the story of this golden era of female filmmaking . . . Women Filmmakers in Early Hollywood is not to be missed.&” —Samantha Barbas, Women&’s Review of Books&“Mahar views the business of making movies from the inside-out, focusing on questions about changing industrial models and work conventions. At her best, she shows how the industry&’s shifting business history impacted women&’s opportunities, recasting current understanding about the American film industry's development.&” —Hilary Hallett, Reviews in American History&“A scrupulously researched and argued analysis of how and why women made great professional and artistic gains in the U.S. film industry from 1906 to the mid-1920s and why they lost most of that ground until the late twentieth century.&” —Kathleen Feeley, Journal of American History&“Women Filmmakers in Early Hollywood offers convincing evidence of how economic forces shaped women&’s access to film production and presents a complex and engaging story of the women who took advantage of those opportunities.&” —Pennee Bender, Business History Review
Women Filmmakers in Mexico: The Country of Which We Dream
by Elissa J. RashkinWomen filmmakers in Mexico were rare until the 1980s and 1990s, when women began to direct feature films in unprecedented numbers. Their films have won acclaim at home and abroad, and the filmmakers have become key figures in contemporary Mexican cinema. In this book, Elissa Rashkin documents how and why women filmmakers have achieved these successes, as she explores how the women's movement, film studies programs, governmental film policy, and the transformation of the intellectual sector since the 1960s have all affected women's filmmaking in Mexico. <P><P> After a historical overview of Mexican women's filmmaking from the 1930s onward, Rashkin focuses on the work of five contemporary directors--Marisa Sistach, Busi Cortés, Guita Schyfter, María Novaro, and Dana Rotberg. Portraying the filmmakers as intellectuals participating in the public life of the nation, Rashkin examines how these directors have addressed questions of national identity through their films, replacing the patriarchal images and stereotypes of the classic Mexican cinema with feminist visions of a democratic and tolerant society.
Women From the Ankle Down
by Rachelle BergsteinWhat is it about a pair of shoes that so enchants women of all ages, demographics, political affiliations, and style tribes? Part social history, part fashion record, part pop-culture celebration, Women from the Ankle Down seeks to answer that question as it unfolds the story of shoes in the twentieth century. The tale begins in the rural village of Bonito, Italy, with a visionary young shoemaker named Salvatore Ferragamo and ends in New York City with a fictional socialite and trendsetter named Carrie Bradshaw. Along the way it stops in Hollywood, where Judy Garland first slipped on her ruby slippers; New Jersey, where Nancy Sinatra heard something special in a song about boots; and the streets of Manhattan, where a transit-worker strike propelled women to step into cutting-edge athletic shoes. Fashion aficionado Rachelle Bergstein shares the stories behind these historical moments, interweaving the design innovations and social changes that gave each one its lasting significance and appeal. Bergstein shows how the story of shoes is the story of women, told from the ankle down. Beginning with the well-heeled suffragettes in the 1910s, women have fought for greater freedom and mobility, a struggle that exploded in the 1960s with the women's liberation movement and culminated in the new millennium with our devotion to personal choice. Featuring interviews with designers, historians, and cultural experts, and a cast of real-life characters, from Marilyn Monroe to Jane Fonda, from Gwen Stefani to Manolo Blahnik, Women from the Ankle Down is a lively, compelling look at the evolution of modern women and the fashion that reflects-and has shaped-their changing lives.
Women Holding Things
by Maira KalmanFrom the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a wondrous collection of words and paintings that is a moving meditation on the beauty and complexity of women’s lives and roles, revealed in the things they hold.“What do women hold? The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love.”In the spring of 2021, Maira and Alex Kalman created a small, limited-edition booklet “Women Holding Things,” which featured select recent paintings by Maira, accompanied by her insightful and deeply personal commentary. The booklet quickly sold out. Now, the Kalmans have expanded that original publication into this extraordinary visual compendium.Women Holding Things includes the bright, bold images featured in the booklet as well as an additional sixty-seven new paintings highlighted by thoughtful and intimate anecdotes, recollections, and ruminations. Most are portraits of women, both ordinary and famous, including Virginia Woolf, Sally Hemings, Hortense Cezanne, Gertrude Stein, as well as Kalman’s family members and other real-life people. These women hold a range of objects, from the mundane—balloons, a cup, a whisk, a chicken, a hat—to the abstract—dreams and disappointments, sorrow and regret, joy and love.Kalman considers the many things that fit physically and metaphorically between women’s hands: We see a woman hold a book, hold shears, hold children, hold a grudge, hold up, hold her own. In visually telling their stories, Kalman lays bare the essence of women’s lives—their tenacity, courage, vulnerability, hope, and pain. Ultimately, she reveals that many of the things we hold dear—as well as those that burden or haunt us—remain constant and connect us from generation to generation.Here, too, are pictures of a few men holding things, such as Rainer Maria Rilke and Anton Chekhov, as well as objects holding other objects that invite us to ponder their intimate relationships to one another.Women Holding Things explores the significance of the objects we carry—in our hands, hearts, and minds—and speaks to, and for, all of us. Maira Kalman’s unique work is a celebration of life, of the act and the art of living, offering an original way of examining and understanding all that is important in our world—and ultimately within ourselves.
Women I Have Dressed (and Undressed!)
by Arnold ScaasiA premier American fashion designer shares his experiences with famous women from the past half century, describing how their personalities, preferences, and belief systems impacted his designs and the larger fashion arena.
Women Illustrators of the Golden Age (Dover Fine Art, History of Art)
by Mary Carolyn WaldrepAt the turn of the twentieth century, the demand for magazine and book illustrations was at an all-time high, offering women artists an unprecedented number of professional opportunities. This unique anthology features 120 color and black-and-white artworks by the Golden Age of Illustration's finest female illustrators, including Beatrix Potter, Kate Greenaway, and Jessie Willcox Smith. A career in illustration represented an ideal opportunity for women in post-Victorian society. Every well-bred girl was schooled in the arts of sketching and drawing, and by working at home, a woman's modesty could remain uncompromised. Successful competition in a world dominated by male artists, however, called for determination as well as talent. This compilation celebrates the accomplishments of twenty-two female illustrators, including Elenore Abbott, Mabel Lucie Attwell, Elizabeth Shippen Green, Ruth Mary Hallock, Jessie Marion King, Dorothy Lathrop, Ida Rentoul Outhwaite, Margaret Winifred Tarrant, and others.
Women in African Cinema: Beyond the Body Politic
by Lizelle Bisschoff Stefanie Van de PeerWomen in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This study provides the first in-depth and sustained study of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
Women in Art: 50 Fearless Creatives Who Inspired the World (Women In Science Ser.)
by Rachel IgnotofskyWomen in Art celebrates the success of some of the most iconic and fearless women who paved the way for the next generation of artists.From well-known figures such as Frida Kahlo, Dame Vivienne Westwood and Tracey Emin to lesser-known artists including Harriet Powers (the nineteenth-century African American quilter) and Yoyoi Kusama (a Japenese sculptor), this charmingly illustrated and inspiring book highlights the achievements of 50 notable women in the arts.Covering a wide array of artistic mediums, this fascinating collection also contains infographics about artistic movements throughout history, statistics about women's representation in museums, and notable works by women who have inspired the world from the 11th century to today.
Women in Art (Women in Series)
by Rachel IgnotofskyNew York Times bestseller Rachel Ignotofsky's Women in Art comes to the youngest readers in board format!Highlighting the creative contributions of female artists, this board book edition of the original bestseller features simpler text and Rachel Ignotofsky's signature illustrations reimagined for younger readers, to give young creators the perfect role models to grow up with while inspiring a love of art. The collection features diverse women creating a wide array of artistic mediums who paved the way for the next generation of artists. The perfect gift for fans of Rachel Ignotofsky's other board books and buyers of Dream Big, Little One and A Is for Awesome!
Women in Art: 50 Fearless Creatives Who Inspired the World (Women in Science)
by Rachel IgnotofskyA collection of charmingly illustrated and inspiring profiles of fifty pioneering female artists, from the eleventh century to today—by the New York Times bestselling author of Women in Science &“A beautifully illustrated, fact-filled breath of fresh air! Countless women have been left out of art history, but thanks to gorgeous books like this, future generations will begin to know their stories.&”—Danielle Krysa, founder of The Jealous Curator Women make masterpieces! Through fifty fascinating profiles, Women in Art highlights the achievements and stories of fifty notable women in the arts—from well-known figures like painters Frida Kahlo and Georgia O'Keefe, to lesser-known names like nineteenth-century African American quilter Harriet Powers and Hopi-Tewa ceramic artist Nampeyo. Covering a wide array of artistic mediums, Women in Art also contains infographics about artistic movements throughout history, statistics about women&’s representation in museums, and notable works by women. This fascinating book celebrates the success of the bold female creators who inspired the world and paved the way for the next generation of artists.
Women in Asian Performance: Aesthetics and politics
by Arya MadhavanWomen in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.
Women in Atlanta
by Atlanta History Center Staci Catron-Sullivan Susan NeillAlthough Southern women are often portrayed as belles, the photographic record suggests the true diversity, complexity, and richness of their lives. In their roles as wives, mothers, teachers, pilots, businesswomen, and reformers, among others, women contributed greatly to the growth and development of the region. In Atlanta, they helped remake a small railroad hub into the thriving capital of the New South. The photographs in this book, drawn from the collections of the James G. Kenan Research Center at the Atlanta History Center, depict Atlanta women at work and at play from the mid-19th century to the 1970s. In addition to illustrating women's dramatically changing roles during this period, the volume situates these women within the emerging regional and national contexts of their time.
Women in Dramatic Place and Time: Contemporary Female Characters on Stage
by Geraldine CousinFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Women in Long Island's Past: A History of Eminent Ladies and Everyday Lives
by Natalie A. NaylorWomen have been part of Long Island's past for thousands of years but are nearly invisible in the records and history books. From pioneering doctors to dazzling aviatrixes, author Natalie A. Naylor brings these larger-than-life but little-known heroines out of the lost pages of island history. Anna Symmes Harrison, Julia Gardiner Tyler, Edith Kermit Roosevelt and Eleanor Roosevelt all served as first lady of the United States, and all had Long Island roots. Beloved children's author Frances Hodgson Burnett wrote The Secret Garden here, and hundreds of local suffragists fought for their right to vote in the early twentieth century. Discover these and other stories of the remarkable women of Long Island.
Women in Love: And Other Dramatic Writings (Books That Changed the World)
by Larry KramerScreenplays and scripts from the playwright of The Normal Heart.&“A valuable showcase of an important writer&’s early career.&”—The Bay Area Reporter Larry Kramer has been described by Susan Sontag as &“one of America&’s most valuable troublemakers.&” As Frank Rich writes in his Foreword to this collection of writings for the screen and stage, &“his plays are almost journalistic in their observation of the fine-grained documentary details of life . . . that may well prove timeless.&” The title work, the Oscar-nominated screenplay for Women in Love, is a movie &“as sensuous as anything you&’ve probably ever seen on film&” (The New York Times). The screenplay is accompanied by Kramer&’s reflections on the history of the production, sure to be of interest to any student of film. This volume also includes several early plays, Sissies&’ Scrapbook, A Minor Dark Age, and the political farce Just Say No, illuminating the development of one of our most important literary figures. &“Since his screenplay for Women in Love, Kramer has been a prophet of psychic health and catastrophe among us.&” (from The American Academy of Arts and Letters citation). Women in Love &“A visual stunner and very likely the most sensual film ever made.&”—New York Daily News &“Throughout Larry Kramer&’s literate scenario, the Lawrentian themes blaze and gutter. The sooty mind-crushing coal mines that Lawrence knew like the back of his hand are re-created in all their malignance. The annealing quality of sex is exhibited in the most erotic—and tasteful—lust scenes anywhere in contemporary film.&”—Time
Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War
by Cat Mahoney“In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after the Second World War, this book illustrates the ways in which postfeminism has shaped representations of women in contemporary culture. Mahoney offers a new perspective to debates that have previously been concerned with questions of historical accuracy. She argues that depictions of women from the past in modern television drama spawn from the neoliberal postfeminist media climate which originated in the 1990s. These depictions respond to a cultural need to naturalise and de-historicise a version of neoliberal postfeminist femininity that is compatible with the current media climate and far more reflective of the concerns of the present than any “real” or lived experience of women in the past. The result of this process of naturalisation is the assertion that postfeminist values are natural and eternal, rather than a product of the 1980s economic turn and the present political moment. By identifying and interrogating postfeminist norms within four television drama series produced since the 2008 financial crash, this book argues that postfeminism is a dominant structuring force in their depiction of female characters and of the past.
Women in Radio: Unfiltered Voices from Canada (Canadian Studies)
by Helen Aitkin Constance Dilley Barbara M. Freeman Chantal Dumas Helen Hambly Linda Kay Anna Leventhal Christine Maki Andra McCartney Catherine McInnis Tanis Mcknight-Howe Lise Millette Ross E. Perigoe Gertrude J. Robinson Patti Schmidt Anita Marie Slominska Gregory Taylor Sophie Toupin Marian van der Zon Angela WilsonWho are, au féminin, the legends who shaped radio in Canada? What did they contribute locally, regionally, and nationally? How was their experience in radio broadcasting different from that of their male counterparts? Women in Radio presents the women who built careers in the radio industry—yet whose contribution has often been overlooked simply because they were women. This collection of stories highlights the multi-faceted contributions they made to their field and explores issues specific to them. Academic research, interviews, personal reflections and accounts, historical reviews, and hybrid texts combine neatly in this eclectic yet well–researched edited volume to reflect the fast-paced world of radio broadcasting. Whether through storytelling, direct quotes, or quasi transcriptions best read aloud, the reader will come away with a real sense of the aural nature of radio, of the voice unaccompanied, of the pure spoken word and how it differs from the printed word. Published in English.
Women in Russian Theatre: The Actress in the Silver Age (Gender in Performance)
by Catherine SchulerWomen in Russian Theatre is a fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. With unprecedented access to newly-opened files in Russia, Catherine Schuler brings to light the actresses who had an impact upon Russian modernist theatre. Schuler brings to light the extradordinary lives and work of eight Russian actresses who flourished on the stage between the late nineteenth and early twentieth century.
Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers (Routledge Studies in Middle East Film and Media)
by Gonul Donmez-ColinThis volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasising issues facing women's film-making. Presenting an overview of the modern histories of the two neighbouring countries the study traces certain similarities and contrasts, particularly in the reception, adaption and representation of Western modernity and cinema. This is followed by the exploration of the images of women on screen with attention to minority women, investigating post-traumatic cinema's approaches to women (Islamic Revolution of 1979 in Iran and the 1980 coup d’état in Turkey) and women's interpretations of post-traumatic experiences. Furthermore, the representations of sexualities and LGBTI identities within cultural, traditional and state-imposed restrictions are also discussed. Investigating border-crossing in physical and metaphorical terms, the research explores the hybridities in the artistic expressions of 'deterritorialized' film-makers negotiating loyalties to both vatan (motherland) and the adopted country. This comprehensive analysis of the cinemas of Iran and Turkey, based on extensive research, fieldwork, interviews and viewing of countless films is a key resource for students and scholars interested in film, gender and cultural studies and the Middle East.
Women in the International Film Industry: Policy, Practice and Power
by Susan LiddyThe chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Women in the Picture: What Culture Does With Female Bodies
by Catherine McCormackArt historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.
Women in Theatre 2#3 (Contemporary Theatre Review Ser.)
by Julia PascalFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.