Special Collections
Indigenous Reads Rising: Young Adult
Description: Indigenous Reads Rising is managed by the nonprofit We Need Diverse Books. The lists are intended to introduce readers and educators to Native books they may not have known about.
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by David A. RobertsonAfter finding out Mihko reinstated the Reckoner Initiative in Breakdown, Cole and Eva confronted Mihko head-on. But when Eva stumbles across a secret laboratory, she finds her worst nightmares come to life. After a vicious battle with Mihko&’s newest test subject leaves Cole close to death, Eva is forced to continue their investigation without him. With Brady missing and Cole in recovery, Eva is on her own.What new terrors has Mihko created? Can they be stopped? And can Eva find Brady before it&’s too late?
Man Made Monsters
by Andrea RogersTsalagi should never have to live on human blood, but sometimes things just happen to sixteen-year-old girls.
Making her YA debut, Cherokee writer Andrea L. Rogers takes her place as one of the most striking voices of the horror renaissance that has swept the last decade.
Horror fans will get their thrills in this collection – from werewolves to vampires to zombies – all the time-worn horror baddies are there. But so are predators of a distinctly American variety – the horrors of empire, of intimate partner violence, of dispossession. And so too the monsters of Rogers’ imagination, that draw upon long-told Cherokee stories – of Deer Woman, fantastical sea creatures, and more.
Following one extended Cherokee family across the centuries, from the tribe’s homelands in Georgia in the 1830s to World War I, the Vietnam War, our own present, and well into the future, each story delivers a slice of a particular time period that will leave readers longing for more.
Alongside each story, Cherokee artist and language technologist Jeff Edwards delivers haunting illustrations that incorporate Cherokee syllabary. But don’t just take it from us – award-winning writer of The Only Good Indians and Mongrels Stephen Graham Jones says that "Andrea Rogers writes like the house is on fire and her words are the only thing that can put it out."
Man Made Monsters is a masterful, heartfelt, haunting collection ripe for crossover appeal – just don’t blame us if you start hearing things that go bump in the night.
Powwow Summer
by Nahanni ShingooseRiver is teased about her Indigenous heritage as a young girl, and she struggles with her identity. When she travels to spend the summer with her Indigenous father and grandmother, she finds out what it means to be an "urban Indian." On her family's nearby reserve, she learns about the lives of Indigenous people. River discovers a deep respect for and connection with the land and her cultural traditions. The highlight of her summer is attending the annual powwow with her new friends. After the powwow, River drinks too much and posts photos online that anger people, and she has her right to identify as an Indigenous person called into question. Distributed in the U.S by Lerner Publishing Group.
Everything You Wanted to Know About Indians But Were Afraid to Ask
by Anton TreuerFrom the acclaimed Ojibwe author and professor Anton Treuer comes an essential book of questions and answers for Native and non-Native young readers alike. Ranging from "Why is there such a fuss about nonnative people wearing Indian costumes for Halloween?" to "Why is it called a 'traditional Indian fry bread taco'?" to "What's it like for natives who don’t look native?" to "Why are Indians so often imagined rather than understood?", and beyond, Everything You Wanted to Know About Indians But Were Afraid to Ask (Young Readers Edition) does exactly what its title says for young readers, in a style consistently thoughtful, personal, and engaging.Updated and expanded to include:• Dozens of New Questions and New Sections—including a social activism section that explores the Dakota Access Pipeline, racism, identity, politics, and more!• Over 50 new Photos• Adapted text for broad appeal
Where Wolves Don't Die
by Anton TreuerEzra Cloud hates living in Northeast Minneapolis. His father is a professor of their language, Ojibwe, at a local college, so they have to be there. But Ezra hates the dirty, polluted snow around them. He hates being away from the rez at Nigigoonsiminikaaning First Nation. And he hates the local bully in his neighborhood, Matt Schroeder, who terrorizes Ezra and his friend Nora George. Ezra gets into a terrible fight with Matt at school defending Nora, and that same night, Matt’s house burns down. Instantly, Ezra becomes a prime suspect. Knowing he won’t get a fair deal, and knowing his innocence, Ezra’s family sends him away to run traplines with his grandfather in a remote part of Canada, while the investigation is ongoing. But the Schroeders are looking for him… From acclaimed author Anton Treuer comes a novel that’s both taut thriller and a raw, tender coming-of-age story, about one Ojibwe boy learning to love himself through the love of his family around him. P R A I S E "Where Wolves Don't Die will lift you up and not let you down. Anton Treuer knows how to tell a gripping story and the suspense doesn't let up for a single page. Along the way you'll learn about Ojibwe lifeways, languages, sharp jokes, gentle humor, and how to keep romantic love alive from youth to old age. I couldn't put this book down until I'd finished it, and then, I could not forget it." —Louise Erdrich, Pulitzer Prize Winner and owner of Birchbark Books "I am in awe, crying and smiling at the same time. Where Wolves Don’t Die is a love letter to our Ancestors. This beautiful story is full of cultural teachings and characters so familiar that I'm pretty sure we're related." —Angeline Boulley, #1 NYT bestselling author of Firekeeper’s Daughter "It is quite likely that I will never stop reading Where Wolves Don’t Die. First of all, it’s an excellent piece of writing, and second of all, each time that I would read through one section I would want to go back and read that section or another one over again. I enjoyed the writing so much because the author’s thoughts reflected mine in terms of what I knew my life to be and what I had hoped could have been. I think it is one of the best pieces of writing I have ever read." —The Hon. Senator Murray Sinclair, Chair of Canada’s Truth and Reconciliation Commission "A nuanced adventure centering family and growth." —Kirkus "Where Wolves Don’t Die gives voice to all of us who survived residential boarding school, visibility to all of us who love and live our language and culture, and hope to all good humans who quest for healing, connection, and love. Everyone should read this." —Dennis Jones, Nigigoonsiminikaaning First Nation Elder and Retired Instructor of Ojibwe, University of Minnesota and residential school survivor "Where Wolves Don’t Die will immerse you in the northern wilderness more completely than Hatchet, rivet you to a storyline faster than a Harry Potter book, and transport you into Indigenous culture more authentically and compellingly than anything in print. This is the best book I have ever read." —Charles Grolla, author of Binesi-dibaajimowinan: Ojibwe Bird Stories and Makazinataagewin: Ojibwe Style Moccasin Game "I have never read a book that so authentically portrayed the yearning we all feel for our culture, ancestors, families, and communities. Where Wolves Don’t Die had me laughing out loud, staying up late to absorb one chapter after another, and crying buckets of unrestrained joy. It left me proud to be Indian and so happy to be alive." —Chrissy Downwind, Vice President of American Indian Student Success & Campus Diversity Officer, American Indian Resource Center, Bemidji State University
A Blanket of Butterflies
by Richard Van CampNo one knows how a suit of samurai armour ended up in the Fort Smith museum. When a mysterious stranger turns up to claim it, Sonny, a young Tłı̨chǫ Dene boy, is eager to help.Shinobu has travelled to Fort Smith, NWT, to reclaim his grandfather&’s samurai sword and armour. But when he discovers that the sword was lost in a poker game, he must confront the man known as Benny the Bank. Along the way, Shinobu must rely on unlikely heroes—Sonny, his grandmother, and a visitor from the spirit world. Together, they face Benny and his men, including the giant they call Flinch.Will Shinobu be able to regain the lost sword and, with it, his family&’s honour? Can Sonny and his grandmother help Shinobu while keeping the peace in their community?Now in full colour, this new edition includes additional background information and cultural context. Learn about the real-life inspiration behind the story and the intersections between Indigenous and Japanese Canadian experiences during the Second World War.
A Girl Called Echo Omnibus
by Katherena VermetteMétis teenager Echo Desjardins is struggling to adjust to a new school and a new home. When an ordinary history class turns extraordinary, Echo is pulled into a time-travelling adventure. Follow Echo as she experiences pivotal events from Métis history and imagines what the future might hold. This omnibus edition includes all four volumes in the A Girl Called Echo series:In Pemmican Wars, Echo finds herself transported to the prairies of 1814. She witnesses a bison hunt, visits a Métis camp, and travels the fur-trade routes. Experience the perilous era of the Pemmican Wars and the events that lead to the Battle of Seven Oaks.In Red River Resistance, we join Echo on the banks of the Red River in the summer of 1869. Canadian surveyors have arrived and Métis families, who have lived there for generations, are losing their land. As the Resistance takes hold, Echo fears for the future of her people in Red River.In Northwest Resistance, Echo travels to 1885. The bison are gone and settlers from the East are arriving in droves. The Métis face starvation and uncertainty as both their survival and traditional way of life are threatened. The Canadian government has ignored their petitions, but hope rises with the return of Louis Riel.In Road Allowance Era, Echo returns to 1885. Louis Riel is standing trial, and the government has not fulfilled its promise of land for the Métis. Burnt out of their home in Ste. Madeleine, Echo&’s people make their way to Rooster Town, a shanty community on the southwest edges of Winnipeg. In this final instalment, Echo is reminded of the strength and perseverance of the Métis.This special omnibus edition of Katherena Vermette&’s best-selling series features an all-new foreword by Chantal Fiola (Returning to Ceremony: Spirituality in Manitoba Métis Communities), a historical timeline, and an essay about Métis being and belonging by Brenda Macdougall (Contours of a People: Métis Family, Mobility, and History).
Project 562
by Matika WilburNEW YORK TIMES BESTSELLER • A photographic and narrative celebration of contemporary Native American life and cultures, alongside an in-depth examination of issues that Native people face, by celebrated photographer and storyteller Matika Wilbur of the Swinomish and Tulalip Tribes.&“This book is too important to miss. It is a vast, sprawling look at who we are as Indigenous people in these United States.&”—Tommy Orange (Cheyenne and Arapaho), author of There ThereLonglisted for the Andrew Carnegie MedalIn 2012, Matika Wilbur sold everything in her Seattle apartment and set out on a Kickstarter-funded pursuit to visit, engage, and photograph people from what were then the 562 federally recognized Native American Tribal Nations. Over the next decade, she traveled six hundred thousand miles across fifty states—from Seminole country (now known as the Everglades) to Inuit territory (now known as the Bering Sea)—to meet, interview, and photograph hundreds of Indigenous people. The body of work Wilbur created serves to counteract the one-dimensional and archaic stereotypes of Native people in mainstream media and offers justice to the richness, diversity, and lived experiences of Indian Country.The culmination of this decade-long art and storytelling endeavor, Project 562 is a peerless, sweeping, and moving love letter to Indigenous Americans, containing hundreds of stunning portraits and compelling personal narratives of contemporary Native people—all photographed in clothing, poses, and locations of their choosing. Their narratives touch on personal and cultural identity as well as issues of media representation, sovereignty, faith, family, the protection of sacred sites, subsistence living, traditional knowledge-keeping, land stewardship, language preservation, advocacy, education, the arts, and more.A vital contribution from an incomparable artist, Project 562 inspires, educates, and truly changes the way we see Native America.