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Racial Indigestion: Eating Bodies in the 19th Century (America and the Long 19th Century #5)
by null Kyla Wazana TompkinsWinner of the 2013 Lora Romero First Book Publication Prize presented by the American Studies AssociationWinner of the 2013 Association for the Study of Food and Society Book AwardPart of the American Literatures Initiative SeriesThe act of eating is both erotic and violent, as one wholly consumes the object being eaten. At the same time, eating performs a kind of vulnerability to the world, revealing a fundamental interdependence between the eater and that which exists outside her body. Racial Indigestion explores the links between food, visual and literary culture in the nineteenth-century United States to reveal how eating produces political subjects by justifying the social discourses that create bodily meaning.Combing through a visually stunning and rare archive of children’s literature, architectural history, domestic manuals, dietetic tracts, novels and advertising, Racial Indigestion tells the story of the consolidation of nationalist mythologies of whiteness via the erotic politics of consumption. Less a history of commodities than a history of eating itself, the book seeks to understand how eating became a political act, linked to appetite, vice, virtue, race and class inequality and, finally, the queer pleasures and pitfalls of a burgeoning commodity culture. In so doing, Racial Indigestion sheds light on contemporary “foodie” culture’s vexed relationship to nativism, nationalism and race privilege.For more, visit the author's tumblr page: http://racialindigestion.tumblr.com
Five Discourses of Worldly Wisdom (Clay Sanskrit Library #28)
by Vishnu·sharmanThe king despairs of his idle sons, so he hires a learned brahmin who promises to make their lessons in statecraft unmissable. The lessons are disguised as short stories, featuring mainly animal protagonists. Many of these narratives have traveled across the world, and are known in the West as Aesop’s fables.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Policing Methamphetamine: Narcopolitics in Rural America
by null William GarriottIn its steady march across the United States, methamphetamine has become, to quote former Attorney General Alberto Gonzales, “the most dangerous drug in America.” As a result, there has been a concerted effort at the local level to root out the methamphetamine problem by identifying the people at its source—those known or suspected to be involved with methamphetamine. Government-sponsored anti-methamphetamine legislation has enhanced these local efforts, formally and informally encouraging rural residents to identify meth offenders in their communities. Policing Methamphetamine shows what happens in everyday life—and to everyday life—when methamphetamine becomes an object of collective concern. Drawing on interviews with users, police officers, judges, and parents and friends of addicts in one West Virginia town, William Garriott finds that this overriding effort to confront the problem changed the character of the community as well as the role of law in creating and maintaining social order. Ultimately, this work addresses the impact of methamphetamine and, more generally, the war on drugs, on everyday life in the United States.
Gun Women: Firearms and Feminism in Contemporary America
by null Mary Zeiss Stange null Carol K. OysterWomen, we are told, should not own guns. Women, we are told, are more likely to be injured by their own guns than to fend off an attack themselves. This "fact" is rooted in a fundamental assumption of female weakness and vulnerability. Why should a woman not be every bit as capable as a man of using a firearm in self-defense? And yet the reality is that millions of American women--somewhere between 11,000,000 and 17,000,000--use guns confidently and competently every day. Women are hunting, using firearms in their work as policewomen and in the military, shooting for sport, and arming themselves for personal security in ever-increasing numbers. What motivates women to possess firearms? What is their relationship to their guns? And who exactly are these women? Crucially, can a woman be a gun-owner and a feminist too? Women's growing tendency to arm themselves has in recent years been political fodder for both the right and the left. Female gun owners are frequently painted as "trying to be like men" (the conservative perspective) or "capitulating to patriarchal ideas about power" (the liberal critique). Eschewing the polar extremes in the heated debate over gun ownership and gun control, and linking firearms and feminism in novel fashion, Mary Zeiss Stange and Carol K. Oyster here cut through the rhetoric to paint a precise and unflinching account of America's gun women.
Global TV: Exporting Television and Culture in the World Market
by null Denise D. Bielby null C. Lee HarringtonA reporter for the Los Angeles Times once noted that “I Love Lucy is said to be on the air somewhere in the world 24 hours a day.” That Lucy’s madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies.In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin telenovelas so easily cross borders and adapt to new cultural surroundings? Why is The Nanny, whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over?Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale.
Trojan Horses: Saving the Classics from Conservatives
by null Page DuBoisA passionate reexamination of the ancient world and the lessons we can draw from antiquityIn today’s turbulent cultural moment, it is all too common for conservatives to invoke the wisdom of the ancient Greeks in the name of timeless virtues. At the same time, critics have charged that multiculturalists have hopelessly corrupted the study of antiquity itself, and that the teaching of Classics is dead.Trojan Horses is Page duBois's answer to scholars and theorists—such as Camille Paglia, Allan Bloom, and William Bennett—who have appropriated antiquity in the service of a conservative political agenda. She challenges cultural conservatives' appeal to the authority of the Classics by revealing their presentation of ancient Greece as simplistic, ahistorical, and irreparably distorted by their politics. In its devastating critique of these pundits, Trojan Horses presents a more complex and more accurate view of ancient Greek politics, sex, and religion. In her incisive examinations of figures such as Daedalus and Artemis, duBois eloquently conveys their complexity and passion, but also unearths actions and beliefs that do not square so easily with today's conservative values. As duBois writes, "Like Bennett, I think we should study the past, but not to find nuggets of eternal wisdom. Rather we can comprehend in our history a fuller range of human possibilities, of beginnings, of error, and of difference."In these chapters, duBois offers readers a view of the ancient Greeks that is more nuanced, more subtle, more layered and in every way more historical than the portrait many of today’s scholars strive to display in our classrooms. Sharp, timely, and engaging, Trojan Horses portrays the richness of ancient Greek culture while riding in to rescue the Greeks from the new barbarians.
Wounds of the Spirit: Black Women, Violence, and Resistance Ethics
by null Traci C. WestA collection of first-person accounts documenting a historical legacy of violence against black women in the U.S.In Wounds of the Spirit, Traci West employs first person accounts-from slave narratives to contemporary interviews to Tina Turner's autobiography-to document a historical legacy of violence against black women in the United States. West, a black feminist Christian ethicist, situates spiritual matters within a discussion of the psycho-social impact of intimate assault against African American women. Distinctive for its treatment of the role of the church in response to violence against African American women, the book identifies specific social mechanisms which contribute to the reproduction of intimate violence. West insists that cultural beliefs as well as institutional practices must be altered if we are to combat the reproduction of violence, and suggests methods of resistance which can be utilized by victim-survivors, those in the helping professions, and the church. Interrogating the dynamics of black women's experiences of emotional and spiritual trauma through the diverse disciplines of psychology, sociology, and theology, this important work will be of interest and practical use to those in women's studies, African American studies, Christian ethics, feminist and womanist theology, women's health, family counseling, and pastoral care.
Kids, Cops, and Confessions: Inside the Interrogation Room (Youth, Crime, and Justice #3)
by null Barry C. FeldJuveniles possess less maturity, intelligence, andcompetence than adults, heightening their vulnerability in the justice system.For this reason, states try juveniles in separate courts and use differentsentencing standards than for adults. Yet, when police bring kids in forquestioning, they use the same interrogation tactics they use for adults,including trickery, deception, and lying to elicit confessions or to produceincriminating evidence against the defendants.In Kids, Cops, and Confessions, Barry Feld offers thefirst report of what actually happens when police question juveniles. Drawingon remarkable data, Feld analyzes interrogation tapes and transcripts, policereports, juvenile court filings and sentences, and probation and sentencingreports, describing in rich detail what actually happens in the interrogationroom. Contrasting routine interrogation and false confessions enables police,lawyers, and judges to identify interrogations that require enhanced scrutiny,to adopt policies to protect citizens, and to assure reliability and integrityof the justice system. Feld has produced an invaluable look at how the justicesystem really works.
A Half-Century of Greatness: The Creative Imagination of Europe, 1848-1884
by null Frederic EwenChoice Outstanding Academic Title for 2008A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class.The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list.This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.
The United States of the United Races: A Utopian History of Racial Mixing
by null Greg CarterBarack Obama’s historic presidency has re-inserted mixed race into the national conversation. While the troubled and pejorative history of racial amalgamation throughout U.S. history is a familiar story, The United States of the United Races reconsiders an understudied optimist tradition, one which has praised mixture as a means to create a new people, bring equality to all, and fulfill an American destiny. In this genealogy, Greg Carter re-envisions racial mixture as a vehicle for pride and a way for citizens to examine mixed America as a better America.Tracing the centuries-long conversation that began with Hector St. John de Crevecoeur’s Letters of an American Farmer in the 1780s through to the Mulitracial Movement of the 1990s and the debates surrounding racial categories on the U.S. Census in the twenty-first century, Greg Carter explores a broad range of documents and moments, unearthing a new narrative that locates hope in racial mixture. Carter traces the reception of the concept as it has evolved over the years, from and decade to decade and century to century, wherein even minor changes in individual attitudes have paved the way for major changes in public response. The United States of the United Races sweeps away an ugly element of U.S. history, replacing it with a new understanding of race in America.
Black Lives and Sacred Humanity: Toward an African American Religious Naturalism
by null Carol Wayne WhiteIdentifying African American religiosity as the ingenuity of a people constantly striving to inhabit their humanity and eke out a meaningful existence for themselves amid harrowing circumstances, Black Lives and Sacred Humanity constructs a concept of sacred humanity and grounds it in the writings of Anna Julia Cooper, W. E. B. Du Bois, and James Baldwin. Supported by current theories in science studies, critical theory, and religious naturalism, this concept, as Carol Wayne White demonstrates, offers a capacious view of humans as interconnected, social, value-laden organisms with the capacity to transform themselves and create nobler worlds wherein all sentient creatures flourish.Acknowledging the great harm wrought by divisive and problematic racial constructions in the United States, this book offers an alternative to theistic models of African American religiosity to inspire newer, conceptually compelling views of spirituality that address a classic, perennial religious question: What does it mean to be fully human and fully alive?
Religion, Emotion, Sensation: Affect Theories and Theologies (Transdisciplinary Theological Colloquia)
by Karen Bray and Stephen D. MooreReligion, Emotion, Sensation asks what affect theory has to say about God or gods, religion or religions, scriptures, theologies, and liturgies. Contributors explore the crossings and crisscrossings between affect theory and theology and the study of religion more broadly, as well as the political and social import of such work.Bringing together affect theorists, theologians, biblical scholars, and scholars of religion, this volume enacts creative transdisciplinary interventions in the study of affect and religion through exploring such topics as biblical literature, Christology, animism, Rastafarianism, the women’s Mosque Movement, the unending Korean War, the Sewol ferry disaster, trans and gender queer identities, YA fiction, queer historiography, the prison industrial complex, debt and neoliberalism, and death and poetry.Contributors: Mathew Arthur, Amy Hollywood, Wonhee Anne Joh, Dong Sung Kim, A. Paige Rawson, Erin Runions, Donovan O. Schaefer, Gregory J. Seigworth, Max Thornton, Alexis G. Waller
The Last Professors: The Corporate University and the Fate of the Humanities, With a New Introduction
by null Frank Donoghue“What makes the modern university different from any other corporation?” asked Columbia’s Andrew Delbanco recently in the New York Times. “There is more and more reason to think: less and less,” he answered.In this provocative book, Frank Donoghue shows how this growing corporate culture of higher education threatens its most fundamental values by erasing one of its defining features: the tenured professor.Taking a clear-eyed look at American higher education over the last twenty years, Donoghue outlines a web of forces—social, political, and institutional—dismantling the professoriate. Today, fewer than 30 percent of college and university teachers are tenured or on tenure tracks, and signs point to a future where professors will disappear. Why? What will universities look like without professors? Who will teach? Why should it matter? The fate of the professor, Donoghue shows, has always been tied to that of the liberal arts —with thehumanities at its core. The rise to prominence of the American university has been defined by the strength of the humanities and by the central role of the autonomous, tenured professor who can be both scholar and teacher. Yet in today’s market-driven, rank- and ratings-obsessed world of higher education, corporate logic prevails: faculties are to be managed for optimal efficiency, productivity, and competitive advantage; casual armies of adjuncts and graduate students now fill the demand for teachers.Bypassing the distractions of the culture wars and other “crises,” Donoghue sheds light on the structural changes in higher education—the rise of community colleges and for-profit universities, the frenzied pursuit of prestige everywhere, the brutally competitive realities facing new Ph.D.s —that threaten the survival of professors as we’ve known them. There are no quick fixes in The Last Professors; rather, Donoghue offers his fellow teachers and scholarsan essential field guide to making their way in a world that no longer has room for their dreams.First published in 2008, "The Last Professors" have largely had its arguments borne out in the interim, as the percentage of courses taught by tenured professors continues to dwindle. This new edition includes a substantial Preface that elaborates on recent developments and offers tough but productive analysis that will be crucial for today's academics to heed.
Lives of the Dead Poets: Keats, Shelley, Coleridge (Lit Z)
by null Karen SwannAny reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge’s case, of promise wasted in indolence. One confronts reminiscences of contemporaries who describe subjects singularly unsuited to this world, as well as still stranger materials—death masks, bits of bone, locks of hair, a heart—initially preserved by circles and then circulating more widely, often in tandem with bits of the literary corpus.Especially when it centers on the early deaths of Keats and Shelley, biographical interest tends to be dismissed as a largely Victorian and sentimental phenomenon that we should by now have put behind us. And yet a line of verse by these poets can still trigger associations with biographical detail in ways that spark pathos or produce intimations of prolepsis or fatality, even for readers suspicious of such effects. Biographical fascination—the untoward and involuntary clinging of attention to the biographical subject—is thus “posthumous” in Keats’s evocative sense of the term, its life equivocally sustained beyond its period.Lives of the Dead Poets takes seriously the biographical fascination that has dogged the prematurely arrested figures of three romantic poets. Arising in tandem with a sense of the threatened end of poetry’s allotted period, biographical fascination personalizes the precariousness of poetry, binding poetry, the poet-function, and readers to an irrecuperable singularity. Reading romantic poets together with the modernity of Benjamin and Baudelaire, Swann shows how poets’ afterlives offer an opening for poetry’s survival, from its first nineteenth-century death sentences into our present.
Giorgio Agamben: Beyond the Threshold of Deconstruction (Commonalities)
by null Kevin AttellAgamben’s thought has been viewed as descending primarily from the work of Heidegger, Benjamin, and, more recently, Foucault. This book complicates and expands that constellation by showing how throughout his career Agamben has consistently and closely engaged (critically, sympathetically, polemically, and often implicitly) the work of Derrida as his chief contemporary interlocutor.The book begins by examining the development of Agamben’s key concepts—infancy, Voice, potentiality—from the 1960s to approximately 1990 and shows how these concepts consistently draw on and respond to specific texts and concepts of Derrida. The second part examines the political turn in Agamben’s and Derrida’s thinking from about 1990 onward, beginning with their investigations of sovereignty and violence and moving through their parallel treatments of juridical power, the relation between humans and animals, and finally messianism and the politics to come.
Sexagon: Muslims, France, and the Sexualization of National Culture
by null Mehammed Amadeus MackHonorable Mention, Association for Middle East Women’s StudiesHonorable Mention, 2018 Arab American Book Awards (Non-Fiction)In contemporary France, particularly in the banlieues of Paris, the figure of the young, virile, hypermasculine Muslim looms large. So large, in fact, it often supersedes liberal secular society’s understanding of gender and sexuality altogether. Engaging the nexus of race, gender, nation, and sexuality, Sexagon studies the broad politicization of Franco-Arab identity in the context of French culture and its assumptions about appropriate modes of sexual and gender expression, both gay and straight.Surveying representations of young Muslim men and women in literature, film, popular journalism, television, and erotica as well as in psychoanalysis, ethnography, and gay and lesbian activist rhetoric, Mehammed Amadeus Mack reveals the myriad ways in which communities of immigrant origin are continually and consistently scapegoated as already and always outside the boundary of French citizenship regardless of where the individuals within these communities were born. At the same time, through deft readings of—among other things—fashion photography and online hook-up sites, Mack shows how Franco-Arab youth culture is commodified and fetishized to the point of sexual fantasy.Official French culture, as Mack suggests, has judged the integration of Muslim immigrants from North and West Africa—as well as their French descendants—according to their presumed attitudes about gender and sexuality. More precisely, Mack argues, the frustrations consistently expressed by the French establishment in the face of the alleged Muslim refusal to assimilate is not only symptomatic of anxieties regarding changes to a “familiar” France but also indicative of an unacknowledged preoccupation with what Mack identifies as the “virility cultures” of Franco-Arabs, rendering Muslim youth as both sexualized objects and unruly subjects.The perceived volatility of this banlieue virility serves to animate French characterizations of the “difficult” black, Arab, and Muslim boy—and girl—across a variety of sensational newscasts and entertainment media, which are crucially inflamed by the clandestine nature of the banlieues themselves and non-European expressions of virility. Mirroring the secret and underground qualities of “illegal” immigration, Mack shows, Franco-Arab youth increasingly choose to withdraw from official scrutiny of the French Republic and to thwart its desires for universalism and transparency. For their impenetrability, these sealed-off domains of banlieue virility are deemed all the more threatening to the surveillance of mainstream French society and the state apparatus.
Upper West Side Catholics: Liberal Catholicism in a Conservative Archdiocese
by null Thomas J. ShelleyThis remarkable history of a beloved Upper West Side church is in many respects a microcosm of the history of the Catholic Church in New York City.Here is a captivating study of a distinctive Catholic community on the Upper West Side of Manhattan, an area long noted for its liberal Catholic sympathies in contrast to the generally conservative attitude that has pervaded the archdiocese of New York. The author traces this liberal Catholic dimension of Upper West Side Catholics to a long if slender line of progressive priests that stretches back to the Civil War era, casting renewed light on their legacy: liturgical reform, concern for social justice, and a preferential option for the poor long before this phrase found its way into official church documents. In recent years this progressivism has demonstrated itself in a willingness to extend a warm welcome to LGBT Catholics, most notably at the Church of the Ascension on West 107th Street. Ascension was one of the first diocesan parishes in the archdiocese to offer a spiritual home to LGBT Catholics and continues to sponsor the Ascension Gay Fellowship Group.Exploring the dynamic history of the Catholic Church of the Ascension, this engaging and accessible book illustrates the unusual characteristics that have defined Catholicism on the Upper West Side for the better part of the last century and sheds light on similar congregations within the greater metropolis. In many respects, the history of Ascension parish exemplifies the history of Catholicism in New York City over the past two centuries because of the powerful presence of two defining characteristics: immigration and neighborhood change. The Church of the Ascension, in fact, is a showcase of the success of urban ethnic Catholicism. It was founded as a small German parish, developed into a large Irish parish, suffered a precipitous decline during the crime wave that devastated the Upper West Side from the 1960s to the 1980s, and was rescued from near-extinction by the influx of Puerto Rican and Dominican Catholics. It has emerged during the last several decades as a flourishing multi-ethnic, bilingual parish that is now experiencing the restored prosperity and prominence of the Upper West Side as one of Manhattan’s most integrated and popular residential neighborhoods.
Georges de La Tour and the Enigma of the Visible
by null Dalia JudovitzNot rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. At first sight, his paintings suggest a veritable celebration of light and the visible world, but this is deceptive. The familiarity of visual experience blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period.By exploring the representations of light, vision, and the visible in La Tour’s works, this interdisciplinary study examines the nature of painting and its artistic, religious, and philosophical implications. In the wake of iconoclastic outbreaks and consequent Catholic call for the revitalization of religious imagery, La Tour paints familiar objects of visible reality that also serve as emblems of an invisible, spiritual reality. Like the books in his paintings, asking to be read, La Tour’s paintings ask not just to be seen as visual depictions but to be deciphered as instruments of insight. In figuring faith as spiritual passion and illumination, La Tour’s paintings test the bounds of the pictorial image, attempting to depict what painting cannot ultimately show: words, hearing, time, movement, changes of heart.La Tour’s emphasis on spiritual insight opens up broader artistic, philosophical, and conceptual reflections on the conditions of possibility of the pictorial medium. By scrutinizing what is seen and how, and by questioning the position of the beholder, his works revitalize critical discussion of the nature of painting and its engagements with the visible world.
The Man Who Never Returned (The Fintan Dunne Trilogy)
by null Peter QuinnPeter Quinn’s The Man Who Never Returned is a noir-ish, stylized detective narrative set in 1950s New York. It follows Fintan, a retired detective turned private investigator who has been given the job of finding Judge Crater, who just went missing in 1930. Based on a real story, it is quite an intriguing tale that was even more so for people living at the time. The famous missing-person case is comparable to the Amelia Earhart missing-person case, though it could have been an even more interesting one. It was alleged that the missing judge may have had information about underhanded dealings in the New York judiciary. It was believed that if such information came to light, Franklin D. Roosevelt, then governor of New York, would have had a hard time becoming the president of the United States. There were also rumors that the judge, who was a known ladies’ man, had either decided to disappear or had fallen afoul of the mafia. Featuring hardboiled characters and a beautiful re-creation of New York from the ’50s, it is quite a compelling read.
A Pact with Vichy: Angelo Tasca from Italian Socialism to French Collaboration (World War II: The Global, Human, and Ethical Dimension)
by null Emanuel RotaAngelo Tasca, a pivotal figure in 20th-century Italian political history, and indeed European history, is frequently overshadowed by his Fascist opponent Mussolini or his Socialist and Communist colleagues (Gramsci and Togliatti). Yet, as Emanuel Rota reveals in this captivating biography, Tasca—also known as Serra, A. Rossi, André Leroux, and XX—was in fact a key political player in the first half of the 20th century and an ill-fated representative of the age of political extremes he helped to create. In A Pact with Vichy, readers meet the Italian intellect and politician with fresh eyes as the author demystifies Tasca’s seemingly bizarre trajectory from revolutionary Socialist to Communist to supporter of the Vichy regime. Rota demonstrates how Tasca, an indefatigable cultural operator and Socialist militant, tried all his life to maintain his commitment to scientific analysis in the face of the rise of Fascism and Stalinism, but his struggle ended in a personal and political defeat that seemed to contradict all his life when he lent his support to the Vichy government.Through Tasca’s complex life, A Pact with Vichy vividly reconstructs and elucidates the even more complex networks and debates that animated the Italian and French Left in the first half of the 20th century. After his expulsion from the Italian Communist Party as a result of his refusal to conform to Stalinism, Tasca reinvented his life in Paris, where he participated in the intense political debates of the 1930s. Rota explores how Tasca’s political choices were motivated by the desperate attempt to find an alternative between Nazism and Stalinism, even when this alternative had the ambiguous borders of Vichy’s collaborationist regime. A Pact with Vichy uncovers how Tasca’s betrayal of his own ideal was tragically the result of his commitment to political realism in the brief age of triumphant Fascism.This riveting, perceptive biography offers readers a privileged window into one of the 20th century’s most intriguing yet elusive characters. It is a must-read for history buffs, students, and scholars alike.
Antidote for Night
by null Marsha de la OSet in present-day Southern California, Antidote for Night is a heartbreak lyric, a corrido, a love song to California's city lights and far-flung outskirts—the San Diego backcountry, the Central Valley, the Inland Empire, and the Mojave Desert. Marsha de la O's voice is a kind of free jazz, musically rich with LA noir and the vastness of metropolitan Southern California.Marsha de la O's Black Hope won the New Issues Prize from the University of Western Michigan and an Editor's Choice Award. She has taught Spanish-speaking children in Los Angeles and Ventura County for thirty years.
Gravity Changes (American Readers Series)
by null Zach PowersGravity Changes is a collection of fantastical, off-beat stories that view the quotidian world through the lens of the absurd. Set in a surreal fictional world that is populated by strange characters-children who defy gravity, a man who marries a light-bulb, the Devil and his miracle-worker wife-these stories take wide steps outside of reality, finding new ways to illuminate truth.
Building the Old Time Religion: Women Evangelists in the Progressive Era
by null Priscilla Pope-Levison2015 Smith/Wynkoop Book Award presented by the Wesleyan Theological Society2014 Choice Outstanding Academic TitleDuring the Progessive Era, a period of unprecedented ingenuity, women evangelists built the old time religion with brick and mortar, uniforms and automobiles, fresh converts and devoted protégés. Across America, entrepreneurial women founded churches, denominations, religious training schools, rescue homes, rescue missions, and evangelistic organizations. Until now, these intrepid women have gone largely unnoticed, though their collective yet unchoreographed decision to build institutions in the service of evangelism marked a seismic shift in American Christianity. In this ground-breaking study, Priscilla Pope-Levison dusts off the unpublished letters, diaries, sermons, and yearbooks of these pioneers to share their personal tribulations and public achievements. The effect is staggering. With an uncanny eye for essential details and a knack for historical nuance, Pope-Levison breathes life into not just one or two of these women—but two dozen.
Women and Community in Oman
by null Christine EickelmanBefore 1970 Oman was one of teh more isolated countries on the Arab peninsula. The growth of the oil economy during the seventies, however, has brought rapid change to the small towns and villages that make up the country. In Women and Community in Oman Chritine Eickelman captures the tone and feel of this desert culture on the verge of substantial, and probably irreversible, change. During 1979 and 1980 she lived in Hamra, an oasis of 2,500 persons and the capital of the Abriyin tribe. Situated on the western edge of the Jabal al-Akhdar region of inner Oman, this was formerly one of the most inaccessible areas of the peninsula. Eickelman lived there among the people of Hamra, visiting Omani, this was formerly one of the most inaccessible areas of the peninsula. Eickelman lived there among the people of Hamra, visiting Omani homes, and speaking daily with the men and women - especially the women. The result is a lively and very personal firsthand account of day-to-day life in the Omani interior. The book looks at the practical changes in the life of the Omanis, and at the roles, concerns, and aspirations of the women there. Eickelman explores key concepts in the Omani community and family life, from choosing a spouse and "negotiating" a marriage to giving birth and raising children; from work and status within the community to rituals, mores and sociability in the neighborhood. Eickelman's study stands as a discriminateing and sympathetic view of a sturdily independent culture. This perceptive and informative account will be of lasting importance and interest to Middle East specialists, anthroupoligists, those concerned with women's studies, and to al persons who want to learn more about the implications of political and social change in the Third World.
T.D. Jakes: America's New Preacher
by null Shayne LeeExamines the rise of one of the most prolific spiritual leader of modern timesT.D. Jakes has emerged as one of the most prolific spiritual leaders of our time. He is pastor of one of the largest churches in the country, CEO of a multimillion dollar empire, the host of a television program, author of a dozen bestsellers, and the producer of two Grammy Award-nominated CDs and three critically acclaimed plays. In 2001 Time magazine featured Jakes on the cover and asked: Is Jakes the next Billy Graham?T.D. Jakes draws on extensive research, including interviews with numerous friends and colleagues of Jakes, to examine both Jakes’s rise to prominence and proliferation of a faith industry bent on producing spiritual commodities for mass consumption. Lee frames Jakes and his success as a metaphor for changes in the Black Church and American Protestantism more broadly, looking at the ramifications of his rise—and the rise of similar preachers—for the way in which religion is practiced in this country, how social issues are confronted or ignored, and what is distinctly “American” about Jakes's emergence. While offering elements of biography, the work also seeks to shed light on important aspects of the contemporary American and African American religious experience.Lee contends that Jakes’s widespread success symbolizes a religious realignment in which mainline churches nationwide are in decline, while innovative churches are experiencing phenomenal growth. He emphasizes the “American-ness” of Jakes’s story and reveals how preachers like Jakes are drawing followers by delivering therapeutic and transformative messages and providing spiritual commodities that are more in tune with postmodern sensibilities.As the first work to critically examine Bishop Jakes’s life and message, T.D. Jakes is an important contribution to contemporary American religion as well as popular culture.