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Actor Training the Laban Way (Second Edition): An Integrated Approach to Voice, Speech, and Movement
by Barbara AdrianThe Groundbreaking Actor Training Guide, Enhanced with New Videos and Expert Advice from Acting Professionals Actors, teachers, and students of performing arts: sharpen your skills and release your potential with Actor Training the Laban Way, a groundbreaking approach to physical and vocal movement. Utilizing theories of preeminent movement theorist Rudolf Laban, acting teacher and performer Barbara Adrian integrates voice, speech, and movement training with illustrated individual and group exercises that include: Breath Support Building Dynamic Alignment Expanding Vocal Tone and Range Articulation and Rhythmic Exploration Enhancing Strength and Stamina Improving Balance and Flexibility Developing a Relationship to the Environs Revealing Your Emotional State through Physical and Vocal Action This second edition also includes an all-new chapter of advice from acting professionals on how they deploy these exercises and techniques in their acting preparation, practice, and performance. New appendices offer readers links to video supplements as well as exercises in IPA.Actor Training the Laban Way will make any performer more impulsive, imaginative, and expressive.
The Actor Uncovered
by Michael HowardA Far-Reaching and Truthful Exploration of Acting in All Its FormsThe Actor Uncovered is certainly not a set of rigid rules advocating one "method" or one singular "truth." Departing from the common guidebook format, Michael Howard uses a unique approach to teaching acting, reflecting on his own history and sharing his own experiences as an actor, director, and teacher. How he writes about the process and craft of acting is at once intensely personal and relatable by others.Readers are invited to participate as though present in this master teacher's classes. Each human being, and thus each actor, is unique. Howard encourages actors to uncover their own ways of working, using their particular abilities and personality traits. Going beyond the craft and into human psychology and the importance of acting as a life force, readers will see new and deeper ways to study and practice, to be introspective, and to arrive at places of revelation about their craft.The Actor Uncovered will have much to say to beginners, to those who are advanced, and to professional and working actors. Howard discusses such topics as:Techniques, styles, and methods in a changing societyRelaxation, concentration, and the breathThe relationships among actor, director, and writerMemoryOn camera versus on stageObstaclesAfter more than seventy years as a professional actor, director, and teacher, Howard shows how living creatively and invoking one's own personality can lead to a successful career as an actor.
The Actor Within: Intimate Conversations with Great Actors
by Rose EichenbaumIn Rose Eichenbaum's third work on the confluence of art making and human expression, she delves into the lives of thirty-five celebrated actors through intimate conversations and photographic portraits. With her probing questions and disarming manner, she captures the essential character of her subjects while shining a light on the art that defines them. The work provides extraordinary insights on the craft of acting with discussions of process, techniques, tools of the trade, and how to advice for aspiring actors from seasoned veterans. These stars of stage and screen, known for signature roles and critically acclaimed performances, emerge in The Actor Within with masks and wardrobe removed. Here, they speak their own lines, tell their own stories, and raise the curtain on what it means to live the actor's life—the challenge of mastering their craft, the drama of big breaks and career woes, the search for meaningful roles, and above all, having the courage to bare their souls before theater audiences or the camera. For the artists featured in this work, acting is more than a profession; it is how they make their way in the world and artfully merge their inner sense of humanness with universal truths. This collection serves as an important inspirational resource for anyone interested in making art, regardless of medium.The Actor Within includes interviews with Karl Malden, Ruby Dee, Ed Harris, Piper Laurie, Marcia Gay Harden, William H. Macy, Ellen Burstyn, Joe Mantegna, Debra Winger, Julia Stiles, Elliott Gould, Elijah Wood, Stockard Channing, Bill Pullman, Amanda Plummer, Marlee Matlin, Charles Durning, Marsha Mason, and many others.
Actors and Acting in Shakespeare's Time
by John H. AstingtonJohn Astington brings the acting style of the Shakespearean period to life, describing and analysing the art of the player in the English professional theatre between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theatre at various times over the course of roughly one hundred years - 1558-1660. Perfect for courses, this 2010 survey takes into account recent discoveries about actors and their social networks, about apprenticeship and company affiliations, and about playing outside the major centre of theatre, London. Astington considers the educational tradition of playing, in schools, universities, legal inns, and choral communities, in comparison to the work of the professional players. A comprehensive biographical dictionary of all major professional players of the Shakespearean period is included as a handy reference guide.
Actors and Audience in the Roman Courtroom (Routledge Monographs In Classical Studies)
by Leanna BablitzWhat would you see if you attended a trial in a courtroom in the early Roman empire? What was the behaviour of litigants, advocates, judges and audience? It was customary for Roman individuals out of general interest to attend the various courts held in public places in the city centre and as such the Roman courts held an important position in the Roman community on a sociological level as well as a letigious one. This book considers many aspects of Roman courts in the first two centuries AD, both civil and criminal, and illuminates the interaction of Romans of every social group. Actors and Audience in the Roman Courtroom is an essential resource for courses on Roman social history and Roman law as a historical phenomenon.
Actors and Audiences: Conversations in the Electric Air
by Caroline HeimActors and Audiences explores the exchanges between those on and off the stage that fill the atmosphere with energy and vitality. Caroline Heim utilises the concept of "electric air" to describe this phenomenon and discuss the charge of emotional electricity that heightens the audience’s senses in the theatre. In order to understand this electric air, Heim draws from in-depth interviews with 79 professional audience members and 22 international stage and screen actors in the United Kingdom, United States, France and Germany. Tapping into the growing interest in empirical studies of the audience, this book documents experiences from three productions – The Encounter, Heisenberg and Hunger. Peer Gynt – to describe the nature of these conversations. The interviews disclose essential elements: transference, identification, projection, double consciousness, presence, stage fright and the suspension of disbelief. Ultimately Heim reveals that the heart of theatre is the relationship between those on- and off-stage, the way in which emotions and words create psychological conversations that pass through the fourth wall into an "in-between space," and the resulting electric air. A fascinating introduction to a unique subject, this book provides a close examination of actor and audience perspectives, which is essential reading for students and academics of Theatre, Performance and Audience Studies.
Actors and Dynamics in the Syrian Conflict's Middle Phase: Between Contentious Politics, Militarization and Regime Resilience (Routledge/St. Andrews Syrian Studies Series)
by Jasmine K. GaniThis volume covers the "middle" time period of the Syrian uprising, roughly from 2012 when Syria’s peaceful protest began to mutate into a violent insurgency and civil war until roughly 2018 when the conflict took on features of a "frozen conflict". The middle period was important as one of key junctures or turning points when the struggle could have reached rather different outcomes. Non-violent protest failed to drive democratization and turned into violent insurrection but revolution from below also failed as did regime counter-insurgency, leaving protracted civil war the default outcome. Second, the consequences of civil war became evident with six themes: failing statehood coexisted with regime resilience; rebel governance emerged as a viable challenge to the regime; social forces were sharply polarized; external actors exacerbated internal divisions; a predatory war economy emerged; and intense violence led to massive displacement of the population. Taking an innovative and interdisciplinary approach that seeks to capture the full complexity of the phenomenon, this book contributes significantly to our understanding of the Syrian conflict, therefore it will be of interest to academics, students, journalists and policy-makers interested in the Syrian civil war.
The Actor's Art and Craft: William Esper Teaches the Meisner Technique
by William Esper Damon DimarcoWilliam Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper's, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor's Art and Craft vividly demonstrates that good training does not constrain actors' instincts--it frees them to create characters with truthful and compelling inner lives.From the Trade Paperback edition.
Actors, Audiences, and Emotions in the Eighteenth Century: Communities of Sentiment (Palgrave Studies in the History of Emotions)
by Glen McGillivrayThis book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.
The Actor's Book of Classical Monologues
by VariousA challenging, wide-ranging collection of monologues from history’s greatest dramatic works. From the stately and poetic Greek tragedies to the lively, bawdy Restoration comedies, the classical repertoire is a treasure trove of often-overlooked materials for male and female, young and old. The solo pieces collected here vary widely in mood, style, and level of challenge; they include a generous supply of Shakespeare and his contemporaries; and they’re fleshed out with brief plot synopses and valuable historical material. Stefan Rudnicki, an accomplished actor, director, and teacher, also provides practical tips on preparing each scene for audition or performance. Among the playwrights whose works are included are: Aeschylus Sophocles Euridipes Aristophanes Shakespeare Tourneur Kyd Middleton Jonson Sheridan Dryden Congreve …and many others.
The Actor's Book Of Contemporary Stage Monologues: More Than 150 Monologues From More Than 70 Playwrights
by Nina Shengold Smith Kraus Inc. StaffThis is the only book that offers a comprehensive collection of contemporary stage monologues for a complete range of roles. An invaluable tool for actors looking for new audition material or for anyone interested in theater.
The Actor's Book of Monologues for Women
by VariousA diverse collection of monologues featuring the voices of women through the ages Drawn from poetry, fiction, diaries, journals, and documents of public record, these selections, although not originally intended for theatrical or cinematic performances, offer unique dramatic opportunities for actors, speakers, students, or anyone interested in women’s studies. Stefan Rudnicki has brought together selections from well-known as well as obscure authors, providing a tremendous range of women’s perspectives from a variety of sources: poems by Elizabeth Barrett Browning, Emily Dickinson, Christina Rossetti, and Sappho, among others; passages from Mary Shelley’s journal, the diaries of Anais Nin, and the memoirs of Isadora Duncan; polemics from Mary Wollstonecraft and Joan of Arc, as well as Susan B. Anthony’s “On Woman’s Right to Suffrage”; and selections from the novels of Emily and Charlotte Bronte, Jane Austen, Ursula K. LeGuin, and others.
Actors Carved and Cast: Netherlandish Sculpture of the Sixteenth Century
by Ethan Matt KavalerPainting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of the sixteenth century was Giambologna, a Fleming who spent the greater part of his career in Florence. A great many of these artists immigrated to foreign courts—so many that the history of Netherlandish sculpture in the second half of the sixteenth century plays out largely abroad. Netherlandish carvers and casters relocated to what are today Austria, Denmark, England, France, Germany, Italy, Poland, Portugal, Spain, Sweden, and Ukraine. Sculpture, more so than painting, was an essential tool in discourses of power.Offering an essential new perspective on a fascinating period in art history, Actors Carved and Cast will appeal to scholars of sculpture and all those interested in Northern Renaissance art.
An Actor's Companion
by Seth Barrish Anne Hathaway"I was totally unprepared for the transformation that Seth's technique created in me. . . . I realized that what I thought I knew about acting up to that point was largely misguided . . . but I now had a great, talented, dedicated teacher who generously wanted to share his tools with everyone. There is muscularity, not to mention wisdom and truth to Seth's techniques. He is a wonderful teacher, and I know that having him as my first guide is one of the luckiest things to have happened to me in my career and life. And when I can't get back to class with him, I am so grateful I have this book to turn to."--Anne Hathaway"This book is truly unlike anything else I know--these pieces are haikus on specific elements of performance and character building."--Philip Himberg, executive director, Sundance Theatre InstituteA collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips--all simple, direct, and useful--are easy to understand and even easier to apply, in both rehearsal and in performance.Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.
Actors Cross the Volga: A Study of the 19th Century Russian Theatre and of Soviet Theatres in War (Routledge Library Editions: Art and Culture in the Nineteenth Century #6)
by Joseph MacleodFirst published in 1946. In this study of Russian theatre, the author explores the developments of drama and the theatre throughout the nineteenth-century. Macleod examines imperial and serf theatres, the impact of Russian drama on the east and west, and the regeneration of theatre at the start of the twentieth-century. This title will be of great interest to students of Theatre Studies and Russian History.
The Actor's Field Guide
by Ed HooksFrom a veteran actor, teacher, and author, here is a quick-reference guide aimed at working actors. Got a funny scene that doesn't seem very funny? Look up "comedy." Got a scene in which you're supposed to cry? Look up "cry." Each entry includes a brief introduction to the topic, followed by several pages of short, bulleted tips or "field notes" that offer quick solutions to any acting problem. In addition, there are brief essays throughout that expand on some of the trickier aspects of the actor's craft. Edgy, concise, and infinitely helpful, no working actor will want to be without this one-of-a-kind guide.* There are 100,000 members in actors unions in the US, with a 50% turnover* Unique quick reference guide for busy actors* Advice on everything from rehersals to auditioning and memorizing lines* Author has trained thousands of actors, including Heather Locklear and Teri Hatcher* Advertising in Back Stage magazineFrom the Trade Paperback edition.
Actor's Guide: Your First Year in Hollywood
by Lisa Mulcahy Michael St. NicolasFor every actor beginning a career in Hollywood, this indispensable guide will lay out a clear and comprehensible path with tried-and-true advice. Up-to-date resources and new interviews with recently established actors experiencing the current movieland scene--as well as the timeless voices of established actors and industry pros--make this a rich compendium of Hollywood know-how. Delve into the industry with the support from An Actor’s Guide: Your First Year in Hollywood and discover with confidence how to: Find work through a variety of sources Deliver stunning auditions Join SAG-AFTRA Get a great headshot and put together a stunning resume Build your credentials and gain exposure Hone your craft with professional training and classes Snag a top-notch agent Utilize the power of social media From settling into Los Angeles and sticking to a tight budget, to adventures in reality TV and landing the breakthrough parts you came to Hollywood for, any actor eager to learn will get his or her fair share of insider knowledge with this manual and will discover how to create a positive experience while launching an exciting career.
An Actor's Guide--Making It in New York City: Everything a Working Actor Needs to Survive and Succeed in the Big Apple
by Glenn AltermanFor any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updated to cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapter equipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials, and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.
An Actor's Guide--Making It in New York City (Second Edition)
by Glenn AltermanFor any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updatedto cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapterequipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials,and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.
The Actor's Guide To Adultery
by Rick CoppThey say bad news comes in threes. Jarrod Jarvis is about to test that theory. Bad news item #1. Former child actor Jarrod Jarvis fails to convince the California parole board not to release Wendell Butterworth, the stalker who has followed him since his first Oscar Mayer commercial. #2. Jarrod's NBC pilot flatlines before it even hits the air. #3. His agent/best friend Laurette decides to marry gorgeous, talent-free, and dubiously shady soap actor Juan Carlos Barranco. But things are about to get worse. During Laurette's drive-thru wedding at the Hearst Castle, one of the guests has a heated scene of his own with Juan Carlos--just before crashing into the three-tier wedding cake, poisoned by a glass of champagne. Jarrod is convinced that Juan Carlos is connected to the murder, and he's determined to get the goods on Laurette's new husband, even if it means trailing him to the set of his latest movie, a low-budget horror film, and taking a (gasp!) supporting role. It isn't long before Juan Carlos exposes himself not as a murderer, but as a Viagra-fueled player who is simultaneously bedding his sexy, older leading lady, his young female co-star and a hot Latin man he meets on the QT. Now, trapped in surreal South Florida, home of early bird specials, neon thongs, and, God forbid, his own parents, Jarrod is living out his worst nightmare, keeping an eye on his best friend's cheating husband, fighting his own attraction to a butch P. I. , playing opposite a child star who makes Linda Blair's "Exorcist" turn seem charming, and running from the mob. But while Jarrod has been following Juan's every salacious move, someone else has been tailing Jarrod. Someone who thinks he knows too much for his own good. Someone with the power to turn a cheesy slasher movie into cinema verite. . . and give Jarrod his final screen credit. . . "Wickedly amusing. . . This light confection is certain to tickle readers who appreciate Copp's flair in mixing mystery with a Hollywood Confidential wackiness. "--Publishers Weekly
The Actor's Guide to Creating a Character: William Esper Teaches the Meisner Technique
by David Mamet Patricia Heaton William Esper Damon DimarcoWilliam Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper's first book, The Actor's Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor's Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper's second-year course, again through the experiences of a fictional class. Esper's training builds on Sanford Meisner's legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.
The Actor's Guide To Greed
by Rick CoppGetting butchered at the hands of a serial killer in the "high concept" slasher film, Creeps, was supposed to revive former child star Jarrod Jarvis's career. Instead, it's a celluloid Titanic. While nursing his wounds at the post-premiere party at a Starbucks on Beverly Boulevard, Jarrod runs into Wallace Goodwin, one of the former writers on Go to Your Room, the beloved eighties show that made Jarrod a star. He's shocked to discover that the neurotic, egotistical Wallace has penned a play bound for London's West End, with a scene-stealing part for Jarrod. Faster than he can say his catchphrase, "Baby, don't even go there!" Jarrod's hitting the boards in London. . . and the boards are hitting back, big time. As much as the actors all seem to loathe one another, they truly resent Jarrod. The hotshot young director with a thing for girls named Kate berates him at every turn. British legend Dame Sylvia Horner is so sloshed she can barely read her lines. Bollywood beefcake Akshay Kapoor's one facial expression seems to be handsome glowering--when he isn't making eyes at Jarrod's hunky LAPD boyfriend, Charlie. And since coming out has made him hot again, Sir Anthony Stiles wastes no time "tutoring" every young actor in a twelve-mile radius. Jarrod's only friend in the cast is the formidable Claire Richards. The sexy, forty-something, champagne-swilling, Oscar-winning actress is the undisputed star of the show. No one can play a death scene like La Claire. Except that this time, the diva isn't faking it. She's been poisoned, and the last person to see her alive was Jarrod himself. . . Outrageous, wild, and absolutely fabulous, Rick Copp's The Actor's Guide to Greed skewers everything in its path and serves it up with mango chutney--proof positive that when the tart-tongued Jarrod Jarvis is on the case, the buzz is very, very good.
The Actor's Guide To Murder
by Rick Copp"Baby, don't even go there!" That was Jarrod Jarvis's catch phrase as the adorable, girl-crazy moppet on the eighties sitcom, Go To Your Room! It was a great ride until the tabloids caught the popular teen idol kissing another guy at the L. A. gay rodeo. "Gay" and "teen heartthrob" not exactly being career-making words at the time, Jarrod's star crashed harder than a Kathie Lee Gifford CD. Flash forward: Now happily living with his cop boyfriend, Charlie, and their dog, Snickers, in the Hollywood Hills, Jarrod's ready to hit the comeback trail. . . but he never imagines how fame will strike this time. At a reading with his psychic, Jarrod is disturbed to hear that someone close to him will be murdered and even more shocked when it turns out to be his best friend, Willard Ray Hornsby, also a former child star. When Willard is found face down in his own lap pool, the cops call it an accident, but Jarrod's far from convinced--and he's ready to play the Sherlock Holmes of West Hollywood to prove his conspiracy theory right. . . "Fast-paced and very funny, with a hip insider's view of Hollywood. The Actor's Guide to Murder is the reader's guide to a terrific time. I loved it. " --Laura Levine, author of Last Writes "A pumped-up, promising debut. . . the story has considerable zest and enough sprightly humor to keep readers glued and giggling. " --Publishers Weekly "I laughed all the way through The Actor's Guide to Murder. Here's hoping Jarrod stumbles across another dead body, and soon!" --Dean James, author of Decorated to Death "Rick Copp's Actor's Guide mysteries read like some hilariously wicked Lifestyles of the Rich and Infamous--revealing juicy Hollywood secrets by the page!" --Jerrilyn Farmer, author of Mumbo Gumbo
The Actor's Guide to Self-Marketing: How to Brand and Promote Your Unique Image
by Carla RenataStand Out from the Competition! How do actors sell their personality? What does it take to make a lasting impression? How can actors use their image to achieve their dreams? The Actor's Guide to Self-Marketing answers all these questions and more. With a background in acting and publicity, author Carla Renata has gathered insider info and proven tips to help actors create their own brand and utilize it for success. With The Actor's Guide to Self-Marketing, you will learn how to: Highlight unique traits and skills Distinguish yourself from the crowd Market yourself through social media Angle for your dream role And so much more! Renata's methods have been tested and developed through her branding and social media program, The Branding Buddha, which has been taught online and privately, as well as in group classes at top universities in the United States. Along with tips from her program and extensive background in the field, Renata uses meditative practices and self-actualization to help actors develop their public image and reach their goals with clarity and intention. As she writes, "The mind is everything. What you think, you will become." With The Actor's Guide to Self-Marketing, you'll be well on your way to becoming the actor you really want to be and landing your dream roles.
An Actor's Guide--Your First Year in Hollywood: Your First Year In Hollywood
by Michael St. NicolasAn Actor's Guide-Your First Year in Hollywood should be required reading for any young actor headed to La-La Land with a dream in his heart and a shine on his shoes. Sure, it's a great guide to auditioning, getting a SAG card, finding an agent, landing parts, gaining exposure, and creating publicity-but it's also packed with real-world advice from a fellow actor. Getting to know Los Angeles, finding a place to live and a job to pay the bills. An Actor's Guide presents the whole picture, for career and for daily life. Remember to thank us when you're a big star!