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Ed King's Mississippi: Behind the Scenes of Freedom Summer
by Rev. Ed King Trent WattsEd King's Mississippi: Behind the Scenes of Freedom Summer features more than forty unpublished black-and-white photographs and substantial writings by the prominent civil rights activist Reverend Ed King. The images and text provide a unique perspective on Mississippi during the summer of 1964. Taken in Jackson, Greenwood, and Philadelphia, the photographs showcase informal images of Martin Luther King Jr., Andrew Young, Mississippi civil rights workers, and college student volunteers in the movement. Ed King's writings offer background and insights on the motivations and work of Freedom Summer volunteers, on the racial climate of Mississippi during the late 1950s and 1960s, and the grassroots effort by black Mississippians to enter the political arena and exercise their fundamental civil rights.Ed King, a native of Vicksburg and a Methodist minister, was a founder of the Mississippi Freedom Democratic Party and a key figure in the civil rights movement in the state in the 1960s. As one of the few white Mississippians with a leadership position in the movement, his words and photographs offer a rare behind-the-scenes chronicle of events in the state during Freedom Summer. Ed King is a retired faculty member of the School of Health Related Professions, University of Mississippi Medical Center. Historian Trent Watts furnishes a substantial introduction to the volume and offers background on the Freedom Summer campaign as well as a description of Ed King's civil rights activism from the late 1950s to the present day.
Fannye Cook: Mississippi's Pioneering Conservationist
by Dorothy ShawhanMississippi Chapter of The Wildlife Society Outstanding BookConservationist Fannye Cook (1889-1964) was the most widely known scientist in Mississippi and was nationally known as the go-to person for biological information or wildlife specimens from the state. This biography celebrates the environmentalist instrumental in the creation of the Mississippi Game and Fish Commission (now called the Mississippi Department of Wildlife, Fisheries, and Parks) and the Mississippi Museum of Natural Science.To accomplish this feat, Cook led an extensive grassroots effort to implement game laws and protect the state's environment. In 1926 she began traveling the state at her own expense, speaking at county fairs, schools, and clubs, and to county boards of supervisors on the status of wildlife populations and the need for management. Eventually she collected a diverse group of supporters from across the state. Due to these efforts, the legislature created the Mississippi Game and Fish Commission in 1932. Thanks to the formation of the Works Progress Administration in 1935, Cook received a WPA grant to conduct a comprehensive plant and animal survey of Mississippi. Under this program, eighteen museums were established within the state, and another one in Jackson, which served as the hub for public education and scientific research.Fannye Cook served as director of the Mississippi Museum of Natural Science until her retirement in 1958. During her tenure, she published many bulletins, pamphlets, scientific papers, and the extensive book Freshwater Fishes of Mississippi.
Peter Kuper: Conversations (Conversations with Comic Artists Series)
by Kent WorcesterPeter Kuper (b. 1958) is one of the country’s leading cartoonists. His artwork has graced the pages and covers of numerous newspapers and magazines, including Time, the New Yorker, Mother Jones, and the New York Times. He is a longtime contributor to Mad magazine, where he has been writing and drawing Spy vs. Spy for two decades, and the cofounder and coeditor of World War 3 Illustrated, the cutting-edge magazine devoted to political graphic art.Most of the interviews collected here are either previously unpublished or long out of print. They address such varied topics as world travels, teaching at Harvard, Hollywood deal-making, climate change, Spy vs. Spy, New York City in the 1970s and 1980s, and World War 3 Illustrated. Among the works examined are his books The System, Sticks and Stones, Stop Forgetting to Remember, Diario de Oaxaca, and adaptations of Franz Kafka’s The Metamorphosis and Upton Sinclair’s The Jungle. Kuper also discusses his graphic novel Ruins, which received the Eisner Award for Best New Graphic Novel in 2016.Along with two dozen images, this volume features ten lively, informative interviews as well as a quartet of revealing conversations, conducted in collaboration with Kuper’s fellow artist Seth Tobocman, with underground comix legends Robert Crumb and Vaughn Bodé, Mad magazine publisher William Gaines, and Jack Kirby.
A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post-9/11 America
by Ted Gournelos and Viveca GreeneA Decade of Dark Humor analyzes ways in which popular and visual culture used humor-in a variety of forms-to confront the attacks of September 11, 2001 and, more specifically, the aftermath. This interdisciplinary volume brings together scholars from four countries to discuss the impact of humor and irony on both media discourse and tangible political reality. Furthermore, it demonstrates that laughter is simultaneously an avenue through which social issues are deferred or obfuscated, a way in which neoliberal or neoconservative rhetoric is challenged, and a means of forming alternative political ideologies.The volume's contributors cover a broad range of media productions, including news parodies (The Daily Show with Jon Stewart, The Colbert Report, The Onion), TV roundtable shows (Politically Incorrect with Bill Maher), comic strips and cartoons (Aaron McGruder's The Boondocks, Jeff Danzinger's editorial cartoons), television drama (Rescue Me), animated satire (South Park), graphic novels (Art Spiegelman's In the Shadow of No Towers), documentary (Fahrenheit 9/11), and other productions.Along with examining the rhetorical methods and aesthetic techniques of these productions, the essays place each in specific political and journalistic contexts, showing how corporations, news outlets, and political institutions responded to-and sometimes co-opted-these forms of humor.
War Noir: Raymond Chandler and the Hard-Boiled Detective as Veteran in American Fiction
by Sarah TrottThe conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work.Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature.The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
Faulkner and Print Culture (Faulkner and Yoknapatawpha Series)
by Jay Watson, Jaime Harker and James G. ThomasWith contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing WuWilliam Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century audiences.These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books; in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde); in the history of modern readers and readerships; and in the construction and cultural politics of literary authorship.Several contributors focus on Faulkner's sensational 1931 novel Sanctuary to illustrate the author's multifaceted relationship to the print ecology of his time, tracing the novel's path from the wellsprings of Faulkner's artistic vision to the novel's reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner's early notices, the Saturday Review of Literature, Saturday Evening Post, men's magazines of the 1950s, and Cold War modernism.
The Christ-Haunted Landscape: Faith and Doubt in Southern Fiction
by Susan KetchinHere are Susan Ketchin's discerning interviews with twelve southerners living and writing in the South, and along with a piece of fiction by each are her penetrating commentaries about the impact of southern religious experience on their work. A little more than a generation ago Flannery O'Connor made a startling observation about herself and her fellow southerners: “By and large,” she said, “people in the South still conceive of humanity in theological terms. While the South is hardly Christ-centered, it is most certainly Christ-haunted. The southerner who isn't convinced of it is very much afraid that he may have been formed in the image and likeness of God.” Guided by O'Connor's perceptive commentary about southerners in general, Susan Ketchin has created a deeply revealing collection that mirrors the pervasive role of religion in the literature by the recent generation of notable southern writers. Ketchin confirms that “old-time religion” remains a potent force in the literature of the contemporary South.
Faulkner and Formalism: Returns of the Text (Faulkner and Yoknapatawpha Series)
by Annette TrefzerFaulkner and Formalism: Returns of the Text collects eleven essays presented at the Thirty-fifth Annual Faulkner and Yoknapatawpha Conference sponsored by the University of Mississippi in Oxford on July 20-24, 2008. Contributors query the status of Faulkner's literary text in contemporary criticism and scholarship. How do scholars today approach Faulkner's texts? For some, including Arthur F. Kinney and James B. Carothers, “returns of the text” is a phrase that raises questions of aesthetics, poetics, and authority. For others, the phrase serves as an invitation to return to Faulkner's language, to writing and the letter itself. Serena Blount, Owen Robinson, James Harding, and Taylor Hagood interpret “returns of the text” in the sense in which Roland Barthes characterizes this shift his seminal essay “From Work to Text.”For Barthes, the text “is not to be thought of as an object . . . but as a methodological field,” a notion quite different from the New Critical understanding of the work as a unified construct with intrinsic aesthetic value. Faulkner's language itself is under close scrutiny in some of the readings that emphasize a deconstructive or a semiological approach to his writing. Historical and cultural contexts continue to play significant roles, however, in many of the essays. The contributions by Thadious Davis, Ted Atkinson, Martyn Bone, and Ethel Young-Minor by no means ignore the cultural contexts, but instead of approaching the literary text as a reflection, a representation of that context, whether historical, economic, political, or social, these readings stress the role of the text as a challenge to the power of external ideological systems. By retaining a bond with new historicist analysis and cultural studies, these essays are illustrative of a kind of analysis that carefully preserves attention to Faulkner's sociopolitical environment. The concluding essay by Theresa Towner issues an invitation to return to Faulkner's less well-known short stories for critical exposure and the pleasure of reading.
Freedom Rider Diary: Smuggled Notes from Parchman Prison (Willie Morris Books in Memoir and Biography)
by Carol Ruth SilverArrested as a Freedom Rider in June of 1961, Carol Ruth Silver, a twenty-two-year-old recent college graduate originally from Massachusetts, spent the next forty days in Mississippi jail cells, including the Maximum-Security Unit at the infamous Parchman Prison Farm. She chronicled the events and her experiences on hidden scraps of paper which amazingly she was able to smuggle out. These raw written scraps she fashioned into a manuscript, which has waited, unread for more than fifty years. Freedom Rider Diary is that account. Freedom Riders were civil rights activists who rode interstate buses into the segregated southern United States in 1961 to test the US Supreme Court rulings outlawing segregation in interstate bus and terminal facilities. Brutality and arrests inflicted on the Riders called national attention to the disregard for federal law and the local violence used to enforce segregation. Police arrested Riders for trespassing, unlawful assembly, and violating state and local Jim Crow laws, along with other alleged offenses, but they often allowed white mobs to attack the Riders without arrest or intervention. This book offers a heretofore unavailable detailed diary from a woman Freedom Rider along with an introduction by historian Raymond Arsenault, author of the definitive history of the Freedom Rides. In a personal essay detailing her life before and after the Freedom Rides, Silver explores what led her to join the movement and explains how, galvanized by her actions and those of her compatriots in 1961, she spent her life and career fighting for civil rights. Framing essays and personal and historical photographs make the diary an ideal book for the general public, scholars, and students of the movement that changed America.
The Music of the Netherlands Antilles: Why Eleven Antilleans Knelt before Chopin's Heart (Caribbean Studies Series)
by Jan BrokkenThe Music of the Netherlands Antilles: Why Eleven Antilleans Knelt before Chopin's Heart is not your usual musical scholarship. In October 1999, eleven Antilleans attended the service held to commemorate the 150th anniversary of Frédéric Chopin's death. This service, held in the Warsaw church where the composer's heart is kept in an urn, was an opportunity for these Antilleans to express their debt of gratitude to Chopin, whose influence is central to Antillean music history. Press coverage of this event caused Dutch novelist and author Jan Brokken (b. 1949) to start writing this book, based on notes he took while living on Curaçao from 1993 to 2002. Anyone hoping to discover an overlooked chapter of Caribbean music and music history will be amply rewarded with this Dutch-Caribbean perspective on the pan-Caribbean process of creolization. On Curaçao, the history and legacy of slavery shaped culture and music, affecting all the New World. Brokken's portraits of prominent Dutch Antillean composers are interspersed with cultural and music history. He puts the Dutch Caribbean's contributions into a broader context by also examining the nineteenth-century works by pianist Louis Moreau Gottschalk from New Orleans and Manuel Saumell from Cuba. Brokken explores the African component of Dutch-Antillean music—examining the history of the rhythm and music known as tambú as well as American jazz pianist Chick Corea's fascination with the tumba rhythm from Curaçao. The book ends with a discussion of how recent Dutch-Caribbean adaptations of European dance forms have shifted from a classical approach to contemporary forms of Latin jazz.
Lost Plantation: The Rise and Fall of Seven Oaks
by Marc R. MatranaAlong the fertile banks of the Mississippi River across from New Orleans, planter Camille Zeringue transformed a mediocre colonial plantation into a thriving gem of antebellum sugar production, complete with a columned mansion known as Seven Oaks. Under the moss-strewn oaks, the privileged master nurtured his own family, but enslaved many others. Excelling at agriculture, business, an ambitious canal enterprise, and local politics, Zeringue ascended to the very pinnacle of southern society. But his empire soon came crashing down. After the ravages of the Civil War and a nasty battle with a railroad company, the family eventually lost the great estate. Seven Oaks ultimately ended up in the hands of distant railroad executives whose only desire was to rid themselves of this heap of history. Lost Plantation: The Rise and Fall of Seven Oaks tells both of Zeringue's climb to the top and of his legacy's eventual ruin. Preservationists and community members abhorred the railroad's indifferent attitude, and the question of the plantation mansion's fate fueled years of fiery, political battles. These hard-fought confrontations ended in 1977 when the exasperated railroad executives sent bulldozers through the decaying house. By analyzing one failed effort, Lost Plantation provides insight into the complex workings of American historical preservation efforts as a whole, while illustrating how southerners deal with their multifaceted past. The rise and fall of Seven Oaks is much more than just a local tragedy—it is a glaring example of how any community can be robbed of its history. Now, as parishes around New Orleans recognize the great aesthetic and monetary value of restoring plantation homes and attracting tourism, Jefferson Parish mourns a manor lost.
That's Got 'Em!: The Life and Music of Wilbur C. Sweatman (American Made Music Series)
by Mark BerresfordAssociation of Recorded Sound Collections Awards for Excellence Best Research in Recorded Jazz Music–Best History (tie) (2011) Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll—“pickaninny” bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called “first jazz records.” Sweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory “plantation” costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers. That's Got 'Em! is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.
Mississippi Black Paper (Civil Rights in Mississippi Series)
by Reinhold Niebuhr, Hodding Carter III and Jason Morgan WardAt the height of the civil rights movement in Mississippi, as hundreds of volunteers prepared for the 1964 Freedom Summer Project, the Council of Federated Organizations (COFO) compiled hundreds of statements from activists and everyday citizens who endured police abuse and vigilante violence. Fifty-seven of those testimonies appear in Mississippi Black Paper. The statements recount how white officials and everyday citizens employed assassinations, beatings, harassment, and petty meanness to block any change in the state's segregated status quo. The testimonies in Mississippi Black Paper come from well-known civil rights heroes such as Fannie Lou Hamer, Aaron Henry, and Rita Schwerner, but the book also brings new voices and stories to the fore. Alongside these iconic names appear grassroots activists and everyday people who endured racial terror and harassment for challenging, sometimes in seemingly imperceptible ways, the state's white supremacy. This new edition includes the original foreword by Reinhold Neibuhr and the original introduction by Mississippi journalist Hodding Carter III, as well as Jason Morgan Ward's new introduction that places the book in its context as a vital source in the history of the civil rights movement.
Shadows and Cypress: Southern Ghost Stories
by Alan BrownFrom backwaters as dark as a cypress swamp to nooks as mysterious as a musty college library, southerners have conjured spirits and told ghost stories. Shadows and Cypress: Southern Ghost Stories is a Dixie séance that summons ghost tales from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. Collecting more than a dozen stories from each state, this book channels the South's entire panorama of creepy locales into one volume. The limestone caves of Kentucky, the swamps of Louisiana and Florida, the pine hills and hollows of Appalachia, and the plains of Texas—these are perfect haunts for a host of narratives about visitors from the spirit world. The many cultures that converged in the American South enriched the region's ghost stories. Shadows and Cypress taps African American, French, Hispanic, and Scotch-Irish storytelling traditions to capture the distinctive signatures that each has left on ghostlore. Throughout the region, the southern ghost story is hardly a curio from the crypt. It is still alive and well. Folklorist Alan Brown draws stories from crannies as contemporary as the college dormitory or cars parked on a lover's lane. To give the reader the unique experience of hearing a classic ghost story told, Brown presents these tales exactly as they were recorded in his field research or as archived in the trove of the WPA oral collections. A wide variety of specters found only in this region arise in Shadows and Cypress. The “fillet” and “loogaroo” from Louisiana, “plat-eye” from South Carolina, and “haints” from across Dixie are among the creatures bumping in the night. Beginning with the Revolutionary War and continuing to the present day, this generous gathering of tales will chill and delight readers and long haunt shelves as a comprehensive sourcebook of the region's supernatural allure.
Right to Revolt: The Crusade for Racial Justice in Mississippi's Central Piney Woods
by Patricia Michelle BoyettOn January 10, 1966, Klansmen murdered civil rights leader Vernon Dahmer in Forrest County, Mississippi. Despite the FBI's growing conflict against the Klan, recent civil rights legislation, and progressive court rulings, the Imperial Wizard promised his men: “no jury in Mississippi would convict a white man for killing a nigger.” Yet this murder inspired change. Since the onset of the civil rights movement, local authorities had mitigated federal intervention by using subtle but insidious methods to suppress activism in public arenas. They perpetuated a myth of Forrest County as a bastion of moderation in a state notorious for extremism. To sustain that fiction, officials emphasized that Dahmer's killers hailed from neighboring Jones County and pursued convictions vigorously. Although the Dahmer case became a watershed in the long struggle for racial justice, it also obscured Forrest County's brutal racial history. Patricia Michelle Boyett debunks the myth of moderation by exploring the mob lynchings, police brutality, malicious prosecutions, and Klan terrorism that linked Forrest and Jones Counties since their founding. She traces how racial atrocities during World War II and the Cold War inspired local blacks to transform their counties into revolutionary battlefields of the movement. Their electrifying campaigns captured global attention, forced federal intervention, produced landmark trials, and chartered a significant post-civil rights crusade. By examining the interactions of black and white locals, state and federal actors, and visiting activists from settlement to contemporary times, Boyett presents a comprehensive portrait of one of the South's most tortured and transformative landscapes.
Consuming Katrina: Public Disaster and Personal Narrative (Folklore Studies in a Multicultural World Series)
by Dr. Kate Parker HoriganWhen and under what circumstances are disaster survivors able to speak for themselves in the public arena? In Consuming Katrina: Public Disaster and Personal Narrative, author Kate Parker Horigan shows how the public understands and remembers large-scale disasters like Hurricane Katrina, outlining which stories are remembered and why, as well as the impact on public memory and the survivors themselves.Horigan discusses unique contexts in which personal narratives about the storm are shared, including interviews with survivors, Dave Eggers's Zeitoun, Josh Neufeld's A.D.: New Orleans After the Deluge, Tia Lessin and Carl Deal's Trouble the Water, and public commemoration during Hurricane Katrina's tenth anniversary in New Orleans. In each case, survivors initially present themselves in specific ways, counteracting negative stereotypes that characterize their communities. However, when adapted for public presentation, their stories get reduced back to those stereotypes. As a result, people affected by Katrina continue to be seen in limited terms, as either undeserving or incapable of managing recovery.This project is rooted in Horigan's experiences living in New Orleans before and after Katrina, but it is also a case study illustrating an ongoing problem and an innovative solution: survivors' stories should be shared in a way that includes their own engagement with the processes of narrative production, circulation, and reception. When survivors are seen as agents in their own stories, they will be seen as agents in their own recovery. Having a better grasp on the processes of narration and memory is critical for improved disaster response because the stories that are most widely shared about disaster determine how communities recover.
Clint Eastwood: Interviews, Revised and Updated (Conversations with Filmmakers Series)
by Robert E. KapsisClint Eastwood (b. 1930) is the only popular American dramatic star to have shaped his own career almost entirely through films of his own producing, frequently under his own direction; no other dramatic star has directed himself so often. He is also one of the most prolific active directors, with thirty-three features to his credit since 1971. As a star, he is often recalled primarily for two early roles—the “Man with No Name” of three European-made Westerns, and the uncompromising cop “Dirty” Harry Callahan. But on his own as a director, Eastwood has steered a remarkable course. A film industry insider who works through the established Hollywood system and respects its traditions, he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. His films as director have examined an eclectic variety of themes, ranging from the artist's life to the nature of heroism, while frequently calling into question the ethos of masculinity and his own star image. Yet they have remained accessible to a popular audience worldwide. With two Best Director and two Best Picture Oscars to his credit, Eastwood now ranks among the most highly honored living filmmakers. These interviews range over the more than four decades of Eastwood's directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources—several appearing here in English for the first time.
Sanctuaries of Segregation: The Story of the Jackson Church Visit Campaign
by Carter Dalton LyonWinner of the 2017 Eudora Welty PrizeSanctuaries of Segregation provides the first comprehensive analysis of the Jackson, Mississippi, church visit campaign of 1963-1964 and the efforts by segregationists to protect one of their last refuges. For ten months, integrated groups of ministers and laypeople attempted to attend Sunday worship services at all-white Protestant and Catholic churches in the state's capital city. While the church visit was a common tactic of activists in the early 1960s, Jackson remained the only city where groups mounted a sustained campaign targeting a wide variety of white churches.Carter Dalton Lyon situates the visits within the context of the Jackson Movement, compares the actions to church visits and kneel-ins in other cities, and places these encounters within controversies already underway over race inside churches and denominations. He then traces the campaign from its inception in early June 1963 through Easter Sunday 1964. He highlights the motivations of the various people and organizations, the interracial dialogue that took place on the church steps, the divisions and turmoil the campaign generated within churches and denominations, the decisions by individual congregations to exclude black visitors, and the efforts by the state and the Citizens' Council to thwart the integration attempts.Sanctuaries of Segregation offers a unique perspective on those tumultuous years. Though most churches blocked African American visitors and police stepped in to make forty arrests during the course of the campaign, Lyon reveals many examples of white ministers and laypeople stepping forward to oppose segregation. Their leadership and the constant pressure from activists seeking entrance into worship services made the churches of Jackson one of the front lines in the national struggle over civil rights.
Teche: A History of Louisiana's Most Famous Bayou (America's Third Coast Series)
by Shane K. BernardRecipient of a 2017 Book of the Year Award presented by the Louisiana Endowment for the HumanitiesShane K. Bernard's Teche examines this legendary waterway of the American Deep South. Bernard delves into the bayou's geologic formation as a vestige of the Mississippi and Red Rivers, its prehistoric Native American occupation, and its colonial settlement by French, Spanish, and, eventually, Anglo-American pioneers. He surveys the coming of indigo, cotton, and sugar; steam-powered sugar mills and riverboats; and the brutal institution of slavery. He also examines the impact of the Civil War on the Teche, depicting the running battles up and down the bayou and the sporadic gunboat duels, when ironclads clashed in the narrow confines of the dark, sluggish river.Describing the misery of the postbellum era, Bernard reveals how epic floods, yellow fever, racial violence, and widespread poverty disrupted the lives of those who resided under the sprawling, moss-draped live oaks lining the Teche's banks. Further, he chronicles the slow decline of the bayou, as the coming of the railroad, automobiles, and highways reduced its value as a means of travel. Finally, he considers modern efforts to redesign the Teche using dams, locks, levees, and other water-control measures. He examines the recent push to clean and revitalize the bayou after years of desecration by litter, pollutants, and invasive species. Illustrated with historic images and numerous maps, this book will be required reading for anyone seeking the colorful history of Louisiana and the Gulf Coast.As a bonus, the second part of the book describes Bernard's own canoe journey down the Teche's 125-mile course. This modern personal account from the field reveals the current state of the bayou and the remarkable people who still live along its banks.
Decolonization in St. Lucia: Politics and Global Neoliberalism, 1945–2010 (Caribbean Studies Series)
by Tennyson S. JosephTennyson S. D. Joseph builds upon current research on the anticolonial and nationalist experience in the Caribbean. He explores the impact of global transformation upon the independent experience of St. Lucia and argues that the island's formal decolonization roughly coincided with the period of the rise of global neoliberalism hegemony. Consequently, the concept of “limited sovereignty” became the defining feature of St. Lucia's understanding of the possibilities of independence. Central to the analysis is the tension between the role of the state as a facilitator of domestic aspirations on one hand and a facilitator of global capital on the other. Joseph examines six critical phases in the St. Lucian experience. The first is 1940 to 1970, when the early nationalist movement gradually occupied state power within a framework of limited self-government. The second period is 1970 to 1982 during which formal independence was attained and an attempt at socialist-oriented radical nationalism was pursued by the St. Lucia Labor Party. The third distinctive period was the period of neoliberal hegemony, 1982-1990. The fourth period (1990-1997) witnessed a heightened process of neoliberal adjustment in global trade which destroyed the banana industry and transformed the domestic political economy. A later period (1997-2006) involved the SLP's return to political power, resulting in tensions between an earlier radicalism and a new and contradictory accommodation to global neoliberalism. The final period (2006-2010) coincides with the onset of a crisis in global neoliberalism during which a series of domestic conflicts reflected the contradictions of the dominant understanding of sovereignty in narrow, materialist terms at the expense of its wider anti-systematic, progressive, and emancipator connotations.
She Could Be Chaplin!: The Comedic Brilliance of Alice Howell (Hollywood Legends Series)
by Anthony SlideAlice Howell (1886-1961) is slowly gaining recognition and regard as arguably the most important slapstick comedienne of the silent era. This new study, the first book-length appreciation, identifies her place in the comedy hierarchy alongside the best-known of silent comediennes, Mabel Normand. Like Normand, Howell learned her craft with Mack Sennett and Charlie Chaplin. Beginning her screen career in 1914, Howell quickly developed a distinctive style and eccentric attire and mannerisms, successfully hiding her good looks, and was soon identified as the "Female Charlie Chaplin."Howell became a star of comedy shorts in 1915 and continued her career through 1928 and the advent of sound in film. While she is today recognized as a pioneering female filmmaker, during her career she never expressed much interest in her work, seeing it only as a means to an end, with her income carefully invested in real estate. It has taken many years for her to gain her rightful place in film history, not only as a comedienne, but also as matriarch of a prominent American family that includes son-in-law and director George Stevens and grandson George Stevens Jr., founder of the American Film Institute and the Kennedy Center Honors, who provides a foreword.
The Comic Book Film Adaptation: Exploring Modern Hollywood's Leading Genre
by Liam BurkeIn the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production.Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before.The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
Conversations with Tim O'Brien (Literary Conversations Series)
by Patrick A. SmithOn the strength of a National Book Award for his novel Going After Cacciato and a widely acclaimed short-story cycle, The Things They Carried, Tim O’Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam—and, in the process, was cast as a “Vietnam writer.” But to confine O’Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades. In addition to detailed discussions of all of O’Brien’s work—a memoir, If I Die in a Combat Zone, and seven books of fiction—the sixteen interviews and profiles in Conversations with Tim O’Brien explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O’Brien’s youth in Minnesota and the expectations of a midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction; the role of war in society; gender issues; and the craft of writing. O’Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.
A Lifetime Burning (Banner Books)
by Ellen DouglasSo spontaneous is the writing in A Lifetime Burning, one might believe these are indeed words of a woman desperately trying to understand what has happened to her life, beginning with the fact that her husband has stopped sleeping with her. Why? Is there a rival—perhaps “The Toad,” the unattractive housewife next door—or someone else, who will completely surprise the reader, as do many of the events of the protagonist's story? At age sixty-two, Corinne must grapple with the most painful truth that her lifelong passion—which is anyone's passion, to love and be loved, body and soul—could burn unquenched forever. Her imaginative narrative even when she is lying is as revealing as bedrock truth. A Lifetime Burning is as real as life itself—a novel shimmering and vital and recognizably true. Gripping, smart, suspenseful, and at times, wonderfully witty, Douglas's widely acclaimed book forms a searching and searing record of love, anger, confession, and discovery.
A Mickey Mouse Reader
by Garry ApgarContributions by Walter Benjamin, Lillian Disney, Walt Disney, E. M. Forster, Stephen Jay Gould, M. Thomas Inge, Jim Korkis, Anna Quindlen, Diego Rivera, Gilbert Seldes, Maurice Sendak, John Updike, Irving Wallace, Cholly Wood, and many othersRanging from the playful, to the fact-filled, and to the thoughtful, this collection tracks the fortunes of Walt Disney's flagship character. From the first full-fledged review of his screen debut in November 1928 to the present day, Mickey Mouse has won millions of fans and charmed even the harshest of critics. Almost half of the eighty-one texts in A Mickey Mouse Reader document the Mouse's rise to glory from that first cartoon, Steamboat Willie, through his seventh year when his first color animation, The Band Concert, was released. They include two important early critiques, one by the American culture critic Gilbert Seldes and one by the famed English novelist E. M. Forster. Articles and essays chronicle the continued rise of Mickey Mouse to the rank of true icon. He remains arguably the most vivid graphic expression to date of key traits of the American character—pluck, cheerfulness, innocence, energy, and fidelity to family and friends. Among press reports in the book is one from June 1944 that puts to rest the urban legend that “Mickey Mouse” was a password or code word on D-Day. It was, however, the password for a major pre-invasion briefing. Other items illuminate the origins of “Mickey Mouse” as a term for things deemed petty or unsophisticated. One piece explains how Walt and brother Roy Disney, almost single-handedly, invented the strategy of corporate synergy by tagging sales of Mickey Mouse toys and goods to the release of Mickey's latest cartoons shorts. In two especially interesting essays, Maurice Sendak and John Updike look back over the years and give their personal reflections on the character they loved as boys growing up in the 1930s.